Randall W. Rhea
The Institution of Engineering and Technology, 1994
William E. Sabin
The Institution of Engineering and Technology, 1998
Martin Drahanský
The Institution of Engineering and Technology, 2018

A.W. Rudge
The Institution of Engineering and Technology, 1982

A.W. Rudge
The Institution of Engineering and Technology, 1983

J.R. James
The Institution of Engineering and Technology, 1989

J.R. James
The Institution of Engineering and Technology, 1989
Christos P. Loizou
The Institution of Engineering and Technology, 2018
Honghai Liu
The Institution of Engineering and Technology, 2013
Shi-Jie Cao
The Institution of Engineering and Technology, 2022
Sreco Bradic
Amsterdam University Press, 2023
Deirdre Loughridge
University of Chicago Press, 2016
Andrew Egan
University of Massachusetts Press, 2022
Logging in the northern forest has been romanticized, with images of log drives, plaid shirts, and bunkhouses in wide circulation. Increasingly dismissed as a quaint, rural pastime, logging remains one of the most dangerous jobs in the United States, with loggers occupying a precarious position amid unstable markets, expanding global competition, and growing labor discord. Examining a time of transition and decline in Maine’s forest economy, Andrew Egan traces pathways for understanding the challenges that have faced Maine’s logging community and, by extension, the state’s forestry sector, from the postwar period through today.
Seeking greater profits, logging companies turned their crews loose at midcentury, creating a workforce of independent contractors who were forced to purchase expensive equipment and compete for contracts with the mills. Drawing on his own experience with the region’s forest products industry, interviews with Maine loggers, media coverage, and court documents, Egan follows the troubled recent history of the industry and its battle for survival.
Gaurav Gupta
The Institution of Engineering and Technology, 2025
Vishal Jain
The Institution of Engineering and Technology, 2022
Jaipreet Virdi
University of Chicago Press, 2020
Jaipreet Virdi
University of Chicago Press, 2020
This is an auto-narrated audiobook edition of this book.
Weaving together lyrical history and personal memoir, Virdi powerfully examines society’s—and her own—perception of life as a deaf person in America.
At the age of four, Jaipreet Virdi’s world went silent. A severe case of meningitis left her alive but deaf, suddenly treated differently by everyone. Her deafness downplayed by society and doctors, she struggled to “pass” as hearing for most of her life. Countless cures, treatments, and technologies led to dead ends. Never quite deaf enough for the Deaf community or quite hearing enough for the “normal” majority, Virdi was stuck in aural limbo for years. It wasn’t until her thirties, exasperated by problems with new digital hearing aids, that she began to actively assert her deafness and reexamine society’s—and her own—perception of life as a deaf person in America.
Through lyrical history and personal memoir, Hearing Happiness raises pivotal questions about deafness in American society and the endless quest for a cure. Taking us from the 1860s up to the present, Virdi combs archives and museums in order to understand the long history of curious cures: ear trumpets, violet ray apparatuses, vibrating massagers, electrotherapy machines, airplane diving, bloodletting, skull hammering, and many more. Hundreds of procedures and products have promised grand miracles but always failed to deliver a universal cure—a harmful legacy that is still present in contemporary biomedicine.
Weaving Virdi’s own experiences together with her exploration into the fascinating history of deafness cures, Hearing Happiness is a powerful story that America needs to hear.
Seda Ogrenci-Memik
The Institution of Engineering and Technology, 2016
Norris Hundley
University of Nevada Press, 2020
Soraya de Chadarevian
University of Chicago Press, 2020
Edited by Mantha Zarmakoupi
University of Wisconsin Press, 2026
Jon R. Luoma
Oregon State University Press, 2006
The tallest species of spruce, hemlock, fir, cedar, and pine trees on earth coexist in the old growth of the H. J. Andrews Experimental Forest in Oregon’s Cascade Range. Set aside as a living laboratory by the U.S. Forest Service in 1948, the 16,000 acres represent a vital scientific endeavor: the long-term study of a single contained ecosystem. Here, for the first time, researchers from an enormous range of disciplines—forest scientists, botanists, entomologists, wildlife ecologists, soil biologists, and others—have assembled to examine the role of every working element in the life of a forest.
In The Hidden Forest, veteran science writer Jon Luoma offers an absorbing account of how these scientists came to recognize the importance of natural forest ecosystems and how their research is revolutionizing forest management.
Luoma takes readers into the hidden forest where researchers have discovered a host of species previously unknown to science, and interactions in the forest ecosystem that no one previously imagined. He describes projects dealing with the forest canopy, rotting logs, insects, fungi, wildlife, streams, and the effects of flood, fire, clear cutting, and volcanic eruption. And he tells the human story behind the research, capturing the shared excitement and wonder of scientific discovery. Along the way, Luoma provides a short course in such complex issues as forest succession, biodiversity, and the politics of forestry.
In a new foreword, Jerry Franklin discusses the importance of dedicated, long-term research sites and comments on new discoveries that have emerged from forest ecosystem research since The Hidden Forest was first published.
ZhiLiang Zhang
The Institution of Engineering and Technology, 2017
Shoichi Ishihara
The Institution of Engineering and Technology, 2019
Shoichi Ishihara
The Institution of Engineering and Technology, 2019
Ahmed M.A. Ali
The Institution of Engineering and Technology, 2016
R.L. Rutsky
University of Minnesota Press, 1999
Explores our changing cultural perceptions of the relations between technology and art.
In an age of high tech, our experience of technology has changed tremendously, yet the definition of technology has remained largely unquestioned. High Techne redresses this gap in thinking about technology, examining the shifting relations of technology, art, and culture from the beginnings of modernity to contemporary technocultures.
Drawing on the Greek root of technology, (techne, generally translated as “art, skill, or craft”), R. L. Rutsky challenges both the modernist notion of technology as an instrument or tool and the conventional idea of a noninstrumental aesthetics. Today, technology and aesthetics have again begun to come together: even basketball shoes are said to exhibit a “high-tech style” and the most advanced technology is called “state of the art.” Rutsky charts the history and vicissitudes of this new high-tech techne up to our day—from Fritz Lang to Octavia Butler, Thomas Edison to Japanese Anime, constructivism to cyberspace.Progressing from the major art movements of modernism to contemporary science fiction and cultural theory, Rutsky provides clear and compelling evidence of a shift in the cultural conceptions of technology and art and demonstrates the centrality of technology to modernism and postmodernism.Jos Arrillaga
The Institution of Engineering and Technology, 1998

