8642 books match the query '20th century' and 252 start with h

cover of House Fires

House Fires

Nancy Reisman

University of Iowa Press, 1999

These eleven stories travel from snowbound Buffalo in the 1940s to present-day Boston, Providence, and San Francisco and across the domestic terrain of desire's unruly claims to the nuances of grief. In the title story, a young woman whose sister has been killed in a fire reckons with her parents' silent suffering and finds transcendence through film. In a series of stories set in post-World War II Buffalo and Manhattan, the members of a close-knit Jewish family are caught up in a maze of clandestine desires—none of which can be fulfilled. The collection's final series turns to one family's complex generational links: a college student confronted by her own assumptions about race and sexuality; a grandmother slipping into mental decline; a middle-aged mother juggling bewilderment, love, and grief.
Passion and heartbreak are often intertwined in these stories as Reisman reveals the ways in which women and men are inevitably shaped by their histories and the ways in which their bodies carry the legacy of loss.
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cover of House Money: A History of the American Mortgage Market

House Money

A History of the American Mortgage Market

Jonathan D. Rose and Kenneth Snowden

University of Chicago Press, 0

How the market that made the American Dream was made—and what that history tells us about its future and fluctuations.

When Americans poured into cities and suburbs during the twentieth century, they needed capital to build and own homes. The market that emerged did more than merely provide it: the American mortgage market became the consequential, if occasionally misunderstood, cornerstone of the US financial system.

House Money traces the history of the growth and occasional collapse of the American mortgage market over the last 150 years. Jonathan Rose and Kenneth Snowden show how three major housing-related crises (of the 1930s, 1980s, and 2000s) were not just cyclical events nor bubbles. Rather, they were episodes in a common pattern: shocks produced when the availability of capital in the market was eclipsed by the risk the market took on. Rose and Snowden chart the macro factors that produced these capital/risk asymmetries, showing that in all three crises, the macroeconomic trends—not just bubbles, not banker avarice—conspired to create a downturn despite federal and private safeguards. This illustrates Rose and Snowden’s core principle: housing markets can (and often, must) shoulder considerable risk. When the capital behind that risk evaporates, trouble becomes more likely.

Mining more than a century of economic history, Rose and Snowden show how the institutions and practices in the American mortgage market reflect the push-pulls of its past—both the private innovations and the government interventions. House Money reveals the great risk undertaken in service to American homeownership—and the perennial question of what happens when that risk goes wrong.

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cover of House of Houses

House of Houses

Pat Mora

University of Arizona Press, 1997

Combining poetic language and the traditions of magic realism to paint a vivid portrait of her family, Pat Mora’s House of Houses is an unconventional memoir that reads as if every member, death notwithstanding, is in one room talking, laughing, and crying. In a salute to the Day of the Dead, the story begins with a visit to the cemetery in which all of her deceased relatives come alive to share stories of the family, literally bringing the food to their own funerals. From there the book covers a year in the life of her clan, revealing the personalities and events that Mora herself so desperately yearns to know and understand.
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cover of House, but No Garden: Apartment Living in Bombay's Suburbs, 1898-1964

House, but No Garden

Apartment Living in Bombay's Suburbs, 1898-1964

Nikhil Rao

University of Minnesota Press, 2013

Between the well-documented development of colonial Bombay and sprawling contemporary Mumbai, a profound shift in the city’s fabric occurred: the emergence of the first suburbs and their distinctive pattern of apartment living. In House, but No Garden Nikhil Rao considers this phenomenon and its significance for South Asian urban life. It is the first book to explore an organization of the middle-class neighborhood that became ubiquitous in the mid-twentieth-century city and that has spread throughout the subcontinent.

Rao examines how the challenge of converting lands from agrarian to urban use created new relations between the state, landholders, and other residents of the city. At the level of dwellings, apartment living in self-contained flats represented a novel form of urban life, one that expressed a compromise between the caste and class identities of suburban residents who are upper caste but belong to the lower-middle or middle class. Living in such a built environment, under the often conflicting imperatives of maintaining the exclusivity of caste and subcaste while assembling residential groupings large enough to be economically viable, led suburban residents to combine caste with class, type of work, and residence to forge new metacaste practices of community identity.

As it links the colonial and postcolonial city—both visually and analytically—Rao’s work traces the appearance of new spatial and cultural configurations in the middle decades of the twentieth century in Bombay. In doing so, it expands our understanding of how built environments and urban identities are constitutive of one another.

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cover of House/Garden/Nation: Space, Gender, and Ethnicity in Post-Colonial Latin American Literatures by Women

House/Garden/Nation

Space, Gender, and Ethnicity in Post-Colonial Latin American Literatures by Women

Ileana Yamileth Rodriguez

Duke University Press, 1994

How ironic, the author thought on learning of the Sandinista’s electoral defeat, that at its death the Revolutionary State left Woman, Violeta Chamorro, located at the center. The election signaled the end of one transition and the beginning of another, with Woman somewhere on the border between the neo-liberal and marxist projects. It is such transitions that Ileana Rodríguez takes up here, unraveling their weave of gender, ethnicity, and nation as it is revealed in literature written by women.
In House/Garden/Nation the narratives of five Centro-Caribbean writers illustrate these times of transition: Dulce María Loynáz, from colonial rule to independence in Cuba; Jean Rhys, from colony to commonwealth in Dominica; Simone Schwarz-Bart, from slave to free labor in Guadeloupe; Gioconda Belli, from oligarchic capitalism to social democratic socialism in Nicaragua; and Teresa de la Parra, from independence to modernity in Venezuela. Focusing on the nation as garden, hacienda, or plantation, Rodríguez shows us these writers debating the predicament of women under nation formation from within the confines of marriage and home.
In reading these post-colonial literatures by women facing the crisis of transition, this study highlights urgent questions of destitution, migration, exile, and inexperience, but also networks of value allotted to women: beauty, clothing, love. As a counterpoint on issues of legality, policy, and marriage, Rodriguez includes a chapter on male writers: José Eustacio Rivera, Omar Cabezas, and Romulo Gallegos. Her work presents a sobering picture of women at a crossroads, continually circumscribed by history and culture, writing their way.
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cover of Housing Design and Society in Amsterdam: Reconfiguring Urban Order and Identity, 1900-1920

Housing Design and Society in Amsterdam

Reconfiguring Urban Order and Identity, 1900-1920

Nancy Stieber

University of Chicago Press, 1998

Winner of the 1999 Spiro Kostof Book Award from the Society of Architectural
Historians.

During the early 1900s, Amsterdam developed an international reputation as an urban mecca when invigorating reforms gave rise to new residential neighborhoods encircling the city's dispirited nineteenth-century districts. This new housing, built primarily with government subsidy, not only was affordable but also met rigorous standards of urban planning and architectural design. Nancy Stieber explores the social and political developments that fostered this innovation in public housing.

Drawing on government records, professional journals, and polemical writings, Stieber examines how government supported large-scale housing projects, how architects like Berlage redefined their role as architects in service to society, and how the housing occupants were affected by public debates about working-class life, the cultural value of housing, and the role of art in society.

Stieber emphasizes the tensions involved in making architectural design a social practice while she demonstrates the success of this collective enterprise in bringing about effective social policy and aesthetic progress.



