Results by title

1104 books match the query 'Gender Studies' and 20 start with h

cover of Han Heroes and Yamato Warriors: Competing Masculinities in Chinese and Japanese War Cinema

Han Heroes and Yamato Warriors

Competing Masculinities in Chinese and Japanese War Cinema

Amanda Weiss

Hong Kong University Press, 2023

An exploration of collective memory through the lens of East Asian film during World War II.

Taking the “tidal wave” of memory in the late twentieth and early twenty-first century as its starting point, this monograph explores the collective memory of World War II in East Asia (1937–1945) through film. Weiss argues that Chinese, Japanese, and American remembrance of World War II is intertwined in what she terms a “memory loop,” the transnational mediation and remediation of war narratives. Gender is central to this process, as the changing representation of male soldiers, political leaders, and patriarchal father figures within these narratives reveals Japanese and Chinese challenges to each other and to the perceived “foundational” American narrative of the war. This process continues to intensify due to the globally visible nature of the memory loop, which drives this cycle of transmission, translation, and reassessment.

This volume is the first to bring together a collection of Chinese and Japanese war films that have received little attention in English-language literature. It also produces new readings of popular war memory in East Asia by revealing the gendered dimensions of collective remembrance in these films.
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cover of Hard-Core Romance: "Fifty Shades of Grey," Best-Sellers, and Society

Hard-Core Romance

"Fifty Shades of Grey," Best-Sellers, and Society

Eva Illouz

University of Chicago Press, 2014

From its beginnings in Twilight fan-fiction to its record-breaking sales as an e-book and paperback, the story of the erotic romance novel Fifty Shades of Grey and its two sequels is both unusual and fascinating. Having sold over seventy million copies worldwide since 2011, E. L. James’s lurid series about a sexual ingénue and the powerful young entrepreneur who introduces her to BDSM sex has ingrained itself in our collective consciousness. But why have these particular novels—poorly written and formulaic as they are—become so popular, especially among women over thirty?
 
In this concise, engaging book, Eva Illouz subjects the Fifty Shades cultural phenomenon to the serious scrutiny it has been begging for. After placing the trilogy in the context of best-seller publishing, she delves into its remarkable appeal, seeking to understand the intense reading pleasure it provides and how that resonates with the structure of relationships between men and women today. Fifty Shades, Illouz argues, is a gothic romance adapted to modern times in which sexuality is both a source of division between men and women and a site to orchestrate their reconciliation. As for the novels’ notorious depictions of bondage, discipline, and sadomasochism, Illouz shows that these are as much a cultural fantasy as a sexual one, serving as a guide to a happier romantic life. The Fifty Shades trilogy merges romantic fantasy with self-help guide—two of the most popular genres for female readers.
 
Offering a provocative explanation for the success and popularity of the Fifty Shades of Grey novels, Hard-Core Romance is an insightful look at modern relationships and contemporary women’s literature.
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cover of Health Care and Gender

Health Care and Gender

Charlotte Muller

Russell Sage Foundation, 1990

Health and medical services should meet individuals' needs regardless of gender, but in both subtle and overt ways this is very often not the case. Gender biases result not only in flawed access to care but also in insufficient medical research, uninformed diagnoses, and gaps in covering critical needs. In Health Care and Gender, Charlotte Muller provides a contemporary assessment of the forces that sustain gender biases in the health and medical professions. Beginning with an analysis of gender comparisons in health care usage and adequacy of treatment, Muller discusses the experiences of many different women: working women with insurance coverage, the poor dependent on Medicaid, and the elderly. She also focuses on the issues facing women of reproductive age and shows how poverty or extremely volatile political and ethical controversy may impede their search for basic maternity and family planning services. Drawing on a large body of evidence from medical, health, and behavioral literature and from national statistics, Health Care and Gender probes a timely and crucial topic. For scholars, analysts, and policy makers interested in women's studies, health and medical care, gerontology, consumer and labor economics, and social justice. Muller's thorough analysis looks to the future by presenting agendas for reform, research, and evaluation.
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cover of Hend and the Soldiers