Hugh M. Ryan
The Institution of Engineering and Technology, 2001
Keith Harker
The Institution of Engineering and Technology, 2018
Stefano Zunino
The Institution of Engineering and Technology, 2024
Anirban Sengupta
The Institution of Engineering and Technology, 2026
Hugh M. Ryan
The Institution of Engineering and Technology, 2013

F. Nibler
The Institution of Engineering and Technology, 1996
Roberto D. Graglia
The Institution of Engineering and Technology, 2016
Ken Boyd
University of Alabama Press, 2021
112 full-color artistic photographs of watermills still standing on the North American landscape
The scenic beauty of the watermill is undeniable. The iconic waterwheel has inspired romantics for generations with their warmth and charm. Watermills were once ubiquitous landmarks along brooks, creeks, and rivers across North America. Today, only a scattering of the old watermills grace the countryside, but through these mills, and the turning of their wheels and the whirling of their stones, a small but spectacular part of history lives on.
Through stunningly beautiful images, Historic Watermills of North America: A Visual Preservation presents 112 watermills still standing on the North American landscape. With idealized full-color photographs, Ken Boyd nostalgically hearkens back to a time after European settlement when these structures were the very heart of the communities whose livelihoods they made possible. These mills turned the power of flowing water into mechanical energy to grind corn and wheat into meal and flour, saw timber, loom wool and cotton cloth, and more for the benefit of their operators and communities.
At one time vital to their surrounding regions, most of these surviving mills are in rural areas that have been passed over by modern development. Their designs are as individual as their makers, and their settings are as varied as the landscape. Some have been converted into homes or museums or are part of local tourist attractions. Others have been abandoned but give witness to the significance of their heydays, and others are still in use, doing the same work they have done for generations.
Boyd’s beautifully rendered photographs preserve these extant structures and represent a variety of watermills across the United States and Canada. Each mill photograph is accompanied by a description providing the name of the mill, its location, date of construction, and brief comments highlighting its most noteworthy features. Additional photographs and commentary in the afterword explore the inner workings of watermills.
Erich Obermayr
University of Nevada Press, 2025
Walter Goffart
University of Chicago Press, 2003

