662 books match the query 'China' and 14 start with h

cover of Han Heroes and Yamato Warriors: Competing Masculinities in Chinese and Japanese War Cinema

Han Heroes and Yamato Warriors

Competing Masculinities in Chinese and Japanese War Cinema

Amanda Weiss

Hong Kong University Press, 2023

An exploration of collective memory through the lens of East Asian film during World War II.

Taking the “tidal wave” of memory in the late twentieth and early twenty-first century as its starting point, this monograph explores the collective memory of World War II in East Asia (1937–1945) through film. Weiss argues that Chinese, Japanese, and American remembrance of World War II is intertwined in what she terms a “memory loop,” the transnational mediation and remediation of war narratives. Gender is central to this process, as the changing representation of male soldiers, political leaders, and patriarchal father figures within these narratives reveals Japanese and Chinese challenges to each other and to the perceived “foundational” American narrative of the war. This process continues to intensify due to the globally visible nature of the memory loop, which drives this cycle of transmission, translation, and reassessment.

This volume is the first to bring together a collection of Chinese and Japanese war films that have received little attention in English-language literature. It also produces new readings of popular war memory in East Asia by revealing the gendered dimensions of collective remembrance in these films.
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cover of Harbin and Manchuria: Place, Space, and Identity, Volume 99

Harbin and Manchuria

Place, Space, and Identity, Volume 99

Thomas Lahusen, ed.

Duke University Press, 0

This special issue of South Atlantic Quarterly focuses on the layered cultures of the northeast China city of Harbin and the region formerly known as Manchuria. During the first half of the twentieth-century, Harbin—a by-product of the construction of the Chinese Eastern Railway at the turn of the century—and the rest of Manchuria became the site of conflicting and competing Russian, Western, Japanese, and Chinese colonialisms. Home to émigrés from the famine-ridden Shandong province, impoverished Japanese settlers, Jews fleeing the pogroms of Russia, White Russians escaping the civil war, and Koreans caught between Japanese expansionism and Chinese nationalism, Harbin was a colonial place like no other, one that eventually comprised more than fifty nationalities speaking forty-five languages.
Crossing the boundaries of their specializations, contributors respond to the complexity of this history while considering the concrete concept of place and its relation to the more abstract idea of space. A rare encounter between scholars of East Asian and Slavic studies, this well-illustrated collections includes discussions of history, politics, economics, anthropology, sociology, cinema, and cultural studies. An eclectic and comprehensive exploration of memory and its reconstruction in the Harbin-Manchuria diaspora, Harbin and Manchuria provides the first full treatment of this colonial encounter.

Contributors. Olga Bakich, Sabine Breuillard, James Carter, Elena Chernolutskaya, Prasenjit Duara, Thomas Lahusen, Hyun-Ok Park, Andre Schmid, Mariko Asano Tamanoi, David Wolff

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cover of Health and Hygiene in Chinese East Asia: Policies and Publics in the Long Twentieth Century

Health and Hygiene in Chinese East Asia

Policies and Publics in the Long Twentieth Century

Angela Ki Che Leung and Charlotte Furth, eds.

Duke University Press, 2010

This collection expands the history of colonial medicine and public health by exploring efforts to overcome disease and improve human health in Chinese regions of East Asia from the late nineteenth century to the present. The contributors consider the science and politics of public health policymaking and implementation in Taiwan, Manchuria, Hong Kong, and the Yangzi River delta, focusing mostly on towns and villages rather than cities. Whether discussing the resistance of lay midwives in colonial Taiwan to the Japanese campaign to replace them with experts in “scientific motherhood” or the reaction of British colonists in Shanghai to Chinese diet and health regimes, they illuminate the effects of foreign interventions and influences on particular situations and localities. They discuss responses to epidemics from the plague in early-twentieth-century Manchuria to SARS in southern China, Singapore, and Taiwan, but they also emphasize that public health is not just about epidemic crises. As essays on marsh drainage in Taiwan, the enforcement of sanitary ordinances in Shanghai, and vaccination drives in Manchuria show, throughout the twentieth century public health bureaucracies have primarily been engaged in the mundane activities of education, prevention, and monitoring.

Contributors. Warwick Anderson, Charlotte Furth, Marta E. Hanson, Sean Hsiang-lin Lei, Angela Ki Che Leung, Shang-Jen Li, Yushang Li, Yi-Ping Lin, Shiyung Liu, Ruth Rogaski, Yen-Fen Tseng, Chia-ling Wu, Xinzhong Yu

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cover of Helen Foster Snow: An American Woman in Revolutionary China

Helen Foster Snow

An American Woman in Revolutionary China

Kelly Ann Long

University Press of Colorado, 2006

Helen Foster Snow: An American Woman in Revolutionary China tells the story of a remarkable woman born in rural Utah in 1907, who lived in China during the 1930's and became an important author, a lifelong humanitarian, and a bridge-builder between the United States and China.

