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Essays exploring the lasting impact of Habib Tanvir's pioneering theatre which blended tradition with modernity in the post-Independence Indian theatre scene.
 
This collection of essays delves into the profound legacy of Habib Tanvir (1923–2009), a luminary in the post-Independence Indian theater scene. Tanvir's decades-long contributions as a director, poet, playwright, and actor are explored by a diverse group of scholars, practitioners, and peers. The book examines his pivotal role in founding the Naya Theatre in 1959, a pioneering group blending rural traditions with contemporary theatre, challenging conventional norms.
 
Against the backdrop of contemporary societal and political shifts, the essays reflect on Tanvir's fearless resistance against the right wing in his later years, particularly his challenges to religious dogma and caste discrimination in works like Ponga Pandit. The collection also emphasizes the enduring impact of Tanvir's seminal work, Charandas Chor, highlighting its adaptability across varied cultural landscapes.
 
With international contributors, the book expands beyond national borders, showcasing Tanvir's impact on global theatre and cross-cultural collaborations. The essays in this volume assert Tanvir's continued relevance, positioning his ideals as a guiding force for India amid evolving cultural and political landscapes.

The latest volume in the Michigan Modern Dramatists series offers an authoritative but accessible look at Harold Pinter, one of the greatest and most influential postwar British playwrights and author of classic works such as The Birthday Party and The Homecoming. Pinter was awarded the Nobel Prize for Literature in 2005 for his remarkable body of work and plays that "uncover the precipice under everyday prattle and force entry into oppression's closed rooms."

Harold Pinter: The Theatre of Power focuses on the playwright's continuously innovative experiments in theatrical form while tracing the recurrence of a consistent set of ethical and epistemological concerns. Exploring important plays from across this prolific writer’s career, author Robert Gordon argues that the motivating force in almost all of Pinter's drama is the ceaseless desire for power, represented in his work as a compulsive drive to achieve or maintain dominance—whether it be the struggle to defend one's own territory from intruders, the father's battle with his sons to assert his patriarchal position in the family, the manipulation of erotic feelings in the gender warfare that motivates sexual relationships, the abuse of brute force by dictatorships and democracies, or simply the masculine obsession to dominate. Gordon demonstrates the adventurousness of Pinter's experimentation with form while at the same time exposing the ethical, epistemological, and aesthetic preoccupations that have persisted with remarkable consistency throughout his career.