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J. McHenry Jones’s Hearts of Gold is a gripping tale of post-Civil War battles against racism and systemic injustice. Originally published in 1896, this novel reveals an African American community of individuals dedicated to education, journalism, fraternal organizations, and tireless work serving the needs of those abandoned by the political process of the white world. Jones challenges conventional wisdom by addressing a range of subjects—from interracial relationships to forced labor in coal mines—that virtually no other novelist of the time was willing to approach. With the addition of an introduction and appendix, this new edition reveals the difficult foundations upon which African Americans built a platform to address injustice; generate opportunities; and play a prominent role in American social, economic, and political life.

At her death in 1986, Harriette Simpson Arnow left a modest collection of published work: ten short stories, five novels, two non-fiction books, a short autobiography, and nineteen essays and book reviews. Although the sum is small, her writing has been examined from regionalist, Marxist, feminist, and other critical perspectives.
The 1970s saw the first serious attempts to revive interest in Arnow. In 1971, Tillie Olsen identified her as a writer whose "books of great worth suffer the death of being unknown, or at best, a peculiar eclipsing." Joyse Carol Oates wrote in The New York Times Book Review that Arnow's The Dollmaker is "our most unpretentious American masterpiece."
In the 1990s, it is appropriate to take stock of her earlier work and to prompt reexamination of this powerful yet poorly understood writer. This collection of critical essays examines traditional as well as new interpretations of Arnow and her work. It also suggests future directions for Arnow scholarship and includes studies of all of Arnow's writing, fiction and non-fiction, published and unpublished.

Published in 1993 by Gnomon Press

In His First, Best Country, the sequel to his earlier book Newfound, Jim Wayne Miller delivers an unforgettable Appalachian novel. His lyrical prose captures the pull of home as he explores our ties to land, neighbors, and self, exploring what’s most painful and sustaining about belonging.

In Hoedowns, Reels, and Frolics, old-time musician and flatfoot dancer Philip Jamison journeys into the past and surveys the present to tell the story behind the square dances, step dances, reels, and other forms of dance practiced in southern Appalachia.
 
These distinctive folk dances, Jamison argues, are not the unaltered jigs and reels brought by early British settlers, but hybrids that developed over time by adopting and incorporating elements from other popular forms. He traces the forms from their European, African American, and Native American roots to the modern day. On the way he explores the powerful influence of black culture, showing how practices such as calling dances as well as specific kinds of steps combined with white European forms to create distinctly "American" dances.
 
From cakewalks to clogging, and from the Shoo-fly Swing to the Virginia Reel, Hoedowns, Reels, and Frolics reinterprets an essential aspect of Appalachian culture.

In this revised and expanded edition of Hollows, Peepers, and Highlanders, author George Constantz, a biologist and naturalist, writes about the beauty and nature of the Appalachian landscape. While the information is scientific in nature, Constantz's accessible descriptions of the adaptation of various organisms to their environment enable the reader to enjoy learning about the Appalachian ecosystem. The book is divided into three sections: "Stage and Theater," "The Players," and "Seasonal Act." Each section sets the scene and describes the events occurring in nature. "Stage and Theatre" is comprised of chapters that describe the origins of the Appalachia region. "The Players" is an interesting and in-depth look into the ecology of animals, such as the mating rituals of different species, and the evolutionary explanation for the adaptation of Appalachian wildlife. The last section, "Seasonal Act," makes note of the changes in Appalachian weather each season and its effect on the inhabitants.

A collection of essays on nature, naturalists, and the natural history of fishes in central Appalachia. A nature lover’s paradise, central Appalachia supports a diversity of life in an extensive network of waterways and is home to a dazzling array of fish species. This book focuses not only on the fishes of central Appalachia but also on the fascinating things these fishes do in their natural habitats. An ecological dance unfolds from a species and population perspective, although the influence of the community and the ecosystem also figures in the text. Stuart A. Welsh’s essays link central Appalachian fishes with the complexities of competition and predation, species conservation, parasitic infections, climate change, public attitudes, reproductive and foraging ecology, unique morphology, habitat use, and nonnative species. The book addresses a selection of the families of central Appalachian fishes, including lampreys, gars, freshwater eels, pikes, minnows, suckers, catfishes, trouts, trout-perches, sculpins, sunfishes, and perches. These essays often refer to the works of naturalists who contributed to our knowledge of nature during previous centuries and who recorded their discoveries when science writing was less concise than it is today. Although many of these works are nearly forgotten, these early naturalists built a strong knowledge base that supports much of our current science and thus merits reexamination. Most people are not scientists, but many have an interest in nature and are, in their own way, naturalists. This book is for those people willing to peer beneath the water’s surface.