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cover of How Comics Travel: Publication, Translation, Radical Literacies

How Comics Travel

Publication, Translation, Radical Literacies

Katherine Kelp-Stebbins

The Ohio State University Press, 2022

Winner, 2023 Eisner Award for Best Scholarly/Academic Work
Honorable Mention, 2023 CSS Charles Hatfield Book Prize


In How Comics Travel: Publication, Translation, Radical Literacies, Katherine Kelp-Stebbins challenges the clichéd understanding of comics as a “universal” language, circulating without regard for cultures or borders. Instead, she develops a new methodology of reading for difference. Kelp-Stebbins’s anticolonial, feminist, and antiracist analytical framework engages with comics as sites of struggle over representation in a diverse world. Through comparative case studies of Metro, Tintin, Persepolis, and more, she explores the ways in which graphic narratives locate and dislocate readers in every phase of a transnational comic’s life cycle according to distinct visual, linguistic, and print cultures. How Comics Travel disengages from the constrictive pressures of nationalism and imperialism, both in comics studies and world literature studies more broadly, to offer a new vision of how comics depict and enact the world as a transcultural space.
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cover of How Dark Is My Flower: Yosano Akiko and the Invention of Romantic Love

How Dark Is My Flower

Yosano Akiko and the Invention of Romantic Love

Leith Morton

University of Michigan Press, 2023

The poetry of Yosano Akiko covers all the many and varied aspects of the experience of love—from early romantic encounters between the lover and beloved to the intimate pleasures of mutual infatuation and then true love. The journey outlined in Akiko’s verse also grapples with jealousy and unrequited passion, as Akiko’s poem-narrative treats  the rivalry between herself and her best friend, the poet Yamakawa Tomiko, for the affection of the dashing young literary lion, Yosano Tekkan, who later became Akiko’s husband. Thus, How Dark Is My Flower: Yosano Akiko and the Invention of Romantic Love tells a number of stories: a real-life romance unfolds in the poetry of these three poets examined in the book, as well as the story of the journey from romanticism to modernism   undertaken by early 20th century Japanese poetry.

How Dark Is My Flower emphasizes the astonishing innovations in diction and style, not to mention content, in Akiko’s work that transformed the tanka genre from a hidebound and conservative mode of verse to something much more daring and modern. This book pays particular attention to poetry, particularly the tanka genre, in the evolution of modernism  in Japanese literature and breaks new ground in the study of modern Japanese literature by examining the invention and evolution of the concept of romantic love.
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cover of How Did Poetry Survive?: The Making of Modern American Verse

How Did Poetry Survive?

The Making of Modern American Verse

John Timberman Newcomb

University of Illinois Press, 2013

This book traces the emergence of modern American poetry at the turn of the nineteenth century. With a particular focus on four "little magazines"--Poetry, The Masses, Others, and The Seven Arts--John Timberman Newcomb shows how each advanced ambitious agendas combining urban subjects, stylistic experimentation, and progressive social ideals. While subsequent literary history has favored the poets whose work made them distinct--individuals singled out usually on the basis of a novel technique--Newcomb provides a denser, richer view of the history that hundreds of poets made.

 
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cover of How Difficult It Is to Be God: Shining Path’s Politics of War in Peru, 1980–1999

How Difficult It Is to Be God

Shining Path’s Politics of War in Peru, 1980–1999

Carlos Iván Degregori; Edited and with an introduction by Steve J. Stern; Translated by Nancy Appelbaum, Joanna Drzewieniecki, Héctor Flores, Eric Hershberg, Judy Rein, Steve J. Stern, and Kimberly Theidon

University of Wisconsin Press, 2012

The revolutionary war launched by Shining Path, a Maoist insurgency, was the most violent upheaval in modern Peru’s history, claiming some 70,000 lives in the 1980s–1990s and drawing widespread international attention. Yet for many observers, Shining Path’s initial successes were a mystery. What explained its cult-like appeal, and what actually happened inside the Andean communities at war?

In How Difficult It Is to Be God, Carlos Iván Degregori—the world’s leading expert on Shining Path and the intellectual architect for Peru’s highly regarded Truth and Reconciliation Commission—elucidates the movement’s dynamics. An anthropologist who witnessed Shining Path’s recruitment of militants in the 1970s, Degregori grounds his findings in deep research and fieldwork. He explains not only the ideology and culture of revolution among the insurgents, but also their capacity to extend their influence to university youths, Indian communities, and competing social and political movements.

Making Degregori’s most important work available to English-language readers for the first time, this translation includes a new introduction by historian Steve J. Stern, who analyzes the author’s achievement, why it matters, and the debates it sparked. For anyone interested in Peru and Latin America’s age of “dirty war,” or in the comparative study of revolutions, Maoism, and human rights, this book will provide arresting new insights.
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cover of How French Moderns Think: The Lévy-Bruhl Family, From “Primitive Mentality” to Contemporary Pandemics

How French Moderns Think

The Lévy-Bruhl Family, From “Primitive Mentality” to Contemporary Pandemics

Frédéric Keck

HAU, 2023

This book traces the contributions of the Lévy-Bruhl family to social and political thought and expertise in 20th-century France, shaping the anticipation of economic and health crises.

How French Moderns Think tells the story of the French sociological tradition through four generations of the Lévy-Bruhl family: Lucien, who founded the Institute of Ethnology at the University of Paris; his son Henri, who founded the Institute of Roman Law; his grandson Raymond, who took part in the creation of the National Institute of Statistics and Economic Studies; and his great-grandson Daniel, a vaccine specialist at the Institute of Public Health. This family history casts a new light on the philosophical debates about “primitive mentality” and the “savage mind.” By drawing on the expert knowledge inherent in this family genealogy, the articulation between the logical and the “pre-logical” is not a cognitive question but rather a problem of anticipating unpredictable events. By relating Lévy-Bruhl’s engagements from the Dreyfus Affair to the Minister of Armaments during the First World War, Keck narrates the confrontation of the socialist ideal of justice and truth with the French colonial experience and its transformations in global technologies preparing for pandemics.
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cover of How Green Were the Nazis?: Nature, Environment, and Nation in the Third Reich

How Green Were the Nazis?

Nature, Environment, and Nation in the Third Reich

Franz-Josef Brüggemeier

Ohio University Press, 2005

The Nazis created nature preserves, championed sustainable forestry, curbed air pollution, and designed the autobahn highway network as a way of bringing Germans closer to nature. How Green Were the Nazis?:Nature, Environment, and Nation in the Third Reich is the first book to examine the Third Reich’s environmental policies and to offer an in-depth exploration of the intersections between brown ideologies and green practices. Environmentalists and conservationists in Germany welcomed the rise of the Nazi regime with open arms and hoped that it would bring about legal and institutional changes. However, environmentalists soon realized that the rhetorical attention they received from the regime did not always translate into action. By the late 1930s, nature and the environment had become less pressing concerns as Nazi Germany prepared for and executed a global conflagration. Based on prodigious archival research, and written by some of the most important scholars in the field of twentieth-century German history, How Green Were the Nazis? examines the overlap between Nazi ideology and conservationist agendas. This landmark book underscores the fact that the “green” policies of the Nazis were more than a mere episode or aberration in environmental history. Contributors: Franz-Josef Brüggemeier, Mark Cioc, Thomas Zeller, Charles Closmann, Michael Imort, Thomas Lekan, Frank Uekötter, Gesine Gerhard, Thomas Rohkrämer, Mark Bassin, and Joachim Wolschke-Bulmahn.
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cover of How Happy to Call Oneself a Turk: Provincial Newspapers and the Negotiation of a Muslim National Identity

How Happy to Call Oneself a Turk

Provincial Newspapers and the Negotiation of a Muslim National Identity

By Gavin D. Brockett

University of Texas Press, 2011

The modern nation-state of Turkey was established in 1923, but when and how did its citizens begin to identify themselves as Turks? Mustafa Kemal Atatürk, Turkey's founding president, is almost universally credited with creating a Turkish national identity through his revolutionary program to "secularize" the former heartland of the Ottoman Empire. Yet, despite Turkey's status as the lone secular state in the Muslim Middle East, religion remains a powerful force in Turkish society, and the country today is governed by a democratically elected political party with a distinctly religious (Islamist) orientation.

