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Between 1820 and 1910, nearly five and a half million German-speaking immigrants came to the United States in search of new homes, new opportunities, and freedom from European tyrannies. Most settled in the Midwest, and many came to Wisconsin, whose rich farmlands and rising cities attracted three major waves of immigrants. By 1900, German farmers, merchants, manufacturers, editors, and educators—to say nothing of German churches (both Catholic and Lutheran), cultural institutions, food, and folkways—had all set their mark upon Wisconsin. In the most recent census (1990), more than 53 percent of the state's residents considered themselves "German"—the highest of any state in the Union.

In this best-selling book, now with updated text and additional historical photographs, Richard H. Zeitlin describes the values and ideas the Germans brought with them from the Old Country; highlights their achievements on the farm, in the workplace, and in the academy over the course of 150 years; and explains why their impact has been so profound and pervasive.

Representative Gerry Studds served the Massachusetts South Shore, Cape Cod, and New Bedford congressional district from 1973 to 1997. During his first decade in the House he helped pass legislation that protected American fishermen from overfishing by international boats and limited President Ronald Reagan's wars in Central America.

The defining moment of his career, however, came in 1983, when he was censured by the House for having had an affair with a page ten years previously. On the floor of Congress, Studds confessed to having behaved inappropriately and then courageously declared that he was a gay man—becoming the country's first openly gay member of Congress. Defying all expectations, Studds won reelection in a bruising campaign. For the rest of his career, he remained loyal to his constituents' concerns while also championing AIDS research and care, leading the effort in Congress to allow gays and lesbians to serve in the military, and opposing the Defense of Marriage Act. Once a deeply conflicted man, he ultimately found a balance between his public service and his private life, which included a happy, legally recognized marriage.

The first extensive examination of Stein's notebooks, manuscripts and letters, prepared over a period of twenty years, Gertrude Stein: The Language That Rises asks new questions and explores new ways of reading Stein. This definitive study give us a finely detailed, deeply felt understanding of Stein, the great modernist, throughout one of her most productive periods. From "An Elucidation" in 1923 to Lectures In America in 1934, Ulla E. Dydo examines the process of the making and remaking of Stein's texts as they move from notepad to notebook to manuscript, from an idea to the ultimate refinement of the author's intentions. The result is an unprecedented view of the development of Stein's work, word by word, text by text, and over time.

Gesture in Multiparty Interaction confronts the competing views that exist regarding gesture’s relationship to language. In this work, Emily Shaw examines embodied discourses in American Sign Language and spoken English and seeks to establish connections between sign language and co-speech gesture. By bringing the two modalities together, Shaw illuminates the similarities between certain phenomena and presents a unified analysis of embodied discourse that more clearly captures gesture’s connection to language as a whole.
​       Shaw filmed Deaf and hearing participants playing a gesture-based game as part of a social game night. Their interactions were then studied using discourse analysis to see whether and how Deaf and hearing people craft discourses through the use of their bodies. This volume examines gesture, not just for its iconic, imagistic qualities, but also as an interactive resource in signed and spoken discourse. In addition, Shaw addresses the key theoretical barriers that prevent a full accounting of gesture’s interface with signed and spoken language. Her study pushes further the notion that language is fundamentally embodied.

Teenage life is tough. You’re at the mercy of parents, teachers, and siblings, all of whom insist on continuing to treat you like a kid and refuse to leave you alone. So what do you do when it all gets to be too much? You retreat to your room (and maybe slam the door).

Even in our era of Snapchat and hoverboards, bedrooms remain a key part of teenage life, one of the only areas where a teen can exert control and find some privacy. And while these separate bedrooms only became commonplace after World War II, the idea of the teen bedroom has been around for a long time. With Get Out of My Room!, Jason Reid digs into the deep historical roots of the teen bedroom and its surprising cultural power. He starts in the first half of the nineteenth century, when urban-dwelling middle-class families began to consider offering teens their own spaces in the home, and he traces that concept through subsequent decades, as social, economic, cultural, and demographic changes caused it to become more widespread. Along the way, Reid shows us how the teen bedroom, with its stuffed animals, movie posters, AM radios, and other trappings of youthful identity, reflected the growing involvement of young people in American popular culture, and also how teens and parents, in the shadow of ongoing social changes, continually negotiated the boundaries of this intensely personal space.

Richly detailed and full of surprising stories and insights, Get Out of My Room! is sure to offer insight and entertainment to anyone with wistful memories of their teenage years. (But little brothers should definitely keep out.)

The first book-length biography of an influential country/soul legend whose songs have been recorded by the Beatles, the Rolling Stones, and Bob Dylan.

