679 books match the query 'Historiography' and 46 start with h

cover of Habitations of Modernity: Essays in the Wake of Subaltern Studies

Habitations of Modernity

Essays in the Wake of Subaltern Studies

Dipesh Chakrabarty

University of Chicago Press, 2002

In Habitations of Modernity, Dipesh Chakrabarty explores the complexities of modernism in India and seeks principles of humaneness grounded in everyday life that may elude grand political theories. The questions that motivate Chakrabarty are shared by all postcolonial historians and anthropologists: How do we think about the legacy of the European Enlightenment in lands far from Europe in geography or history? How can we envision ways of being modern that speak to what is shared around the world, as well as to cultural diversity? How do we resist the tendency to justify the violence accompanying triumphalist moments of modernity?

Chakrabarty pursues these issues in a series of closely linked essays, ranging from a history of the influential Indian series Subaltern Studies to examinations of specific cultural practices in modern India, such as the use of khadi—Gandhian style of dress—by male politicians and the politics of civic consciousness in public spaces. He concludes with considerations of the ethical dilemmas that arise when one writes on behalf of social justice projects.
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cover of Haiti and the Revolution Unseen: The Persistence of the Decolonial Imagination

Haiti and the Revolution Unseen

The Persistence of the Decolonial Imagination

Natalie Marie Léger

Vanderbilt University Press, 2025

With Haiti and the Revolution Unseen, Natalie Marie Léger alters the genealogy of the Haitian revolutionary subject in the archive of Caribbean cultural thought and shifts our attention to the revolutionists previously left out of the archive: Saint Domingue’s Africanized captives. She posits that canonical Caribbean writers of the Haitian Revolution (1791–1804), like C. L. R. James, Aimé Césaire, Alejo Carpentier, and Édouard Glissant, ignore the conditions of difference that inspired the captive populace’s dreams of freedom from French colonial rule. These authors replicate the forms of colonial power that they sought to vilify with their Haitian revolutionist texts because they excise the African Haitian revolutionist from the story of the Revolution. Despite the fact that two-thirds of the enslaved population were African born on the eve of the Revolution, canonized Caribbean literature of the Revolution writes the Haitian revolutionist as acculturated into the West. The absence of African Haitian revolutionists results in narratives that do not see Haitian ideas about Haiti and the Haitian Revolution. They are the stories of a Haiti and the Haitian Revolution unseen.
 
Léger writes against a Haiti- and Haitians-less idea of the Revolution. She asks scholars and artists of the Revolution to know Haitians as Ginens (African Haitians) and Haiti as Ayiti Ginen (Africa Haiti). This form of knowing demands a decolonial understanding of the Haitian Revolution and a reevaluation of its stories as told by influential twentieth-century Caribbean writers. The story she tells showcases the immense political impact of the African Haitian revolutionist’s philosophies of freedom in Saint Domingue and Haiti thereafter; and she argues that the absence of these philosophies in Caribbean classics of the Revolution demands consideration of why these classics continue to shape how the Revolution and Haiti are discussed in Caribbean Studies, Black Studies, Postcolonial Studies and Haitian Studies. More pressingly, Léger calls on artists and scholars of the Revolution to be mindful of how Haiti and Haitians are figured in narratives of the Revolution. The immense space Haiti holds in Caribbean imaginings of freedom and revolution makes mediating it, its Revolution, and peoples through a prejudiced gaze that serves the West hugely problematic, since a denigrated Haiti yields stunted visions of the Caribbean’s future. These conditions require attention to the pervasive presence of colonial paradigms for being in classic literatures of the Revolution and the way they undermine the generative manner Caribbean writers have used Haiti to think through their past, present, and future.
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cover of Happy Days: Images of the Pre-Sixties Past in Seventies America

Happy Days

Images of the Pre-Sixties Past in Seventies America

Benjamin L. Alpers

Rutgers University Press, 2024

After the techno-futurism of the 1950s and the utopian 1960s vision of a “great society,” the 1970s saw Americans turning to the past as a source for both nostalgic escapism and serious reflection on the nation’s history. While some popular works like Grease presented the relatively recent past as a more innocent time, far away from the nation’s post-Vietnam, post-Watergate malaise, others like Roots used America’s bicentennial as an occasion for deep soul-searching. 
 
Happy Days investigates how 1970s popular culture was obsessed with America’s past but often offered radically different interpretations of the same historical events and icons. Even the figure of the greaser, once an icon of juvenile delinquency, was made family-friendly by Henry Winkler’s Fonzie at the same time that he was being appropriated in more threatening ways by punk and gay subcultures. The cultural historian Benjamin Alpers discovers similar levels of ambivalence toward the past in 1970s neo-noir films, representations of America’s founding, and neo-slave narratives by Alex Haley and Octavia Butler. By exploring how Americans used the 1970s to construct divergent representations of their shared history, he identifies it as a pivotal moment in the nation’s ideological fracturing. 
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cover of Harry S. Truman and the Cold War Revisionists

Harry S. Truman and the Cold War Revisionists

Robert H. Ferrell

University of Missouri Press, 2006

The idea of revising what is known of the past constitutes an essential procedure in historical scholarship, but revisionists are often hasty and argumentative in their judgments. Such, argues Robert H. Ferrell, has been the case with assessments of the presidency of Harry S. Truman, who was targeted by historians and political scientists in the 1960s and ’70s for numerous failings in both domestic and foreign policy, including launching the cold war—perceptions that persist to the present day.
Widely acknowledged as today’s foremost Truman scholar, Ferrell turns the tables on the revisionists in this collection of classic essays. He goes below the surface appearances of history to examine how situations actually developed and how Truman performed sensibly—even courageously—in the face of unforeseen crises.
While some revisionists see Truman as consumed by a blind hatred of the Soviet Union and adopting an unrestrainedly militant stance, Ferrell convincingly shows that Truman wished to get along with the Soviets and was often bewildered by their actions. He interprets policies such as the Truman Doctrine, the Marshall Plan, and support for NATO as prudent responses to perceived threats and credits the Truman administration for the ways in which it dealt with unprecedented problems.
What emerges most vividly from Ferrell’s essays is a sense of how weak a hand the United States held from 1945 to1950, with its conventional forces depleted by the return of veterans to civil pursuits after the war and with its capacity for delivery of nuclear weapons in a sorry state. He shows that Truman regarded the atomic bomb as a weapon of last resort, not an instrument of policy, and that he took America into a war in Korea for the good of the United States and its allies. Although Truman has been vindicated on many of these issues, there still remains a lingering controversy over the use of atomic weapons in Japan—a decision that Ferrell argues is understandable in light of what Truman faced at the start of his presidency.
Ferrell argues that the revisionists who attacked Truman understood neither the times nor the man—one of the most clearheaded, farsighted presidents ever to occupy the Oval Office. Harry S. Truman and the Cold War Revisionists shows us that Truman’s was indeed a remarkable presidency, as it cautions historians against too quickly appraising the very recent past.
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cover of Hegemony and Culture: Politics and Religious Change among the Yoruba

Hegemony and Culture

Politics and Religious Change among the Yoruba

David D. Laitin

University of Chicago Press, 1986

In this ambitious work, David D. Laitin explores the politics of religious change among the Yoruba of Nigeria, then uses his findings to expand leading theories of ethnic and religious politics.
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cover of Heinrich Himmler's Cultural Commissions: Programmed Plunder in Italy and Yugoslavia

Heinrich Himmler's Cultural Commissions

Programmed Plunder in Italy and Yugoslavia

James R. Dow

University of Wisconsin Press, 2018

German scholars were early pioneers in folklore and historical linguistics. As the Nazis rose to power, however, these disciplines were distorted into racist pseudoscience. Under the direction of Heinrich Himmler's SS-Ahnenerbe (Ancestral Inheritance), folklore became a tool for constructing a unified German realm and a manufactured lineage from ancient and "pure" Germanic and Nordic blood.

