Nancy Reisman
University of Iowa Press, 1999
Jonathan D. Rose and Kenneth Snowden
University of Chicago Press, 0
How the market that made the American Dream was made—and what that history tells us about its future and fluctuations.
When Americans poured into cities and suburbs during the twentieth century, they needed capital to build and own homes. The market that emerged did more than merely provide it: the American mortgage market became the consequential, if occasionally misunderstood, cornerstone of the US financial system.
House Money traces the history of the growth and occasional collapse of the American mortgage market over the last 150 years. Jonathan Rose and Kenneth Snowden show how three major housing-related crises (of the 1930s, 1980s, and 2000s) were not just cyclical events nor bubbles. Rather, they were episodes in a common pattern: shocks produced when the availability of capital in the market was eclipsed by the risk the market took on. Rose and Snowden chart the macro factors that produced these capital/risk asymmetries, showing that in all three crises, the macroeconomic trends—not just bubbles, not banker avarice—conspired to create a downturn despite federal and private safeguards. This illustrates Rose and Snowden’s core principle: housing markets can (and often, must) shoulder considerable risk. When the capital behind that risk evaporates, trouble becomes more likely.
Mining more than a century of economic history, Rose and Snowden show how the institutions and practices in the American mortgage market reflect the push-pulls of its past—both the private innovations and the government interventions. House Money reveals the great risk undertaken in service to American homeownership—and the perennial question of what happens when that risk goes wrong.
Pat Mora
University of Arizona Press, 1997

Nikhil Rao
University of Minnesota Press, 2013
Between the well-documented development of colonial Bombay and sprawling contemporary Mumbai, a profound shift in the city’s fabric occurred: the emergence of the first suburbs and their distinctive pattern of apartment living. In House, but No Garden Nikhil Rao considers this phenomenon and its significance for South Asian urban life. It is the first book to explore an organization of the middle-class neighborhood that became ubiquitous in the mid-twentieth-century city and that has spread throughout the subcontinent.
Rao examines how the challenge of converting lands from agrarian to urban use created new relations between the state, landholders, and other residents of the city. At the level of dwellings, apartment living in self-contained flats represented a novel form of urban life, one that expressed a compromise between the caste and class identities of suburban residents who are upper caste but belong to the lower-middle or middle class. Living in such a built environment, under the often conflicting imperatives of maintaining the exclusivity of caste and subcaste while assembling residential groupings large enough to be economically viable, led suburban residents to combine caste with class, type of work, and residence to forge new metacaste practices of community identity.
As it links the colonial and postcolonial city—both visually and analytically—Rao’s work traces the appearance of new spatial and cultural configurations in the middle decades of the twentieth century in Bombay. In doing so, it expands our understanding of how built environments and urban identities are constitutive of one another.
Ileana Yamileth Rodriguez
Duke University Press, 1994

Nancy Stieber
University of Chicago Press, 1998
Katherine Kelp-Stebbins
The Ohio State University Press, 2022
Leith Morton
University of Michigan Press, 2023
John Timberman Newcomb
University of Illinois Press, 2013
This book traces the emergence of modern American poetry at the turn of the nineteenth century. With a particular focus on four "little magazines"--Poetry, The Masses, Others, and The Seven Arts--John Timberman Newcomb shows how each advanced ambitious agendas combining urban subjects, stylistic experimentation, and progressive social ideals. While subsequent literary history has favored the poets whose work made them distinct--individuals singled out usually on the basis of a novel technique--Newcomb provides a denser, richer view of the history that hundreds of poets made.