Hend and the Soldiers

By Badriah Albeshr, translated by Sanna Dhahir

University of Texas Press, 2017

Hend is a young Saudi Arabian woman struggling to challenge her conservative society, which is represented by various soldiers, real and metaphorical, in her life. After a failed arranged marriage to an army officer, she is determined to establish herself as a writer and make her own choices in love. Her mother, a firm supporter of their society’s traditional norms, works to block her efforts. As Hend engages with her mother, stories of her past and those of other female relatives reveal the extent of the suffering previous generations of women have endured while living in such a patriarchal society. Hend also comes to understand how such traditions have adversely affected the men in her family, including one brother who flees to the West and another who finds comradeship among the members of al-Qaeda.

Badriah Albeshr represents a growing number of women writers from the Arabian Peninsula who refuse to shy away from the taboo topics of religion and sexuality, which makes Hend and the Soldiers a valuable read for those seeking insights into the complexities surrounding these issues.

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cover of Herlands: Inside Societies Where Women Make the Rules

Herlands

Inside Societies Where Women Make the Rules

Megha Mohan

Michigan State University Press, 2027

In this vital and groundbreaking book, Megha Mohan introduces readers to a range of fascinating, women-led societies. Inspired by her great-grandmother’s matrilineal community in South India, Mohan explores communities around the globe—from controversial feminist online troll networks in South Korea to older women co-housing in Paris and North London to the Rain Queens of South Africa. The result is a vivid, global portrait of women’s communities.

Through extensive research and exclusive first-hand reporting, Mohan goes in search of the roots of women-led societies, revealing a vibrant global history brought together for the first time. She also takes us into modern spaces where women live on their own terms, showing us how we can rethink society for new ways of living, working, and collaborating.

For anyone interested in our collective histories, cultures, economics, and governance, Herlands shows the power and possibility of new ways of living—and leading—for us all. It’s an important landmark exploration for our times that not only explores fascinating ways of living but also addresses broader questions about new ways to think and govern and why it matters.

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cover of Hidden Histories of Gender and the State in Latin America

Hidden Histories of Gender and the State in Latin America

Elizabeth Dore and Maxine Molyneux, eds.

Duke University Press, 2000

This collection examines the mutually influential interactions of gender and the state in Latin America from the late colonial period to the end of the twentieth century. Locating watershed moments in the processes of gender construction by the organized power of the ruling classes and in the processes by which gender has conditioned state-making, Hidden Histories of Gender and the State in Latin America remedies the lack of such considerations in previous studies of state formation.
Along these lines, the book begins with two theoretical chapters by the editors, Elizabeth Dore and Maxine Molyneux. Dore opens by arguing against the prevailing view that the nineteenth century was marked by a gradual emancipation of women, while Molyneux considers how various Latin American state forms—liberal, corporatist, socialist, neoliberal—have more recently sought to incorporate women into their projects of social reform and modernization. These essays are followed by twelve case studies that examine how states have contributed to the normalization of male and female roles and relations. Covering an impressive breadth not only of historical time but also of geographical scope, this volume moves from Brazil to Costa Rica, from Mexico to Chile, traversing many countries in between. Contributors explore such topics as civic ritual in Bolivia, rape in war-torn Colombia, and the legal construction of patriarchy in Argentina. They examine the public regulation of domestic life, feminist lobby groups, class compromise, female slaves, and women in rural households—distinct, salient aspects of the state-gender relationship in specific countries at specific historical junctures.
By providing a richly descriptive and theoretically grounded account of the interaction between state and gender politics in Latin America, this volume contributes to an important conversation between feminists interested in the state and political scientists interested in gender. It will be valuable to such disciplines as history, sociology, international comparative studies, and Latin American studies.