In this history, Gavin D. Brockett takes a fresh look at the formation of Turkish national identity, focusing on the relationship between Islam and nationalism and the process through which a "religious national identity" emerged. Challenging the orthodoxy that Atatürk and the political elite imposed a sense of national identity from the top down, Brockett examines the social and political debates in provincial newspapers from around the country. He shows that the unprecedented expansion of print media in Turkey between 1945 and 1954, which followed the end of strict, single-party authoritarian government, created a forum in which ordinary people could inject popular religious identities into the new Turkish nationalism. Brockett makes a convincing case that it was this fruitful negotiation between secular nationalism and Islam—rather than the imposition of secularism alone—that created the modern Turkish national identity.

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cover of How Holocausts Happen: The United States in Central America

How Holocausts Happen

The United States in Central America

Douglas V. Porpora

Temple University Press, 1992

"History repeats itself, but it never repeats itself exactly," observes Douglas Porpora in this powerful indictment of U.S. intervention in Central America. Comparing the general public’s reaction to the Holocaust in Nazi Germany with American public opinion of U.S. participation in the genocidal policies of Nicaraguan counter-revolutionary forces, and the governments of Guatemala and El Salvador among others, Porpora demonstrates that moral indifference to the suffering of others was the common response. With reference to Hannah Arendt’s thesis of the banality of evil, he develops the concept of a "Holocaust-like event" and examines how even a democratic society can be capable of something on the order of a Holocaust.

Unlike other accounts of the Holocaust and genocide, this book focuses on the citizenry served or ruled by genocidal governments rather than on the governments themselves. Porpora argues that moral indifference and lack of interest in critical reflection are key factors that enable Holocaust-like events to happen And he characterizes American society as being typically indifferent to the fate of other people, uninformed, and anti-intellectual.

Porpora cites numerous horrifying examples of U.S.-backed Latin American government actions against their own peasants, Indians, and dissident factions. He offers finally a theory of public moral indifference and argues that although such indifference is socially created by government, the media, churches, and other institutions, we, the public, must ultimately take responsibility for it. How Holocausts Happen is at once a scholarly examination of the nature of genocide and a stinging indictment of American society.

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cover of How Knowledge Moves: Writing the Transnational History of Science and Technology

How Knowledge Moves

Writing the Transnational History of Science and Technology

Edited by John Krige

University of Chicago Press, 2019

Knowledge matters, and states have a stake in managing its movement to protect a variety of local and national interests.  The view that knowledge circulates by itself in a flat world, unimpeded by national boundaries, is a myth. The transnational movement of knowledge is a social accomplishment, requiring negotiation, accommodation, and adaptation to the specificities of local contexts.  This volume of essays by historians of science and technology breaks the national framework in which histories are often written. Instead, How Knowledge Moves takes knowledge as its central object, with the goal of unraveling the relationships among people, ideas, and things that arise when they cross national borders. 
 
This specialized knowledge is located at multiple sites and moves across borders via a dazzling array of channels, embedded in heads and hands, in artifacts, and in texts. In the United States, it shapes policies for visas, export controls, and nuclear weapons proliferation; in Algeria, it enhances the production of oranges by colonial settlers; in Vietnam, it facilitates the exploitation of a river delta. In India it transforms modes of agricultural production.  It implants American values in Latin America. By concentrating on the conditions that allow for knowledge movement, these essays explore travel and exchange in face-to-face encounters and show how border-crossings mobilize extensive bureaucratic technologies.
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cover of How Long Have You Been With Us?: Essays on Poetry

How Long Have You Been With Us?

Essays on Poetry

Khaled Mattawa

University of Michigan Press, 2016

A volume in the Poets on Poetry series, which collects critical works by contemporary poets, gathering together the articles, interviews, and book reviews by which they have articulated the poetics of a new generation.
 
“Like the myriad companions and comrades that he summons from their exile, Khaled Mattawa is himself a ‘poet-stranger.’ In the essays, ‘written in a poet’s prose,’ collected in How Long Have You Been With Us, Mattawa evokes a powerful amalgam of the personal intimacy of the solitary and the political challenge of solidarity.”
—Barbara Harlow, University of Texas at Austin
 
“If you’ve read about exile, you’ve read about Brodsky and Milosz—just as, if you’ve read about translation, you’ve read about Walter Benjamin and George Steiner. While Khaled Mattawa has mastered these masters, his essays about world literature serve as a tour of the rest of the world. He introduces you to the writers you haven’t heard of but should from contemporary Libya and colonial South Asia to Latin America and China. When Mattawa invokes Saadi Youssef or Rabinidrath Tagore, Mohja Kahf or Toru Dutt, the effect is to deprovincialize American literature.”
—Ken Chen, The Asian American Writers’ Workshop
 
Khaled Mattawa, an American poet of Libyan origin, explores various dynamic developments shaping American poetry as it is being practiced today. Arising from an incredibly diverse range personal backgrounds, lyric traditions, and even languages, American poetry is transforming into a truly international form. Mattawa, who also translates Arabic poetry into American English and American poetry into Arabic, explores the poetics and politics of cross-cultural exchange and literary translation that fostered such transformation. The essays in this collection also shed light on Mattawa’s development as a poet and provide numerous portraits of the poets who helped shaped his poetry.

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cover of How New York Stole the Idea of Modern Art

How New York Stole the Idea of Modern Art

Serge Guilbaut

University of Chicago Press, 1985

"A provocative interpretation of the political and cultural history of the early cold war years. . . . By insisting that art, even art of the avant-garde, is part of the general culture, not autonomous or above it, he forces us to think differently not only about art and art history but about society itself."—New York Times Book Review
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cover of How Our Days Became Numbered: Risk and the Rise of the Statistical Individual

How Our Days Became Numbered

Risk and the Rise of the Statistical Individual

Dan Bouk

University of Chicago Press, 2015

Long before the age of "Big Data" or the rise of today's "self-quantifiers," American capitalism embraced "risk"--and proceeded to number our days. Life insurers led the way, developing numerical practices for measuring individuals and groups, predicting their fates, and intervening in their futures. Emanating from the gilded boardrooms of Lower Manhattan and making their way into drawing rooms and tenement apartments across the nation, these practices soon came to change the futures they purported to divine.

How Our Days Became Numbered tells a story of corporate culture remaking American culture--a story of intellectuals and professionals in and around insurance companies who reimagined Americans' lives through numbers and taught ordinary Americans to do the same. Making individuals statistical did not happen easily. Legislative battles raged over the propriety of discriminating by race or of smoothing away the effects of capitalism's fluctuations on individuals. Meanwhile, debates within companies set doctors against actuaries and agents, resulting in elaborate, secretive systems of surveillance and calculation.

Dan Bouk reveals how, in a little over half a century, insurers laid the groundwork for the much-quantified, risk-infused world that we live in today. To understand how the financial world shapes modern bodies, how risk assessments can perpetuate inequalities of race or sex, and how the quantification and claims of risk on each of us continue to grow, we must take seriously the history of those who view our lives as a series of probabilities to be managed.
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cover of How Political Parties Mobilize Religion: Lessons from Mexico and Turkey

How Political Parties Mobilize Religion

Lessons from Mexico and Turkey

Luis Felipe Mantilla

Temple University Press, 2021

Political mobilization tends to take different forms in contemporary Catholic- and Sunni-majority countries. Luis Felipe Mantilla attributes this dynamic to changes taking place in religious communities and the political institutions that govern religious political engagement. 

In How Political Parties Mobilize Religion, Mantillaevenhandedly traces the emergence and success of religious parties in Mexico and Turkey, two countries shaped by assertive secular regimes. In doing so, he demonstrates that religious parties are highly responsive to political institutions, such as electoral laws, as well as to the structure of broader religious communities. 

