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A collection of rare writings and correspondence by a rabbi and diplomat active at the end of the Ottoman Empire

Rabbi, diplomat, linguist, fixer of delicate problems, Haim Nahum moved through the last years of the Ottoman world and the birth of the modern Middle East with uncommon dexterity. He left behind a rich trove of letters and writing, the best of which are collected in this volume. For contemporary readers, his story feels surprisingly current. He inhabited an age crowded with competing identities, clashing nationalisms, and endless political improvisations. In other words, he would feel perfectly at home today. 

The most intriguing feature of Nahum is not that he occupied important positions, but that he seemed constitutionally incapable of belonging to only one world. Equally at ease among statesmen, clerics, scholars, and bureaucrats, he functioned as a human connecting flight between cultures. In this fascinating biography first edited and published in French in 1990, Esther Benbassa captures this cosmopolitan figure without embalming him in reverence, allowing readers to encounter a subtle, resourceful, and occasionally elusive man whose métier was negotiation and whose natural habitat was complexity. 

This book will delight readers of Ottoman history, Jewish history, Middle Eastern affairs, diplomatic history, biography, religious studies, and Mediterranean culture. It will also appeal to polyglots, antiquarians, devotees of vanished empires, and anyone attracted to those liminal figures who stand at the crossroads of civilizations, translating not merely languages but entire ways of seeing the world.

A collection of short stories from Pultizer Prize winner, Edna Ferber

The short stories in this collection take the reader from small-town Wisconsin to the bustling streets of New York and Chicago and back again. While they range greatly in length and tone, they all share the trademark wit and affectionate insight of Edna Ferber.

Showcasing the facility with words that made her a mainstay at the Algonquin round table, Ferber explores some of her favorite themes: the role of women (especially strong or unconventional women) in modern society, the mores of the midwestern small town, and the changes over time in relationships between parents and children.

In “The Maternal Feminine,” a plain, overlooked child grows into a strong, resourceful businesswoman and forms a strong motherly bond with the children of her more attractive sister. In “April 25th, As Usual,” an aging Wisconsin couple reluctantly join their successful daughter in New York, where they try to adjust to a very different lifestyle. “Old Lady Mandle” is a bittersweet tale about an elderly Chicago mother coming to terms with the fact that she is no longer the most important woman in the life of her grown son. “One Hundred Per Cent” features Ferber’s celebrated heroine Emma McChesney, now re-married, seeing her husband off to war.

The stories gathered here are beautifully observed chronicles of early twentieth-century life and are filled with characters who, despite their very human foibles, are all bestowed by Ferber with warmth and dignity.

"Hanif Kureishi is a proper Englishman. Almost." So observes biographer Kenneth Kaleta. Well known for his films My Beautiful Laundrette and Sammy and Rosie Get Laid, the Anglo-Asian screenwriter, essayist, and novelist has become one of the leading portrayers of Britain's multicultural society. His work raises important questions of personal and national identity as it probes the experience of growing up in one culture with roots in another, very different one.

This book is the first critical biography of Hanif Kureishi. Kenneth Kaleta interviewed Kureishi over several years and enjoyed unlimited access to all of his working papers, journals, and personal files. From this rich cache of material, he opens a fascinating window onto Kureishi's creative process, tracing such works as My Beautiful Laundrette, Sammy and Rosie Get Laid, The Buddha of Suburbia, London Kills Me, The Black Album, and Love in a Blue Time from their genesis to their public reception. Writing for Kureishi fans as well as film and cultural studies scholars, Kaleta pieces together a vivid mosaic of the postcolonial, hybrid British culture that has nourished Kureishi and his work.

Three intertwined stories that reveal the challenges faced by the US Navy in its evolution between the Civil War and the First World War

Hard Aground brings together three intertwined stories documenting the US Navy’s strategic and matériel evolution from the end of Civil War through the First World War. These incidents had lasting consequences for how the navy would modernize itself throughout the rest of the twentieth century.

The first story focuses on the reconstruction of the US Navy following the swift and near-total dismantling of the Union Navy infrastructure after the Civil War. This reconstruction began with barely enough time for the navy’s campaigns in the Spanish-American War, and for its role in the First World War. Jampoler argues that the federal government discovered that the fleet requested by the navy, and paid for by Congress, was the wrong fleet. Focus was on battleships and cruisers rather than destroyers and other small combat vessels needed to hunt submarines and serve as convoy escorts.

The second story relates the short, tragic life of the USS Tennessee (later renamed Memphis), one of the steel-hulled ships of the new Armored Cruiser Squadron that was a centerpiece of the navy’s modernization effort. The USS Tennessee was ordered on two unusual missions in the early months of the First World War, long before the United States formally entered the war. These little-known missions and the ship's shocking destruction in a storm surge in the Caribbean serve as the centerpiece of the story. Threaded through the narrative are biographical sketches of the principal players in the drama that unfolded following the ship’s demise, including two of Tennessee’s commanding officers: Vice Admiral Sims, who commanded the US Navy squadrons deployed to Europe in support of the Royal Navy; Rear Admiral William Caperton, who commanded the Caribbean squadron before the Memphis (formerly the Tennessee) was lost; Charles Pond, squadron commander during the wreck; and the American ambassador to the Ottoman court, President Wilson’s enthusiastic supporter, Henry Morgenthau.

