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Tracing how the Civil War continues to shape the landscapes, politics, and culture of today

Every year, thousands of Americans don Civil War uniforms and restage the bloodiest battle ever fought on American soil. In Gettysburg, Time and Again, Mads Daugbjerg explores how the Civil War continues to inhabit the present. Bringing together reenactors, National Park Service rangers, ghost hunters, tourists, and local residents, this study examines how Americans across social and political divides engage the past through the landscapes, institutions, and everyday practices of public history.

At once historically grounded and urgently contemporary, this book speaks directly to current struggles over the meaning of America and its values. Rather than treating time and history as abstract concepts, Daugbjerg approaches them as lived, material forces produced through commemorative landscapes, interpretive labor, and the relentless restaging of 1863 for contemporary audiences. Studying reenactment illuminates not only a distinctive cultural practice but also the broader processes through which the past is continuously reshaped, repeated, and felt in the present. He argues that present-day American unrest can be understood, in part, as a conflict over how the past is curated. He further suggests that Americans today often occupy profoundly different temporal worlds.

Daugbjerg traces these tensions through landscapes, material culture, tourism infrastructures, and social life at Gettysburg. Challenging the commonsense notion of history as linear progression, Gettysburg, Time and Again reveals repetition as a defining feature of American historical experience. By offering a finely grained anthropology of the “present past,” Daugbjerg shows how history’s afterlives remain powerfully out of sync and why those temporal disjunctions matter now.

The interconnections of time with historical thought and knowledge have come powerfully to the fore since the 1970s. An international group of scholars, from a range of fields including literary theory, history of ideas, cultural anthropology, philosophy, intellectual history and theology, philology, and musicology, address the matter of time and temporalities.The volume's essays, divided into four main topical groups question critically the key problem of context, connecting it to the problem of time. Contexts, the essays suggest, are not timeless. Time and its contexts are only partly "given" to us: to the primordial donations of time and world correspond our epistemic, moral, and practical modes of receiving what has been granted. The notion of context may have radically different parameters in different historical, cultural, and disciplinary situations. Topics include the deep antiquity, and the timeless time of eternity, as well as formal philosophies of history and the forms of histories implicit in individual and community experience. The medium specific use of time and history are examined with regard to song, image, film, oral narration, and legal discourse.

In 2018 India's prime minister, Narendra Modi, inaugurated the world's tallest statue: a 597-foot figure of nationalist leader Sardar Patel. Twice the height of the Statue of Liberty, it is but one of many massive statues built following India's economic reforms of the 1990s. In Gods in the Time of Democracy Kajri Jain examines how monumental icons emerged as a religious and political form in contemporary India, mobilizing the concept of emergence toward a radical treatment of art historical objects as dynamic assemblages. Drawing on a decade of fieldwork at giant statue sites in India and its diaspora and interviews with sculptors, patrons, and visitors, Jain masterfully describes how public icons materialize the intersections between new image technologies, neospiritual religious movements, Hindu nationalist politics, globalization, and Dalit-Bahujan verifications of equality and presence. Centering the ex-colony in rethinking key concepts of the image, Jain demonstrates how these new aesthetic forms entail a simultaneously religious and political retooling of the “infrastructures of the sensible.”

From the moment the pandemic took hold in Spring 2020, libraries and library workers have demonstrated their fortitude and flexibility by adapting to physical closures, social distancing guidelines, and a host of other challenges. Despite the obstacles, they’ve been able to stay connected to their communities—and helped connect the people in their communities to each other, as well as to the information and services they need and enjoy. Ostman and ALA’s Public Programs Office (PPO) here present a handpicked cross-section of successful programs, most of them virtual, from a range of different libraries. Featuring events designed to support learning, spark conversation, create connection, or simply entertain, the ideas here will inspire programming staff to try similar offerings at their own libraries. Showcasing innovation in action as well as lessons learned, programs include

• COVID-19 Misinformation Challenge, featuring an email quiz, to encourage participants to separate fact from fiction; 
• weekly virtual storytimes;
• community cooking demonstrations via Zoom;
• an online grocery store tour, complete with tips about shopping healthy on a budget;
• a virtual beer tasting that boasted 80 attendees;
• socially distanced "creativity crates" for summer reading;
• an online Minecraft club for kids ages 6 and up;
• a Zoom presentation about grieving and funerals during COVID, featuring the director of a local funeral home;
• Art Talk Tuesday, a one-hour, docent-led program; 
• a virtual lecture on the history of witchcraft, presented by a public library in partnership with a university rare book room, that drew thousands of viewers;
• "knitting for knewbies" kits for curbside pickup;
• Songs from the Stacks, an ongoing virtual concert series in the style of NPR’s “Tiny Desk”;
• a pink supermoon viewing party that included people howling at the moon together from their homes on Facebook Live;
• and many others