Contributors. María Eugenia Chaves, Elizabeth Dore, Rebecca Earle, Jo Fisher, Laura Gotkowitz, Donna J. Guy, Fiona Macaulay, Maxine Molyneux, Eugenia Rodriguez, Karin Alejandra Rosemblatt, Ann Varley, Mary Kay Vaughan

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cover of Hierarchy, Commerce, and Fraud in Bourbon Spanish America: A Postal Inspector's Expose

Hierarchy, Commerce, and Fraud in Bourbon Spanish America

A Postal Inspector's Expose

Ruth Hill

Vanderbilt University Press, 2021

Using El lazarillo de ciegos caminantes (the "Guide for Blind Rovers" by Alonso Carrio de Lavandera, the best known work of the era) as a jumping off point for a sprawling discussion of 18th-century Spanish America, Ruth Hill argues for a richer, more nuanced understanding of the relationship between Spain and its western colonies. Armed with primary sources including literature, maps, census data, letters, and diaries, Hill reveals a rich world of intrigue and artifice, where identity is surprisingly fluid and always in question. More importantly, Hill crafts a complex argument for reassessing our understanding of race and class distinctions at the time, with enormous implications for how we view conceptions of race and class today.
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cover of High Contrast: Race and Gender in Contemporary Hollywood Films

High Contrast

Race and Gender in Contemporary Hollywood Films

Sharon Willis

Duke University Press, 1997

In High Contrast, Sharon Willis examines the dynamic relationships between racial and sexual difference in Hollywood film from the 1980s and 1990s. Seizing on the way these differences are accentuated, sensationalized, and eroticized on screen—most often with little apparent regard for the political context in which they operate—Willis restores that context through close readings of a range of movies from cinematic blockbusters to the work of the new auteurs, Spike Lee, David Lynch, and Quentin Tarantino.
Capturing the political complexity of these films, Willis argues that race, gender, and sexuality, as they are figured in the fantasy of popular film, do not function separately, but rather inform and determine each other’s meaning. She demonstrates how collective anxieties regarding social difference are mapped onto big budget movies like the Die Hard and Lethal Weapon series, Basic Instinct, Fatal Attraction, Thelma and Louise, Terminator 2, and others. Analyzing the artistic styles of directors Lynch, Tarantino, and Lee, in such films as Wild at Heart, Pulp Fiction, and Do the Right Thing, she investigates how these interactions of difference are linked to the production of specific authorial styles, and how race functions for each of these directors, particularly in relation to gender identity, erotics, and fantasy.
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cover of Holding the World Together: African Women in Changing Perspective

Holding the World Together

African Women in Changing Perspective

Edited by Nwando Achebe and Claire Robertson

University of Wisconsin Press, 2021

Featuring contributions from some of the most accomplished scholars on the topic, Holding the World Together explores the rich and varied ways in which women have wielded power across the African continent, from the precolonial period to the present. Suitable for classroom use, this comprehensive volume considers such topics as the representation of African women, their role in national liberation movements, their experiences of religious fundamentalism (both Christian and Muslim), their incorporation into the world economy, changing family and marriage systems, impacts of the world economy on their lives and livelihoods, and the unique challenges they face in the areas of health and disease.

Contributors: Nwando Achebe, Ousseina Alidou, Signe Arnfred, Andrea L. Arrington-Sirois, Henryatta Ballah, Teresa Barnes, Josephine Beoku-Betts, Emily Burril, Abena P. A. Busia, Gracia Clark, Alicia Decker, Karen Flint, December Green, Cajetan Iheka, Rachel Jean-Baptiste, Elizabeth M. Perego, Claire Robertson, Kathleen Sheldon, Aili Mari Tripp, Cassandra Veney
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cover of Holy Waters: Gender Segregation and the Rise of Haredi Politics in Israel