Drawing on extensive research in public and private archives and interviews with family members of fieldworkers, James R. Dow uncovers both details of the SS cultural commissions' work and the continuing vestiges of the materials they assembled. Teams of poorly qualified and ideologically motivated collectors were sent to South Tyrol in Italy and Gottschee in Slovenian Yugoslavia, from which ethnically German communities were to be resettled in the German Reich. Although a mass of information on narratives, songs and dances, beliefs, customs, local clothing and architecture, and folk speech was collected, the research was deeply tainted and skewed by racialist and nationalist preconditions. Dow sharply critiques the continued use of these ersatz archives.
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cover of Hemispheric Imaginings: The Monroe Doctrine and Narratives of U.S. Empire

Hemispheric Imaginings

The Monroe Doctrine and Narratives of U.S. Empire

Gretchen Murphy

Duke University Press, 2005

In 1823, President James Monroe announced that the Western Hemisphere was closed to any future European colonization and that the United States would protect the Americas as a space destined for democracy. Over the next century, these ideas—which came to be known as the Monroe Doctrine—provided the framework through which Americans understood and articulated their military and diplomatic role in the world. Hemispheric Imaginings demonstrates that North Americans conceived and developed the Monroe Doctrine in relation to transatlantic literary narratives. Gretchen Murphy argues that fiction and journalism were crucial to popularizing and making sense of the Doctrine’s contradictions, including the fact that it both drove and concealed U.S. imperialism. Presenting fiction and popular journalism as key arenas in which such inconsistencies were challenged or obscured, Murphy highlights the major role writers played in shaping conceptions of the U.S. empire.

Murphy juxtaposes close readings of novels with analyses of nonfiction texts. From uncovering the literary inspirations for the Monroe Doctrine itself to tracing visions of hemispheric unity and transatlantic separation in novels by Lydia Maria Child, Nathaniel Hawthorne, María Amparo Ruiz de Burton, Lew Wallace, and Richard Harding Davis, she reveals the Doctrine’s forgotten cultural history. In making a vital contribution to the effort to move American Studies beyond its limited focus on the United States, Murphy questions recent proposals to reframe the discipline in hemispheric terms. She warns that to do so risks replicating the Monroe Doctrine’s proprietary claim to isolate the Americas from the rest of the world.

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cover of Heresy in the University: The Black Athena Controversy and the Responsibilities of American Intellectuals

Heresy in the University

The Black Athena Controversy and the Responsibilities of American Intellectuals

Jacques Berlinerblau

Rutgers University Press, 1999

One of the most controversial books to come out of the academy in the last fifteen years is Martin Bernal's Black Athena. It has been a true cause celebre. Afrocentrists have both praised the book and claimed that Bernal stole from the work of black scholars to create his study of the Afroasiastic roots of classical civilization. Classicists feel passionately about what they perceive as an attack from an outsider on the origins not only of ancient Greece but of their own discipline. It seems that everyone has something to say about the book; the question is how many really understand it. In Heresy in the University, Jacques Berlinerblau provides an exegesis of the contents of Black Athena, making it accessible to a wider audience. As he clarifies and restates Bernal's opus, Berlinerblau identifies Bernal's flaws in reasoning and gaps in evidence. He cuts to the heart of Bernal's prose, singling out the key points of Bernal's argument, explaining and arranging them in a cogent manner. Berlinerblau addresses the critics' really important objections, including his own, and links each of them to the appropriate substantive argument in Black Athena. He goes beyond simple summary and exposition to present the underlying --stated and unstated--agendas of Bernal and his critics. Ultimately, he exposes both sides and asks what the flawed reasoning from all concerned reveals about the stakes in this key academic dispute and what that, in turn, says about the modern academy. Jacques Berlinerblau is an assistant professor and director of Judaic studies at Hofstra University.
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cover of Herodotus and the Question Why

Herodotus and the Question Why

By Christopher Pelling

University of Texas Press, 2019

In the 5th century BCE, Herodotus wrote the first known Western history to build on the tradition of Homeric storytelling, basing his text on empirical observations and arranging them systematically. Herodotus and the Question Why offers a comprehensive examination of the methods behind the Histories and the challenge of documenting human experiences, from the Persian Wars to cultural traditions.

In lively, accessible prose, Christopher Pelling explores such elements as reconstructing the mentalities of storyteller and audience alike; distinctions between the human and the divine; and the evolving concepts of freedom, democracy, and individualism. Pelling traces the similarities between Herodotus's approach to physical phenomena (Why does the Nile flood?) and to landmark events (Why did Xerxes invade Greece? And why did the Greeks win?), delivering a fascinating look at the explanatory process itself. The cultural forces that shaped Herodotus's thinking left a lasting legacy for us, making Herodotus and the Question Why especially relevant as we try to record and narrate the stories of our time and to fully understand them.

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cover of Heroes and Villains: Creating National History in Contemporary Ukraine

Heroes and Villains

Creating National History in Contemporary Ukraine

David R. Marples

Central European University Press, 2007

Certain to engender debate in the media, especially in Ukraine itself, as well as the academic community. Using a wide selection of newspapers, journals, monographs, and school textbooks from different regions of the country, the book examines the sensitive issue of the changing perspectives – often shifting 180 degrees – on several events discussed in the new narratives of the Stalin years published in the Ukraine since the late Gorbachev period until 2005. These events were pivotal to Ukrainian history in the 20th century, including the Famine of 1932–33 and Ukrainian insurgency during the war years.
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cover of Hiroshima in History: The Myths of Revisionism

Hiroshima in History

The Myths of Revisionism

Edited with an introduction by Robert James Maddox

University of Missouri Press, 2007

When President Harry Truman authorized the use of atomic weapons against Japan, he did so to end a bloody war that would have been bloodier still had the planned invasion of Japan proved necessary. Revisionists claim that Truman’s real interest was a power play with the Soviet Union and that the Japanese would have surrendered even earlier had the retention of their imperial system been assured. Truman wanted the war to continue, they insist, in order to show off America’s powerful new weapon.

