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During his time in the Pacific, Melville served on three whaling ships, as well as on a U.S. Navy man-of-war. As a deserter from one whaleship, he spent four weeks among the cannibals of Nukahiva in the Marquesas, seeing those islands in a relatively untouched state before they were irrevocably changed by French annexation in 1842. Rebelling against duty on another ship, he was held as a prisoner in a native calaboose in Tahiti. He prowled South American ports while on liberty, hunted giant tortoises in the Galapagos Islands, and explored the islands of Eimeo (Moorea) and Maui. He also saw the Society and Sandwich (Hawaiian) Islands when the Western missionary presence was at its height.

Heflin combed the logbooks of any ship at sea at the time of Melville's voyages and examined nineteenth-century newspaper items, especially the marine intelligence columns, for mention of Melville's vessels. He also studied British consular records pertaining to the mutiny aboard the Australian whaler Lucy Ann, an insurrection in which Melville participated and which inspired his second novel, Omoo.

Distilling the life's work of a leading Melville expert into book form for the first time, this scrupulously edited volume is the most in-depth account ever published of Melville's years on whaleships and how those singular experiences influenced his writing.

What I feel most moved to write, that is banned,—it will not pay. Yet, altogether, write the other way I cannot. Herman Melville wrote these words as he struggled to survive as a failing novelist. Between 1853 and 1856, he did write “the other way,” working exclusively for magazines. He earned more money from his stories than from the combined sales of his most well known novels, Moby-Dick, Pierre, and The Confidence-Man.

In Herman Melville Graham Thompson examines the author's magazine work in its original publication context, including stories that became classics, such as “Bartelby, the Scrivener” and “Benito Cereno,” alongside lesser-known work. Using a concept he calls “embedded authorship,” Thompson explores what it meant to be a magazine writer in the 1850s and discovers a new Melville enmeshed with forgotten materials, editors, writers, and literary traditions. He reveals how Melville responded to the practical demands of magazine writing with dazzling displays of innovation that reinvented magazine traditions and helped create the modern short story.

Revealing how Spain, Mexico, and Cuba helped shape the literary origins of American national identity.

In Hispanicism and Early US Literature, author John C. Havard posits that representations of Spain, Spanish America, Spanishness, and Spanish Americanness are integral elements in the evolution of early national and antebellum US literature. He argues that Spanish-speaking countries have long held a broad fascination for Americans and that stock narratives regarding these peoples were central to the period’s US literature.

Beginning with the work of eighteenth-century literary nationalists such as Joel Barlow, US literature has been drawn to reflect on Spain and Spanish America. Such reflection was often inspired by geopolitical conflicts such as US expansion into Spanish Louisiana and the US-Mexican War. Havard terms the discourse emerging from these reflections “Hispanicism.” This discourse was used to portray the dominant viewpoint of classical liberalism that propounded an American exceptionalism premised on the idea that Hispanophone peoples were comparatively lacking the capacity for self-determination, hence rationalizing imperialism. On the conservative side were warnings against progress through conquest.

Havard delves into selected works of early national and antebellum literature on Spain and Spanish America to illuminate US national identity. Poetry and novels by Joel Barlow, James Fenimore Cooper, and Herman Melville are mined to further his arguments regarding identity, liberalism, and conservatism. Understudied authors Mary Peabody Mann and José Antonio Saco are held up to contrast American and Cuban views on Hispanicism and Cuban annexation as well as to develop the focus on nationality and ideology via differences in views on liberalism.

More than just a work of literary criticism, there is a substantial amount of cultural and political history discussed. Havard’s use of archival sources such as political articles and personal correspondence elucidates not just literary genres and movements such as early national epic poetry, abolitionist fiction, and the American Renaissance, but also US prominent culture.

Discover the stories behind Alabama’s timeless structures.

Robert Gamble outlines in detail the primary architectural currents and styles that have surfaced in Alabama over the years and defined the state's built landscape. The structures and styles, all well-illustrated,range from folk houses and early settlement buildings to railway terminals, churches, libraries, municipal and university buildings, palatial private mansions, and modest homes. Structures from every period and every major stylistic era—Federal, Greek Revival, Gothic Revival, Italianate, Romanesque and Mission Revival, and the Richardsonian—are documented meticulously, along with examples of early—Modern buildings, including Alabama's only Frank Lloyd Wright structure and skyscrapers from the Chicago school.