Holy Waters

Gender Segregation and the Rise of Haredi Politics in Israel

Shayna Weiss

Rutgers University Press, 2027

Examining the politics of pools and beaches, Holy Waters reveals a surprising history about Haredi Jews and Israel. By looking at the battles to establish gender segregating swimming in Israel, which required a partnership between the Israeli government and its Haredi population to reshape public space, the book argues that the establishment of Israel created a new Haredi pragmatic politics. Unlike some Ultra-Orthodox Jews, who rejected the Jewish state entirely, these radical moderates worked with the state to make it feel more Jewish, and to improve life for its Haredi population, without embracing Zionist ideology. Holy Waters examines three cases: a failure to prevent mixed swimming in Jerusalem, the successful establishment of a separate beach in Tel Aviv, and the mixed results of a Diaspora awareness campaign. Connecting historical controversies to today’s debates of gender segregation, the book demonstrates how these radical moderates still influence Israel today.

This book is published with the support of the Jordan Schnitzer First Book Publication Award, administered by the Association for Jewish Studies.

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cover of Home Girls, 40th Anniversary Edition: A Black Feminist Anthology

Home Girls, 40th Anniversary Edition

A Black Feminist Anthology

Barbara Smith

Rutgers University Press, 2024

Home Girls, the pioneering anthology of Black feminist thought, features writing by Black feminist and lesbian activists on topics both provocative and profound. Since its initial publication in 1983, it has become an essential text on Black women's lives and contains work by many of feminism's foremost thinkers. This edition features an updated list of contributor biographies and an all-new preface that provides Barbara Smith the opportunity to look back on forty years of the struggle, as well as the influence the work in this book has had on generations of feminists. The preface from the previous Rutgers edition remains, as well as all of the original pieces, set in a fresh new package. 

Contributors: Tania Abdulahad, Donna Allegra, Barbara A. Banks, Becky Birtha, Cenen, Cheryl Clarke, Michelle Cliff, Michelle T. Clinton, Willi (Willie) M. Coleman, Toi Derricotte, Alexis De Veaux, Jewelle L. Gomez, Akasha (Gloria) Hull, Patricia Spears Jones, June Jordan, Audre Lorde, Raymina Y. Mays, Deidre McCalla, Chirlane McCray, Pat Parker, Linda C. Powell, Bernice Johnson Reagon, Spring Redd, Gwendolyn Rogers, Kate Rushin, Ann Allen Shockley, Barbara Smith, Beverly Smith, Shirley O. Steele, Luisah Teish, Jameelah Waheed, Alice Walker, and Renita J. Weems.
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cover of Home Girls: A Black Feminist Anthology

Home Girls

A Black Feminist Anthology

Smith, Barbara

Rutgers University Press, 2000

The pioneering anthology Home Girls features writings by Black feminist and lesbian activists on topics both provocative and profound. Since its initial publication in 1983, it has become an essential text on Black women's lives and writings. This edition features an updated list of contributor biographies and an all-new preface that provides a fresh assessment of how Black women's lives have changed-or not-since the book was first published.

Contributors are Tania Abdulahad, Donna Allegra, Barbara A. Banks, Becky Birtha, Julie Carter, Cenen, Cheryl Clarke, Michelle Cliff, Michelle T. Clinton, Willie M. Coleman, Toi Derricotte, Alexis De Veaux, Jewelle L. Gomez, Akasha (Gloria) Hull, Patricia Jones, June Jordan, Audre Lorde, Raymina Y. Mays, Deidre McCalla, Chirlane McCray, Pat Parker, Linda C. Powell, Bernice Johnson Reagon, Spring Redd, Gwendolyn Rogers, Kate Rushin, Ann Allen Shockley, Barbara Smith, Beverly Smith, Shirley O. Steele, Luisah Teish, Jameelah Waheed, Alice Walker, and Renita Weems.