Carlos Iván Degregori; Edited and with an introduction by Steve J. Stern; Translated by Nancy Appelbaum, Joanna Drzewieniecki, Héctor Flores, Eric Hershberg, Judy Rein, Steve J. Stern, and Kimberly Theidon
University of Wisconsin Press, 2012
Frédéric Keck
HAU, 2023
Franz-Josef Brüggemeier
Ohio University Press, 2005
By Gavin D. Brockett
University of Texas Press, 2011
The modern nation-state of Turkey was established in 1923, but when and how did its citizens begin to identify themselves as Turks? Mustafa Kemal Atatürk, Turkey's founding president, is almost universally credited with creating a Turkish national identity through his revolutionary program to "secularize" the former heartland of the Ottoman Empire. Yet, despite Turkey's status as the lone secular state in the Muslim Middle East, religion remains a powerful force in Turkish society, and the country today is governed by a democratically elected political party with a distinctly religious (Islamist) orientation.
In this history, Gavin D. Brockett takes a fresh look at the formation of Turkish national identity, focusing on the relationship between Islam and nationalism and the process through which a "religious national identity" emerged. Challenging the orthodoxy that Atatürk and the political elite imposed a sense of national identity from the top down, Brockett examines the social and political debates in provincial newspapers from around the country. He shows that the unprecedented expansion of print media in Turkey between 1945 and 1954, which followed the end of strict, single-party authoritarian government, created a forum in which ordinary people could inject popular religious identities into the new Turkish nationalism. Brockett makes a convincing case that it was this fruitful negotiation between secular nationalism and Islam—rather than the imposition of secularism alone—that created the modern Turkish national identity.
Douglas V. Porpora
Temple University Press, 1992
"History repeats itself, but it never repeats itself exactly," observes Douglas Porpora in this powerful indictment of U.S. intervention in Central America. Comparing the general public’s reaction to the Holocaust in Nazi Germany with American public opinion of U.S. participation in the genocidal policies of Nicaraguan counter-revolutionary forces, and the governments of Guatemala and El Salvador among others, Porpora demonstrates that moral indifference to the suffering of others was the common response. With reference to Hannah Arendt’s thesis of the banality of evil, he develops the concept of a "Holocaust-like event" and examines how even a democratic society can be capable of something on the order of a Holocaust.
Unlike other accounts of the Holocaust and genocide, this book focuses on the citizenry served or ruled by genocidal governments rather than on the governments themselves. Porpora argues that moral indifference and lack of interest in critical reflection are key factors that enable Holocaust-like events to happen And he characterizes American society as being typically indifferent to the fate of other people, uninformed, and anti-intellectual.
Porpora cites numerous horrifying examples of U.S.-backed Latin American government actions against their own peasants, Indians, and dissident factions. He offers finally a theory of public moral indifference and argues that although such indifference is socially created by government, the media, churches, and other institutions, we, the public, must ultimately take responsibility for it. How Holocausts Happen is at once a scholarly examination of the nature of genocide and a stinging indictment of American society.
Edited by John Krige
University of Chicago Press, 2019
Khaled Mattawa
University of Michigan Press, 2016
A volume in the Poets on Poetry series, which collects critical works by contemporary poets, gathering together the articles, interviews, and book reviews by which they have articulated the poetics of a new generation.
“Like the myriad companions and comrades that he summons from their exile, Khaled Mattawa is himself a ‘poet-stranger.’ In the essays, ‘written in a poet’s prose,’ collected in How Long Have You Been With Us, Mattawa evokes a powerful amalgam of the personal intimacy of the solitary and the political challenge of solidarity.”
—Barbara Harlow, University of Texas at Austin
“If you’ve read about exile, you’ve read about Brodsky and Milosz—just as, if you’ve read about translation, you’ve read about Walter Benjamin and George Steiner. While Khaled Mattawa has mastered these masters, his essays about world literature serve as a tour of the rest of the world. He introduces you to the writers you haven’t heard of but should from contemporary Libya and colonial South Asia to Latin America and China. When Mattawa invokes Saadi Youssef or Rabinidrath Tagore, Mohja Kahf or Toru Dutt, the effect is to deprovincialize American literature.”
—Ken Chen, The Asian American Writers’ Workshop
Khaled Mattawa, an American poet of Libyan origin, explores various dynamic developments shaping American poetry as it is being practiced today. Arising from an incredibly diverse range personal backgrounds, lyric traditions, and even languages, American poetry is transforming into a truly international form. Mattawa, who also translates Arabic poetry into American English and American poetry into Arabic, explores the poetics and politics of cross-cultural exchange and literary translation that fostered such transformation. The essays in this collection also shed light on Mattawa’s development as a poet and provide numerous portraits of the poets who helped shaped his poetry.