Get a Shot of Rhythm and Blues chronicles the rise, fall, and rebirth of Arthur Alexander, an African American singer-songwriter whose music influenced many of the rock and soul musicians of the 1960s. Although his name is not well known today, Alexander's musical legacy is vast. His 1962 song "You Better Move On" was the first hit to emerge from the fledgling Muscle Shoals FAME studio in Alabama, and his fusion of country and soul and his heartfelt vocals on such songs as "Anna (Go to Him)" and "Every Day I Have to Cry" were revered by musicians including the Beatles, the Rolling Stones, and Bob Dylan, all of whom recorded his songs.

Alexander's story is a tragic one, with a brief, redemptive finale. His meteoric rise after the release of "You Better Move On" gave way to lean years caused both by his drug and alcohol abuse and by the mishandling of his career by producers and managers. In 1977, he quit the music business, but his music lived on. In 1992, Alexander returned to
the studio and recorded the critically praised album Lonely Just Like Me. Just three months after the album's release in March 1993, he suffered a heart attack in the offices of his music publisher in Nashville and died three days later.

In telling Alexander's story, Richard Younger captures the burgeoning music scenes in Muscle Shoals and Nashville during the 1960s and 1970s and recovers the life of a fascinating musician whose influence was international. Younger's account is enriched by his interviews with more than 200 artists, family members, and friends--such as Rick Hall, Billy Sherrill, Charlie McCoy, Chuck Jackson, Gerry Marsden, and Kris Kristofferson--and includes an abundance of never-before-seen photographs.

How do photojournalists get the pictures that bring us the action from the world's most dangerous places? How do picture editors decide which photos to scrap and which to feature on the front page?

Find out in Get the Picture, a personal history of fifty years of photojournalism by one of the top journalists of the twentieth century. John G. Morris brought us many of the images that defined our era, from photos of the London air raids and the D-Day landing during World War II to the assassination of Robert Kennedy. He tells us the inside stories behind dozens of famous pictures like these, which are reproduced in this book, and provides intimate and revealing portraits of the men and women who shot them, including Robert Capa, Henri Cartier-Bresson, and W. Eugene Smith. A firm believer in the power of images to educate and persuade, Morris nevertheless warns of the tremendous threats posed to photojournalists today by increasingly chaotic wars and the growing commercialism in publishing, the siren song of money that leads editors to seek pictures that sell copies rather than those that can change the way we see the world.

Ordinary Americans often bring family and neighborhood problems to court, seeking justice or revenge. The litigants in these local squabbles encounter law at its boundaries in the corridors of busy city courthouses, in the offices of court clerks, and in the church parlors used by mediation programs.

Getting Justice and Getting Even concerns the legal consciousness of working class Americans and their experiences with court and mediation. Following cases into and through the courts, Sally Engle Merry provides an ethnographic study of local law and of the people who use it in a New England city. The litigants, primarily white, native-born, and working class, go to court because as part of mainstream America they feel entitled to use its legal system. Although neither powerful nor highly educated, they expect the law's support when they face intolerable infringements of their rights, privacy, and safety. Yet as personal problems enter the legal system and move through mediation sessions, clerk's hearings, and prosecutor's conferences, the citizen plaintiff rapidly loses control of the process. Court officials and mediators interpret and characterize the meaning of these experiences, reframing and categorizing them in different discourses. Some plaintiffs yield to these interpretations, but others resist, struggling to assert their own version of the problem.

Ultimately, Merry exposes the paradox of legal entitlement. While going to court allows an individual to dominate domestic relationships, the litigant must increasingly yield control of the situation to the court that supplies that power.

From “getting loose” to “letting it all hang out,” the 1970s were filled with exhortations to free oneself from artificial restraints and to discover oneself in a more authentic and creative life. In the wake of the counterculture of the 1960s, anything that could be made to yield to a more impulsive vitality was reinvented in a looser way. Food became purer, clothing more revealing, sex more orgiastic, and home decor more rustic and authentic.

Through a sociological analysis of the countercultural print culture of the 1970s, Sam Binkley investigates the dissemination of these self-loosening narratives and their widespread appeal to America’s middle class. He describes the rise of a genre of lifestyle publishing that emerged from a network of small offbeat presses, mostly located on the West Coast. Amateurish and rough in production quality, these popular books and magazines blended Eastern mysticism, Freudian psychology, environmental ecology, and romantic American pastoralism as they offered “expert” advice—about how to be more in touch with the natural world, how to release oneself into trusting relationships with others, and how to delve deeper into the body’s rhythms and natural sensuality. Binkley examines dozens of these publications, including the Whole Earth Catalog, Rainbook, the Catalog of Sexual Consciousness, Celery Wine, Domebook, and Getting Clear.