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cover of Home Is Where Your Politics Are: Queer Activism in the U.S. South and South Africa

Home Is Where Your Politics Are

Queer Activism in the U.S. South and South Africa

Jessica A. Scott

Rutgers University Press, 2024

Home Is Where Your Politics Are is a transnational consideration of queer and trans activism in the US South and South Africa. Through ethnographic exploration of queer and trans activist work in both places, Jessica Scott paints a vibrant picture of what life is like in relation to a narrative that says that queer life is harder, if not impossible, in rural areas and on the African continent. The book asks questions like, what do activists in these places care about and how do stories about where they live get in the way of the life they envision for the queer and trans people for whom they advocate? Answers to these questions provide insight that only these activists have, into the complexity of locally based advocacy strategies in a globalized world.
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cover of Horizon, Sea, Sound: Caribbean and African Women's Cultural Critiques of Nation

Horizon, Sea, Sound

Caribbean and African Women's Cultural Critiques of Nation

Andrea A. Davis

Northwestern University Press, 2022

Winner of the 2023 Canadian Association of Latin American and Caribbean Studies’ Best Book Prize

In Horizon, Sea, Sound: Caribbean and African Women’s Cultural Critiques of Nation, Andrea Davis imagines new reciprocal relationships beyond the competitive forms of belonging suggested by the nation-state. The book employs the tropes of horizon, sea, and sound as a critique of nation-state discourses and formations, including multicultural citizenship, racial capitalism, settler colonialism, and the hierarchical nuclear family.
 
Drawing on Tina Campt’s discussion of Black feminist futurity, Davis offers the concept future now, which is both central to Black freedom and a joint social justice project that rejects existing structures of white supremacy. Calling for new affiliations of community among Black, Indigenous, and other racialized women, and offering new reflections on the relationship between the Caribbean and Canada, she articulates a diaspora poetics that privileges our shared humanity. In advancing these claims, Davis turns to the expressive cultures (novels, poetry, theater, and music) of Caribbean and African women artists in Canada, including work by Dionne Brand, M. NourbeSe Philip, Esi Edugyan, Ramabai Espinet, Nalo Hopkinson, Amai Kuda, and Djanet Sears. Davis considers the ways in which the diasporic characters these artists create redraw the boundaries of their horizons, invoke the fluid histories of the Caribbean Sea to overcome the brutalization of plantation histories, use sound to enter and reenter archives, and shapeshift to survive in the face of conquest. The book will interest readers of literary and cultural studies, critical race theories, and Black diasporic studies.
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cover of Hot Pants and Spandex Suits: Gender Representation in American Superhero Comic Books

Hot Pants and Spandex Suits

Gender Representation in American Superhero Comic Books

Esther De Dauw

Rutgers University Press, 2021

The superheroes from DC and Marvel comics are some of the most iconic characters in popular culture today. But how do these figures idealize certain gender roles, body types, sexualities, and racial identities at the expense of others?
 
Hot Pants and Spandex Suits offers a far-reaching look at how masculinity and femininity have been represented in American superhero comics, from the Golden and Silver Ages to the Modern Age. Scholar Esther De Dauw contrasts the bulletproof and musclebound phallic bodies of classic male heroes like Superman, Captain America, and Iron Man with the figures of female counterparts like Wonder Woman and Supergirl, who are drawn as superhumanly flexible and plastic. It also examines the genre’s ambivalent treatment of LGBTQ representation, from the presentation of gay male heroes Wiccan and Hulkling as a model minority couple to the troubling association of Batwoman’s lesbianism with monstrosity. Finally, it explores the intersection between gender and race through case studies of heroes like Luke Cage, Storm, and Ms. Marvel.
 
Hot Pants and Spandex Suits is a fascinating and thought-provoking consideration of what superhero comics teach us about identity, embodiment, and sexuality.
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cover of Human Rights, Sexual Orientation and Gender Identity in The Commonwealth