As Kelly Ann Long recounts in this engaging biography, Helen Foster Snow immersed herself in the social and political currents of a nation in turmoil. After marrying renowned journalist Edgar Snow, she developed her own writing talents and offered an important perspective on emerging events in China as that nation was wracked by Japanese invasion, the outbreak of World War II, and a continuing civil war. She supported the December Ninth Movement of 1935, broke boundaries to enter communist Yenan in 1937, and helped initiate the "gung ho" Chinese Industrial Cooperative movement.

Helen Foster Snow wrote about the people and events in China's remote communist territories during an important era. She relayed detailed portraits of female communist leaders and famous figures such as Mao Zedong and Zhu De, as well as common people struggling to survive in a period of increasing turmoil. Her informed, compassionate depictions built a bridge linking American interest to the welfare of the Chinese.

Long's account recovers the story of a controversial and important commentator on a critical period in U.S.-China relations and in Chinese history
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cover of Hidden Transfers: How Rural Women’s Reproductive Work Paid for Industrialization in Mao’s China

Hidden Transfers

How Rural Women’s Reproductive Work Paid for Industrialization in Mao’s China

Jacob Eyferth

University of Chicago Press, 0

Provides a striking, new interpretation of the importance of rural women’s cloth production in collective-era China.

Based on extensive archival research, fieldwork across multiple villages, and hundreds of interviews, Hidden Transfers offers a material history of the working lives of rural women in communist China from 1949 to 1983.

Focusing on cotton cultivation and manual textile production in rural households, historian Jacob Eyferth examines the relationship between domestic labor and socialist development by recovering the story of the millions of women who spent countless hours spinning yarn, weaving cloth, and making clothes for their families. He shows how the “hidden transfers” from the domestic economy to fund accumulation rested, as with capitalist economies, on women’s unpaid domestic work. But state socialism went even further, celebrating the future-making work of production while disparaging work that reproduced life at home. Through careful research, Eyferth tracks how the Chinese state’s project of primitive accumulation, in turn, created the conditions for the spectacular growth experienced in the post-Mao years.

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cover of Home Is Not Here

Home Is Not Here

Wang Gungwu

National University of Singapore Press, 2018

A fascinating reflection on family, identity, and belonging.

As someone who has studied history for much of my life, I have found the past fascinating. But it has always been some grand and even intimidating universe that I wanted to unpick and explain to myself.

Wang Gungwu is one of Asia’s most important public intellectuals. He is best known for his explorations of Chinese history in the long view and for his writings on the Chinese diaspora.  With Home is Not Here, the historian of grand themes turns to a single life history: his own.
Wang writes about his multicultural upbringing and life under British rule. He was born in Surabaya, Java, but his parents’ orientation was always to China. Wang grew up in the plural, multi-ethnic town of Ipoh, Malaya (now Malaysia). He learned English in colonial schools and was taught the Confucian classics at home. After the end of WWII and the Japanese occupation, he left for the National Central University in Nanjing to study alongside some of the finest of his generation of Chinese undergraduates. The victory of Mao Zedong’s Communist Party interrupted his education, and he ends this volume with his return to Malaya.

Wise and moving, Home Is Not Here speaks to the ability of the individual to find a place amid the historical currents that have shaped Asia and the world.
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cover of Home Team Away: Watching European Football in Urban China

Home Team Away

Watching European Football in Urban China

Yuan Gong

University of Michigan Press, 2026

Home Team Away calls for a rethinking of sport fandom that is divorced from an attachment to location. As the first comprehensive account of the European football fandom in China, this book explores how the Chinese middle class subjectivity is formed through the cross-cultural, digital consumption of the Big Five leagues. Yuan Gong captures the embodied experiences of fans and fan clubs, fan discourses and activities unfolding on digital platforms on Weibo, Weixin, and Hupu, combining fieldwork in Shanghai and virtual ethnography. Gong argues that Chinese fans’ decisions to follow and engage with European football result from their material conditions, ideological contestation, and technology appropriation as a new demographic bloc arising during China’s transition to authoritarian digital capitalism. By engaging with their home teams away, the Chinese middle class fans perform as citizens with a global vision despite the resurgence of the nationalist and anti-Western sentiments.