Drawing on the thought of Pierre Bourdieu, Zygmunt Bauman, and others, Binkley explains how self-loosening narratives helped the middle class confront the modernity of the 1970s. As rapid social change and political upheaval eroded middle-class cultural authority, the looser life provided opportunities for self-reinvention through everyday lifestyle choice. He traces this ethos of self-realization through the “yuppie” 1980s to the 1990s and today, demonstrating that what originated as an emancipatory call to loosen up soon evolved into a culture of highly commercialized consumption and lifestyle branding.

The United States remains the only industrialized nation in the world that does not provide paid family leave at the national level for either men or women. In the more than two decades since the passage of the Family and Medical Leave Act, there have been numerous unsuccessful attempts to expand family leave benefits nationally. However, in the United States, it is common for innovations in family policies to arise at the state level.

In her timely book, Getting Paid While Taking Time, Megan Sholar explains the development of family leave policies at both the national and state levels in the United States. She provides cogent studies of states that have passed and proposed family leave legislation, and she pays special attention to the ways in which women’s movement actors and other activists (e.g., labor unions) exert pressure on public officials to help influence the policymaking process. In her conclusion, Sholar considers the future of paid family leave policies in the United States and the chances for it ever equaling the benefits in other countries. 

"A readable and concise overview of how U.S. transportation came to its present pass. . . . Goddard is at his best when recounting the complex and interesting history of what has come to be called 'the highway lobby.'. . . An excellent book for the general reader with an interest in getting around."—Larry Fish, Philadelphia Inquirer

"This is a riveting story: of mighty railroads hamstrung almost overnight by government bureaucrats; of road interests led by General Motors Corp. conspiring in city after city to destroy efficient trolley systems . . . and of freeways that are far from free."—Bill Laitner, Detroit Free Press

"The combination of forces and fates that turned America into a giant parking lot from sea to shining sea is the subject of Stephen B. Goddard's lively pop history. . . . As Mr. Goddard ably points out, road-building and the creation of car-dependent suburbs have become ends in themselves."—James Howard Kunstler, Wall Street Journal

"The strength of Goddard's book is that he understands the complexities of manipulating public opinion to influence legislatures."—David Young, Chicago Tribune

"[Goddard's] book is a deft and easily read history of how transportation has shaped the nation and its economy, and ultimately, how a federation of truck and car interests drastically tilted national policies. . . . For many reasons this is an exceptionally important work."—Jim Dwyer, New York Newsday

This collection of letters bears witness to the Civil War of the common soldiers and junior officers of the Army of Tennessee. Brothers Alex and Tom Spence described to their family in detail not only the many battles in which they served, but the hardship of campaigning (they marched literally thousands of miles), the pride of serving in battle-proven units, and the pain of losing comrades to bullets and disease. The Spences were a wealthy family who owned land, slaves, and the main hotel in Arkadelphia, Arkansas. With their successful careers and extensive property, they were among Clark County's most prominent families when the shadow of secession fell across Arkansas. Four years later, Arkansas would be ravaged by war, and Tom and Alex Spence would lie in soldiers' graves, far from home. Mark Christ has assembled their powerful letters from a collection in the Old State House Museum, weaving in other letters from their extended family and friends, brief but thorough introductions to each chapter, and evocative photographs. The story moves chronologically from the outset of war to the final letter from Alex's grieving fiancée.

Getting Around Brown is both the first history of school desegregation in Columbus, Ohio, and the first case study to explore the interplay of desegregation, business, and urban development in America.

Drawing on a broad range of sources, including over sixty interviews, the book details the causes and consequences of Penick v. Columbus Board of Education (1977). Gregory S. Jacobs argues that school desegregation in Columbus failed to produce equal educational opportunity, not because it was inherently detrimental to learning, but because it was incompatible with urban development. As a consequence, the long-term health of the city school district was sacrificed to preserve the growth of the city itself. The resulting middle-class abandonment of urban education in Columbus produced an increasingly poor, African-American city school system and a powerful form of defensive activism within the overwhelmingly white suburban systems.

The title of the book refers not only to the elaborate tools used to circumvent the spirit of the Supreme Court’s landmark 1954 Brown v. Board of Education decision but also to the need to move beyond the flawed dichotomies and failed policies that have come to define desegregation. The book calls for a reconsideration of the complicated relationship race, class, and housing patterns have with city school reform efforts, a relationship obscured by this country’s vitriolic and occasionally violent battle over busing. Jacobs concludes his study with a “modest proposal,” in which he recommends the abolition of the Columbus Public School District, the dispersal of its students throughout surrounding suburban systems, and the creation of a choice-based “experimental education zone” within the old city school district boundaries.

Readable and relevant, Getting around Brownis essential reading for scholars of recent American history, urban studies, civil rights and race relations, and educational policy, as well as anyone interested in public education and politics.

