Results by title
93 books match the query 'Paris' and 2 start with h
Hard Driving
The 1908 Auto Race From New York to ParisDermot Cole
University of Alaska Press, 2020
In the winter of 1908, six cars left Times Square bound for Paris. They were embarking on a remarkable motor race across the world that would capture everyone’s imagination. In this book, Dermot Cole weaves a thrilling account of the improbable journey west from New York to Paris, the varied characters, and the nascent automobile industry. Drawing from the drivers’ journals and extensive newspaper reports, Cole details the many hardships, triangulations, and physical extremes encountered along the route as the drivers attempted to race from coast to coast, cross the Bering Strait to Russia, traverse Siberia, and onward.
Hard Driving delves beyond the riveting headlines to explore the race’s implications for global politics and diplomacy and how the automobile became a viable mode of transportation.
Hard Driving delves beyond the riveting headlines to explore the race’s implications for global politics and diplomacy and how the automobile became a viable mode of transportation.
[more]
Hemingway's Laboratory
The Paris in our timeMilton A. Cohen
University of Alabama Press, 2005
Illuminates the development of Hemingway’s themes and techniques and his future course as a stylist and writer.
In 1924 Ernest Hemingway published a small book of eighteen vignettes, each little more than one page long, with a small press in Paris. Titled in our time, the volume was later absorbed into Hemingway’s story collection In Our Time. Those vignettes, as Milton Cohen demonstrates in Hemingway’s Laboratory, reveal a range of voices, narrative strategies, and fictional interests more wide-ranging and experimental than any other extant work of Hemingway’s. Further, they provide a vivid view of his earliest tendencies and influences, first manifestations of the style that would become his hallmark, and daring departures into narrative forms that he would forever leave behind.
Many of the chapters are pointillistic glimpses of violence--bullfights, a botched execution, the fleeting thoughts of the wounded on the battlefield. Others reach back into childhood. Still others adopt the wry, mannered voice of English aristocracy. Though critics have often read these chapters as secondary asides to the longer stories that constitute the commercial collection, Cohen argues that not only do the vignettes merit consideration as a unit unto themselves, but that they exhibit a plethora of styles and narrative gambits that show Hemingway at his most versatile.
The final section examines in detail the individual chapters of in our time, their historical origins, their drafts, themes, and styles. The result is an account of what is arguably Hemingway’s most crucial formative period.
[more]