Serge Guilbaut
University of Chicago Press, 1985
Dan Bouk
University of Chicago Press, 2015
Luis Felipe Mantilla
Temple University Press, 2021
Political mobilization tends to take different forms in contemporary Catholic- and Sunni-majority countries. Luis Felipe Mantilla attributes this dynamic to changes taking place in religious communities and the political institutions that govern religious political engagement.
In How Political Parties Mobilize Religion, Mantillaevenhandedly traces the emergence and success of religious parties in Mexico and Turkey, two countries shaped by assertive secular regimes. In doing so, he demonstrates that religious parties are highly responsive to political institutions, such as electoral laws, as well as to the structure of broader religious communities.
Whereas in both countries, the electoral success of religious mobilizers was initially a boon for democracy, in Mexico it was marred by political mismanagement and became entangled with persistent corruption and escalating violence. In Turkey, the democratic credentials of religious mobilizers were profoundly eroded as the government became increasingly autocratic, concentrating power in very few hands and rolling back basic liberal rights.
Mantilla investigates the role religious mobilization plays in the evolution of electoral politics and democratic institutions, and to what extent their trajectories reflect broader trends in political Catholicism and Islam.
Paul Erickson, Judy L. Klein, Lorraine Daston, Rebecca Lemov, Thomas Sturm, and Michael D. Gordin
University of Chicago Press, 2013
Nicholas Dagen Bloom
University of Chicago Press, 2019
Nicholas Dagen Bloom
University of Chicago Press, 2019
András Koerner
Central European University Press, 2015
Elizabeth Dore
Duke University Press, 2023
Edited by Teresa Córdova, Aída Hurtado, Francisco J. Hernández, Avelardo Valdez; Foreword by Juan González
University of Arizona Press, 2026
This work chronicles the lives and legacies of Chicana and Chicano scholars whose formative experiences in the Chicano Movement shaped the development of Chicano studies and transformed higher education. Originating from the Reuniónes de Colegas—gatherings of veteran scholars reflecting on their shared histories—the volume features sixteen essays organized into five thematic sections that explore the intersections of activism, scholarship, and institutional change.
The contributors document how grassroots organizing evolved into academic inquiry, leading to the creation of departments, student support systems, and policy reforms that advanced equity and representation in universities. Essays address how community-engaged research influenced urban planning, health advocacy, and cultural production, while also highlighting Indigenous and transnational epistemologies that redefined theoretical frameworks in Chicano studies. The volume concludes with reflections on academic leadership and the breaking of barriers by Chicana scholars in higher education administration.
Together, these essays offer a powerful intellectual history and a testament to a generation’s enduring commitment to social justice. How We Came to Be is both a scholarly archive and a call to action, preserving the legacy of those who built Chicano studies and inspiring future generations to continue the work of transformation within and beyond the academy.
Contributors
José Calderón
Gilberto Cárdenas
Teresa Carrillo
Teresa Córdova
Estevan Flores
Yvette G. Flores
Felipe Gonzales
Deena J. González
Francisco J. Hernández
Inés Hernández-Ávila
Francisco Hernández Vázquez
Aída Hurtado
Larry Trujillo
Avelardo Valdez
Carlos G. Vélez-Ibáñez
James Diego Vigil
Heather Bryant Jordan
University of Michigan Press, 1992
Olga Peters Hasty
Northwestern University Press, 2019
In How Women Must Write, Olga Peters Hasty takes us from an emphatically male Romantic age to a modernist period preoccupied with women’s creativity but also with its containment. In late nineteenth and early twentieth-century Russia, the woman poet was invented: by women poets themselves, by readers who projected gender biases into their poems, and by male poets who wrote posing as women. Examining Karolina Pavlova and Evdokiia Rostopchina, who inspired those writing after them, as well as two women invented by men, Cherubina de Gabriak and Briusov’s Nelli, and challenges to male authority by Marina Tsvetaeva and Anna Akhmatova, this book shows women as purposeful actors realizing themselves creatively and advancing the woman poet’s cause. It will appeal to the general reader and to specialists in Russian literature, women’s studies, and cultural history.