Based on extensive fieldwork at two well-known commercial publishers of scholarly books, Walter W. Powell details the different ways in which both internal politics and external networks influence decisions about what should be published. Powell focuses on the work of acquisitions editors: how they decide which few manuscripts, out of hundreds, to sponsor for publication; how editorial autonomy is shaped, but never fully curbed, by unobtrusive controls; and how the search process fits into the social structure of the American academy. Powell's observations—and the many candid remarks of publishers and their staffs—recreate the workaday world of publishing.

Throughout, the sociology of organizations and of culture serves as Powell's interpretive framework. Powell shows how scholarly publishers help define what is "good" social science research and how the history and tradition of a publishing house contribute to the development of an organizational identity. Powell's review of actual correspondence, from outside letters proposing projects to internal "kill" letters of rejection, suggests that editors and authors at times form their own quasi-organization with external allegiances and bonds beyond those of the publishing house.

"This is a welcome addition to the literature on the life of the organizations that produce our science and our culture. Powell's intimate look at two scholarly publishing companies has an insider's appreciation of the book business and an outsider's eye for questions the editors are not asking themselves."—Michael Schudson, University of California at San Diego

"Getting Into Print will long be the book about how academic editors choose the titles they sponsor. Even experienced editors and authors will find new insights here and revealing comparisons with decision-making in other kinds of organizations."—Edward Tenner, Los Angeles Times Book Review

"Getting Into Print is an unusually outstanding ethnographic study in that it reflects the evocative richness of detail associated with the ethnographic approach while simultaneously maintaining a clear-headed, analytical distance from the subject that allows for a meaningful theoretical contribution. Powell is an astute ethnographer who presents a vital and compelling 'insider's view' of the decision-making process in scholarly publishing, making this book fascinating reading for all those involved in the 'publish-or-perish' syndrome."—Barbara Levitt, American Journal of Sociology

In Gettysburg: The Living and the Dead, writer Kent Gramm and photographer Chris Heisey tell the famous battle’s story through the eyes of those who lived and died there. Unlike histories that simply recount the three furious days in July 1863, this book transports readers onto the battlefield and into the event’s historical echoes, making for a delightful, immersive experience.
 
Creative nonfiction, fiction, dramatic dialogue, and poetry combine with full-color photographs to convey the essential reality of the famous battlefield as a place both terrible and beautiful. The living and the dead contained here include Confederates and Yankees, soldiers and civilians, male and female, young and old. Visitors to the battlefield after 1863, both well known and obscure, provide the voices of the living. They include a female admiral in the U.S. Navy and a man from rural Virginia who visits the battlefield as a way of working through the death of his son in Iraq. The ghostly voices of the dead include actual participants in the battle, like a fiery colonel and a girl in Confederate uniform, as well as their representatives, such as a grieving widow who has come to seek her husband.   
 
Utilizing light as a central motif and fourscore and seven voices to evoke how Gettysburg continues to draw visitors and resound throughout history, alternately wounding and stitching the lives it touches, Gramm’s words and Heisey’s photographs meld for a historical experience unlike any other. Gettysburg: The Living and the Dead offers a panoramic view wherein the battle and battlefield of Gettysburg are seen through the eyes of those who lived through it and died on it as well as those who have sought meaning at the site ever since. 
 

This new edition of The Geysers of Yellowstone is the most up-to-date and comprehensive reference to the geysers of Yellowstone National Park, describing in detail each of the more than five hundred geysers in the park. The entire text has been revised and geyser descriptions have been updated based on activity observed through early 2018. Information about a number of significant new geyser developments has been added, as well as recent knowledge about some of the world’s geyser fields outside Yellowstone.
 
Both a reference work and a fine introduction to the nature of geyser activity, this popular field guide includes a glossary of key terms, a comprehensive appendix that discusses other geyser areas of the world, detailed maps of each geyser basin, and tables for easy reference. The Geysers of Yellowstone will continue to serve geyser gazers as well as newcomers to geothermal phenomena for years to come.
 

For more than a century, Ghost Ranch has attracted people of enormous energy and creativity to the high desert of northern New Mexico. Occupying twenty-two thousand acres of the Piedra Lumbre basin, this fabled place was the love of artist Georgia O’Keeffe’s life, and her depictions of the landscape catapulted Ghost Ranch to international recognition.

Building on the history of the Abiquiu region that she told in Valley of Shining Stone, Ghost Ranch historian Lesley Poling-Kempes now unfolds the story of this celebrated retreat. She traces its transformation from el Rancho de los Brujos, a hideout for legendary outlaws, to a renowned cultural mecca and one of the Southwest’s premier conference centers.