This anthology exposes revisionist fallacies about Truman’s motives, the cost of an invasion, and the question of Japan’s surrender. Essays by prominent military and diplomatic historians reveal the hollowness of revisionist claims, exposing the degree to which these agenda-driven scholars have manipulated the historical record to support their contentions. They show that, although some Japanese businessmen and minor officials indicated a willingness to negotiate peace, no one in a governmental decision-making capacity even suggested surrender. And although casualty estimates for an invasion vary considerably, the more authoritative approximations point to the very bloodbath that Truman sought to avoid.

Volume editor Robert Maddox first examines the writings of revisionist Gar Alperovitz to expose the unscholarly methods Alperovitz employed to support his claims, then distinguished Japanese historian Sadao Asada reveals how difficult it was for his country’s peace faction to prevail even after the bombs had been dropped. Other contributors point to continuing Japanese military buildups, analyze the revisionists’ low casualty estimates for an invasion, reveal manipulations of the Strategic Bombing Survey of 1946, and show how even the exhibit commemorating the fiftieth anniversary of the bombing at the Smithsonian National Air and Space Museum hewed to the revisionist line. And a close reading of Tsuyoshi Hasegawa’s acclaimed Racing the Enemy exposes many grave discrepancies between that recent revisionist text and its sources.

The use of atomic bombs against Japan remains one of the most controversial issues in American history. Gathered in a single volume for the first time, these insightful readings take a major step toward settling that controversy by showing how insubstantial Hiroshima revisionism really is—and that sometimes history cannot proceed without decisive action, however regrettable.

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cover of Historiae Britannicae Defensio / A Defence of the British History

Historiae Britannicae Defensio / A Defence of the British History

John Prise

Bodleian Library Publishing, 2015

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cover of Historians and Historiography in the Italian Renaissance

Historians and Historiography in the Italian Renaissance

Eric Cochrane

University of Chicago Press, 1981

Second edition. A comprehensive survey of historical literature produced in Italy during the Renaissance; a major contribution which discusses hundreds of authors who wrote in Latin or Italian in all parts of Italy during the fifteenth and sixteenth centuries. 
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cover of Historians in Public: The Practice of American History, 1890-1970

Historians in Public

The Practice of American History, 1890-1970

Ian Tyrrell

University of Chicago Press, 2005

From lagging book sales and shrinking job prospects to concerns over the discipline's "narrowness," myriad factors have been cited by historians as evidence that their profession is in decline in America. Ian Tyrrell's Historians in Public shows that this perceived threat to history is recurrent, exaggerated, and often misunderstood. In fact, history has adapted to and influenced the American public more than people—and often historians—realize.

Tyrrell's elegant history of the practice of American history traces debates, beginning shortly after the profession's emergence in American academia, about history's role in school curricula. He also examines the use of historians in and by the government and whether historians should utilize mass media such as film and radio to influence the general public. As Historians in Public shows, the utility of history is a distinctive theme throughout the history of the discipline, as is the attempt to be responsive to public issues among pressure groups.

A superb examination of the practice of American history since the turn of the century, Historians in Public uncovers the often tangled ways history-makers make history-both as artisans and as actors.
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cover of Historic Preservation: Collective Memory and Historic Identity

Historic Preservation

Collective Memory and Historic Identity

Barthel, Diane

Rutgers University Press, 1996

Historic preservation is a cultural movement gaining momentum and adherents throughout Europe and the United States. How do we decide what to preserve and how to preserve? Who benefits from the efforts of preservationists, curators, developers, and other "symbolic bankers" to safeguard an increasing variety of structures for future generations? Diane Barthel raises these and other questions in this important new book. Taking a comparative approach, Barthel finds that preservation in Britain has largely been an elite enterprise aimed at preserving traditional values. In the United States, by contrast, the pattern is much more dynamic and democratic, though also more permeated by commercialism. Is preservation becoming another means of consuming history, like media representations or "historic" shopping outlets? Or does it have a special significance as a very tangible means of getting in touch with our collective and individual pasts? These and other issues--including war and remembrance, agrarian and industrial preservation, and religious preservation in a secular society--demonstrate the significance of what Barthel calls "the Preservation Project" and why we all have a stake in how our history is reconstructed and interpreted.
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cover of Historical Evidence and Argument

Historical Evidence and Argument

David Henige

University of Wisconsin Press, 2005

Historians know about the past because they examine the evidence. But what exactly is “evidence,” how do historians know what it means—and how can we trust them to get it right? Historian David Henige tackles such questions of historical reliability head-on in his skeptical, unsparing, and acerbically witty Historical Evidence and Argument. “Systematic doubt” is his watchword, and he practices what he preaches through a variety of insightful assessments of historical controversies—for example, over the dating of artifacts and the textual analysis of translated documents. Skepticism, Henige contends, forces us to recognize the limits of our knowledge, but is also a positive force that stimulates new scholarship to counter it.

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cover of Historical Justice and Memory

Historical Justice and Memory

Edited by Klaus Neumann and Janna Thompson

University of Wisconsin Press, 2015

Historical Justice and Memory highlights the global movement for historical justice—acknowledging and redressing historic wrongs—as one of the most significant moral and social developments of our times. Such historic wrongs include acts of genocide, slavery, systems of apartheid, the systematic persecution of presumed enemies of the state, colonialism, and the oppression of or discrimination against ethnic or religious minorities.
            The historical justice movement has inspired the spread of truth and reconciliation processes around the world and has pushed governments to make reparations and apologies for past wrongs. It has changed the public understanding of justice and the role of memory. In this book, leading scholars in philosophy, history, political science, and semiotics offer new essays that discuss and assess these momentous global developments. They evaluate the strength and weaknesses of the movement, its accomplishments and failings, its philosophical assumptions and social preconditions, and its prospects for the future.
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cover of Historical Knowledge, Historical Error: A Contemporary Guide to Practice

Historical Knowledge, Historical Error

A Contemporary Guide to Practice

Allan Megill

University of Chicago Press, 2006

In the past thirty years, historians have broadened the scope of their discipline to include many previously neglected topics and perspectives. They have chronicled language, madness, gender, and sexuality and have experimented with new forms of presentation. They have turned to the histories of non-Western peoples and to the troubled relations between “the West” and the rest. Allan Megill welcomes these developments, but he also suggests that there is now confusion among historians about what counts as a justified account of the past.

In Historical Knowledge, Historical Error, Megill dispels some of the confusion. Here, he discusses issues of narrative, objectivity, and memory. He attacks what he sees as irresponsible uses of evidence while accepting the art of speculation, which incomplete evidence forces upon historians. Along the way, he offers succinct accounts of the epistemological road historians have traveled from Herodotus and Thucydides through Leopold von Ranke and Alexis de Tocqueville, and on to Hayden White, Natalie Zemon Davis, and Lynn Hunt.

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cover of Historical Thinking

Historical Thinking

Sam Wineburg

Temple University Press, 2001

Since ancient times, the pundits have lamented young people's lack of historical knowledge and warned that ignorance of the past surely condemns humanity to repeating its mistakes. In the contemporary United States, this dire outlook drives a contentious debate about what key events, nations, and people are essential for history students. Sam Wineburg says that we are asking the wrong questions. This book demolishes the conventional notion that there is one true history and one best way to teach it.

