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"Carlsson brings his unique combination of erudition, curiosity and passionate progressivism to a remarkably wide range of subjects—from the city’s profaned natural glories, to little-known episodes in its labor history, to a Homeric list of people, organizations and movements" —Gary Kamiya, Columnist, San Francisco Chronicle
 
Hidden San Francisco is a guidebook like no other. It’s a radical, alternative guidebook and history of San Francisco, complete with maps detailing walking and bike routes around the city.
 
San Francisco is an iconic and symbolic city. But only when you look beyond the picture-postcards of the Golden Gate Bridge and the quaint cable cars do you realize that the city's most interesting stories are not the Summer of Love, the Beats or even the latest gold rush in Silicon Valley.
 
Carlsson delves into the Bay Area's long prehistory, examining the region's geography and the lives of its inhabitants before the 1849 Gold Rush changed everything, setting in motion the clash between capital and labor that shaped the modern city. Structured around the four major themes of ecology, labor, transit and dissent, Chris Carlsson’s book peels back the layers of San Francisco's history to reveal a storied past: behind old walls and gleaming glass facades lurk former industries, secret music and poetry venues, forgotten terrorist bombings, and much more.
 
From the perspective of the students and secretaries, hippies and beatniks, longshoremen and waitresses, Hidden San Francisco uncovers dozens of overlooked, forgotten and buried histories that pulse through the streets and hills even today, inviting the reader to see themselves in the middle of the ongoing, everyday process of making history together.

One of the country’s most picturesque cities and conveniently located just a few hours’ drive from Hollywood, San Francisco became the most frequently and extensively filmed American city beyond the production hubs of Los Angeles and New York in the three decades after World War II. During those years, the cinematic image of the city morphed from the dreamy beauty of Vertigo to the nightmarish wasteland of Dirty Harry, although San Francisco itself experienced no such decline. This intriguing disconnect gives impetus to Hollywood in San Francisco, the most comprehensive study to date of Hollywood’s move from studio to location production in the postwar era.

In this thirty-year history of feature filmmaking in San Francisco, Joshua Gleich tracks a sea change in Hollywood production practices, as location shooting overtook studio-based filming as the dominant production method by the early 1970s. He shows how this transformation intersected with a precipitous decline in public perceptions of the American city, to which filmmakers responded by developing a stark, realist aesthetic that suited America’s growing urban pessimism and superseded a fidelity to local realities. Analyzing major films set in San Francisco, ranging from Dark Passage and Vertigo to The Conversation, The Towering Inferno, and Bullitt, as well as the TV show The Streets of San Francisco, Gleich demonstrates that the city is a physical environment used to stage urban fantasies that reveal far more about Hollywood filmmaking and American culture than they do about San Francisco.