Whereas in both countries, the electoral success of religious mobilizers was initially a boon for democracy, in Mexico it was marred by political mismanagement and became entangled with persistent corruption and escalating violence. In Turkey, the democratic credentials of religious mobilizers were profoundly eroded as the government became increasingly autocratic, concentrating power in very few hands and rolling back basic liberal rights. 

Mantilla investigates the role religious mobilization plays in the evolution of electoral politics and democratic institutions, and to what extent their trajectories reflect broader trends in political Catholicism and Islam.

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cover of How Reason Almost Lost Its Mind: The Strange Career of Cold War Rationality

How Reason Almost Lost Its Mind

The Strange Career of Cold War Rationality

Paul Erickson, Judy L. Klein, Lorraine Daston, Rebecca Lemov, Thomas Sturm, and Michael D. Gordin

University of Chicago Press, 2013

In the United States at the height of the Cold War, roughly between the end of World War II and the early 1980s, a new project of redefining rationality commanded the attention of sharp minds, powerful politicians, wealthy foundations, and top military brass. Its home was the human sciences—psychology, sociology, political science, and economics, among others—and its participants enlisted in an intellectual campaign to figure out what rationality should mean and how it could be deployed.
           
How Reason Almost Lost Its Mind brings to life the people—Herbert Simon, Oskar Morgenstern, Herman Kahn, Anatol Rapoport, Thomas Schelling, and many others—and places, including the RAND Corporation, the Center for Advanced Study in the Behavioral Sciences, the Cowles Commission for Research and Economics, and the Council on Foreign Relations, that played a key role in putting forth a “Cold War rationality.” Decision makers harnessed this picture of rationality—optimizing, formal, algorithmic, and mechanical—in their quest to understand phenomena as diverse as economic transactions, biological evolution, political elections, international relations, and military strategy. The authors chronicle and illuminate what it meant to be rational in the age of nuclear brinkmanship.
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cover of How States Shaped Postwar America: State Government and Urban Power

How States Shaped Postwar America

State Government and Urban Power

Nicholas Dagen Bloom

University of Chicago Press, 2019

The history of public policy in postwar America tends to fixate on developments at the national level, overlooking the crucial work done by individual states in the 1960s and ’70s. In this book, Nicholas Dagen Bloom demonstrates the significant and enduring impact of activist states in five areas: urban planning and redevelopment, mass transit and highways, higher education, subsidized housing, and the environment. Bloom centers his story on the example set by New York governor Nelson Rockefeller, whose aggressive initiatives on the pressing issues in that period inspired others and led to the establishment of long-lived state polices in an age of decreasing federal power. Metropolitan areas, for both better and worse, changed and operated differently because of sustained state action—How States Shaped Postwar America uncovers the scope of this largely untold story.
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cover of How States Shaped Postwar America: State Government and Urban Power

How States Shaped Postwar America

State Government and Urban Power

Nicholas Dagen Bloom

University of Chicago Press, 2019

This is an auto-narrated audiobook edition of this book.

The history of public policy in postwar America tends to fixate on developments at the national level, overlooking the crucial work done by individual states in the 1960s and ’70s. In this book, Nicholas Dagen Bloom demonstrates the significant and enduring impact of activist states in five areas: urban planning and redevelopment, mass transit and highways, higher education, subsidized housing, and the environment. Bloom centers his story on the example set by New York governor Nelson Rockefeller, whose aggressive initiatives on the pressing issues in that period inspired others and led to the establishment of long-lived state polices in an age of decreasing federal power. Metropolitan areas, for both better and worse, changed and operated differently because of sustained state action—How States Shaped Postwar America uncovers the scope of this largely untold story.
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cover of How They Lived: The Everyday Lives of Hungarian Jews, 1867–1940

How They Lived

The Everyday Lives of Hungarian Jews, 1867–1940

András Koerner

Central European University Press, 2015

This book documents the physical aspects of the lives of Hungarian Jews in the late 19th and early 20th centuries: the way they looked, the kind of neighborhoods and apartments they lived in, and the places where they worked. The many historical photographs—there is at least one picture per page—and related text offers a virtual cross section of Hungarian society, a diverse group of the poor, the middle-class, and the wealthy. Regardless of whether they lived integrated within the majority society or in separate communities, whether they were assimilated Jews or Hasidim, they were an important and integral part of the nation. We have surprisingly few detailed accounts of their lifestyles—the world knows more about the circumstances of their deaths than about the way they lived. Much like piecing together an ancient sculpture from tiny shards found in an excavation, Koerner tries to reconstruct the many diverse lifestyles using fragmentary information and surviving photos.
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cover of How Things Fall Apart: What Happened to the Cuban Revolution

How Things Fall Apart

What Happened to the Cuban Revolution

Elizabeth Dore

Duke University Press, 2023

In How Things Fall Apart Elizabeth Dore reveals the decay of the Cuban political system through the lives of seven ordinary Cuban citizens. Born in the 1970s and 1980s, they recount how their lives changed over a tumultuous stretch of thirty-five years: first when Fidel Castro opened the country to tourism following the fall of the Soviet bloc; then when Raúl Castro allowed market forces to operate; and finally when President Trump’s tightening of the US embargo combined with the COVID-19 pandemic caused economic collapse. With warmth and humanity, they describe learning to survive in an environment where a tiny minority has grown rich, the great majority has been left behind, and inequality has destroyed the very things that used to give meaning to Cubans’ lives. In this book, everyday Cubans illuminate their own stories and the slow and agonizing decline of the Cuban Revolution.
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cover of How We Came to Be: An Intellectual Genealogy of Chicano Scholars

How We Came to Be

An Intellectual Genealogy of Chicano Scholars

Edited by Teresa Córdova, Aída Hurtado, Francisco J. Hernández, Avelardo Valdez; Foreword by Juan González

University of Arizona Press, 2026

This work chronicles the lives and legacies of Chicana and Chicano scholars whose formative experiences in the Chicano Movement shaped the development of Chicano studies and transformed higher education. Originating from the Reuniónes de Colegas—gatherings of veteran scholars reflecting on their shared histories—the volume features sixteen essays organized into five thematic sections that explore the intersections of activism, scholarship, and institutional change.

The contributors document how grassroots organizing evolved into academic inquiry, leading to the creation of departments, student support systems, and policy reforms that advanced equity and representation in universities. Essays address how community-engaged research influenced urban planning, health advocacy, and cultural production, while also highlighting Indigenous and transnational epistemologies that redefined theoretical frameworks in Chicano studies. The volume concludes with reflections on academic leadership and the breaking of barriers by Chicana scholars in higher education administration.

Together, these essays offer a powerful intellectual history and a testament to a generation’s enduring commitment to social justice. How We Came to Be is both a scholarly archive and a call to action, preserving the legacy of those who built Chicano studies and inspiring future generations to continue the work of transformation within and beyond the academy.