Although most of us think of history -- and learn it -- as a conglomeration of facts, dates, and key figures, for professional historians it is a way of knowing, a method for developing and understanding about the relationships of peoples and events in the past. A cognitive psychologist, Wineburg has been engaged in studying what is intrinsic to historical thinking, how it might be taught, and why most students still adhere to the "one damned thing after another" concept of history.

Whether he is comparing how students and historians interpret documentary evidence or analyzing children's drawings, Wineburg's essays offer "rough maps of how ordinary people think about the past and use it to understand the present." Arguing that we all absorb lessons about history in many settings -- in kitchen table conversations, at the movies, or on the world-wide web, for instance -- these essays acknowledge the role of collective memory in filtering what we learn in school and shaping our historical thinking.
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cover of Historicizing the Enlightenment, Volume 1: Politics, Religion, Economy, and Society in Britain

Historicizing the Enlightenment, Volume 1

Politics, Religion, Economy, and Society in Britain

Michael McKeon

Bucknell University Press, 2023

The Enlightenment has been blamed for some of the most deadly developments of modern life: racism and white supremacy, imperialist oppression, capitalist exploitation, neoliberal economics, scientific positivism, totalitarian rule. These developments are thought to have grown from principles that are rooted in the soil of the Enlightenment: abstraction, reduction, objectification, quantification, division, universalization. Michael McKeon’s new book corrects this defective view by historicizing the Enlightenment--by showing that the Enlightenment has been abstracted from its history. From its past: critics have ignored that Enlightenment thought is a reaction against deadly traditions that precede it. From its present: the Enlightenment extended its reactive analysis of the past to its own present through self-analysis and self-criticism. From its future: much of what’s been blamed amounts to the failure of its posterity to sustain Enlightenment principles. To historicize the Enlightenment requires that we conjure what it was like to live through the emergence of concepts and practices that are now commonplace—society, privacy, the public, the market, experiment, secularity, representative democracy, human rights, social class, sex and gender, fiction, the aesthetic attitude. McKeon’s book argues the continuity of Enlightenment thought, its consistency and integrity across this broad range of conceptual domains. It also shows how the Enlightenment has shaped our views of both tradition and modernity, and the revisionary work that needs to be done in order to understand our place in the future. In the process, Historicizing the Enlightenment exemplifies a distinctive historiography and historical method.
 
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
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cover of Historicizing the Enlightenment, Volume 2: Literature, the Arts, and the Aesthetic in Britain

Historicizing the Enlightenment, Volume 2

Literature, the Arts, and the Aesthetic in Britain

Michael McKeon

Bucknell University Press, 2023

Enlightenment critics from Dryden through Johnson and Wordsworth conceived the modern view that art and especially literature entails a double reflection: a reflection of the world, and a reflection on the process by which that reflection is accomplished. Instead “neoclassicism” and “Augustanism” have been falsely construed as involving a one-dimensional imitation of classical texts and an unselfconscious representation of the world. In fact these Enlightenment movements adopted an oblique perspective that registers the distance between past tradition and its present reenactment, between representation and presence. Two modern movements, Romanticism and modernism, have  appropriated as their own these innovations, which derive from Enlightenment thought. Both of these movements ground their error in a misreading of “imitation” as understood by Aristotle and his Enlightenment proponents. Rightly understood, neoclassical imitation, constitutively aware of the difference between what it knows and how it knows it, is an experimental inquiry that generates a range of prefixes—“counter-,” “mock-,” “anti-,” “neo-”—that mark formal degrees of its epistemological detachment. Romantic ideology has denied the role of the imagination in Enlightenment imitation, imposing on the eighteenth century a dichotomous periodization: duplication versus imagination, the mirror versus the lamp. Structuralist ideology has dichotomized narration and description, form and content, structure and history. Poststructuralist ideology has propounded for the novel a contradictory “novel tradition”—realism, modernism, postmodernism, postcolonialism—whose stages both constitute a sequence and collapse it, each stage claiming the innovation of the stage that precedes it.  

 
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
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cover of Histories of Infamy: Francisco López de Gómara and the Ethics of Spanish Imperialism

Histories of Infamy

Francisco López de Gómara and the Ethics of Spanish Imperialism

Cristián A. Roa-de-la-Carrera

University Press of Colorado, 2005

"Roa-de-la-Carrera convincingly shows that Gómara, as well as other historians in the period, cannot easily ignore nor erase the contradictions of the Spanish colonial project."
- Luis Fernando Restrepo, University of Arkansas

“In an eloquent and thorough exegesis, Roa-de-la-Carrera reveals how and why López de Gómara, having written the best of all possible books in exultation of Spanish imperialism, nevertheless failed to convince the readers of his time."
- Susan Schroeder, Tulane University

In Histories of Infamy, Cristián Roa-de-la-Carrera explores Francisco López de Gómara's (1511-ca.1559) attempt to ethically reconcile Spain's civilizing mission with the conquistadors' abuse and exploitation of Native peoples.

The most widely read account of the conquest in its time, Gómara's Historia general de las Indias y Conquista de México rationalized the conquistadors' crimes as unavoidable evils in the task of bringing "civilization" to the New World. Through an elaborate defense of Spanish imperialism, Gómara aimed to convince his readers of the merits of the conquest, regardless of the devastation it had wrought upon Spain's new subjects. Despite his efforts, Gómara's apologist text quickly fell into disrepute and became ammunition for Spain's critics. Evaluating the effectiveness of ideologies of colonization, Roa-de-la-Carrera's analysis will appeal to scholars in colonial studies and readers interested in the history of the Americas.

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cover of Historiography: Ancient, Medieval, and Modern

Historiography

Ancient, Medieval, and Modern

Ernst Breisach

University of Chicago Press, 1995

In this pioneering work, Ernst Breisach presents an effective, well-organized, and concise account of the development of historiography in Western culture. Neither a handbook nor an encyclopedia, this updated second edition narrates and interprets the development of historiography from its origins in Greek poetry to the present, with sections on such current topics as postmodernism, deconstructionism, black history, women's history, microhistory, Historikerstreit, the linguistic turn, and more.
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cover of Historiography: Ancient, Medieval, and Modern, Third Edition

Historiography

Ancient, Medieval, and Modern, Third Edition

Ernst Breisach

University of Chicago Press, 2007

A masterwork of erudition and deep knowledge, Historiography offers no less than an account of the entire development of historiography in Western culture

In this pioneering work, Ernst Breisach presents an effective, well-organized, and concise account of the development of historiography in Western culture. Neither a handbook nor an encyclopedia, this up-to-date third edition narrates and interprets the development of historiography from its origins in Greek poetry to the present, with compelling sections on postmodernism, deconstructionism, African-American history, women’s history, microhistory, the Historikerstreit, cultural history, and more. The definitive look at the writing of history by a historian, Historiography provides key insights into some of the most important issues, debates and innovations in modern historiography.
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cover of History Continues

History Continues

Georges Duby

University of Chicago Press, 1994

In this engaging intellectual autobiography, Georges Duby looks back on a career that has led him to be called one of the most distinguished historians in the Western world.