More than 200 photographs, supplemented by sketches, plans, and etchings, provide the general reader and the design professional with images of Alabama architecture in all its variety and range. Many illustrations offer rare views of buildings long since demolished. A substantial glossary of architectural terms and a thorough bibliography enhance this standard sure to be welcomed anew by any lover of old buildings, whether weekend rambler or serious student.

Recently publishers on the Christian Right have been reprinting nineteenth-century children's history books and marketing them to parents as “anchor texts” for homeschool instruction. Why, Gregory M. Pfitzer asks, would books written more than 150 years ago be presumed suitable for educating twenty-first-century children? The answer, he proposes, is that promoters of these recycled works believe that history as a discipline took a wrong turn in the early twentieth century, when progressive educators introduced social studies methodologies into public school history classrooms, foisting upon unsuspecting and vulnerable children ideologically distorted history books. 

In History Repeating Itself, Pfitzer tests these assertions by scrutinizing and contextualizing the original nineteenth-century texts on which these republications are based. He focuses on how the writers borrowed from one another to produce works that were similar in many ways yet differed markedly in terms of pedagogical strategy and philosophy of history. Pfitzer demonstrates that far from being non-ideological, these works were rooted in intense contemporary debates over changing conceptions of childhood. 

Pfitzer argues that the repurposing of antiquated texts reveals a misplaced resistance to the idea of a contested past. He also raises essential philosophical questions about how and why curricular decisions are shaped by the “past we choose to remember” on behalf of our children.

There is a considerable difference between real history and discourse history - this book stems from this idea. The author points out that history is constantly reconstructed, adapted and sometimes mythified from the perspective of the present day, of present states of mind and ideologies. Boia closely examines the process of historical culture and conscience in nineteenth and twentieth century Romania, particularly concentrating on the impact of the national ideology on history. Based upon his findings, the author identifies several key mythical configurations and analyses the manner in which Romanians have reconstituted their own highly ideologized history over the last two centuries.

The strength of History and Myth in Romanian Consciousness lies in the author's ability to fully deconstruct the entire Romanian historiographic system and demonstrate the increasing acuteness of national problems in general, and in particular the exploitation of history to support national ideology.

As Ice Age glaciers left behind erratics, so the external forces of history tumbled the Irish into America. Existing both out of time and out of space, a diverse range of these Roman-Catholic immigrants saw their new country in a much different way than did the Protestants who settled and claimed it. These erratics chose backward looking tradition and independence over assimilation and embraced a quintessentially Irish form of subversiveness that arose from their culture, faith, and working-class outlook. David M. Emmons draws on decades of research and thought to plumb the mismatch of values between Protestant Americans hostile to Roman Catholicism and the Catholic Irish strangers among them. Joining ethnicity and faith to social class, Emmons explores the unique form of dissidence that arose when Catholic Irish workers and their sympathizers rejected the beliefs and symbols of American capitalism.

A vibrant and original tour de force, History’s Erratics explores the ancestral roots of Irish nonconformity and defiance in America.

Henriette Geisberg Bruns was twenty-three when she arrived in 1836 at the isolated Westphalia Settlement in central Missouri with her husband, baby son, two brothers, and a maid. Jette, as she was known to her family and friends, had not come to America by inclination, but from duty. Her husband Bernhard, a physician, had fallen victim to the emigration fever sweeping Germany in the 1830s and was convinced that he could provide a better life for his family in the American Free States where land was plentiful, the soil was fertile, and taxes were low. Born into a large, prosperous, closely knit family, Jette had set out for the New World reluctantly; but once in Missouri, she was determined not to give up and go back home, as a neighboring family did.

This rare collection of personal family letters, combined with an autobiographical sketch Jette wrote after the Civil War, illuminates the experience of one immigrant woman in a land that was always foreign to her.

When he settled in Mexican Texas in 1832 and began courting Anna Raguet, Sam Houston had been separated from his Tennessee wife Eliza Allen for three years, while having already married and divorced his Cherokee wife Tiana and at least two other Indian "wives" during the interval. Houston's political enemies derided these marital irregularities, but in fact Houston's legal and extralegal marriages hardly set him apart from many other Texas men at a time when illicit and unstable unions were common in the yet-to-be-formed Lone Star State.