First a dude ranch, Ghost Ranch became a magical sanctuary where the veil between heaven and earth seemed almost transparent. Focusing on those who visited from the 1920s and ’30s until the 1990s, Poling-Kempes tells how O’Keeffe and others—from Boston Brahmin Carol Bishop Stanley to paleontologist Edwin H. Colbert, Los Alamos physicists to movie stars—created a unique community that evolved into the institution that is Ghost Ranch today. For this book, Poling-Kempes has drawn on information not available when Valley of Shining Stone was written. The biography of Juan de Dios Gallegos has been enhanced and definitively corrected. The Robert Wood Johnson (of Johnson & Johnson) years at Ghost Ranch are recounted with reminiscences from family members. And the memories of David McAlpin Jr. shed light on how the Princeton circle that included the Packs, the Johnson brothers, the Rockefellers, and the McAlpins ended up as summer neighbors on the high desert of New Mexico.

After Arthur Pack’s gift of the ranch to the Presbyterian Church in 1955, Ghost Ranch became a spiritual home for thousands of people still awestruck by the landscape that O’Keeffe so lovingly committed to canvas; yet the care taken to protect Ghost Ranch’s land and character has preserved its sense of intimacy. By relating its remarkable story, Poling-Kempes invites all visitors to better appreciate its place as an honored wilderness—and to help safeguard its future.

The story of the American mining frontier can be traced through the ghost towns that dot the western landscape to this day, from the camps of California’s forty-niners to the twentieth-century ruins in the Nevada desert. These abandoned towns mark an epoch of high adventure, of quick wealth and quicker poverty, of gambling and gunslinging and hell-raising. Those who have seen the Old West movies sometimes think that the legends of the Wild West were invented by screenwriters. The ghost towns remain, and their battered ruins testify that the legends are true. Behind the tall tales is a history where a fortune could be made in a week and lost over the course of an evening.

With a historian’s attention to fact and a novelist’s gift for dramatic storytelling, celebrated science fiction author Robert Silverberg brings these adventures back to life in the rowdy splendor of their heyday in Ghost Towns of the American West. History and travelers’ tales are woven together with clarity and wit to create a lively account of a fascinating era in our history. Lorence Bjorklund’s illustrations, rich in detail, portray the ghost towns in their glory and in their dusty decline.

The story of the American mining frontier can be traced through the ghost towns that dot the western landscape to this day, from the camps of California’s forty-niners to the twentieth-century ruins in the Nevada desert. These abandoned towns mark an epoch of high adventure, of quick wealth and quicker poverty, of gambling and gunslinging and hell-raising. Those who have seen the Old West movies sometimes think that the legends of the Wild West were invented by screenwriters. The ghost towns remain, and their battered ruins testify that the legends are true. Behind the tall tales is a history where a fortune could be made in a week and lost over the course of an evening.

With a historian’s attention to fact and a novelist’s gift for dramatic storytelling, celebrated science fiction author Robert Silverberg brings these adventures back to life in the rowdy splendor of their heyday in Ghost Towns of the American West. History and travelers’ tales are woven together with clarity and wit to create a lively account of a fascinating era in our history. Lorence Bjorklund’s illustrations, rich in detail, portray the ghost towns in their glory and in their dusty decline.

In this exceptional book, Kucich reveals through his readings of literary and historical accounts that spiritualism helped shape the terms by which Native American, European, and African cultures interacted in America from the earliest days of contact through the present. Beginning his study with a provocative juxtaposition of the Pueblo Indian Revolt and the Salem Witchcraft trials of the seventeenth century, Kucich examin[e]s how both events forged “contact zones”— spaces of intense cultural conflict and negotiation—mediated by spiritualism. Kucich goes on to chronicle how a diverse group of writers used spiritualism to reshape a range of such contact zones. These include Rochester, New York, where Harriet Jacobs adapted the spirit rappings of the Fox Sisters and the abolitionist writings of Frederick Douglass as she crafted her own story of escape from slavery; mid-century periodicals from the Atlantic Monthly to the Cherokee Advocate to the Anglo-African Magazine; post-bellum representations of the afterlife by Elizabeth Stuart Phelps, Mark Twain and the Native Americans who developed the Ghost Dance; turn-of-the-century local color fiction by writers like Sarah Orne Jewett, Charles Chesnutt and Maria Cristina Mena; and the New England reformist circles traced in Henry James’s The Bostonians and Pauline Hopkins’s Of One Blood. Kucich’s conclusion looks briefly at New Age spiritualism, then considers the implications of a cross-cultural scholarship that draws on a variety of critical methodologies, from border and ethnic studies to feminism to post-colonialism and the public sphere. The implications of this study, which brings well-known, canonical writers and lesser-known writers into conversation with one another, are broadly relevant to the resurgent interest in religious studies and American cultural studies in general.