Since its beginning in the 1940s, Duby's career has been rich and varied, encompassing economic history, social history, the history of mentalites, art history, microhistory, urban history, the history of women and sexuality, and, most recently, the Church's influence on feudal society. In retracing this singular career path, Duby candidly remembers his life's most formative influences, including the legendary historians Marc Bloch and Lucien Febvre, the Annales School so closely associated with them, and the College de France.

Duby also offers insights about the proper methods of gathering and using archival data and on constructing penetrating interpretations of the documents. Indeed, his discussion of how he chose his subjects, collected his materials, developed the arguments, erected the scaffolding and constructed his theses offers the best introduction to the craft available to aspiring historians.

Candid and charming, this book is both a memoir of one of this century's great scholars and a history of the French historical school since the mid-twentieth century. It will be required reading for anyone interested in the French academic milieu, medieval history, French history, or the recording of history in general.

Georges Duby, a member of the Academie francaise, for many years held the distinguished chair in medieval history at the College de France. His numerous books include The Age of Cathedrals; The Knight, the Lady, and the Priest; Love and Marriage in the Middle Ages; and The Three Orders—all published by the University of Chicago Press.
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cover of History Repeating Itself: The Republication of Children's Historical Literature and the Christian Right

History Repeating Itself

The Republication of Children's Historical Literature and the Christian Right

Gregory M. Pfitzer

University of Massachusetts Press, 2014

Recently publishers on the Christian Right have been reprinting nineteenth-century children's history books and marketing them to parents as “anchor texts” for homeschool instruction. Why, Gregory M. Pfitzer asks, would books written more than 150 years ago be presumed suitable for educating twenty-first-century children? The answer, he proposes, is that promoters of these recycled works believe that history as a discipline took a wrong turn in the early twentieth century, when progressive educators introduced social studies methodologies into public school history classrooms, foisting upon unsuspecting and vulnerable children ideologically distorted history books. 

In History Repeating Itself, Pfitzer tests these assertions by scrutinizing and contextualizing the original nineteenth-century texts on which these republications are based. He focuses on how the writers borrowed from one another to produce works that were similar in many ways yet differed markedly in terms of pedagogical strategy and philosophy of history. Pfitzer demonstrates that far from being non-ideological, these works were rooted in intense contemporary debates over changing conceptions of childhood. 

Pfitzer argues that the repurposing of antiquated texts reveals a misplaced resistance to the idea of a contested past. He also raises essential philosophical questions about how and why curricular decisions are shaped by the “past we choose to remember” on behalf of our children.

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cover of History and Myth in Romanian Consciousness

History and Myth in Romanian Consciousness

Lucian Boia

Central European University Press, 2001

There is a considerable difference between real history and discourse history - this book stems from this idea. The author points out that history is constantly reconstructed, adapted and sometimes mythified from the perspective of the present day, of present states of mind and ideologies. Boia closely examines the process of historical culture and conscience in nineteenth and twentieth century Romania, particularly concentrating on the impact of the national ideology on history. Based upon his findings, the author identifies several key mythical configurations and analyses the manner in which Romanians have reconstituted their own highly ideologized history over the last two centuries.

The strength of History and Myth in Romanian Consciousness lies in the author's ability to fully deconstruct the entire Romanian historiographic system and demonstrate the increasing acuteness of national problems in general, and in particular the exploitation of history to support national ideology.

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cover of History and Silence: Purge and Rehabilitation of Memory in Late Antiquity

History and Silence

Purge and Rehabilitation of Memory in Late Antiquity

By Charles W. Hedrick Jr.

University of Texas Press, 2000

The ruling elite in ancient Rome sought to eradicate even the memory of their deceased opponents through a process now known as damnatio memoriae. These formal and traditional practices included removing the person's name and image from public monuments and inscriptions, making it illegal to speak of him, and forbidding funeral observances and mourning. Paradoxically, however, while these practices dishonored the person's memory, they did not destroy it. Indeed, a later turn of events could restore the offender not only to public favor but also to re-inclusion in the public record.

This book examines the process of purge and rehabilitation of memory in the person of Virius Nicomachus Flavianus(?-394). Charles Hedrick describes how Flavian was condemned for participating in the rebellion against the Christian emperor Theodosius the Great—and then restored to the public record a generation later as members of the newly Christianized senatorial class sought to reconcile their pagan past and Christian present. By selectively remembering and forgetting the actions of Flavian, Hedrick asserts, the Roman elite honored their ancestors while participating in profound social, cultural, and religious change.

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cover of History and Theory after the Fall: An Essay on Interpretation

History and Theory after the Fall

An Essay on Interpretation

Fred Weinstein

University of Chicago Press, 1990

In this ambitious work, Fred Weinstein confronts the obstacles that have increasingly frustrated our attempts to explain social and historical reality. Traditionally, we have relied on history and social theory to describe the ways people understand the world they live in. But the ordering explanations we have always used—derived from the classical social theories originally forged by Marx, Tocqueville, Weber, Durkheim, Freud—have collapsed.

In the wake of this collapse or "fall," the rival claims of fiction, psychoanalysis, sociology, anthropology, and history have created the dilemma of radical relativism, the prospect of multiple interpretations of any complex historical event. The basic strategy of social theory and the social sciences—the search for underlying unities—proves so inherently contradictory and has provided so little in the way of reliable knowledge of social and historical relationships that to many critics it seems no longer worth pursuing.

Weinstein enters the debate by rejecting any search for underlying structural unities, dynamic or social, through which historians have attempted to find continuity with the past. He looks instead to ideological processes, to the construction of successive and changing versions of reality that mediate between the power of fantasy on the one side and the power of the social world on the other. He argues further that the need to use ideological constructs in this way accounts for the heterogeneous and changing content of social movements and for the persistent need people have always had for authoritative leaders, even in democratized societies. He suggests that people have historically been able to take a step away from leaders only by substituting the possession of objects such as property or money. This book is a breakthrough in poststructuralist theory that is sure to stimulate considerable discussion, especially about the shape of the social sciences and the future of historical interpretation.
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cover of History as Art and as Science: Twin Vistas on the Past

History as Art and as Science

Twin Vistas on the Past

H. Stuart Hughes

University of Chicago Press, 1975

"Professor Hughes offers an earnest warning: 'Unless there is some emotional tie, some elective affinity linking the student to his subject of study, the results will be pedantic and perfunctory.' In other words, it is only a step from the sublime to the meticulous. Those eager to guard against that sad descent will find History as Art and as Science a guide, a tonic, and an inspiration. Its short, electrifying essays are so magnificently sane and persuasive they should be required reading for every student who contemplates a major in history."—Geoffrey Bruun, Saturday Review
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History as a Kind of Writing

Textual Strategies in Contemporary French Historiography

Philippe Carrard

University of Chicago Press, 2017

In academia, the traditional role of the humanities is being questioned by the “posts”—postmodernism, poststructuralism, and postfeminism—which means that the project of writing history only grows more complex. In History as a Kind of Writing, scholar of French literature and culture Philippe Carrard speaks to this complexity by focusing the lens on the current state of French historiography.