Contributors

José Calderón

Gilberto Cárdenas

Teresa Carrillo

Teresa Córdova

Estevan Flores

Yvette G. Flores

Felipe Gonzales

Deena J. González

Francisco J. Hernández

Inés Hernández-Ávila

Francisco Hernández Vázquez

Aída Hurtado

Larry Trujillo

Avelardo Valdez

Carlos G. Vélez-Ibáñez

James Diego Vigil

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cover of How Will the Heart Endure: Elizabeth Bowen and the Landscape of War

How Will the Heart Endure

Elizabeth Bowen and the Landscape of War

Heather Bryant Jordan

University of Michigan Press, 1992

The career of Elizabeth Bowen (1899-1973) has been hard to categorize. As an Anglo-lrish writer, a follower of the modernists but not technically one herself; as an independent woman writer but not, by her admission, a feminist; and as a creative writer in time of war, she has eluded compartmentalization. In How Will the Heart Endure, Heather Bryant Jordan provides a new assessment of Bowen’s achievement, arguing that Bowen’s response to war is the best lens for elucidating the relation between art and life expressed in Bowen’s work.Bowen created novels, short stories, essays, and autobiographical works in a war-torn world that saw successively the Troubles in Ireland, the Irish Civil War, World War I, and World War Il. The strains she felt as a result of these experiences were expressed in the intensely personal vision of loss and betrayal that her fiction conveys.Jordan’s study combines historical and literary analysis and incorporates new archival research on Bowen’s correspondence and on her war reports to the Ministry of Information. How Will the Heart Endure offers not only a new reading of Bowen’s work, but an insightful look into the wartime publishing climate in which Bowen and her circle—which included Virginia Woolf, T. S. Eliot, John and Rosalind Lehmann, Cyril Connolly, Evelyn Waugh, Graham Greene, and Stephen Spender—operated. It will be of interest to specialists in modern British fiction, women’s studies, Irish studies, and Anglo-lrish literature.
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cover of How Women Must Write: Inventing the Russian Woman Poet

How Women Must Write

Inventing the Russian Woman Poet

Olga Peters Hasty

Northwestern University Press, 2019

In How Women Must Write, Olga Peters Hasty takes us from an emphatically male Romantic age to a modernist period preoccupied with women’s creativity but also with its containment. In late nineteenth and early twentieth-century Russia, the woman poet was invented: by women poets themselves, by readers who projected gender biases into their poems, and by male poets who wrote posing as women. Examining Karolina Pavlova and Evdokiia Rostopchina, who inspired those writing after them, as well as two women invented by men, Cherubina de Gabriak and Briusov’s Nelli, and challenges to male authority by Marina Tsvetaeva and Anna Akhmatova, this book shows women as purposeful actors realizing themselves creatively and advancing the woman poet’s cause. It will appeal to the general reader and to specialists in Russian literature, women’s studies, and cultural history.

[more]
cover of How You Played the Game: The Life of Grantland Rice

How You Played the Game

The Life of Grantland Rice

William Harper

University of Missouri Press, 1999

Centering around the life and times of the revered American sportswriter Grantland Rice (1880-1954), How You Played the Game takes us back to those magical days of sporting tales and mythic heroes. Through Rice's eyes we behold such sports as bicycle racing, boxing, golf, baseball, football, and tennis as they were played before 1950. We witness ups and downs in the careers of such legendary figures as Christy Mathewson, Jack Dempsey, Ty Cobb, Babe Ruth, Jim Thorpe, Red Grange, Bobby Jones, Bill Tilden, Notre Dame's Four Horsemen, Gene Tunney, and Babe Didrikson--all of whom Rice helped become household names.

Grantland Rice was a remarkably gifted and honorable sportswriter. From his early days in Nashville and Atlanta, to his famed years in New York, Rice was acknowledged by all for his uncanny grasp of the ins and outs of a dozen sports, as well as his personal friendship with hundreds of sportsmen and sportswomen. As a pioneer in American sportswriting, Rice helped establish and dignify the profession, sitting shoulder to shoulder in press boxes around the nation with the likes of Ring Lardner, Damon Runyon, Heywood Broun, and Red Smith.

Besides being a first-rate reporter, Rice was also a columnist, poet, magazine and book writer, film producer, family man, war veteran, fund-raiser, and skillful golfer. His personal accomplishments over a half century as an advocate for sports and good sportsmanship are astounding by any standard. What truly set Rice apart from so many of his peers, however, was the idea behind his sports reporting and writing. He believed that good sportsmanship was capable of lifting individuals, societies, and even nations to remarkable heights of moral and social action.

More than just a biography of Grantland Rice, How You Played the Game is about the rise of American sports and the early days of those who created the art and craft of sportswriting. Exploring the life of a man who perfectly blended journalism and sporting culture, this book is sure to appeal to all, sports lovers or not.

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cover of How a Century of War Changed the Lives of Women

How a Century of War Changed the Lives of Women

Lindsey German

Pluto Press, 2013

How a Century of War Changed the Lives of Women looks at the remarkable impact of war on women in Britain. It shows how conflict has changed women’s lives and how those changes have put women at the centre of peace campaigning.

Lindsey German, one of the UK's leading anti-war activists and commentators, shows how women have played a central role in anti-war and peace movements, including the recent wars in Afghanistan and Iraq. The women themselves talk about how they overcame prejudice and difficulty to become active. The book integrates this experience with a historical overview, analysing the two world wars as catalysts of social change for women. It looks at how the changing nature of war, especially the involvement of civilians, increasingly involves significant numbers of women.

As well as providing an inspiring account of women's opposition to war, the book also tackles key contemporary developments, challenging negative assumptions about Muslim women and showing how anti-war movements are feeding into a broader desire to change society.

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cover of How a City Sings from November to November: Lorca on Music

How a City Sings from November to November

Lorca on Music

Federico García Lorca

Swan Isle Press, 2026

Illuminates the place of music in the life and poetry of Federico García Lorca.

“Yo ante todo, soy músico,” Federico García Lorca once remarked: “Before all else, I am a musician.” Whether seated at the piano, collecting folksongs on his travels through Spain, or composing music for his plays, few poets have lived music so deeply. For Lorca, songs were “living creatures.” How a City Sings from November to November: Lorca on Music brings together for the first time in English the poet’s writing on music and musicians. In these pages, through lectures, letters, and interviews, Lorca celebrates the musical seasons of Granada, “a city enclosed by mountains and made for music”; the sources of cante jondo (flamenco deep song); the haunting melodies of Spanish cradle songs; and the dance of La Argentina. He describes learning the guitar, staging Spanish ballads in Buenos Aires, and listening to spirituals in New York. In bed with a fever, he compares it to a “delicate tempo rubato of Chopin.” Based on recent archival research, edited and newly translated by noted Lorca scholar Christopher Maurer, this collection offers an intricate and enjoyable counterpoint to Lorca’s poetry and theater.
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cover of How a Revolutionary Art Became Official Culture: Murals, Museums, and the Mexican State

How a Revolutionary Art Became Official Culture

Murals, Museums, and the Mexican State

Mary K. Coffey

Duke University Press, 2012

A public art movement initiated by the postrevolutionary state, Mexican muralism has long been admired for its depictions of popular struggle and social justice. Mary K. Coffey revises traditional accounts of Mexican muralism by describing how a radical art movement was transformed into official culture, ultimately becoming a tool of state propaganda. Analyzing the incorporation of mural art into Mexico's most important public museums—the Palace of Fine Arts, the National History Museum, and the National Anthropology Museum—Coffey illuminates the institutionalization of muralism and the political and aesthetic issues it raised. She focuses on the period between 1934, when José Clemente Orozco and Diego Rivera were commissioned to create murals in the Palace of Fine Arts, through the crisis of state authority in the 1960s. Coffey highlights a reciprocal relationship between Mexico's mural art and its museums. Muralism shaped exhibition practices, which affected the politics, aesthetics, and reception of mural art. Interpreting the iconography of Mexico's murals, she focuses on representations of mestizo identity, the preeminent symbol of postrevolutionary Mexico. Coffey argues that those gendered representations reveal a national culture project more invested in race and gender inequality than in race and class equality.
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How the New Deal Was Run

Edited by Sarah E. Igo and Ganesh Sitaraman

University of Chicago Press, 2027

Notable historians delve into the brass tacks of launching and sustaining federal agencies.

Critics today complain that the United States government can’t do big things, can’t do them quickly, and certainly can’t do many of them at once. The New Deal offers a striking contrast. During the 1930s, the United States created a wealth of new agencies, departments, offices, and programs—all at once and in very short order—that enabled a stunning expansion of state capacity. The question is: how?