From Sylvia Plath’s depictions of the Holocaust as a group of noncohering “bits” to AIDS elegies’ assertions that the dead posthumously persist in ghostly form and Susan Howe’s insistence that the past can be conveyed only through juxtaposed “scraps,” the condition of being too late is one that haunts post-World War II American poetry. This is a poetry saturated with temporal delay, partial recollection of the past, and the revelation that memory itself is accessible only in obstructed and manipulated ways. These postwar poems do not merely describe the condition of lateness: they enact it literally and figuratively by distorting chronology, boundary, and syntax, by referring to events indirectly, and by binding the condition of lateness to the impossibility of verifying the past. The speakers of these poems often indicate that they are too late by repetitively chronicling distorted events, refusing closure or resolution, and forging ghosts out of what once was tangible.

Ghostly Figures contends that this poetics of belatedness, along with the way it is bound to questions of poetic making, is a central, if critically neglected, force in postwar American poetry. Discussing works by Sylvia Plath, Adrienne Rich, Jorie Graham, Susan Howe, and a group of poets responding to the AIDS epidemic, Ann Keniston draws on and critically assesses trauma theory and psychoanalysis, as well as earlier discussions of witness, elegy, lyric trope and figure, postmodernism, allusion, and performance, to define the ghosts that clearly dramatize poetics of belatedness throughout the diverse poetry of post–World War II America.

“Failing schools. Underprivileged schools. Just plain bad schools.”
 
That’s how Eve L. Ewing opens Ghosts in the Schoolyard: describing Chicago Public Schools from the outside. The way politicians and pundits and parents of kids who attend other schools talk about them, with a mix of pity and contempt.
 
But Ewing knows Chicago Public Schools from the inside: as a student, then a teacher, and now a scholar who studies them. And that perspective has shown her that public schools are not buildings full of failures—they’re an integral part of their neighborhoods, at the heart of their communities, storehouses of history and memory that bring people together.
 
Never was that role more apparent than in 2013 when Mayor Rahm Emanuel announced an unprecedented wave of school closings. Pitched simultaneously as a solution to a budget problem, a response to declining enrollments, and a chance to purge bad schools that were dragging down the whole system, the plan was met with a roar of protest from parents, students, and teachers. But if these schools were so bad, why did people care so much about keeping them open, to the point that some would even go on a hunger strike?
 
Ewing’s answer begins with a story of systemic racism, inequality, bad faith, and distrust that stretches deep into Chicago history. Rooting her exploration in the historic African American neighborhood of Bronzeville, Ewing reveals that this issue is about much more than just schools. Black communities see the closing of their schools—schools that are certainly less than perfect but that are theirs—as one more in a long line of racist policies. The fight to keep them open is yet another front in the ongoing struggle of black people in America to build successful lives and achieve true self-determination.

Drift down the Colorado River through Glen Canyon and explore the people and places that encompass the history of this majestic canyon before it drowned in the rising waters of Lake Powell.
Author Gregory Crampton led the historical investigations of Glen and San Juan Canyons from 1957 to 1963 under contract with the National Park Service. The objective was to locate and record historical sites that would be lost to the rising waters of the reservoir. This book records that effort.

First published in 1986, this edition has been revised to include several new “ghosts” of Glen Canyon, including a never-before-published foreword by Edward Abbey. It also showcases stunning color photographs by Philip Hyde and includes hundreds of black-and-white photographs taken by the original salvage crews.

This informative guide to the historic treasures of Glen Canyon includes numbered maps keyed to each location. It is a book for both the armchair traveler and the lake enthusiast eager for a journey through the past to a place few had the privilege to know.

Since the second quarter of the nineteenth century, changing conditions have built and emptied small and large towns across the Colorado plain. At the time when Denver was little more than an overpopulated campsite along Cherry Creek there were numerous other settlements to the east and south, each with its own dreams of growth, gold or silver strikes, railroad connections, and rising influence over the surrounding territory. In Ghosts of the Colorado Plains, Eberhart traces some 150 of these ill-fated settlements, providing accounts of their birth, peak activity, and ultimate demise.

As early trapping, mining, cattle, farming, and transportation industries brought successive waves of “easterners” into the territory, they created some of the most colorful communities of their time. The trail towns Boston and Trail City were reputed to be two of the roughest towns in the entire west. Real estate schemers and promoters offered dreams of civilization and respectability in the “cow towns.” Elsewhere, the stage stations, side of the road settlements, and farm centers arose out of the basic necessities of commerce and from a simple desire of far-flung settlers, trappers, and others for a place to congregate, celebrate, trade, brawl, and receive news from the east. Though the personalities and events which animated these communities are all but forgotten, the towns themselves are the legacy of the competing forces that opened and developed the Colorado territory.

Readers of Guide to Colorado Ghost Towns and Mining Camps will welcome Ghosts of the Colorado Plains as an extension of Eberhart’s colorful blend of history and on-site information to a larger and much neglected area of the state. Through historical records, vignettes of personalities, and over 250 photos and 80 maps, Eberhart provides ready access to the towns and settlment sites of eastern Colorado’s past. For travelers, Ghosts of the Colorado Plains offers numerous pleasant excursions and investigations; for those less inclined to take to the field in search of artifacts and sites, the book offers fascinating glimpses of Colorado’s disappearing past.