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cover of Hong Kong Art: Culture and Decolonization

Hong Kong Art

Culture and Decolonization

David Clarke

Duke University Press, 2002

Hong Kong Art is the first comprehensive survey of contemporary art from Hong Kong presented within the changing social and political context of the territory’s 1997 handover from British to Chinese sovereignty. Tracing a distinctive and increasingly vibrant art scene from the late 1960s through the present, David Clarke discusses a wide range of media, including painting, sculpture, photography, video, and installations, as well as other kinds of visual production such as architecture, fashion, graphic design, and graffiti.
Clarke shows how a sense of local identity emerged in Hong Kong as the transition approached and found expression in the often politicized art produced. Given the recent international exposure of mainland Chinese contemporary art, this book considers the uniqueness of the art of China’s most cosmopolitan city. With a modern visual culture that was flourishing even when the People’s Republic was still closed to the outside world, Hong Kong has established itself as an exemplary site for both local and transnational elements to formulate into brilliant and groundbreaking art.
The author writes about individual artists and art works with a detail that will appeal to artists, curators, and art historians, as well as to postcolonial scholars, cultural studies scholars, and others.
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cover of Hong Kong Connections: Transnational Imagination in Action Cinema

Hong Kong Connections

Transnational Imagination in Action Cinema

Meaghan Morris, Siu-Leung Li, and Stephen Chan Ching-kiu, eds.

Duke University Press, 2005

Since the 1960s, Hong Kong cinema has helped to shape one of the world’s most popular cultural genres: action cinema. Hong Kong action films have proved popular over the decades with audiences worldwide, and they have seized the imaginations of filmmakers working in many different cultural traditions and styles. How do we account for this appeal, which changes as it crosses national borders?

Hong Kong Connections brings leading film scholars together to explore the circulation of Hong Kong cinema in Japan, Korea, India, Australia, France, and the United States, as well as its links with Taiwan, Singapore, and the Chinese mainland. In the process, this collection examines diverse cultural contexts for action cinema’s popularity and the problems involved in the transnational study of globally popular forms, suggesting that in order to grasp the history of Hong Kong action cinema’s influence we need to bring out the differences as well as the links that constitute popularity.

Contributors. Nicole Brenez, Stephen Chan Ching-kiu, Dai Jinhua, David Desser, Laleen Jayamanne, Kim Soyoung, Siu Leung Li, Adrian Martin, S. V. Srinivas, Stephen Teo, Valentina Vitali, Paul Willemen, Rob Wilson, Wong Kin-yuen, Kinnia Yau Shuk-ting, Yung Sai-shing

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cover of Hong Kong Movers and Stayers: Narratives of Family Migration

Hong Kong Movers and Stayers

Narratives of Family Migration

Janet W. Salaff, Siu-lun Wong, and Arent Greve

University of Illinois Press, 2010

Half a million Hong Kong residents fled their homeland during the thirteen years before Hong Kong's reversion to China in 1997. Nearly half of those returned within the next several years. Filled with detailed, first-hand stories of nine Hong Kong families over nearly two decades, Hong Kong Movers and Stayers is a multifaceted yet intimate look at the forces behind Hong Kong families' successful, and failed, efforts at migration and settlement. 

Defining migration as a process, not a single act of leaving, Hong Kong Movers and Stayers provides an antidote to ethnocentric and simplistic theories by uncovering migration stories as they relate to social structures and social capital. The authors meld survey analysis, personal biography, and sociology and compare multiple families in order to give voice to the interplay of gender, age, and diverse family roles as motivating factors in migration.

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cover of Hong Kong in Revolt: The Protest Movement and the Future of China

Hong Kong in Revolt

The Protest Movement and the Future of China

Au Loong-Yu

Pluto Press, 2020

Hong Kong is in turmoil, with a new generation of young and politically active citizens shaking the regime. From the Umbrella Movement in 2014 to the defeat of the Extradition Bill and beyond, the protestors' demands have become more radical, and their actions more drastic. Their bravery emboldened the labor movement and launched the first successful political strike in half a century, followed by the broadening of the democratic movement as a whole. The book also sets the new protest movements within the context of the colonization, revolution and modernization of China. Au Loong-Yu explores Hong Kong's unique position in this history and the reaction the protests have generated on the Mainland. But the new generation's aspiration goes far beyond the political. It is a generation that strongly associates itself with a Hong Kong identity, with inclusivity and openness. Looking deeper into the roots and intricacies of the movement, the role of 'Western Values' vs 'Communism' and 'Hong Kongness' vs 'Chineseness', the cultural and political battles are understood through a broader geopolitical history. For good or for bad, Hong Kong has become one of the battle fields of the great historic contest between the US, the UK and China.
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cover of Hong Kong: Culture and the Politics of Disappearance

Hong Kong

Culture and the Politics of Disappearance

Ackbar Abbas

University of Minnesota Press, 1997

A consideration of what the culture of Hong Kong tells us about the state of the world at the fin-de-siècle.

On June 30, 1997, Hong Kong as we know it will disappear, ceasing its singular and ambiguous existence as a colonial holdover and becoming part of the People’s Republic of China. In an intriguing and provocative exploration of its cinema, architecture, photography, and literature, Ackbar Abbas considers what Hong Kong, with its unique relations to decolonization and disappearance, can teach us about the future of both the colonial city and the global city.