Carrard’s work here is expansive—examining the conventions historians draw on to produce their texts and casting light on views put forward by literary theorists, theorists of history, and historians themselves. Ranging from discussions of lengthy dissertations on 1960s social and economic history to a more contemporary focus on events, actors, memory, and culture, the book digs deep into the how of history. How do historians arrange their data into narratives? What strategies do they employ to justify the validity of their descriptions? Are actors given their own voice? Along the way, Carrard also readdresses questions fundamental to the field, including its necessary membership in the narrative genre, the presumed objectivity of historiographic writing, and the place of history as a science, distinct from the natural and theoretical sciences.
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History as an Art of Memory

Patrick H. Hutton

Brandeis University Press, 1993

With a broad, interdisciplinary command of the subject, Patrick H. Hutton considers the ideas of philosophers, poets, and historians, focusing especially on the work of Giambattista Vico, Maurice Halbwachs, Philippe Ariès, and Michel Foucault. He surveys such questions as the roots of contemporary historical interest in the memory topic, the eternal paradox of repetition and recollection as moments of memory,the ways in which the art of memory has been refashioned to serce the needs of the modern age and becomes integrated into historical thinking, and historians’ changing attitudes toward the historiographical tradition of scholarship on the French Revolution.
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History of the Bishops of Salona and Split

Thomas Spalatensis

Central European University Press, 2006

Ever since Thomas's Historia Salonitana was first published in 1666, it became a part of the corpus of European medieval literature. Thomas' aim was to write a history of the church of Split in order to prove that it was legally and justly the heir of the metropolitan rights of nearby Salona, an episcopal see from the 4th century. His reports on the fourth and the fifth crusade and on the Mongol invasion of 1241-2, are based on personal experience or on eyewitness reports. This is the 4th volume of the series of Central European Medieval Texts, Latin and English bilingual editions of major historical documents.
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cover of History's Babel: Scholarship, Professionalization, and the Historical Enterprise in the United States, 1880 - 1940

History's Babel

Scholarship, Professionalization, and the Historical Enterprise in the United States, 1880 - 1940

Robert B. Townsend

University of Chicago Press, 2012

From the late nineteenth century until World War II, competing spheres of professional identity and practice redrew the field of history, establishing fundamental differences between the roles of university historians, archivists, staff at historical societies, history teachers, and others.
 
In History’s Babel, Robert B. Townsend takes us from the beginning of this professional shift—when the work of history included not just original research, but also teaching and the gathering of historical materials—to a state of microprofessionalization that continues to define the field today. Drawing on extensive research among the records of the American Historical Association and a multitude of other sources, Townsend traces the slow fragmentation of the field from 1880 to the divisions of the 1940s manifest today in the diverse professions of academia, teaching, and public history. By revealing how the founders of the contemporary historical enterprise envisioned the future of the discipline, he offers insight into our own historical moment and the way the discipline has adapted and changed over time. Townsend’s work will be of interest not only to historians but to all who care about how the professions of history emerged, how they might go forward, and the public role they still can play.
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History, Historians, and Autobiography

Jeremy D. Popkin

University of Chicago Press, 2005

Though history and autobiography both claim to tell true stories about the past, historians have traditionally rejected first-person accounts as subjective and therefore unreliable. What then, asks Jeremy D. Popkin in History, Historians, and Autobiography, are we to make of the ever-increasing number of professional historians who are publishing stories of their own lives? And how is this recent development changing the nature of history-writing, the historical profession, and the genre of autobiography?

Drawing on the theoretical work of contemporary critics of autobiography and the philosophy of Paul Ricoeur, Popkin reads the autobiographical classics of Edward Gibbon and Henry Adams and the memoirs of contemporary historians such as Emmanuel Le Roy Ladurie, Peter Gay, Jill Ker Conway, and many others, he reveals the contributions historians' life stories make to our understanding of the human experience. Historians' autobiographies, he shows, reveal how scholars arrive at their vocations, the difficulties of writing about modern professional life, and the ways in which personal stories can add to our understanding of historical events such as war, political movements, and the traumas of the Holocaust.

An engrossing overview of the way historians view themselves and their profession, this work will be of interest to readers concerned with the ways in which we understand the past, as well as anyone interested in the art of life-writing.
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History, Rhetoric, and Proof

Carlo Ginzburg

Brandeis University Press, 1999

Historian Carlo Ginzburg uses the occasion of his Menachem Stern Lectureship to present a provocative and characteristically brilliant examination of the relation between rhetoric and historiography. In four lectures, based on a wide range of texts -- Aristotle's Poetics; humanist Lorenzo Valla's tract exposing the Donation of Constantine as a forgery; an early 18th-century Jesuit historical account purporting to record the diatribe of a Mariana Island native against Spanish rule; and Proust's commentary on Flaubert's style -- he demonstrates that rhetoric, if properly understood, is related not only to ornament but to historical understanding and truth. Ginzburg discovers a middle ground between the empiricist or positivist view of history, and the current postmodern tendency to regard any historical account as just one among an infinity of possible narratives, distinguished or measured not by the standard of truth, but by rhetorical skill. As a whole, these lectures stake out a position that both mediates and transcends warring factions in the current historiographical debate.
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cover of Holocaust Icons: Symbolizing the Shoah in History and Memory

Holocaust Icons

Symbolizing the Shoah in History and Memory

Oren Baruch Stier

Rutgers University Press, 2015

The Holocaust has bequeathed to contemporary society a cultural lexicon of intensely powerful symbols, a vocabulary of remembrance that we draw on to comprehend the otherwise incomprehensible horror of the Shoah. Engagingly written and illustrated with more than forty black-and-white images, Holocaust Icons probes the history and memory of four of these symbolic relics left in the Holocaust’s wake.
 
Jewish studies scholar Oren Stier offers in this volume new insight into symbols and the symbol-making process, as he traces the lives and afterlives of certain remnants of the Holocaust and their ongoing impact. Stier focuses in particular on four icons: the railway cars that carried Jews to their deaths, symbolizing the mechanics of murder; the Arbeit Macht Frei (“work makes you free”) sign over the entrance to Auschwitz, pointing to the insidious logic of the camp system; the number six million that represents an approximation of the number of Jews killed as well as mass murder more generally; and the persona of Anne Frank, associated with victimization. Stier shows how and why these icons—an object, a phrase, a number, and a person—have come to stand in for the Holocaust: where they came from and how they have been used and reproduced; how they are presently at risk from a variety of threats such as commodification; and what the future holds for the memory of the Shoah.
 
In illuminating these icons of the Holocaust, Stier offers valuable new perspective on one of the defining events of the twentieth century. He helps readers understand not only the Holocaust but also the profound nature of historical memory itself.
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Holocaust Memory Reframed

Museums and the Challenges of Representation

Hansen-Glucklich, Jennifer

Rutgers University Press, 2014

Holocaust memorials and museums face a difficult task as their staffs strive to commemorate and document horror. On the one hand, the events museums represent are beyond most people’s experiences.  At the same time they are often portrayed by theologians, artists, and philosophers in ways that are already known by the public. Museum administrators and curators have the challenging role of finding a creative way to present Holocaust exhibits to avoid clichéd or dehumanizing portrayals of victims and their suffering.

