183 books match the query 'Feminist' and 7 start with h

cover of Hagiography in Marguerite de Navarre’s Heptaméron: Saints and Debates in Renaissance France

Hagiography in Marguerite de Navarre’s Heptaméron

Saints and Debates in Renaissance France

Leanna Bridge Rezvani

University of Delaware Press, 2026

Marguerite de Navarre was one of the most educated and powerful women of Renaissance Europe. The Heptaméron, her celebrated collection of tales and debates, offers readers invaluable insights into diverse aspects of sixteenth-century French society. Scholars of Marguerite have written extensively on the complexities of her religious thought, but the influence of Catholic narrative tradition on the Heptaméron has been underexplored. Through an analysis of Marguerite’s tales together with literary works, religious writings, and visual images of the saints, Hagiography in Marguerite de Navarre’s Heptaméron reveals the important relationship between the Queen of Navarre’s text, hagiographic tradition, and various sixteenth-century controversies. By contextualizing the Heptaméron within these theological and literary debates, this volume illustrates how Marguerite both borrowed from and revised hagiography to lend greater authority to her writing, advocate on behalf of women, and craft an innovative response to polemics about gender, religion, and the cult of saints.
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cover of Haunting Violations: Feminist Criticism and the Crisis of the "Real"

Haunting Violations

Feminist Criticism and the Crisis of the "Real"

Edited by Wendy S. Hesford and Wendy Kozol

University of Illinois Press, 2000

 
Feminist critics place a premium on the "real" stories told by the victimized and the oppressed. Haunting Violations offers a corrective to such uncritical acceptance of the "real" in confessional, testimonial, and ethnographic narratives. Through close readings of a wide variety of texts, contributors argue that depictions of the "real" are inherently performative, crafted within the limits and in the interests of specific personal, political, or social projects.
Haunting Violations explores the inseparability of discourse and politics in quasi-autobiographical works such as I, Rigoberta Menchú and When Heaven and Earth Changed Places. Contributors consider how the Sri Lankan Mother's Front movement exploits the sanctity of the maternal and how multiple political purposes on both sides bleed through government "documentary" photographs of Japanese-American concentration camp internees. This volume also investigates how South Asian feminists use the authority of their personal experience to critique the film Mississippi Masala and how realist narratives, such as Janet Campbell Hale's autobiographical Bloodlines, Margie Strosser's documentary film Rape Stories, and Shekur Kapur's film Bandit Queen, reexamine how assumptions about power and trauma are embedded in the promise of the real.
 
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cover of Here Is a Figure: Grounding Literary Form

Here Is a Figure

Grounding Literary Form

Sarah Dowling

Northwestern University Press, 2025

A study of supine, prone, and recumbent figures in contemporary literature

The prostitute, the protester, the murder victim, the invalid, the layabout, the depressive: all are associated with lying down. Skewing and flattening the perpendicular axis that defines the human in Western philosophy, art, and humanist inquiry, these downward-directed figures’ refusals or failures to hew to the moral and postural logics of uprightness enable a reassessment of subjectivity, ecological relation, and representation—that last of which is, after all, a process of standing-in-for. Here Is a Figure: Grounding Literary Form works across an array of well-known and counter-canonical texts, showing that recumbent figures saturate the literary arts of the present and respond to the proliferation of contemporary forms of grounding, in all its meanings. Reading these figures in dialogue with critical Indigenous studies, disability studies, and horizontalist feminisms, Sarah Dowling reveals the potential in thinking with and through a position stretched out across, dependent on, and undetachable from the earth.

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cover of Holy Smoke

Holy Smoke

Fanny Howe

University of Alabama Press, 1979

Howe tells the story of a woman traveling among geographies both real and imagined looking for her daughter. Even within the twenty-first century landscape where hybrid works are common, perhaps all too common, Fanny How's 1979 Holy Smoke offers a still startlingly inventive mixture of prose, poetry, images, found objects and ephemera, journaling and more. 

