153 books match the query 'Egypt' and 4 start with i

cover of I Want to Get Married!: One Wannabe Bride’s Misadventures with Handsome Houdinis, Technicolor Grooms, Morality Police, and Other Mr. Not Quite Rights

I Want to Get Married!

One Wannabe Bride’s Misadventures with Handsome Houdinis, Technicolor Grooms, Morality Police, and Other Mr. Not Quite Rights

By Ghada Abdel Aal

University of Texas Press, 2010

The rules may differ from country to country, but the dating game is a universal constant.

After years of searching for Mr. Right in living-room meetings arranged by family or friends, Ghada Abdel Aal, a young Egyptian professional, decided to take to the blogosphere to share her experiences and vent her frustrations at being young, single, and female in Egypt. Her blog, I Want to Get Married!, quickly became a hit with both men and women in the Arab world. With a keen sense of humor and biting social commentary, Abdel Aal recounts in painful detail her adventures with failed proposals and unacceptable suitors. There's Mr. Precious, who storms out during their first meeting when he feels his favorite athlete has been slighted, and another suitor who robs her in broad daylight, to name just a few of the characters she runs across in her pursuit of wedded bliss.

I Want to Get Married! has since become a best-selling book in Egypt and the inspiration for a television series. This witty look at dating challenges skewed representations of the Middle East and presents a realistic picture of what it means to be a single young woman in the Arab world, where, like elsewhere, a good man can be hard to find.

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cover of Industrial Sexuality: Gender, Urbanization, and Social Transformation in Egypt

Industrial Sexuality

Gender, Urbanization, and Social Transformation in Egypt

By Hanan Hammad

University of Texas Press, 2016

Sara A. Whaley Book Prize, National Women's Studies Association, 2017
AMEWS Book Award, Journal of Middle Eastern Studies, 2017

Millions of Egyptian men, women, and children first experienced industrial work, urban life, and the transition from peasant-based and handcraft cultures to factory organization and hierarchy in the years between the two world wars. Their struggles to live in new places, inhabit new customs, and establish and abide by new urban norms and moral and gender orders underlie the story of the making of modern urban life—a story that has not been previously told from the perspective of Egypt’s working class.

Reconstructing the ordinary urban experiences of workers in al-Mahalla al-Kubra, home of the largest and most successful Egyptian textile factory, Industrial Sexuality investigates how the industrial urbanization of Egypt transformed masculine and feminine identities, sexualities, and public morality. Basing her account on archival sources that no researcher has previously used, Hanan Hammad describes how coercive industrial organization and hierarchy concentrated thousands of men, women, and children at work and at home under the authority of unfamiliar men, thus intensifying sexual harassment, child molestation, prostitution, and public exposure of private heterosexual and homosexual relationships. By juxtaposing these social experiences of daily life with national modernist discourses, Hammad demonstrates that ordinary industrial workers, handloom weavers, street vendors, lower-class landladies, and prostitutes—no less than the middle and upper classes—played a key role in shaping the Egyptian experience of modernity.

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cover of Inquiry about the Monks in Egypt

Inquiry about the Monks in Egypt

Catholic University of America Press, 2020

From September 394 to early January 395, seven monks from Rufinus of Aquileia’s monastery on the Mount of Olives made a pilgrimage to Egypt to visit locally renowned monks and monastic communities. Shortly after their return to Jerusalem, one of the party, whose identity remains a mystery, wrote an engaging account of this trip. Although he cast it in the form of a first-person travelogue, it reads more like a book of miracles that depicts the great fourth-century Egyptian monks as prophets and apostles similar to those in the Bible. This work was composed in Greek, yet it is best known today as Historia monachorum in Aegypto (Inquiry about the Monks in Egypt), the title of the Latin translation of this work made by Rufinus, the pilgrim-monks’ abbot. The Historia monachorum is one of the most fascinating, fantastical, and enigmatic pieces of literature to survive from the patristic period. In both its Greek original and Rufinus’s Latin translation it was one of the most popular and widely disseminated works of monastic hagiography during Late Antiquity and the Middle Ages. Modern scholars value it not only for its intrinsic literary merits but also for its status, alongside Athanasius’s Life of Antony, the Pachomian dossier, and other texts of this ilk, as one of the most important primary sources for monasticism in fourth-century Egypt. Rufinus’s Historia monachorum is presented here in English translation in its entirety. The introduction and annotations situate the work in its literary, historical, religious, and theological contexts.
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cover of Intimate Outsiders: The Harem in Ottoman and Orientalist Art and Travel Literature

Intimate Outsiders

The Harem in Ottoman and Orientalist Art and Travel Literature

Mary Roberts

Duke University Press, 2007

Until now, the notion of a cross-cultural dialogue has not figured in the analysis of harem paintings, largely because the Western fantasy of the harem has been seen as the archetype for Western appropriation of the Orient. In Intimate Outsiders, the art historian Mary Roberts brings to light a body of harem imagery that was created through a dynamic process of cultural exchange. Roberts focuses on images produced by nineteenth-century European artists and writers who were granted access to harems in the urban centers of Istanbul and Cairo. As invited guests, these Europeans were “intimate outsiders” within the women’s quarters of elite Ottoman households. At the same time, elite Ottoman women were offered intimate access to European culture through their contact with these foreign travelers.

Roberts draws on a range of sources, including paintings, photographs, and travelogues discovered in archives in Britain, Turkey, Egypt, and Denmark. She rethinks the influential harem works of the realist painter John Frederick Lewis, a British artist living in Cairo during the 1840s, whose works were granted an authoritative status by his British public despite the actual limits of his insider knowledge. Unlike Lewis, British women were able to visit Ottoman harems, and from the mid-nineteenth century on they did so in droves. Writing about their experiences in published travelogues, they undermined the idea that harems were the subject only of male fantasies. The elite Ottoman women who orchestrated these visits often challenged their guests’ misapprehensions about harem life, and a number of them exercised power as patrons, commissioning portraits from European artists. Their roles as art patrons defy the Western idea of the harem woman as passive odalisque.

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