In Holocaust Memory Reframed, Jennifer Hansen-Glucklich examines representations in three museums: Israel’s Yad Vashem in Jerusalem, Germany’s Jewish Museum in Berlin, and the United States Holocaust Memorial Museum in Washington, D.C. She describes a variety of visually striking media, including architecture, photography exhibits, artifact displays, and video installations in order to explain the aesthetic techniques that the museums employ. As she interprets the exhibits, Hansen-Glucklich clarifies how museums communicate Holocaust narratives within the historical and cultural contexts specific to Germany, Israel, and the United States. In Yad Vashem, architect Moshe Safdie developed a narrative suited for Israel, rooted in a redemptive, Zionist story of homecoming to a place of mythic geography and renewal, in contrast to death and suffering in exile. In the Jewish Museum in Berlin, Daniel Libeskind’s architecture, broken lines, and voids emphasize absence. Here exhibits communicate a conflicted ideology, torn between the loss of a Jewish past and the country’s current multicultural ethos. The United States Holocaust Memorial Museum presents yet another lens, conveying through its exhibits a sense of sacrifice that is part of the civil values of American democracy, and trying to overcome geographic and temporal distance. One well-know example, the pile of thousands of shoes plundered from concentration camp victims encourages the visitor to bridge the gap between viewer and victim.  

Hansen-Glucklich explores how each museum’s concept of the sacred shapes the design and choreography of visitors’ experiences within museum spaces. These spaces are sites of pilgrimage that can in turn lead to rites of passage.
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Holocaust

An American Understanding

Lipstadt, Deborah E

Rutgers University Press, 2016

Immediately after World War II, there was little discussion of the Holocaust, but today the word has grown into a potent political and moral symbol, recognized by all.  In Holocaust: An American Understanding, renowned historian Deborah E. Lipstadt explores this striking evolution in Holocaust consciousness, revealing how a broad array of Americans—from students in middle schools to presidents of the United States—tried to make sense of this inexplicable disaster, and how they came to use the Holocaust as a lens to interpret their own history.
 
Lipstadt weaves a powerful narrative that touches on events as varied as the civil rights movement, Vietnam, Stonewall, and the women’s movement, as well as controversies over Bitburg, the Rwandan genocide, and the bombing of Kosovo. Drawing upon extensive research on politics, popular culture, student protests, religious debates and various strains of Zionist ideologies, Lipstadt traces how the Holocaust became integral to the fabric of American life. Even popular culture, including such films as Dr. Strangelove and such books as John Hershey’s The Wall, was influenced by and in turn influenced thinking about the Holocaust. Equally important, the book shows how Americans used the Holocaust to make sense of what was happening in the United States. Many Americans saw the civil rights movement in light of Nazi oppression, for example, while others feared that American soldiers in Vietnam were destroying a people identified by the government as the enemy.   
 
Lipstadt demonstrates that the Holocaust became not just a tragedy to be understood but also a tool for interpreting America and its place in the world. Ultimately Holocaust: An American Understanding tells us as much about America in the years since the end of World War II as it does about the Holocaust itself.
 
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cover of Home Fronts: Domesticity and Its Critics in the Antebellum United States

Home Fronts

Domesticity and Its Critics in the Antebellum United States

Lora Romero

Duke University Press, 1997

Unlike studies of nineteenth-century culture that perpetuate a dichotomy of a public, male world set against a private, female world, Lora Romero’s Home Fronts shows the many, nuanced, and sometimes contradictory cultural planes on which struggles for authority unfolded in antebellum America.
Romero remaps the literary landscape of the last century by looking at the operations of domesticity on the frontier as well as within the middle-class home and by reconsidering such crucial (if sometimes unexpected) sites for the workings of domesticity as social reform movements, African-American activism, and homosocial high culture. In the process, she indicts theories of the nineteenth century based on binarisms and rigidity while challenging models of power and resistance based on the idea that "culture" has the capacity to either free or enslave. Through readings of James Fenimore Cooper, Catherine Beecher, Harriet Beecher Stowe, Maria Stewart, and Nathaniel Hawthorne, Romero shows how the politics of culture reside in local formulations rather than in essential and ineluctable political structures.
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cover of Houston and the Permanence of Segregation: An Afropessimist Approach to Urban History

Houston and the Permanence of Segregation

An Afropessimist Approach to Urban History

David Ponton

University of Texas Press, 2024

2025 Most Significant Scholarly Book, Texas Institute of Letters

A history of racism and segregation in twentieth-century Houston and beyond.

Through the 1950s and beyond, the Supreme Court issued decisions that appeared to provide immediate civil rights protections to racial minorities as it relegated Jim Crow to the past. For black Houstonians who had been hoping and actively fighting for what they called a “raceless democracy,” these postwar decades were often seen as decades of promise. In Houston and the Permanence of Segregation, David Ponton argues that these were instead “decades of capture”: times in which people were captured and constrained by gender and race, by faith in the law, by antiblack violence, and even by the narrative structures of conventional histories. Bringing the insights of Black studies and Afropessimism to the field of urban history, Ponton explores how gender roles constrained thought in black freedom movements, how the “rule of law” compelled black Houstonians to view injustice as a sign of progress, and how antiblack terror undermined Houston’s narrative of itself as a “heavenly” place.

Today, Houston is one of the most racially diverse cities in the United States, and at the same time it remains one of the most starkly segregated. Ponton’s study demonstrates how and why segregation has become a permanent feature in our cities and offers powerful tools for imagining the world otherwise.

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How "Natives" Think

About Captain Cook, For Example

Marshall Sahlins

University of Chicago Press, 1995

When Western scholars write about non-Western societies, do they inevitably perpetuate the myths of European imperialism? Can they ever articulate the meanings and logics of non-Western peoples? Who has the right to speak for whom? Questions such as these are among the most hotly debated in contemporary intellectual life. In How "Natives" Think, Marshall Sahlins addresses these issues head on, while building a powerful case for the ability of anthropologists working in the Western tradition to understand other cultures.

In recent years, these questions have arisen in debates over the death and deification of Captain James Cook on Hawai'i Island in 1779. Did the Hawaiians truly receive Cook as a manifestation of their own god Lono? Or were they too pragmatic, too worldly-wise to accept the foreigner as a god? Moreover, can a "non-native" scholar give voice to a "native" point of view? In his 1992 book The Apotheosis of Captain Cook, Gananath Obeyesekere used this very issue to attack Sahlins's decades of scholarship on Hawaii. Accusing Sahlins of elementary mistakes of fact and logic, even of intentional distortion, Obeyesekere portrayed Sahlins as accepting a naive, enthnocentric idea of superiority of the white man over "natives"—Hawaiian and otherwise. Claiming that his own Sri Lankan heritage gave him privileged access to the Polynesian native perspective, Obeyesekere contended that Hawaiians were actually pragmatists too rational and sensible to mistake Cook for a god.