The culture of Hong Kong encompasses Jackie Chan and John Woo, British colonial architecture and postmodern skyscrapers. Ironically, it was not until they were faced with the imposition of Mainland power—with the signing of the Sino-British Joint Agreement in 1984—that the denizens of the colony began the search for a Hong Kong identity. According to Abbas, Hong Kong’s peculiar lack of identity is due to its status as “not so much a place as a space of transit,” whose residents think of themselves as transients and migrants on their way from China to somewhere else. Abbas explores the way Hong Kong’s media saturation changes its people’s experience of space so that it becomes abstract, dominated by signs and images that dispel memory, history, and presence.Hong Kong disappears through simple dualities such as East/West and tradition/modernity. What is missing from a view of Hong Kong as merely a colony is the paradox that Hong Kong has benefited from and made a virtue of its dependent colonial status, turning itself into a global and financial city and outstripping its colonizer in terms of wealth.Combining sophisticated theory and a critical perspective, this rich and thought-provoking work captures the complex situation of the metropolis that is contemporary Hong Kong. Along the way, it challenges, entertains, and makes an important contribution to our thinking about the surprising processes and consequences of colonialism.Copublished with Hong Kong University Press
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cover of Hong Kong: Migrant Lives, Landscapes, and Journeys

Hong Kong

Migrant Lives, Landscapes, and Journeys

Caroline Knowles and Douglas Harper

University of Chicago Press, 2009

In 1997 the United Kingdom returned control of Hong Kong to China, ending the city’s status as one of the last remnants of the British Empire and initiating a new phase for it as both a modern city and a hub for global migrations. Hong Kong is a tour of the city’s postcolonial urban landscape, innovatively told through fieldwork and photography.

Caroline Knowles and Douglas Harper’s point of entry into Hong Kong is the unusual position of the British expatriates who chose to remain in the city after the transition. Now a relatively insignificant presence, British migrants in Hong Kong have become intimately connected with another small minority group there: immigrants from Southeast Asia. The lives, journeys, and stories of these two groups bring to life a place where the past continues to resonate for all its residents, even as the city hurtles forward into a future marked by transience and transition. By skillfully blending ethnographic and visual approaches, Hong Kong offers a fascinating guide to a city that is at once unique in its recent history and exemplary of our globalized present.

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cover of Humble before the Void: A Western Astronomer, his Journey East, and a Remarkable Encounter Between Western Science and Tibetan Buddhism

Humble before the Void

A Western Astronomer, his Journey East, and a Remarkable Encounter Between Western Science and Tibetan Buddhism

Chris Impey

Templeton Press, 2014

“This book will provide readers with a greater awareness of the spirit of curiosity and inquiry that lies at the heart of the Buddhist tradition, as well as the fruitfulness of maintaining active communication between the Buddhist and scientific commu­nities.” —from the Foreword by His Holiness the Dalai Lama

In Humble before the Void, Impey, a noted astronomer, educator, and author gives us a thor­oughly absorbing and engaging account of his journey to Northern India to teach in the first-ever “Science for Monks” leadership program. The pro­gram was initiated by His Holiness the Dalai Lama to introduce science into the Tibetan Buddhist monastic tradition.

In a vivid and compelling narrative, Impey intro­duces us to a group of exiled Tibetan monks whose charm, tenacity and unbridled enthusiasm for learning is infectious. Impey marvels not only at their enthusiasm, but at their tireless diligence that allows the monks to painstakingly build intri­cate sand mandalas—that can be swept away in an instant. He observes them as they meticulously count galaxies and notes how their enthusiasm and diligence stands in contrast to many American students who are frequently turned off by sci­ence’s inability to deliver easy, immediate payoffs. Because the Buddhist monks have had a limited science education, Impey must devise creative pedagogy. His new students immediately take to his inspired teaching methods, whether it’s the use of balloons to demonstrate the Hubble expansion or donning an Einstein mask to explain the theory of relativity.

Humble before the Void also recounts Impey’s experiences outside the classroom, from the monks’ eagerness to engage in pick-up basket­ball games and stream episodes of hip American sitcoms to the effects on his relationship with the teenage son who makes the trip with him. Moments of profound serenity and beauty in the Himalayas are contrasted with the sorrow of learning that other monks have set themselves on fire to protest the Chinese oppression in Tibet.

At the end of the three week program, both the monks and Impey have gained a valuable edu­cation. While the monks have a greater under­standing and appreciation of science, Impey has acquired greater self- knowledge and a deeper understanding of the nature of learning and teaching in the East and West. This understand­ing leads to a renewed enthusiasm for making his topic come alive for others.

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