Results by title
143 books match the query 'Class' and 2 start with i
Inside Culture
Art and Class in the American HomeDavid Halle
University of Chicago Press, 1993
Dubbed as "You Are What You Hang (or Don't)" by the New York Times,Inside Culture takes us on a tour of 160 homes in and around New York City, from affluent townhouses on Manhattan's Upper East Side and rowhouses in blue-collar Brooklyn to middle and upper-class suburbs of Long Island. The result is an unprecedented portrait of the use of cultural artifacts—fine art, photographs, religious art—in private lives.
"This is a first-class addition to what we know about culture in the specific rather than the abstract."—Howard S. Becker, Contemporary Sociology
"This book is well worth reading, especially in your own home."—Eugene Halton, American Journal of Sociology
"David Halle's researches earned him a license amateur voyeurs would kill for. . . . Refreshing for readers outside his discipline."—Peter Campbell, London Review of Books
"[This book] tells us interesting things about ourselves. . . . It affords us a birds-eye view of American culture from which we can see . . . unsuspected patterns of tastes and acquisitions."—James Gardner, Washington Times
"[A] voyeuristic thrill. . . . Lucid and entertaining. . . . A fascinating book that will open the eyes of anyone who's ever glibly said about art, 'I know what I like.' After reading Inside Culture, they'll also know a little bit more about why."—Maureen Corrigan, New York Observer
"This is a first-class addition to what we know about culture in the specific rather than the abstract."—Howard S. Becker, Contemporary Sociology
"This book is well worth reading, especially in your own home."—Eugene Halton, American Journal of Sociology
"David Halle's researches earned him a license amateur voyeurs would kill for. . . . Refreshing for readers outside his discipline."—Peter Campbell, London Review of Books
"[This book] tells us interesting things about ourselves. . . . It affords us a birds-eye view of American culture from which we can see . . . unsuspected patterns of tastes and acquisitions."—James Gardner, Washington Times
"[A] voyeuristic thrill. . . . Lucid and entertaining. . . . A fascinating book that will open the eyes of anyone who's ever glibly said about art, 'I know what I like.' After reading Inside Culture, they'll also know a little bit more about why."—Maureen Corrigan, New York Observer
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Insurgent Identities
Class, Community, and Protest in Paris from 1848 to the CommuneRoger V. Gould
University of Chicago Press, 1995
In this important contribution both to the study of social protest and to French social history, Roger Gould breaks with previous accounts that portray the Paris Commune of 1871 as a continuation of the class struggles of the 1848 Revolution. Focusing on the collective identities framing conflict during these two upheavals and in the intervening period, Gould reveals that while class played a pivotal role in 1848, it was neighborhood solidarity that was the decisive organizing force in 1871.
The difference was due to Baron Haussmann's massive urban renovation projects between 1852 and 1868, which dispersed workers from Paris's center to newly annexed districts on the outskirts of the city. In these areas, residence rather than occupation structured social relations. Drawing on evidence from trail documents, marriage records, reports of police spies, and the popular press, Gould demonstrates that this fundamental rearrangement in the patterns of social life made possible a neighborhood insurgent movement; whereas the insurgents of 1848 fought and died in defense of their status as workers, those in 1871 did so as members of a besieged urban community.
A valuable resource for historians and scholars of social movements, this work shows that collective identities vary with political circumstances but are nevertheless constrained by social networks. Gould extends this argument to make sense of other protest movements and to offer predictions about the dimensions of future social conflict.
The difference was due to Baron Haussmann's massive urban renovation projects between 1852 and 1868, which dispersed workers from Paris's center to newly annexed districts on the outskirts of the city. In these areas, residence rather than occupation structured social relations. Drawing on evidence from trail documents, marriage records, reports of police spies, and the popular press, Gould demonstrates that this fundamental rearrangement in the patterns of social life made possible a neighborhood insurgent movement; whereas the insurgents of 1848 fought and died in defense of their status as workers, those in 1871 did so as members of a besieged urban community.
A valuable resource for historians and scholars of social movements, this work shows that collective identities vary with political circumstances but are nevertheless constrained by social networks. Gould extends this argument to make sense of other protest movements and to offer predictions about the dimensions of future social conflict.
[more]