Results by title
106 books match the query 'Western' and 5 start with g
Geological Evolution of the Colorado Plateau of Eastern Utah and Western Colorado
Robert Fillmore
University of Utah Press, 2010
Robert Fillmore’s clear, easy-to-read text documents spectacular features of the eastern Colorado Plateau, one of the most interesting and scenic geologic regions in the world. The area covered in detail stretches from the Book Cliffs to the deep canyons of the San Juan River area. The events that shaped this vast region are clearly described and include the most recent interpretations of ongoing geologic forces. The book also includes mile-by-mile road logs with explanations of the various features for most of the scenic roads in the region, including Arches National Park, Canyonlands National Park, and the Natural Bridges area.
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Gerard de Lairesse and his Painted Heavens
Iconography, Style and Technique in the Art of Ceiling PaintingMargriet van Eikema Hommes
Amsterdam University Press, 2026
In 1672, when the Dutch Republic was under simultaneous attack by four foreign armies, Gerard de Lairesse created a magnificent three-part ceiling painting for one of the main protagonists of this Disaster Year—the powerful former burgomaster of Amsterdam, Andries de Graeff. Technical examination has revealed that Lairesse repeatedly altered his composition and in no fewer than four successive stages, he changed, removed or added figures and objects.
In this book, Margriet van Eikema Hommes, in search of an explanation for this ceiling painting’s intriguing origins, investigates its meaning and purpose. The painter and his patron prove to have been jointly responsible for the iconography, which they repeatedly updated to reflect military and political events in the Disaster Year and the dramatic twists of fate in De Graeff’s own life.
This beautifully illustrated book not only situates the work within its cultural and historical context but also offers an in-depth examination of Lairesse’s painting technique and the way he meticulously designed his ceiling pieces in close dialogue with the architecture of the room.
In this book, Margriet van Eikema Hommes, in search of an explanation for this ceiling painting’s intriguing origins, investigates its meaning and purpose. The painter and his patron prove to have been jointly responsible for the iconography, which they repeatedly updated to reflect military and political events in the Disaster Year and the dramatic twists of fate in De Graeff’s own life.
This beautifully illustrated book not only situates the work within its cultural and historical context but also offers an in-depth examination of Lairesse’s painting technique and the way he meticulously designed his ceiling pieces in close dialogue with the architecture of the room.
[more]
Gerard de Lairesse and his Painted Heavens
Iconography, Style and Technique in the Art of Ceiling PaintingLynne Richards
Amsterdam University Press, 2027
In 1672, when the Dutch Republic was under simultaneous attack by four foreign armies, Gerard de Lairesse created a magnificent three-part ceiling painting for one of the main protagonists of this Disaster Year—the powerful former burgomaster of Amsterdam, Andries de Graeff. Technical examination has revealed that Lairesse repeatedly altered his composition and in no fewer than four successive stages, he changed, removed or added figures and objects.
In this book, Margriet van Eikema Hommes, in search of an explanation for this ceiling painting’s intriguing origins, investigates its meaning and purpose. The painter and his patron prove to have been jointly responsible for the iconography, which they repeatedly updated to reflect military and political events in the Disaster Year and the dramatic twists of fate in De Graeff’s own life.
This beautifully illustrated book not only situates the work within its cultural and historical context but also offers an in-depth examination of Lairesse’s painting technique and the way he meticulously designed his ceiling pieces in close dialogue with the architecture of the room.
In this book, Margriet van Eikema Hommes, in search of an explanation for this ceiling painting’s intriguing origins, investigates its meaning and purpose. The painter and his patron prove to have been jointly responsible for the iconography, which they repeatedly updated to reflect military and political events in the Disaster Year and the dramatic twists of fate in De Graeff’s own life.
This beautifully illustrated book not only situates the work within its cultural and historical context but also offers an in-depth examination of Lairesse’s painting technique and the way he meticulously designed his ceiling pieces in close dialogue with the architecture of the room.
[more]
German City, Jewish Memory
The Story of WormsNils Roemer
Brandeis University Press, 2010
German and Jewish ways of life have been interwoven in Worms, Germany, for over a thousand years. Despite radical changes brought about by expulsion of Jews, wartime devastation, social advancement, cultural and religious renewal, and the Jewish community’s destruction during the Holocaust, the Jewish sites of Worms display a remarkable degree of continuity, which has contributed to the development of distinct urban Jewish cultures, memories, and identities. Tracing the recollection and invention of local Jewish historical traditions in religious commemorations, historical writings, museums, and historical monuments, and the transformation from “sites” to “sights” in the form of tourism from the Middle Ages to the present, Roemer’s rich study of Worms offers a blueprint for historians interested in developing similar studies of cities over the longue durée.
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Glorious, Accursed Europe
Jehuda Reinharz and Yaacov Shavit
Brandeis University Press, 2010
This volume offers a fascinating look at the complex relationship between Jews and Europe during the past two hundred years, and how the European Jewish and non-Jewish intelligentsia interpreted the modern Jewish experience, primarily in Germany, Russia, and Central and Eastern Europe. Beginning with premodern European attitudes toward Jews, Reinharz and Shavit move quickly to “the glorious nineteenth century,” a period in which Jewish dreams of true assimilation came up against modern antisemitism. Later chapters explore the fin-de-siècle “crisis of modernity”; the myth of the modern European Jew; expectations and fears in the interwar period; differences between European nations in their attitude toward Jews; the views of Zionists and early settlers of Palestine and Israel toward the Europe left behind; and views of contemporary Israeli intellectuals toward Europe, including its new Muslim population—the latest incarnation of the Jewish Question in Europe.
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