In this book, Mark Carroll draws on legal and social history to trace the evolution of sexual, family, and racial-caste relations in the most turbulent polity on the southern frontier during the antebellum period (1823-1860). He finds that the marriages of settlers in Texas were typically born of economic necessity and that, with few white women available, Anglo men frequently partnered with Native American, Tejano, and black women. While identifying a multicultural array of gender roles that combined with law and frontier disorder to destabilize the marriages of homesteaders, he also reveals how harsh living conditions, land policies, and property rules prompted settling spouses to cooperate for survival and mutual economic gain. Of equal importance, he reveals how evolving Texas law reinforced the substantial autonomy of Anglo women and provided them material rewards, even as it ensured that cross-racial sexual relationships and their reproductive consequences comported with slavery and a regime that dispossessed and subordinated free blacks, Native Americans, and Tejanos.

The classic history of this emblematic moment in U.S. immigration.

In the late nineteenth century, thirty thousand Mormons from Norway, Sweden, Denmark, and Finland immigrated to Utah, dissatisfied with conditions in their homelands. As their countrymen were farming rich fields in other parts of the United States, Scandinavian Mormons were making their way to Salt Lake City. Homeward to Zion tracks this movement from northern Europe to the western desert, examining the Mormon recruiting efforts in Scandinavia as well as the arduous journey across the Great Plains. Mulder draws extensively from personal narratives of these immigrants to relate their pioneering experience and their role in the history of Scandinavian migration and of the settlement of the American West.

The monument by Augustus Saint-Gaudens to Robert Gould Shaw and the 54th Massachusetts Regiment, located on Boston Common, stands at a symbolic crossroads of American history. A reminder of the nation's ongoing struggle over race, it captures the Civil War's higher purpose—the end of slavery—and memorializes those black soldiers and white officers who made common cause in the service of freedom. The monument and the saga of the 54 th Massachusetts remain powerful touchstones, inspiring enduring meditations such as Robert Lowell's poem “For the Union Dead” and the popular film Glory. 

This volume brings together the best scholarship on the history of the 54th, the formation of collective memory and identity, and the ways Americans have responded to the story of the regiment and the Saint-Gaudens monument. Contributors use the historical record and popular remembrance of the 54th as a lens for examining race and community in the United States. The essays range in time from the mid-nineteenth century to the present and encompass history, literature, art, music, and popular culture.

In addition to the editors and Colin Powell, who writes about the memory and example of the 54th in his own career, contributors include Stephen Belyea, David W. Blight, Thomas Cripps, Kathryn Greenthal, James Oliver Horton, Edwin S. Redkey, Marilyn Richardson, Kirk Savage, James Smethurst, Cathy Stanton, Helen Vendler, Denise Von Glahn, and Joan Waugh.

During the later half of the nineteenth century, a majority of Brazilian women worked, most as domestic servants, either slave or free. House and Street re-creates the working and personal lives of these women, drawing on a wealth of documentation from archival, court, and church records.

Lauderdale Graham traces the intricate and ambivalent relations that existed between masters and servants. She shows how for servants the house could be a place of protection—as well as oppression—while the street could be dangerous—but also more autonomous. She integrates her discoveries with larger events taking place in Rio de Janeiro during the period, including the epidemics of the 1850s, the abolition of slavery, the demolition of slums, and major improvements in sanitation during the first decade of the 1900s.

In How Women Must Write, Olga Peters Hasty takes us from an emphatically male Romantic age to a modernist period preoccupied with women’s creativity but also with its containment. In late nineteenth and early twentieth-century Russia, the woman poet was invented: by women poets themselves, by readers who projected gender biases into their poems, and by male poets who wrote posing as women. Examining Karolina Pavlova and Evdokiia Rostopchina, who inspired those writing after them, as well as two women invented by men, Cherubina de Gabriak and Briusov’s Nelli, and challenges to male authority by Marina Tsvetaeva and Anna Akhmatova, this book shows women as purposeful actors realizing themselves creatively and advancing the woman poet’s cause. It will appeal to the general reader and to specialists in Russian literature, women’s studies, and cultural history.