Curiously then, as Sahlins shows, Obeyesekere turns eighteenth-century Hawaiians into twentieth-century modern Europeans, living up to the highest Western standards of "practical rationality." By contrast, Western scholars are turned into classic custom-bound "natives", endlessly repeating their ancestral traditions of the White man's superiority by insisting Cook was taken for a god. But this inverted ethnocentrism can only be supported, as Sahlins demonstrates, through wholesale fabrications of Hawaiian ethnography and history—not to mention Obeyesekere's sustained misrepresentations of Sahlins's own work. And in the end, although he claims to be speaking on behalf of the "natives," Obeyesekere, by substituting a home-made "rationality" for Hawaiian culture, systematically eliminates the voices of Hawaiian people from their own history.

How "Natives" Think goes far beyond specialized debates about the alleged superiority of Western traditions. The culmination of Sahlins's ethnohistorical research on Hawaii, it is a reaffirmation for understanding difference.
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cover of How Myth Became History: Texas Exceptionalism in the Borderlands

How Myth Became History

Texas Exceptionalism in the Borderlands

John E. Dean

University of Arizona Press, 2016

The myth of Texas origin often begins at the Alamo. This story is based on ideology rather than on truth, yet ideology is the foundation for the U.S. American cultural memory that underwrites official history. The Alamo, as a narrative of national progress, supports the heroic acts that have created the “Lone Star State,” a unified front of U.S. American liberty in the face of Mexican oppression.

How Myth Became History explores the formation of national, ethnic, racial, and class identities in the Texas borderlands. Examining Mexican, Mexican American, and Anglo Texan narratives as competing representations of the period spanning the Texas Declaration of Independence to the Mexican Revolution, John E. Dean traces the creation and development of border subjects and histories. Dean uses history, historical fiction, postcolonial theory, and U.S.-Mexico border theory to disrupt “official” Euro-American histories.

Dean argues that the Texas-Mexico borderlands complicate national, ethnic, and racial differences. He makes this clear in his discussion of the Mexican Revolution, when many Mexican Americans who saw themselves as Mexicans fought for competing revolutionary factions in Mexico, while others who saw themselves as U.S. Americans tried to distance themselves from Mexico altogether.

Analyzing literary representations of the border, How Myth Became History emphasizes the heterogeneity of border communities and foregrounds narratives that have often been occluded, such as Mexican-Indio histories. The border, according to Dean, still represents a contested geographical entity that destabilizes ethnic and racial groups. Border dynamics provide critical insight into the vexed status of the contemporary Texas-Mexico divide and point to broader implications for national and transnational identity.
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How to Do the History of Homosexuality

David M. Halperin

University of Chicago Press, 2002

In this long-awaited book, David M. Halperin revisits and refines the argument he put forward in his classic One Hundred Years of Homosexuality: that hetero- and homosexuality are not biologically constituted but are, instead, historically and culturally produced. How to Do the History of Homosexuality expands on this view, updates it, answers its critics, and makes greater allowance for continuities in the history of sexuality. Above all, Halperin offers a vigorous defense of the historicist approach to the construction of sexuality, an approach that sets a premium on the description of other societies in all their irreducible specificity and does not force them to fit our own conceptions of what sexuality is or ought to be.

Dealing both with male homosexuality and with lesbianism, this study imparts to the history of sexuality a renewed sense of adventure and daring. It recovers the radical design of Michel Foucault's epochal work, salvaging Foucault's insights from common misapprehensions and making them newly available to historians, so that they can once again provide a powerful impetus for innovation in the field. Far from having exhausted Foucault's revolutionary ideas, Halperin maintains that we have yet to come to terms with their startling implications. Exploring the broader significance of historicizing desire, Halperin questions the tendency among scholars to reduce the history of sexuality to a mere history of sexual classifications instead of a history of human subjectivity itself. Finally, in a theoretical tour de force, Halperin offers an altogether new strategy for approaching the history of homosexuality—one that can accommodate both ruptures and continuities, both identity and difference in sexual experiences across time and space.

Impassioned but judicious, controversial but deeply informed, How to Do the History of Homosexuality is a book rich in suggestive propositions as well as eye-opening details. It will prove to be essential reading for anyone interested in the history of sexuality.
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Humor in the Historical Works of Tacitus

Emma Warhover

University of Michigan Press, 2026

Emma Warhover’s Humor in the Historical Works of Tacitus explores how the ancient Roman historian Tacitus incorporated humor into his historical works, and unveils the significance of these humorous motifs. Since the historian is one of the most important ancient sources on Rome’s emperors Tiberius, Claudius, and Nero, readers of Tacitus have long been challenged by his purposely opaque style, full of unbalanced grammatical constructions and end-of-the-sentence surprises. Tacitus’ strange prose style reflects the remarkable times about which he writes, when emperors made bizarre and contradictory demands on their subjects and told obvious lies to cover up the cruelty of their regimes.
In serious texts like Tacitus’ historical works, humor can expose hypocrisy in the powerful, demonstrate the absurdity of imperial pronouncements, and simultaneously communicate why such offenses were allowed to stand. Warhover argues that major elements of Tacitus’ distinctive style, such as variatio, appendix sentences, and sententiae, create humor, and that Tacitus used humor deliberately to emphasize the incongruities that emerged from the principate. By employing humor, Tacitus followed Roman rhetorical traditions evident in Cicero and Quintilian, who agree that humor is an important tool for criticism. For Tacitus, humor is therefore not an amusement or decoration, but an integral part of his historiographic construction.
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Hunter-Gatherer Archaeology as Historical Process

Edited by Kenneth E. Sassaman and Donald H. Holly Jr.

University of Arizona Press, 2011

The remains of hunter-gatherer groups are the most commonly discovered archaeological resources in the world, and their study constitutes much of the archaeological research done in North America. In spite of paradigm-shifting discoveries elsewhere in the world that may indicate that hunter-gatherer societies were more complex than simple remnants of a prehistoric past, North American archaeology by and large hasn’t embraced these theories, instead maintaining its general neoevolutionary track. This book will change that.

Combining the latest empirical studies of archaeological practice with the latest conceptual tools of anthropological and historical theory, this volume seeks to set a new course for hunter-gatherer archaeology by organizing the chapters around three themes. The first section offers diverse views of the role of human agency, challenging the premise that hunter-gatherer societies were bound by their interactions with the natural world. The second section considers how society and culture are constituted. Chapters in the final section take the long view of the historical process, examining how cultural diversity arises out of interaction and the continuity of ritual practices.

A closing commentary by H. Martin Wobst underscores the promise of an archaeology of foragers that does not associate foraging with any particular ideology or social structure but instead invites inquiry into counterintuitive alternatives. Hunter-Gatherer Archaeology as Historical Process seeks to blur the divisions between prehistory and history, between primitive and modern, and between hunter-gatherers and people in other societies. Because it offers alternatives to the dominant discourse and contributes to the agenda of hunter-gatherer research, this book will be of interest to anyone involved in the study of foraging peoples.
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