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This special issue of South Atlantic Quarterly focuses on the layered cultures of the northeast China city of Harbin and the region formerly known as Manchuria. During the first half of the twentieth-century, Harbin—a by-product of the construction of the Chinese Eastern Railway at the turn of the century—and the rest of Manchuria became the site of conflicting and competing Russian, Western, Japanese, and Chinese colonialisms. Home to émigrés from the famine-ridden Shandong province, impoverished Japanese settlers, Jews fleeing the pogroms of Russia, White Russians escaping the civil war, and Koreans caught between Japanese expansionism and Chinese nationalism, Harbin was a colonial place like no other, one that eventually comprised more than fifty nationalities speaking forty-five languages.
Crossing the boundaries of their specializations, contributors respond to the complexity of this history while considering the concrete concept of place and its relation to the more abstract idea of space. A rare encounter between scholars of East Asian and Slavic studies, this well-illustrated collections includes discussions of history, politics, economics, anthropology, sociology, cinema, and cultural studies. An eclectic and comprehensive exploration of memory and its reconstruction in the Harbin-Manchuria diaspora, Harbin and Manchuria provides the first full treatment of this colonial encounter.

Contributors. Olga Bakich, Sabine Breuillard, James Carter, Elena Chernolutskaya, Prasenjit Duara, Thomas Lahusen, Hyun-Ok Park, Andre Schmid, Mariko Asano Tamanoi, David Wolff

The first intensive analysis of sense of place in American mining towns, Hard as the Rock Itself: Place and Identity in the American Mining Town provides rare insight into the struggles and rewards of life in these communities. David Robertson contends that these communities - often characterized in scholarly and literary works as derelict, as sources of debasing moral influence, and as scenes of environmental decay - have a strong and enduring sense of place and have even embraced some of the signs of so-called dereliction.

Robertson documents the history of Toluca, Illinois; Cokedale, Colorado; and Picher, Oklahoma, from the mineral discovery phase through mine closure, telling for the first time how these century-old mining towns have survived and how sense of place has played a vital role.

Acknowledging the hardships that mining's social, environmental, and economic legacies have created for current residents, Robertson argues that the industry's influences also have contributed to the creation of strong, cohesive communities in which residents have always identified with the severe landscape and challenging, but rewarding way of life.

Robertson contends that the tough, unpretentious appearance of mining landscapes mirrors qualities that residents value in themselves, confirming that a strong sense of place in mining regions, as elsewhere, is not necessarily wedded to an attractive aesthetic or even to a thriving economy.

Mining historians, geographers, and other students of place in the American landscape will find fascinating material in Hard As the Rock Itself.

Even though race influenced how Americans envisioned, represented, and shaped the American West, discussions of its history devalue the experiences of racial and ethnic minorities. In this lyrical history of marginalized peoples in Idaho, Robert T. Hayashi views the West from a different perspective by detailing the ways in which they shaped the western landscape and its meaning.

As an easterner, researcher, angler, and third-generation Japanese American traveling across the contemporary Idaho landscape—where his grandfather died during internment during World War II—Hayashi reconstructs a landscape that lured emigrants of all races at the same time its ruling forces were developing cultured processes that excluded nonwhites. Throughout each convincing and compelling chapter, he searches for the stories of dispossessed minorities as patiently as he searches for trout.

Using a wide range of materials that include memoirs, oral interviews, poetry, legal cases, letters, government documents, and even road signs, Hayashi illustrates how Thomas Jefferson’s vision of an agrarian, all-white, and democratic West affected the Gem State’s Nez Perce, Chinese, Shoshone, Mormon, and particularly Japanese residents. Starting at the site of the Corps of Discovery’s journey into Idaho, he details the ideological, aesthetic, and material manifestations of these intertwined notions of race and place. As he ?y-?shes Idaho’s fabled rivers and visits its historical sites and museums, Hayashi reads the contemporary landscape in light of this evolution.