William Harper
University of Missouri Press, 1999
Centering around the life and times of the revered American sportswriter Grantland Rice (1880-1954), How You Played the Game takes us back to those magical days of sporting tales and mythic heroes. Through Rice's eyes we behold such sports as bicycle racing, boxing, golf, baseball, football, and tennis as they were played before 1950. We witness ups and downs in the careers of such legendary figures as Christy Mathewson, Jack Dempsey, Ty Cobb, Babe Ruth, Jim Thorpe, Red Grange, Bobby Jones, Bill Tilden, Notre Dame's Four Horsemen, Gene Tunney, and Babe Didrikson--all of whom Rice helped become household names.
Grantland Rice was a remarkably gifted and honorable sportswriter. From his early days in Nashville and Atlanta, to his famed years in New York, Rice was acknowledged by all for his uncanny grasp of the ins and outs of a dozen sports, as well as his personal friendship with hundreds of sportsmen and sportswomen. As a pioneer in American sportswriting, Rice helped establish and dignify the profession, sitting shoulder to shoulder in press boxes around the nation with the likes of Ring Lardner, Damon Runyon, Heywood Broun, and Red Smith.
Besides being a first-rate reporter, Rice was also a columnist, poet, magazine and book writer, film producer, family man, war veteran, fund-raiser, and skillful golfer. His personal accomplishments over a half century as an advocate for sports and good sportsmanship are astounding by any standard. What truly set Rice apart from so many of his peers, however, was the idea behind his sports reporting and writing. He believed that good sportsmanship was capable of lifting individuals, societies, and even nations to remarkable heights of moral and social action.
More than just a biography of Grantland Rice, How You Played the Game is about the rise of American sports and the early days of those who created the art and craft of sportswriting. Exploring the life of a man who perfectly blended journalism and sporting culture, this book is sure to appeal to all, sports lovers or not.

Lindsey German
Pluto Press, 2013
How a Century of War Changed the Lives of Women looks at the remarkable impact of war on women in Britain. It shows how conflict has changed women’s lives and how those changes have put women at the centre of peace campaigning.
Lindsey German, one of the UK's leading anti-war activists and commentators, shows how women have played a central role in anti-war and peace movements, including the recent wars in Afghanistan and Iraq. The women themselves talk about how they overcame prejudice and difficulty to become active. The book integrates this experience with a historical overview, analysing the two world wars as catalysts of social change for women. It looks at how the changing nature of war, especially the involvement of civilians, increasingly involves significant numbers of women.
As well as providing an inspiring account of women's opposition to war, the book also tackles key contemporary developments, challenging negative assumptions about Muslim women and showing how anti-war movements are feeding into a broader desire to change society.
Federico García Lorca
Swan Isle Press, 2026
Mary K. Coffey
Duke University Press, 2012
Edited by Sarah E. Igo and Ganesh Sitaraman
University of Chicago Press, 2027
Notable historians delve into the brass tacks of launching and sustaining federal agencies.
Critics today complain that the United States government can’t do big things, can’t do them quickly, and certainly can’t do many of them at once. The New Deal offers a striking contrast. During the 1930s, the United States created a wealth of new agencies, departments, offices, and programs—all at once and in very short order—that enabled a stunning expansion of state capacity. The question is: how?
In this illuminating collection, leading American historians explore the nuts and bolts of New Deal implementation to offer answers. From the Civilian Conservation Corps to the Rural Electrification Administration to the Securities and Exchange Commission, they uncover exactly how the New Dealers did so much so quickly. They detail the choices before state builders who, operating under the pressure and immediacy of the era, made decisions that had momentous consequences in the longer term.