James Wood
The Institution of Engineering and Technology, 1994

James Wood
The Institution of Engineering and Technology, 2000
Ken Beauchamp
The Institution of Engineering and Technology, 2001
Albert Borgmann
University of Chicago Press, 1999
Anne Morey
University of Minnesota Press, 2003
An innovative approach to the relationship between filmmaking and society during Hollywood’s golden age
The 1910s and 1920s witnessed the inception of a particular brand of negotiation between filmdom and its public in the United States. Hollywood, its proponents, and its critics sought to establish new connections between audience and industry, suggesting means by which Hollywood outsiders could become insiders. Hollywood Outsiders looks at how four disparate entities—the Palmer Photoplay correspondence school of screenwriting, juvenile series fiction about youngsters involved in the film industry, film appreciation and character education programs for high school students, and Catholic and Protestant efforts to use and influence filmmaking—conceived of these connections, and thus of the relationship of Hollywood to the individual and society. Anne Morey’s exploration of the diverse discourses generated by these different conjunctions leads to a fresh and compelling interpretation of Hollywood’s place in American cultural history.
In its analysis of how four distinct groups, each addressing constituencies of various ages and degrees of social authority, defined their interest in the film industry, Hollywood Outsiders combines concrete discussions of cultural politics with a broader argument about how outsiders viewed the film industry as a vehicle of self-validation and of democratic ideals.Gordon Oswald
The Institution of Engineering and Technology, 2022

Lida Zeitlin-Wu
Duke University Press, 2027
Edited by John Krige
University of Chicago Press, 2019

Thomas Brandt, Knut Ove Eliassen, Mats Ingulstad, Gard Paulsen
University of Chicago Press, 0
An anthology grounded in the idea that oceans are human realities, shaped by human interests, interactions, and technologies.
Historically and geographically diverse, oceans exist in the plural. Oceans become oceans through how they are represented, what resources they are deemed to hold, and the regulatory governance to which they are subjected. These are the three key components of “ocean making” this volume employs to shed light on the complex issues facing ocean governance today.
The anthology reaches back to the oceans of the early modern European expansion and up to the current concerns of anthropogenic changes and resource depletion. Chapters address activities and regulatory concerns regarding maritime transport, fisheries, deep-sea mining, wave energy, and whaling, and span from the southern oceans around Antarctica to the current shedding of the icy mantle of the Arctic Ocean. By drawing together scholars from a wide range of disciplines—including history, comparative literature, media studies, political science, law, and anthropology—How Oceans Become opens a multi-layered, interdisciplinary approach to studying the oceans’ entanglements with human cultures and societies.
Paul Erickson, Judy L. Klein, Lorraine Daston, Rebecca Lemov, Thomas Sturm, and Michael D. Gordin
University of Chicago Press, 2013
N. Katherine Hayles
University of Chicago Press, 2012
“How do we think?” N. Katherine Hayles poses this question at the beginning of this bracing exploration of the idea that we think through, with, and alongside media. As the age of print passes and new technologies appear every day, this proposition has become far more complicated, particularly for the traditionally print-based disciplines in the humanities and qualitative social sciences. With a rift growing between digital scholarship and its print-based counterpart, Hayles argues for contemporary technogenesis—the belief that humans and technics are coevolving—and advocates for what she calls comparative media studies, a new approach to locating digital work within print traditions and vice versa.
Frances Kay
The Institution of Engineering and Technology, 2009