Human Rights, Sexual Orientation and Gender Identity in The Commonwealth

Edited by Corinne Lennox and Matthew Waites

University of London Press, 2013

Human rights in relation to sexual orientation and gender identity are at last reaching the heart of global debates. Yet 78 states worldwide continue to criminalise same-sex sexual behaviour, and due to the legal legacies of the British Empire, 42 of these – more than half – are in the Commonwealth of Nations. In recent years many states have seen the emergence of new sexual nationalisms, leading to increased enforcement of colonial sodomy laws against men, new criminalisations of sex between women and discrimination against transgender people.   Human Rights, Sexual Orientation and Gender Identity in The Commonwealth: Struggles for Decriminalisation and Change challenges these developments as the first book to focus on experiences of lesbian, gay, bisexual, transgender and intersex (LGBTI) and all non-heterosexual people in the Commonwealth. The volume offers the most internationally extensive analysis to date of the global struggle for decriminalisation of same-sex sexual behaviour and relationships.   The book includes: The first quantitative analysis of legal change related to sexual orientation and gender identity across all the Commonwealth’s 54 Member States, and an overview of existing transnational politics and activism. 13 peer-reviewed chapters by academics and activists presenting analyses of struggles for decriminalisation and change in 16 national contexts covering all regions of the Commonwealth: United Kingdom, Canada, Australia, Singapore, Malaysia, India, Pakistan, Sri Lanka, Bangladesh, South Africa, Botswana, Malawi, Uganda, Jamaica, Trinidad and Tobago, and the Bahamas.   A unique comparative analysis across the Commonwealth, based on the 16 national analyses, focusing on learning lessons from states in the global South where decriminalisation of same-sex sexual behaviour has been achieved, including the Bahamas, South Africa and India. Some recent transnational activism has sought to use the Commonwealth as a medium to achieve decriminalisation. This volume distinctively opens up questions of how such developments should be interpreted in the contexts of colonialism and post-colonialism, and critical perspectives on cultural racism, Southern theory and homonationalism. It thus offers analytical frameworks for developing struggles and strategies for decriminalisation and human rights in the context of a multi-dimensional understanding of inequalities and power.     About the editors: Dr Corinne Lennox is Lecturer in Human Rights at the Institute of Commonwealth Studies, School of Advanced Study, University of London, United Kingdom.   Dr Matthew Waites is Senior Lecturer in Sociology in the School of Social and Political Sciences at University of Glasgow, United Kingdom.
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cover of Human* Being: On Otherkin Identity and Digital Community

Human* Being

On Otherkin Identity and Digital Community

Devin Proctor

Lever Press, 2026

Human* Being: On Otherkin Identity and Digital Community is an ethnographic exploration of the Otherkin—a technologically-mediated community of practice whose members identify as other-than-human—breaking down barriers of identity and calling into question assumptions about what it means to be a human. Based on a decade of ethnographic research, Human* Being examines Otherkin engagement with the techno-virtuality afforded by the internet—through chat forums, personal blogs, 3D virtual worlds, Facebook, YouTube, Tumblr, Discord, TikTok, and Reddit—troubling conventional notions about our relationships with the virtual and our understandings of the Self. The Otherkin represent a larger shift in body identity, shown by increasing numbers of people identifying as trans, nonbinary, fluid, and neurodiverse; bodies open to nuance, complication, and multiplicity. Devin Proctor closely examines internal community debates about the limits of non-human identity, avatar creation practices in virtual worlds to approximate inner realities, and the policing of identity constructs toward a stable definition of the phenomenon. However anomalistic, even fantastical they may seem, the Otherkin offer a window into our own complex notions of bodies, Selves, and technologies.

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cover of Humanity's Ruins: Ethics, Feminism, and Genocidal Humanitarianism

