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80 books match the query 'Transition' and 2 start with h

cover of Heartland English: Variation and Transition in the American Midwest

Heartland English

Variation and Transition in the American Midwest

Timothy C. Frazer

University of Alabama Press, 1993

Mapping the Diverse Voices of America's Linguistic Heartland.

Heartland English is the first book-length scholarly treatment of English spoken in the Midwest, or the northern interior of the continental United States. For generations, the American Midwest has been portrayed as the home of a single, uniform variety of "standard" American English. Heartland English: Variation and Transition in the American Midwest challenges that assumption through the first book-length scholarly examination of the rich linguistic diversity that exists across the region. Bringing together the work of leading dialectologists and language scholars, editor Timothy C. Frazer presents a groundbreaking exploration of how history, migration, settlement patterns, geography, culture, and social change have shaped the spoken language of the Midwest.    

Covering communities across the northern interior of the United States, the volume reveals a complex linguistic landscape marked by regional dialect boundaries, evolving pronunciations, distinctive vocabulary, and shifting patterns of speech. Rather than viewing Midwestern English as a static or homogeneous dialect, the contributors demonstrate how linguistic variation reflects the movement of peoples, the influence of neighboring regions, and the ongoing transformation of American society.   

Drawing on research in dialect geography, sociolinguistics, historical linguistics, and language variation studies, Heartland English offers valuable insights into the ways language both shapes and reflects regional identity. The collection examines how speakers perceive dialect differences, how those differences develop over time, and why the Midwest remains one of the most important regions for understanding the evolution of American English. As a landmark contribution to the study of language in North America, the book continues to serve as an essential resource for scholars investigating the relationship between language, culture, and place.

A Publication in the Centennial Series of the American Dialect Society in celebration of the beginning of its second century of research into language variation in America.

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cover of Hollywood's African American Films: The Transition to Sound

Hollywood's African American Films

The Transition to Sound

Ryan Friedman

Rutgers University Press, 2011

In 1929 and 1930, during the Hollywood studios' conversion to synchronized-sound film production, white-controlled trade magazines and African American newspapers celebrated a "vogue" for "Negro films." "Hollywood's African American Films" argues that the movie business turned to black musical performance to both resolve technological and aesthetic problems introduced by the medium of "talking pictures" and, at the same time, to appeal to the white "Broadway" audience that patronized their most lucrative first-run theaters. Capitalizing on highbrow associations with white "slumming" in African American cabarets and on the cultural linkage between popular black musical styles and "natural" acoustics, studios produced a series of African American-cast and white-cast films featuring African American sequences. Ryan Jay Friedman asserts that these transitional films reflect contradictions within prevailing racial ideologies--arising most clearly in the movies' treatment of African American characters' decisions to migrate. Regardless of how the films represent these choices, they all prompt elaborate visual and narrative structures of containment that tend to highlight rather than suppress historical tensions surrounding African American social mobility, Jim Crow codes, and white exploitation of black labor.
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