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The everyday lives of indigenous and Spanish families in the countryside, a previously under-explored segment of Mexican cultural history, are now illuminated through the vivid narratives presented in Hijos del Pueblo ("offspring of the village"). Drawing on neglected civil and criminal judicial records from the Toluca region, Deborah Kanter revives the voices of native women and men, their Spanish neighbors, muleteers, and hacienda peons to showcase their struggles in an era of crisis and uncertainty (1730-1850).

Engaging and meaningful biographies of indigenous villagers, female and male, illustrate that no scholar can understand the history of Mexican communities without taking gender seriously. In legal interactions native plaintiffs and Spanish jurists confronted essential questions of identity and hegemony. At once an insightful consideration of individual experiences and sweeping paternalistic power constructs, Hijos del Pueblo contributes important new findings to the realm of gender studies and the evolution of Latin America.

'Honor' is used as a justification for violence perpetrated against women and girls considered to have violated social taboos related to sexual behavior. Several ‘honor’-based murders of Kurdish women, such as Fadime Sahindal, Banaz Mahmod and Du’a Khalil Aswad, and campaigns against 'honor'-based violence by Kurdish feminists have drawn international attention to this phenomenon within Kurdish communities.

Honor and the Political Economy of Marriage provides a description of ‘honor’-based violence that focuses upon the structure of the family rather than the perpetrator’s culture. The author, Joanne Payton, argues that within societies primarily organized by familial and marital connections, women’s ‘honor’ is a form of symbolic capital within a ‘political economy’ in which marriage organizes intergroup connections.
Drawing on statistical analysis of original data contextualized with historical and anthropological readings, Payton explores forms of marriage and their relationship to ‘honor’, sketching changing norms around the familial control of women from agrarian/pastoral roots to the contemporary era.