Humanity's Ruins

Ethics, Feminism, and Genocidal Humanitarianism

Danielle Bouchard

Duke University Press, 2025

In Humanity’s Ruins, Danielle Bouchard examines how genocidal aspirations animate contemporary Western humanitarian projects and discourses. Drawing on anticolonial and antiracist feminist critique, Bouchard argues that humanitarianism has functioned in the Cold War and post-Cold War eras to perpetuate longer-lived, fundamentally racist conceptualizations of humanity’s defining characteristics. She examines the aesthetics of humanitarian texts, which are filled with figures of the wounded, dead, and disappeared—the atomic bomb victim whose only remainder is a shadow imprinted on concrete, the grievously injured Muslim woman, the vanished members of Amazonian “uncontacted” tribes, the dying African—to elucidate how the appearance of these figures reaffirms a genocidal view of humanity that aligns with the continuation of Western imperial warfare. Humanitarian discourses conceive of humanity as a community which, by definition, is under existential threat from some humans who are explicitly or implicitly understood as needing to be eliminated. Bouchard invokes “humanity’s ruins” to expose the genocidal fantasy of a human world in which such threat has been eliminated in the interest of supposedly ensuring humanity’s survival.
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cover of Hungry Translations: Relearning the World through Radical Vulnerability

Hungry Translations

Relearning the World through Radical Vulnerability

Richa Nagar

University of Illinois Press, 2019

Experts often assume that the poor, hungry, rural, and/or precarious need external interventions. They frequently fail to recognize how the same people create politics and knowledge by living and honing their own dynamic visions. How might scholars and teachers working in the Global North ethically participate in producing knowledge in ways that connect across different meanings of struggle, hunger, hope, and the good life?Informed by over twenty years of experiences in India and the United States, Hungry Translations bridges these divides with a fresh approach to academic theorizing. Through in-depth reflections on her collaborations with activists, theatre artists, writers, and students, Richa Nagar discusses the ongoing work of building embodied alliances among those who occupy different locations in predominant hierarchies. She argues that such alliances can sensitively engage difference through a kind of full-bodied immersion and translation that refuses comfortable closures or transparent renderings of meanings. While the shared and unending labor of politics makes perfect translation--or retelling--impossible, hungry translations strive to make our knowledges more humble, more tentative, and more alive to the creativity of struggle.
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cover of Hysterical!: Women in American Comedy

Hysterical!

Women in American Comedy

Edited by Linda Mizejewski and Victoria Sturtevant; foreword by Kathleen Rowe Karlyn

University of Texas Press, 2017

Ideal for classroom use, this anthology of original essays by the leading authorities on women’s comedy surveys the disorderly, subversive, and unruly performances of women comics from silent film to contemporary multimedia

Winner, Susan Koppleman Award for Best Anthology, Multi-Authored, or Edited Book in Feminist Studies, Popular and American Culture Associations (PACA), 2017

Amy Schumer, Samantha Bee, Mindy Kaling, Melissa McCarthy, Tig Notaro, Leslie Jones, and a host of hilarious peers are killing it nightly on American stages and screens large and small, smashing the tired stereotype that women aren’t funny. But today’s funny women aren’t a new phenomenon—they have generations of hysterically funny foremothers. Fay Tincher’s daredevil stunts, Mae West’s linebacker walk, Lucille Ball’s manic slapstick, Carol Burnett’s athletic pratfalls, Ellen DeGeneres’s tomboy pranks, Whoopi Goldberg’s sly twinkle, and Tina Fey’s acerbic wit all paved the way for contemporary unruly women, whose comedy upends the norms and ideals of women’s bodies and behaviors.

Hysterical! Women in American Comedy delivers a lively survey of women comics from the stars of the silent cinema up through the multimedia presences of Tina Fey and Lena Dunham. This anthology of original essays includes contributions by the field’s leading authorities, introducing a new framework for women’s comedy that analyzes the implications of hysterical laughter and hysterically funny performances. Expanding on previous studies of comedians such as Mae West, Moms Mabley, and Margaret Cho, and offering the first scholarly work on comedy pioneers Mabel Normand, Fay Tincher, and Carol Burnett, the contributors explore such topics as racial/ethnic/sexual identity, celebrity, stardom, censorship, auteurism, cuteness, and postfeminism across multiple media. Situated within the main currents of gender and queer studies, as well as American studies and feminist media scholarship, Hysterical! masterfully demonstrates that hysteria—women acting out and acting up—is a provocative, empowering model for women’s comedy.

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