In this illuminating collection, leading American historians explore the nuts and bolts of New Deal implementation to offer answers. From the Civilian Conservation Corps to the Rural Electrification Administration to the Securities and Exchange Commission, they uncover exactly how the New Dealers did so much so quickly. They detail the choices before state builders who, operating under the pressure and immediacy of the era, made decisions that had momentous consequences in the longer term.

At a time when federal agencies are under stress as never before, the contributors suggest what future administrations can learn from the New Deal’s extraordinary achievements—and how they can build state capacity and deliver for Americans once again.

Features contributions by W. Tanner Allread, Mary Bridges, Brent Cebul, Sarah E. Igo, Meg Jacobs, Richard R. John, Neil M. Maher, Sharon Ann Musher, Sarah T. Phillips, Kathryn Olmsted and Eric Rauchway, Alex Platt, Jason Scott Smith, Ganesh Sitaraman, Abby Spinak, Chloe Thurston, and Mason B. Williams.

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cover of How to Be an Intellectual in the Age of TV: The Lessons of Gore Vidal

How to Be an Intellectual in the Age of TV

The Lessons of Gore Vidal

Marcie Frank

Duke University Press, 2005

Novelist, television personality, political candidate, and maverick social commentator, Gore Vidal is one of the most innovative, influential, and enduring American intellectuals of the past fifty years. In How to Be an Intellectual in the Age of TV, Marcie Frank provides a concise introduction to Vidal’s life and work as she argues that the twentieth-century shift from print to electronic media, particularly TV and film, has not only loomed large in Vidal’s thought but also structured his career. Looking at Vidal’s prolific literary output, Frank shows how he has reflected explicitly on this subject at every turn: in essays on politics, his book on Hollywood and history, his reviews and interviews, and topical excursions within the novels. At the same time, she traces how he has repeatedly crossed the line supposedly separating print and electronic culture, perhaps with more success than any other American intellectual. He has written television serials and screenplays, appeared in movies, and regularly appeared on television, most famously in heated arguments with Norman Mailer on The Dick Cavett Show and with William F. Buckley during ABC’s coverage of the 1968 Democratic National Convention.

Frank highlights the connections between Vidal’s attitudes toward TV, sex, and American politics as they have informed his literary and political writings and screen appearances. She deftly situates his public persona in relation to those of Andy Warhol, Jacqueline Susann, Mary McCarthy, Susan Sontag, and others. By describing Vidal’s shrewd maneuvering between different media, Frank suggests that his career offers a model to aspiring public intellectuals and a refutation to those who argue that electronic media have eviscerated public discourse.

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cover of How to Live/What to Do: H.D.'s Cultural Poetics

How to Live/What to Do

H.D.'s Cultural Poetics

Adalaide Morris

University of Illinois Press, 2002

The writing of H.D. is so linguistically rich and multilayered in structure that it has had almost as many interpretations as it has interpreters, from Freudians to feminists, from classicists to postmodernists. In How to Live/What to Do, however, Adalaide Morris removes the work of this iconic poet, dramatist, and novelist from compartments into which it has historically been placed. As she examines the "ongoingness" of H.D.'s writing, Morris makes an eloquent and compelling case for a consideration of poems--all poems--as forms of cultural mediation, instructive historical documents that engage the reader in wide-ranging contemporary debates and use their acoustical richness to generate tangible cultural effects.

Ever since the publication of her first H.D. essay in 1985 (included here in an expanded version), Morris has eschewed prevailing literary trends in favor of new approaches that both challenge and overpass dominant critical constructs. As she argues in this volume, the writing and, crucially, the reading of poetry is a process in which meaning is produced by the interplay of words on a page and in the ear of the reader. This quality of being not heard but overheard, composed within the body, is crucial to an appreciation of H.D.

Morris shows H.D. to be a playful linguistic innovator whose writings bear on debates in science, technology, and cinema as well as on poetry. Foremost, however, H.D. was a profound reshaper of the boundaries and possibilities of poetry, a generative form that, as this book shows, can indeed serve the cultural work of survival and resistance against the violence of modern culture.

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cover of How to Quiet a Vampire: A Sotie

How to Quiet a Vampire

A Sotie

Borislav Pekic

Northwestern University Press, 2005

The disquieting novel How to Quiet a Vampire is a rumination on terror and intellect in the tradition of Joseph Heller and George Steiner. Published to acclaim in 1977, Pekic's novel of ideas follows Konrad Rutkowski, professor of medieval history and former Gestapo officer, as he returns to the scene of his war crimes determined to renounce, or perhaps justify, his Nazi past. In a series of letters, Rutkowski lays out his ambivalent reactions to war and violence, connecting his own swirling ideas to those of the major figures of European thought: Plato, St. Augustine, Descartes, Nietzsche, Freud, and others.

Delving far deeper than mere intellect, however, Borislav Pekic was himself a frequent political agitator and occasional prisoner, and he drew on his first hand knowledge of police methods and life under totalitarianism to paint a chilling portrait of a supposedly free-thinking intellectual acting in the service of repression. At the same time he questions whether Rutkowski's ideology puts him outside the philosophical tradition he so admires—or if the line separating European thought from totalitarianism is not as clear as we like to think.
[more]
cover of How to Read a Moment: The American Novel and the Crisis of the Present

How to Read a Moment

The American Novel and the Crisis of the Present

Mathias Nilges

Northwestern University Press, 2021

In How to Read a Moment, Mathias Nilges shows that time is inseparable from the stories we tell about it, demonstrating that the contemporary American novel offers new ways to make sense of the temporality that governs our present.
 
“Time is a thing that grows scarcer every day,” observes one of Don DeLillo’s characters. “The future is gone,” The Baffler argues. “Where’s my hoverboard!?” a meme demands. Contemporary capitalism, a system that insists that everything happen at once, creates problems for social thought and narrative alike. After all, how does one tell the time of instantaneity? In this moment of on-demand service and instant trading, it has become difficult to imagine the future. 
 
The novel emerged as the art form of a rapidly changing modern world, a way of telling time in its progress. Nilges argues that this historical mission is renewed today through works that understand contemporaneity as a form of time shaping that props up our material world and cultural imagination. But the contemporary American novel does not simply associate our present with a crisis of futurity. Through analyses of works by authors such as DeLillo, Jennifer Egan, Charles Yu, and Colson Whitehead, Nilges illustrates that the novel presents ways to make sense of the temporality that controls our purportedly fully contemporary world. In so doing, the novel recovers a sense of possibility and hope, forwarding a dazzling argument for its own importance today.
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cover of Howard Hughes: Power, Paranoia, and Palace Intrigue, Revised and Expanded

Howard Hughes

Power, Paranoia, and Palace Intrigue, Revised and Expanded

Geoff Schumacher

University of Nevada Press, 2020

This newly revised and expanded edition of Howard Hughes chronicles the life and legacies of one of the most intriguing and accomplished Americans of the twentieth century. Hughes, born into wealth thanks to his father’s innovative drill bit that transformed the oil industry, put his inheritance to work in multiple ways, from producing big-budget Hollywood movies to building the world’s fastest and largest airplanes. Hughes set air speed records and traveled around the world in record time, earning ticker-tape parades in three cities in 1938. Later, he moved to Las Vegas and invested heavily in casinos. He bought seven resorts, in each case helping to loosen organized crime’s grip on Nevada’s lifeblood industry.

Although the public viewed Hughes as a heroic and independent-minded trailblazer, behind closed doors he suffered from germophobia, obsessive-compulsive disorder, and an addiction to painkillers. He became paranoid and reclusive, surrounding himself with a small cadre of loyal caretakers. As executives battled each other over his empire, Hughes’ physical and mental health deteriorated to the point where he lost control of his business affairs.