At a time when federal agencies are under stress as never before, the contributors suggest what future administrations can learn from the New Deal’s extraordinary achievements—and how they can build state capacity and deliver for Americans once again.
Features contributions by W. Tanner Allread, Mary Bridges, Brent Cebul, Sarah E. Igo, Meg Jacobs, Richard R. John, Neil M. Maher, Sharon Ann Musher, Sarah T. Phillips, Kathryn Olmsted and Eric Rauchway, Alex Platt, Jason Scott Smith, Ganesh Sitaraman, Abby Spinak, Chloe Thurston, and Mason B. Williams.
Marcie Frank
Duke University Press, 2005
Frank highlights the connections between Vidal’s attitudes toward TV, sex, and American politics as they have informed his literary and political writings and screen appearances. She deftly situates his public persona in relation to those of Andy Warhol, Jacqueline Susann, Mary McCarthy, Susan Sontag, and others. By describing Vidal’s shrewd maneuvering between different media, Frank suggests that his career offers a model to aspiring public intellectuals and a refutation to those who argue that electronic media have eviscerated public discourse.
Adalaide Morris
University of Illinois Press, 2002
Ever since the publication of her first H.D. essay in 1985 (included here in an expanded version), Morris has eschewed prevailing literary trends in favor of new approaches that both challenge and overpass dominant critical constructs. As she argues in this volume, the writing and, crucially, the reading of poetry is a process in which meaning is produced by the interplay of words on a page and in the ear of the reader. This quality of being not heard but overheard, composed within the body, is crucial to an appreciation of H.D.
Morris shows H.D. to be a playful linguistic innovator whose writings bear on debates in science, technology, and cinema as well as on poetry. Foremost, however, H.D. was a profound reshaper of the boundaries and possibilities of poetry, a generative form that, as this book shows, can indeed serve the cultural work of survival and resistance against the violence of modern culture.
Borislav Pekic
Northwestern University Press, 2005
Mathias Nilges
Northwestern University Press, 2021
Geoff Schumacher
University of Nevada Press, 2020
Roberta M. Price
University of Massachusetts Press, 2004
In the late 1960s, new age communes began springing up in the American Southwest with names like Drop City, New Buffalo, Lama Foundation, Morning Star, Reality Construction Company, and the Hog Farm. In the summer of 1969, Roberta Price, a recent college graduate, secured a grant to visit these communities and photograph them. When she and her lover David arrived at Libre in the Huerfano Valley of southern Colorado, they were so taken with what they found that they wanted to participate instead of observe. The following spring they married, dropped out of graduate school in upstate New York, packed their belongings into a 1947 Chrysler Windsor Coupe, and moved to Libre, leaving family and academia behind.
Huerfano is Price's captivating memoir of the seven years she spent in the Huerfano ("Orphan") Valley when it was a petri dish of countercultural experiments. She and David joined with fellow baby boomers in learning to mix cement, strip logs, weave rugs, tan leather, grow marijuana, build houses, fix cars, give birth, and make cheese, beer, and furniture as well as poetry, art, music, and love. They built a house around a boulder high on a ridge overlooking the valley and made ends meet by growing their own food, selling homemade goods, and hiring themselves out as day laborers. Over time their collective ranks swelled to more than three hundred, only to diminish again as, for many participants, the dream of a life of unbridled possibility gradually yielded to the hard realities of a life of voluntary poverty.
Price tells her story with a clear, distinctive voice, documenting her experiences with photos as well as words. Placing her story in the larger context of the times, she describes her participation in the antiwar movement, the advent of the women's movement, and her encounters with such icons as Ken Kesey, Gary Snyder, Abbie Hoffman, Stewart Brand, Allen Ginsberg, and Baba Ram Dass.
At once comic, poignant, and above all honest, Huerfano recaptures the sense of affirmation and experimentation that fueled the counterculture without lapsing into nostalgic sentimentality on the one hand or cynicism on the other.