The Creature from the Black Lagoon, the Tingler, the Mole People—they stalked and oozed into audiences’ minds during the era that followed Boris Karloff’s Frankenstein and preceded terrors like Freddy Krueger (A Nightmare on Elm Street) and Chucky (Child’s Play). Ghouls, Gimmicks, and Gold pulls off the masks and wipes away the slime to reveal how the monsters that frightened audiences in the 1950s and 1960s—and the movies they crawled and staggered through—reflected fundamental changes in the film industry. Providing the first economic history of the horror film, Kevin Heffernan shows how the production, distribution, and exhibition of horror movies changed as the studio era gave way to the conglomeration of New Hollywood.

Heffernan argues that major cultural and economic shifts in the production and reception of horror films began at the time of the 3-d film cycle of 1953–54 and ended with the 1968 adoption of the Motion Picture Association of America’s ratings system and the subsequent development of the adult horror movie—epitomized by Rosemary’s Baby. He describes how this period presented a number of daunting challenges for movie exhibitors: the high costs of technological upgrade, competition with television, declining movie attendance, and a diminishing number of annual releases from the major movie studios. He explains that the production and distribution branches of the movie industry responded to these trends by cultivating a youth audience, co-producing features with the film industries of Europe and Asia, selling films to television, and intensifying representations of sex and violence. Shining through Ghouls, Gimmicks, and Gold is the delight of the true horror movie buff, the fan thrilled to find The Brain that Wouldn’t Die on television at 3 am.

Marilyn Ann Moss’s Giant examines the life of one of the most influential directors to work in Hollywood from the 1930s to the 1960s. George Stevens directed such popular and significant films as Shane, Giant, A Place in the Sun, and The Diary of Anne Frank. He was the first to pair Katharine Hepburn and Spencer Tracy on film in Woman of the Year. Through the study of Stevens’s life and his production history, Moss also presents a glimpse of the workings of the classic Hollywood studio system in its glory days.
            Moss documents Stevens’s role as a powerful director who often had to battle the heads of major studios to get his films made his way. She traces the four decades Stevens was a major Hollywood player and icon, from his earliest days at the Hal Roach Studios—where he learned to be a cameraman, writer, and director for Laurel and Hardy features—up to when his films made millions at the box office and were graced by actors such as Elizabeth Taylor, James Dean, Alan Ladd, and Montgomery Clift.

Gibbons v. Ogden, Law, and Society in the Early Republic examines a landmark decision in American jurisprudence, the first Supreme Court case to deal with the thorny legal issue of interstate commerce.

Decided in 1824, Gibbons v. Ogden arose out of litigation between owners of rival steamboat lines over passenger and freight routes between the neighboring states of New York and New Jersey. But what began as a local dispute over the right to ferry the paying public from the New Jersey shore to New York City soon found its way into John Marshall’s court and constitutional history. The case is consistently ranked as one of the twenty most significant Supreme Court decisions and is still taught in constitutional law courses, cited in state and federal cases, and quoted in articles on constitutional, business, and technological history.

Gibbons v. Ogden initially attracted enormous public attention because it involved the development of a new and sensational form of technology. To early Americans, steamboats were floating symbols of progress—cheaper and quicker transportation that could bring goods to market and refinement to the backcountry. A product of the rough-and-tumble world of nascent capitalism and legal innovation, the case became a landmark decision that established the supremacy of federal regulation of interstate trade, curtailed states’ rights, and promoted a national market economy. The case has been invoked by prohibitionists, New Dealers, civil rights activists, and social conservatives alike in debates over federal regulation of issues ranging from labor standards to gun control. This lively study fills in the social and political context in which the case was decided—the colorful and fascinating personalities, the entrepreneurial spirit of the early republic, and the technological breakthroughs that brought modernity to the masses.

 

During star-pitcher Bob Gibson’s most brilliant season, the turbulent summer of 1968, he started thirty-four games and pitched every inning in twenty-eight of them, shutting out the opponents in almost half of those complete games. After their record-breaking season, Gibson and his teammates were stunned to lose the 1968 World Series to the Detroit Tigers. For the next six years, as Bob Gibson struggled to maintain his pitching excellence at the end of his career, changes in American culture ultimately changed the St. Louis Cardinals and the business and pastime of baseball itself.

Set against the backdrop of American history and popular culture, from the protests of the Vietnam War to the breakup of the Beatles, the story of the Cardinals takes on new meaning as another aspect of the changes happening at that time. In the late 1960s, exorbitant salaries and free agency was threatening to change America’s game forever and negatively impact the smaller-market teams in Major League Baseball. As the Cardinals’ owner August A. Busch Jr. and manager Albert “Red” Schoendienst attempted to reinvent the team, restore its cohesiveness, and bring new blood in to propel the team back to contention for the pennant, Gibson remained the one constant on the team.