This second edition includes more insider details on Hughes’ personal interactions with actresses, journalists, and employees. New chapters provide insights into Hughes’s involvement with the mob, his ownership and struggles as the majority shareholder of TWA and the wide-ranging activities of Hughes Aircraft Company, Hughes’s critical role in the Glomar Explorer CIA project (a deep-sea drillship platform built to recover the Soviet submarine K-129), and more. Based on in-depth interviews with individuals who knew and worked with Hughes, this fascinating biography provides a colorful and comprehensive look at Hughes—from his life and career to his final years and lasting influence.  This penetrating depiction of the man behind the curtain demonstrates Hughes’s legacy, and enduring impact on popular culture.
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cover of Huerfano: A Memoir of Life in the Counterculture

Huerfano

A Memoir of Life in the Counterculture

Roberta M. Price

University of Massachusetts Press, 2004

In the late 1960s, new age communes began springing up in the American Southwest with names like Drop City, New Buffalo, Lama Foundation, Morning Star, Reality Construction Company, and the Hog Farm. In the summer of 1969, Roberta Price, a recent college graduate, secured a grant to visit these communities and photograph them. When she and her lover David arrived at Libre in the Huerfano Valley of southern Colorado, they were so taken with what they found that they wanted to participate instead of observe. The following spring they married, dropped out of graduate school in upstate New York, packed their belongings into a 1947 Chrysler Windsor Coupe, and moved to Libre, leaving family and academia behind.

Huerfano is Price's captivating memoir of the seven years she spent in the Huerfano ("Orphan") Valley when it was a petri dish of countercultural experiments. She and David joined with fellow baby boomers in learning to mix cement, strip logs, weave rugs, tan leather, grow marijuana, build houses, fix cars, give birth, and make cheese, beer, and furniture as well as poetry, art, music, and love. They built a house around a boulder high on a ridge overlooking the valley and made ends meet by growing their own food, selling homemade goods, and hiring themselves out as day laborers. Over time their collective ranks swelled to more than three hundred, only to diminish again as, for many participants, the dream of a life of unbridled possibility gradually yielded to the hard realities of a life of voluntary poverty.

Price tells her story with a clear, distinctive voice, documenting her experiences with photos as well as words. Placing her story in the larger context of the times, she describes her participation in the antiwar movement, the advent of the women's movement, and her encounters with such icons as Ken Kesey, Gary Snyder, Abbie Hoffman, Stewart Brand, Allen Ginsberg, and Baba Ram Dass.

At once comic, poignant, and above all honest, Huerfano recaptures the sense of affirmation and experimentation that fueled the counterculture without lapsing into nostalgic sentimentality on the one hand or cynicism on the other.

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cover of Hugo von Hofmannsthal and His Time: The European Imagination, 1860-1920

Hugo von Hofmannsthal and His Time

The European Imagination, 1860-1920

Hermann Broch

University of Chicago Press, 1984

Hermann Broch (1886-1951) is remembered among English-speaking readers for his novels The Sleepwalkers and The Death of Virgil, and among German-speaking readers for his novels as well as his works on moral and political philosophy, his aesthetic theory, and his varied criticism. This study reveals Broch as a major historian as well, one who believes that true historical understanding requires the faculties of both poet and philosopher.

Through an analysis of the changing thought and career of the Austrian poet, librettist, and essaist Hugo von Hofmannsthal (1874-1929), Broch attempts to define and analyze the major intellectual issues of the European fin de siècle, a period that he characterizes according to the Nietzschean concepts of the breakdown of rationality and the loss of a central value system. The result is a major examination of European thought as well as a comparative study of political systems and artistic styles.
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cover of Human Rights and Oppressed Peoples: Collected Essays and Speeches

Human Rights and Oppressed Peoples

Collected Essays and Speeches

Georg Brandes

University of Wisconsin Press, 2020

Georg Brandes was known as the "Father of the Modern Breakthrough" for his influence on Scandinavian writers in the late nineteenth century. A prominent writer, thinker, and speaker, he often examined intellectual topics beyond the literary criticism he was best known for. In this collection, William Banks has translated a number of Brandes's pieces that engage in the concerns of oppressed peoples. By collecting, annotating, and contextualizing these works, Banks reintroduces Brandes as a major progenitor of thinking about the rights of national minorities and the colonized.
Human Rights and Oppressed Peoples includes thirty-five essays and published speeches from the early twenty-first century on subjects as diverse as the Boxer Rebellion, displaced peoples from World War I, Finland's Jewish population, and imperialism. This collection will interest interdisciplinary scholars of human rights as well as those who study Scandinavian intellectual and literary history.
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cover of Human Rights and Transnational Solidarity in Cold War Latin America

Human Rights and Transnational Solidarity in Cold War Latin America

Edited by Jessica Stites Mor

University of Wisconsin Press, 2013

With the end of the global Cold War, the struggle for human rights has emerged as one of the most controversial forces of change in Latin America. Many observers seek the foundations of that movement in notions of rights and models of democratic institutions that originated in the global North. Challenging that view, this volume argues that Latin American community organizers, intellectuals, novelists, priests, students, artists, urban pobladores, refugees, migrants, and common people have contributed significantly to new visions of political community and participatory democracy. These local actors built an alternative transnational solidarity from below with significant participation of the socially excluded and activists in the global South.
    Edited by Jessica Stites Mor, this book offers fine-grained case studies that show how Latin America’s re-emerging Left transformed the struggles against dictatorship and repression of the Cold War into the language of anti-colonialism, socioeconomic rights, and identity.
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cover of Humane Insight: Looking at Images of African American Suffering and Death

Humane Insight

Looking at Images of African American Suffering and Death

Courtney Baker

University of Illinois Press, 2017

In the history of black America, the image of the mortal, wounded, and dead black body has long been looked at by others from a safe distance. Courtney Baker questions the relationship between the spectator and victim and urges viewers to move beyond the safety of the "gaze" to cultivate a capacity for humane insight toward representations of human suffering. Utilizing the visual studies concept termed the "look," Baker interrogates how the notion of humanity was articulated and recognized in oft-referenced moments within the African American experience: the graphic brutality of the 1834 Lalaurie affair; the photographic exhibition of lynching, Without Sanctuary ; Emmett Till's murder and funeral; and the devastation caused by Hurricane Katrina. Contemplating these and other episodes, Baker traces how proponents of black freedom and dignity used the visual display of violence against the black body to galvanize action against racial injustice. An innovative cultural study that connects visual theory to African American history, Humane Insight asserts the importance of ethics in our analysis of race and visual culture, and reveals how representations of pain can become the currency of black liberation from injustice.
[more]
cover of Humanesis: Sound and Technological Posthumanism

Humanesis

Sound and Technological Posthumanism

David Cecchetto

University of Minnesota Press, 2013


Humanesis critically examines central strains of posthumanism, searching out biases in the ways that human–technology coupling is explained. Specifically, it interrogates three approaches taken by posthumanist discourse: scientific, humanist, and organismic. David Cecchetto’s investigations reveal how each perspective continues to hold on to elements of the humanist tradition that it is ostensibly mobilized against. His study frontally desublimates the previously unseen presumptions that underlie each of the three thought lines and offers incisive appraisals of the work of three prominent thinkers: Ollivier Dyens, Katherine Hayles, and Mark Hansen.



To materially ground the problematic of posthumanism, Humanesis interweaves its theoretical chapters with discussions of artworks. These highlight the topos of sound, demonstrating how aurality might produce new insights in a field that has been dominated by visualization. Cecchetto, a media artist, scrutinizes his own collaborative artistic practice in which he elucidates the variegated causal chains that compose human–technological coupling.


