187 books match the query 'Minorities' and 5 start with h

cover of Haunted by Waters: A Journey through Race and Place in the American West

Haunted by Waters

A Journey through Race and Place in the American West

Robert T. Hayashi

University of Iowa Press, 2007

Even though race influenced how Americans envisioned, represented, and shaped the American West, discussions of its history devalue the experiences of racial and ethnic minorities. In this lyrical history of marginalized peoples in Idaho, Robert T. Hayashi views the West from a different perspective by detailing the ways in which they shaped the western landscape and its meaning.

As an easterner, researcher, angler, and third-generation Japanese American traveling across the contemporary Idaho landscape—where his grandfather died during internment during World War II—Hayashi reconstructs a landscape that lured emigrants of all races at the same time its ruling forces were developing cultured processes that excluded nonwhites. Throughout each convincing and compelling chapter, he searches for the stories of dispossessed minorities as patiently as he searches for trout.

Using a wide range of materials that include memoirs, oral interviews, poetry, legal cases, letters, government documents, and even road signs, Hayashi illustrates how Thomas Jefferson’s vision of an agrarian, all-white, and democratic West affected the Gem State’s Nez Perce, Chinese, Shoshone, Mormon, and particularly Japanese residents. Starting at the site of the Corps of Discovery’s journey into Idaho, he details the ideological, aesthetic, and material manifestations of these intertwined notions of race and place. As he ?y-?shes Idaho’s fabled rivers and visits its historical sites and museums, Hayashi reads the contemporary landscape in light of this evolution.

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cover of Hawai'i Is My Haven: Race and Indigeneity in the Black Pacific

Hawai'i Is My Haven

Race and Indigeneity in the Black Pacific

Nitasha Tamar Sharma

Duke University Press, 2021

Hawaiʻi Is My Haven maps the context and contours of Black life in the Hawaiian Islands. This ethnography emerges from a decade of fieldwork with both Hawaiʻi-raised Black locals and Black transplants who moved to the Islands from North America, Africa, and the Caribbean. Nitasha Tamar Sharma highlights the paradox of Hawaiʻi as a multiracial paradise and site of unacknowledged antiBlack racism. While Black culture is ubiquitous here, African-descended people seem invisible. In this formerly sovereign nation structured neither by the US Black/White binary nor the one-drop rule, nonWhite multiracials, including Black Hawaiians and Black Koreans, illustrate the coarticulation and limits of race and the native/settler divide. Despite erasure and racism, nonmilitary Black residents consider Hawaiʻi their haven, describing it as a place to “breathe” that offers the possibility of becoming local. Sharma's analysis of race, indigeneity, and Asian settler colonialism shifts North American debates in Black and Native studies to the Black Pacific. Hawaiʻi Is My Haven illustrates what the Pacific offers members of the African diaspora and how they in turn illuminate race and racism in “paradise.”
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cover of History from the Bottom Up and the Inside Out: Ethnicity, Race, and Identity in Working-Class History

History from the Bottom Up and the Inside Out

Ethnicity, Race, and Identity in Working-Class History

James R. Barrett

Duke University Press, 2017

In History from the Bottom Up and the Inside Out James R. Barrett rethinks the boundaries of American social and labor history by investigating the ways in which working-class, radical, and immigrant people's personal lives intersected with their activism and religious, racial, ethnic, and class identities. Concerned with carving out space for individuals in the story of the working class, Barrett examines all aspects of individuals' subjective experiences, from their personalities, relationships, and emotions to their health and intellectual pursuits. Barrett's subjects include American communists, "blue-collar cosmopolitans"—such as well-read and well-traveled porters, sailors, and hoboes—and figures in early twentieth-century anarchist subculture. He also details the process of the Americanization of immigrant workers via popular culture and their development of class and racial identities, asking how immigrants learned to think of themselves as white. Throughout, Barrett enriches our understanding of working people’s lives, making it harder to objectify them as nameless cogs operating within social and political movements. In so doing, he works to redefine conceptions of work, migration, and radical politics.
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cover of Home and Hegemony: Domestic Service and Identity Politics in South and Southeast Asia

Home and Hegemony

Domestic Service and Identity Politics in South and Southeast Asia

Kathleen M. Adams and Sara Dickey, Editors

University of Michigan Press, 2000

In the intimate context of domestic service, power relations take on one of their most personalized forms. Domestic servants and their employers must formulate their political identities in relationship to each other, sometimes reinforcing and sometimes challenging broader social hierarchies such as those based on class, caste or rank, gender, race and ethnicity, nationality, sexual orientation, and kinship relations.
This pathbreaking collection builds on recent examinations of identity in the postcolonial states of South and Southeast Asia by investigating the ways in which domestic workers and their employers come to know and depict one another and themselves through their interactions inside and outside of the home. This setting provides a particularly apt arena for examining the daily negotiations of power and hegemony.
Contributors to the volume, all anthropologists, provide rich ethnographic analyses that avoid a narrow focus on either workers or employers. Rather, they examine systems of power through specific topics that range from the notion of "nurture for sale" to the roles of morality and humor in the negotiation of hierarchy and the dilemmas faced by foreign employers who find themselves in life-and-death dependence on their servants.
With its provocative theoretical and ethnographic contributions to current debates, this collection will be of interest to scholars in Asian studies, women's studies, anthropology, sociology, and cultural studies.
Kathleen M. Adams is Associate Professor of Anthropology, Loyola University of Chicago. Sara Dickey is Associate Professor of Anthropology, Bowdoin College.
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cover of Humor Me: An Anthology of Humor by Writers of Color

Humor Me

An Anthology of Humor by Writers of Color

John McNally

University of Iowa Press, 2002

The first anthology of its kind, Humor Me is a celebration of humor by authors from diverse cultures. Sixteen of today's most exciting writers—among them Sherman Alexie, Gish Jen, Charles Johnson, and Lucille Clifton—are represented in fiction, poetry, nonfiction, drama, cartoons, and graphic narratives. Whether using satire, parody, or farce, these writers explore the universal themes of love, family, sex, and race, and they do so in their own edgy, subversive, and sometimes skewed ways.
In Sherman Alexie's short story “Assimilation,” a Coeur d’Alene woman wants to cheat on her white husband with an Indian man, any Indian man—or, as Alexie puts it, “an indigenous stranger.” In Sandra Tsing Loh's essay “Daddy Dearest,” the author cringes when an old friend asks if her father still wears his underwear backward and does the Chinese snake dance on Pacific Coast Highway.
Nothing in Humor Me is taboo, as Erika Lopez proves in her illustrated tale of one environmentally conscious woman's attempt to subvert the tampon industry. Jim Northrup even takes on that American institution Jeopardy! in his satire “Shinnob Jep,” describing a game that quizzes its contestants on Native American trivia, including the categories “Trick or Treaties” and “Rez Cars.” From low-brow to high-brow, from belly laughs to the cerebral, Humor Me places internationally renowned writers such as Charles Johnson and Gish Jen alongside rising stars Paisley Rekdal and Michele Serros and a host of newcomers, including Aimee Nezhukumatathil and Daniel Chacón.
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