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cover of Horizon, Sea, Sound: Caribbean and African Women's Cultural Critiques of Nation

Horizon, Sea, Sound

Caribbean and African Women's Cultural Critiques of Nation

Andrea A. Davis

Northwestern University Press, 2022

Winner of the 2023 Canadian Association of Latin American and Caribbean Studies’ Best Book Prize

In Horizon, Sea, Sound: Caribbean and African Women’s Cultural Critiques of Nation, Andrea Davis imagines new reciprocal relationships beyond the competitive forms of belonging suggested by the nation-state. The book employs the tropes of horizon, sea, and sound as a critique of nation-state discourses and formations, including multicultural citizenship, racial capitalism, settler colonialism, and the hierarchical nuclear family.
 
Drawing on Tina Campt’s discussion of Black feminist futurity, Davis offers the concept future now, which is both central to Black freedom and a joint social justice project that rejects existing structures of white supremacy. Calling for new affiliations of community among Black, Indigenous, and other racialized women, and offering new reflections on the relationship between the Caribbean and Canada, she articulates a diaspora poetics that privileges our shared humanity. In advancing these claims, Davis turns to the expressive cultures (novels, poetry, theater, and music) of Caribbean and African women artists in Canada, including work by Dionne Brand, M. NourbeSe Philip, Esi Edugyan, Ramabai Espinet, Nalo Hopkinson, Amai Kuda, and Djanet Sears. Davis considers the ways in which the diasporic characters these artists create redraw the boundaries of their horizons, invoke the fluid histories of the Caribbean Sea to overcome the brutalization of plantation histories, use sound to enter and reenter archives, and shapeshift to survive in the face of conquest. The book will interest readers of literary and cultural studies, critical race theories, and Black diasporic studies.
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cover of Hot Pants and Spandex Suits: Gender Representation in American Superhero Comic Books

Hot Pants and Spandex Suits

Gender Representation in American Superhero Comic Books

Esther De Dauw

Rutgers University Press, 2021

The superheroes from DC and Marvel comics are some of the most iconic characters in popular culture today. But how do these figures idealize certain gender roles, body types, sexualities, and racial identities at the expense of others?
 
Hot Pants and Spandex Suits offers a far-reaching look at how masculinity and femininity have been represented in American superhero comics, from the Golden and Silver Ages to the Modern Age. Scholar Esther De Dauw contrasts the bulletproof and musclebound phallic bodies of classic male heroes like Superman, Captain America, and Iron Man with the figures of female counterparts like Wonder Woman and Supergirl, who are drawn as superhumanly flexible and plastic. It also examines the genre’s ambivalent treatment of LGBTQ representation, from the presentation of gay male heroes Wiccan and Hulkling as a model minority couple to the troubling association of Batwoman’s lesbianism with monstrosity. Finally, it explores the intersection between gender and race through case studies of heroes like Luke Cage, Storm, and Ms. Marvel.
 
Hot Pants and Spandex Suits is a fascinating and thought-provoking consideration of what superhero comics teach us about identity, embodiment, and sexuality.
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cover of How Dark Is My Flower: Yosano Akiko and the Invention of Romantic Love

How Dark Is My Flower

Yosano Akiko and the Invention of Romantic Love

Leith Morton

University of Michigan Press, 2023

The poetry of Yosano Akiko covers all the many and varied aspects of the experience of love—from early romantic encounters between the lover and beloved to the intimate pleasures of mutual infatuation and then true love. The journey outlined in Akiko’s verse also grapples with jealousy and unrequited passion, as Akiko’s poem-narrative treats  the rivalry between herself and her best friend, the poet Yamakawa Tomiko, for the affection of the dashing young literary lion, Yosano Tekkan, who later became Akiko’s husband. Thus, How Dark Is My Flower: Yosano Akiko and the Invention of Romantic Love tells a number of stories: a real-life romance unfolds in the poetry of these three poets examined in the book, as well as the story of the journey from romanticism to modernism   undertaken by early 20th century Japanese poetry.

How Dark Is My Flower emphasizes the astonishing innovations in diction and style, not to mention content, in Akiko’s work that transformed the tanka genre from a hidebound and conservative mode of verse to something much more daring and modern. This book pays particular attention to poetry, particularly the tanka genre, in the evolution of modernism  in Japanese literature and breaks new ground in the study of modern Japanese literature by examining the invention and evolution of the concept of romantic love.
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