Jampoler rounds out this fascinating account with the story of how the USS Tennessee’s destruction prompted fierce deliberations about the US Navy’s operations and chains of command for the remainder of the First World War and the high-level political wrangling inside the Department of the Navy immediately after the war, as civilian appointees and senior officers wrestled to reshape the department in their image.

“A kind of homemade book—imperfect like a handmade thing, a prize. It’s a galloping, spontaneous book, on occasion within whooping distance of that greatest and sweetest of country books, Ivan Turgenev’s A Sportsman’s Notebook.” —Edward Hoagland, New York Times Book Review

“His subjects are trees and brush, hired help, fences, soil, armadillos and other wildlife, flood and drought, local history, sheep and goats . . . and they come to us reshaped and reenlivened by his agreeably individual (and sometimes cranky) notions.” —New Yorker

“If Goodbye to a River was in some sense Graves’s Odyssey, this book is his [version of Hesiod’s] Works and Days. It is partly a book about work, partly a book about nature, but mostly a book about belonging. In the end John Graves has learned to belong to his patch of land so thoroughly that at moments he can sense in himself a unity with medieval peasants and Sumerian farmers, working with their fields by the Tigris.” —Larry McMurtry, Washington Post Book World

“Hard Scrabble is hard pastoral of the kind we have learned to recognize in Wordsworth, Frost, Hemingway, and Faulkner. It celebrates life in accommodation with a piece of the ‘given’ creation, a recalcitrant four hundred or so acres of Texas cedar brake, old field, and creek bottom, which will require of any genuine resident all the character he can muster.” —Southwest Review

A career-spanning collection of writings by the legendary labor historian

One of American labor history's most prominent scholars, Melvyn Dubofsky curated an accessible style and historical reach that have long marked his work as required reading for students and scholars. 

This collection juxtaposes Dubofsky's early writings with scholarship from the 1990s. Selections include work on western working-class radicalism, U.S. labor history in transnational and comparative settings, and the impact of technological change on American worker’s movements. Throughout, the writings provide an invaluable eyewitness perspective on the academic and political climate of the 1960s and 1970s while tracing the development of labor history as a discipline. 

An exploration of important themes in labor history, Hard Work combines essential scholarship with the story of how past and present interact in the work of historians.

In 1901, the Northern Pacific was an unlikely prize: a twice-bankrupt construction of the federal government, it was a two-bit railroad (literally—five years back, its stock traded for twenty-five cents a share). But it was also a key to connecting eastern markets through Chicago to the rising West. Two titans of American railroads set their sights on it: James J. Hill, head of the Great Northern and largest individual shareholder of the Northern Pacific, and Edward Harriman, head of the Union Pacific and the Southern Pacific. The subsequent contest was unprecedented in the history of American enterprise, pitting not only Hill against Harriman but also Big Oil against Big Steel and J. P. Morgan against the Rockefellers, with a supporting cast of enough wealthy investors to fill the ballroom of the Waldorf Astoria.

The story, told here in full for the first time, transports us to the New York Stock Exchange during the unfolding of the earliest modern-day stock market panic. Harriman vs. Hill re-creates the drama of four tumultuous days in May 1901, when the common stock of the Northern Pacific rocketed from one hundred ten dollars a share to one thousand in a mere seventeen hours of trading—the result of an inadvertent “corner” caused by the opposing forces. Panic followed and then, in short order, a calamity for the “shorts,” a compromise, the near-collapse of Wall Street brokerages and banks, the most precipitous decline ever in American stock values, and the fastest recovery. Larry Haeg brings to life the ensuing stalemate and truce, which led to the forming of a holding company, briefly the biggest railroad combine in American history, and the U.S. Supreme Court ruling against the deal, launching the reputation of Justice Oliver Wendell Holmes as the “great dissenter” and President Theodore Roosevelt as the “trust buster.”

The forces of competition and combination, unfettered growth, government regulation, and corporate ambition—all the elements of American business at its best and worst—come into play in the account of this epic battle, whose effects echo through our economy to this day.

Although fascism is typically associated with Europe, the threat of fascism in the United States haunted the imaginations of activists, writers, and artists, spurring them to create a rich, elaborate body of cultural and political work. Traversing the Popular Front of the 1930s, the struggle against McCarthyism in the 1950s, the Black Power movement of the 1960s, and the AIDS activism of the 1980s, Haunted by Hitler highlights the value of “antifascist” cultural politics, showing how it helped to frame the national discourse. 

Christopher Vials examines the ways in which anxieties about fascism in the United States have been expressed in the public sphere, through American television shows, Off-Broadway theater, party newspapers, bestselling works of history, journalism, popular sociology, political theory, and other media. He argues that twentieth-century liberals and leftists were more deeply unsettled by the problem of fascism than those at the center or the right and that they tirelessly and often successfully worked to counter America's fascist equivalents.

A depiction of moral imagination that resonates today, Have You Got Good Religion? reveals how Black Churchwomen’s understanding of God became action and transformed a nation.