Humanesis advances the posthumanist conversation in several important ways. It proposes the term “technological posthumanism” to focus on the discourse as it relates to technology without neglecting its other disciplinary histories. It suggests that deconstruction remains relevant to the enterprise, especially with respect to the performative dimension of language. It analyzes artworks not yet considered in the light of posthumanism, with a particular emphasis on the role of aurality. And the form of the text introduces a reflexive component that exemplifies how the dialogue of posthumanism might progress without resorting to the types of unilateral narratives that the book critiques.


[more]
cover of Humanistic Letters: The Irving Babbitt-Paul Elmer More Correspondence

Humanistic Letters

The Irving Babbitt-Paul Elmer More Correspondence

Eric Adler

University of Missouri Press, 2023

Irving Babbitt (1865–1933) and Paul Elmer More (1864–1937) were the leading lights of the New Humanism, a consequential movement of literary and social criticism in America. Through their writings on literary, educational, cultural, religious, and political topics, they influenced countless important thinkers, such as T.S. Eliot, C.S. Lewis, Russell Kirk, Benedetto Croce, Werner Jaeger, and George Will. Their work became the source of heated public debates in the 1920s and early 1930s. The belligerent criticisms of Babbitt and More—composed by such famous intellectuals as Ernest Hemmingway and H.L. Mencken—have ensured that the New Humanism has seldom been properly appreciated. Humanistic Letters helps remedy this problem, by providing for the first time the extant correspondence of Babbitt and More, which gets to the heart of their intellectual project.

 
[more]
cover of Hungarian Religion, Romanian Blood: A Minority's Struggle for National Belonging, 1920–1945

Hungarian Religion, Romanian Blood

A Minority's Struggle for National Belonging, 1920–1945

R. Chris Davis

University of Wisconsin Press, 2019

Amid the rising nationalism and racial politics that culminated in World War II, European countries wishing to "purify" their nations often forced unwanted populations to migrate. The targeted minorities had few options, but as R. Chris Davis shows, they sometimes used creative tactics to fight back, redefining their identities to serve their own interests.

Davis's highly illuminating example is the case of the little-known Moldavian Csangos, a Hungarian- and Romanian-speaking community of Roman Catholics in eastern Romania. During World War II, some in the Romanian government wanted to expel them. The Hungarian government saw them as Hungarians and wanted to settle them on lands confiscated from other groups. Resisting deportation, the clergy of the Csangos enlisted Romania's leading racial anthropologist, collected blood samples, and rewrote a millennium of history to claim Romanian origins and national belonging—thus escaping the discrimination and violence that devastated so many of Europe's Jews, Roma, Slavs, and other minorities. In telling their story, Davis offers fresh insight to debates about ethnic allegiances, the roles of science and religion in shaping identity, and minority politics past and present.

[more]
cover of Hungary in the Cold War, 1945-1956: Between the United States and the Soviet Union

Hungary in the Cold War, 1945-1956

Between the United States and the Soviet Union

László Borhi

Central European University Press, 2004

Based on new archival evidence, examines Soviet Empire building in Hungary and the American response to it. Hungary was not important enough to resist the Soviets, its democratic opposition failed to win American sympathy, the US simply had no leverage over the Soviets, who sacrificed cooperation with the West for a closed sphere in Eastern Europe. The imposition of a Stalinist regime assured Hungary's unconditional loyalty to Soviet imperial needs. Unlike the GDR, Eastern Europe was never considered a bargaining chip for bettering relations with the West. The book analyzes why, given all its idealism and power, the US failed even in its minimal aims concerning the states of Eastern Europe. Eventually both powers pursued power politics: the Soviets in a naked form, the US subtly, but both with little regard for the fate of Hungarians.
[more]
cover of Hungry Subjects: Mapping Appetites in the African Cultural Landscape

Hungry Subjects

Mapping Appetites in the African Cultural Landscape

Njeri Githire

University of Michigan Press, 2026

Against the backdrop of media representations of Africa through persistent and pervasive images of emaciated, starving Africans and the critical need to marshall food aid in response, Hungry Subjects places Africa’s food anxiety within a broader historical context and expands ongoing food scholarship beyond its current confines in the social sciences. Njeri Githire weaves together coming-of-age texts across the African and African diasporic literary landscape in English, French, and Portuguese expression to ask how African writers incorporate food into their storylines to transmit cultural information, question norms, and propose alternatives. Eating is an intimately personal yet inherently social experience codified by public rituals and commerce, invariably linked to a larger tapestry of historical, cultural, economic, and political dynamics. Delving into the political dynamics of food as a tool of power and control alongside subversive potentialities, Hungry Subjects appraises the narrative and political thrust of (not-)eating and exposes the ways in which postcolonial manifestations of colonial-era power relations are symbolized in food’s many functions and meanings. 

[more]
cover of Hunting the Ethical State: The Benkadi Movement of Côte d'Ivoire

Hunting the Ethical State

The Benkadi Movement of Côte d'Ivoire

Joseph Hellweg

University of Chicago Press, 2011

In the 1990s a nationwide crime wave overtook Côte d’Ivoire. The Ivoirian police failed to control the situation, so a group of poor, politically marginalized, and mostly Muslim men took on the role of the people’s protectors as part of a movement they called Benkadi. These men were dozos—hunters skilled in ritual sacrifice—and they applied their hunting and occult expertise, along with the ethical principles implicit in both forms of knowledge, to the tracking and capturing of thieves. Meanwhile, as Benkadi emerged, so too did the ethnic, regional, and religious divisions that would culminate in Côte d’Ivoire’s 2002–07 rebellion. 

Hunting the Ethical State
reveals how dozos worked beyond these divisions to derive their new roles as enforcers of security from their ritual hunting ethos. Much as they used sorcery to shape-shift and outwit game, they now transformed into unofficial police, and their ritual networks became police bureaucracies. Though these Muslim and northern-descended men would later resist the state, Joseph Hellweg demonstrates how they briefly succeeded at making a place for themselves within it. Ultimately, Hellweg interprets Benkadi as a flawed but ingenious and thoroughly modern attempt by non-state actors to reform an African state.

[more]
cover of Hurt, Baby, Hurt

Hurt, Baby, Hurt

William Walter Scott, III

University of Michigan Press, 2025

The 1967 Detroit Rebellion was the bloodiest of the urban riots in the United States during the “Long hot summer of 1967.” Hurt, Baby, Hurt takes a personal look at the Rebellion from the perspective of William Walter Scott, III. The Rebellion began when police raided an unlicensed drinking club owned by Scott’s father and continued for five days, resulting in forty-three deaths and even more injuries, fires, and arrests. Scott, who was just 19 at the time and working as a doorman at his father’s club, is widely recognized as the man who started the Rebellion by throwing a bottle at one of the police officers. 

This memoir recounts Scott’s life from his birth up through the Rebellion. It tells the story of how the Rebellion started and provides an on-the-ground account of the Rebellion and its immediate aftermath, including the police detainment of the people involved. Now with a new foreword by Austin McCoy that considers the lasting impact of the rebellion, Hurt, Baby, Hurt offers valuable insight into an important part of Detroit history.
[more]
cover of Hybrid Cultures: Strategies for Entering and Leaving Modernity

Hybrid Cultures

Strategies for Entering and Leaving Modernity

Nestor Garcia Canclini

University of Minnesota Press, 1995

Garcia Canclini questions whether Latin America can compete in a global marketplace without losing its cultural identity. He moves with ease from the ideas of Gramsci and Foucault to economic analysis, from appraisals of the exchanges between Octavio Paz and Jorge Luis Borges to Chicano film and grafitti. Hybrid Cultures at once clarifies the development of democratic institutions in Latin America and reveals that the most destructive ideological trends are still going strong.
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