In looking back on his career, Gibson mourned the end of the Golden Era of baseball and believed that the changes in the game would be partially blamed on him, as his pitching success caused team owners to believe that cash-paying customers only wanted base hits and home runs. Yet, he contended, the shrinking of the strike zone, the lowering of the mound, and the softening of the traditional rancor between the hitter and pitcher forever changed the role of the pitcher in the game and created a more politically correct version of the sport.

Throughout Gibson’s Last Stand, Doug Feldmann captivates readers with the action of the game, both on and off the field, and interjects interesting and detailed tidbits on players’ backgrounds that often tie them to famous players of the past, current stars, and well-known contemporary places. Feldmann also entwines the teams history with Missouri history: President Truman and the funeral procession for President Eisenhower through St. Louis; Missouri sports legends Dizzy Dean, Mark McGwire, and Stan “the Man” Musial; and legendary announcers Harry Caray and Jack Buck. Additionally, a helpful appendix provides National League East standings from 1969 to 1975.

Bob Gibson remains one of the most unique, complex, and beloved players in Cardinals history. In this story of one of the least examined parts of his career—his final years on the team—Feldmann takes readers into the heart of his complexity and the changes that swirled around him.

2016 Choice Outstanding Academic Title
Finalist for 2016 Richard Wall Memorial Award from the Theatre Library Association
Long-listed for the 2017 Best Photography Book Award from the Kraszna-Krausz Foundation​

Marlene Dietrich, Greta Garbo, and Katharine Hepburn all made lasting impressions with the cinematic cross-dressing they performed onscreen. What few modern viewers realize, however, is that these seemingly daring performances of the 1930s actually came at the tail end of a long wave of gender-bending films that included more than 400 movies featuring women dressed as men.
 
Laura Horak spent a decade scouring film archives worldwide, looking at American films made between 1908 and 1934, and what she discovered could revolutionize our understanding of gender roles in the early twentieth century. Questioning the assumption that cross-dressing women were automatically viewed as transgressive, she finds that these figures were popularly regarded as wholesome and regularly appeared onscreen in the 1910s, thus lending greater respectability to the fledgling film industry. Horak also explores how and why this perception of cross-dressed women began to change in the 1920s and early 1930s, examining how cinema played a pivotal part in the representation of lesbian identity.
 
Girls Will Be Boys excavates a rich history of gender-bending film roles, enabling readers to appreciate the wide array of masculinities that these actresses performed—from sentimental boyhood to rugged virility to gentlemanly refinement. Taking us on a guided tour through a treasure-trove of vintage images, Girls Will Be Boys helps us view the histories of gender, sexuality, and film through fresh eyes.   

In Girls in Trouble with the Law, sociologist Laurie Schaffner takes us inside juvenile detention centers and explores the worlds of the young women incarcerated within. Across the nation, girls of color are disproportionately represented in detention facilities, and many report having experienced physical harm and sexual assaults. For girls, the meaning of these and other factors such as the violence they experience remain undertheorized and below the radar of mainstream sociolegal scholarship. When gender is considered as an analytic category, Schaffner shows how gender is often seen through an outmoded lens.

Offering a critical assessment of what she describes as a gender-insensitive juvenile legal system, Schaffner makes a compelling argument that current policies do not go far enough to empower disadvantaged girls so that communities can assist them in overcoming the social limitations and gender, sexual, and racial/ethnic discrimination that continue to plague young women growing up in contemporary United States.

"C.L. Franklin, the most imitated soul preacher in history, was a combination of soul and science and substance and sweetness."--Reverend Jesse L. Jackson, from the Foreword
Few black preachers have been better known that the Reverend C. L. Franklin; none has been considered a better preacher. This collection of twenty of Franklin's best sermons shows the development of his style. A learned man, Franklin had attended both seminary and college, yet in his sermons used the old-fashioned, extemporaneous style of preaching, "whooping" or chanting, combining oratory and intoned poetry to reach both head and heart.
Dozens of Franklin's sermons were released on record albums, and he went on preaching tours with gospel groups that included his daughter, Aretha Franklin, reaching virtually every corner of the United States.
This volume begins with Franklin's life history, told in his own words.
In an afterword, Jeff Titon reviews the African-American sermon tradition
and Franklin's place in it.
 

In this candid and revelatory memoir, Erin O. White shares her hunger for both romantic and divine love, and how these desires transformed her life. In the late 1990s, she spent Saturday nights with her girlfriend and Sunday mornings in Catholic confirmation classes. But when the Church closed its doors to her, she was faced with a question: What does a lesbian believer do with her longing for God? Given Up for You explores these yearnings with bittersweet conviction, plumbing the depths of heart and soul.