Hermann Broch
University of Chicago Press, 1984
Georg Brandes
University of Wisconsin Press, 2020
Edited by Jessica Stites Mor
University of Wisconsin Press, 2013
Courtney Baker
University of Illinois Press, 2017
David Cecchetto
University of Minnesota Press, 2013
Humanesis critically examines central strains of posthumanism, searching out biases in the ways that human–technology coupling is explained. Specifically, it interrogates three approaches taken by posthumanist discourse: scientific, humanist, and organismic. David Cecchetto’s investigations reveal how each perspective continues to hold on to elements of the humanist tradition that it is ostensibly mobilized against. His study frontally desublimates the previously unseen presumptions that underlie each of the three thought lines and offers incisive appraisals of the work of three prominent thinkers: Ollivier Dyens, Katherine Hayles, and Mark Hansen.
To materially ground the problematic of posthumanism, Humanesis interweaves its theoretical chapters with discussions of artworks. These highlight the topos of sound, demonstrating how aurality might produce new insights in a field that has been dominated by visualization. Cecchetto, a media artist, scrutinizes his own collaborative artistic practice in which he elucidates the variegated causal chains that compose human–technological coupling.
Humanesis advances the posthumanist conversation in several important ways. It proposes the term “technological posthumanism” to focus on the discourse as it relates to technology without neglecting its other disciplinary histories. It suggests that deconstruction remains relevant to the enterprise, especially with respect to the performative dimension of language. It analyzes artworks not yet considered in the light of posthumanism, with a particular emphasis on the role of aurality. And the form of the text introduces a reflexive component that exemplifies how the dialogue of posthumanism might progress without resorting to the types of unilateral narratives that the book critiques.
Eric Adler
University of Missouri Press, 2023
R. Chris Davis
University of Wisconsin Press, 2019
László Borhi
Central European University Press, 2004
Njeri Githire
University of Michigan Press, 2026
Against the backdrop of media representations of Africa through persistent and pervasive images of emaciated, starving Africans and the critical need to marshall food aid in response, Hungry Subjects places Africa’s food anxiety within a broader historical context and expands ongoing food scholarship beyond its current confines in the social sciences. Njeri Githire weaves together coming-of-age texts across the African and African diasporic literary landscape in English, French, and Portuguese expression to ask how African writers incorporate food into their storylines to transmit cultural information, question norms, and propose alternatives. Eating is an intimately personal yet inherently social experience codified by public rituals and commerce, invariably linked to a larger tapestry of historical, cultural, economic, and political dynamics. Delving into the political dynamics of food as a tool of power and control alongside subversive potentialities, Hungry Subjects appraises the narrative and political thrust of (not-)eating and exposes the ways in which postcolonial manifestations of colonial-era power relations are symbolized in food’s many functions and meanings.
Joseph Hellweg
University of Chicago Press, 2011
In the 1990s a nationwide crime wave overtook Côte d’Ivoire. The Ivoirian police failed to control the situation, so a group of poor, politically marginalized, and mostly Muslim men took on the role of the people’s protectors as part of a movement they called Benkadi. These men were dozos—hunters skilled in ritual sacrifice—and they applied their hunting and occult expertise, along with the ethical principles implicit in both forms of knowledge, to the tracking and capturing of thieves. Meanwhile, as Benkadi emerged, so too did the ethnic, regional, and religious divisions that would culminate in Côte d’Ivoire’s 2002–07 rebellion.
Hunting the Ethical State reveals how dozos worked beyond these divisions to derive their new roles as enforcers of security from their ritual hunting ethos. Much as they used sorcery to shape-shift and outwit game, they now transformed into unofficial police, and their ritual networks became police bureaucracies. Though these Muslim and northern-descended men would later resist the state, Joseph Hellweg demonstrates how they briefly succeeded at making a place for themselves within it. Ultimately, Hellweg interprets Benkadi as a flawed but ingenious and thoroughly modern attempt by non-state actors to reform an African state.
William Walter Scott, III
University of Michigan Press, 2025
Nestor Garcia Canclini
University of Minnesota Press, 1995