193 books match the query 'Empire' and 7 start with i

cover of Identity Crises in Apuleius: The Empire and the Ass in Ancient Rome

Identity Crises in Apuleius

The Empire and the Ass in Ancient Rome

Ashli J. E. Baker

University of Wisconsin Press, 2026

In the second century CE, the multiethnic, multilingual, and religiously diverse Roman Empire grew to its greatest extent. To maintain order, Rome relied heavily on strict social hierarchies, established not only through legal frameworks like citizenship, but also through cultural markers (such as clothing and language) and personal traits (such as educational achievement). Even as Rome grew into one of the world’s most powerful empires, however, its social systems strained under the stresses caused by that very growth, which encouraged cultural interaction, long-distance travel, and social mobility—all of which threatened the hierarchies that underpinned Roman order.

It was during this time that the North African–born, Latin-speaking, Greek-educated Apuleius—whose own background showcases the multiplicity of identities available then to Roman individuals—flourished. He remains one of the ancient world’s best-known authors today, thanks particularly to his famous novel, Metamorphoses, known also as The Golden Ass. Taking a bird’s-eye view of his work, Ashli J. E. Baker proffers a bold new reading of Apuleius, proposing that across his writings there is a consistent focus on the theme of identity and its instability. By placing close readings in conversation with sociocultural and material contexts, she shows that because the structures of Roman power depended on inherently unreliable markers of identity, Apuleius’ work can be read as a biting critique of the fraught relationship between the individual, society, and the state in his contemporary Rome.

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cover of Imperial Ascent: Masculinity, Mountaineering, and Empire

Imperial Ascent

Masculinity, Mountaineering, and Empire

Peter L. Bayers

University Press of Colorado, 2003

The thrills and chills of mountaineering literature have long attracted a devoted audience of serious climbers, adventure-seekers, and armchair enthusiasts. In recent decades, scholars have come to view these tales of prowess and fortitude as texts laden with ideological meaning. In Imperial Ascent, a comparative study of seven such twentieth-century mountaineering narratives, Peter L. Bayers articulates the multiple and varied ways mountaineering and its literature have played in the formation and maintenance of national identity. By examining such works as Belmore Browne's The Conquest of Mount McKinley and Sir John Hunt's The Ascent of Everest, Bayers contends that for American and British climbers, mountaineering is tied to imperial ideology and dominant notions of masculinity.

At the same time, he demonstrates how Tiger of the Snows,, Sherpa Tenzing Norgay's account of climbing Mount Everest, undermines Western conceptions of mountaineering and imperialism. Throughout this theoretically informed critique, Bayers manages to retain the sense of awe and adventure inherent in the original works, making Imperial Ascent a highly engaging read.

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cover of In the Shadow of Empire: Art in Occupied Japan

In the Shadow of Empire

Art in Occupied Japan

Alicia Volk

University of Chicago Press, 2025

A pioneering look at an immensely creative period in Japanese art that developed amid the Cold War.
 
Alicia Volk brings to light a significant body of postwar Japanese art, exploring how it accommodated and resisted the workings of the American empire during the early Cold War. Volk’s groundbreaking account presents the points of view of Japanese artists and their audiences under American occupation and amid the ruins of war. Each chapter reveals how artists embraced new roles for art in the public sphere—at times by enacting radical critiques of established institutions, values, and practices—and situates a range of compelling art objects in their intersecting artistic and political worlds.
 
Centering on the diverse and divisive terrain of Japanese art between 1945 and 1952, In the Shadow of Empire creates a fluid map of relationality that brings multiple Cold War spheres into dialogue, stretching beyond US-occupied Japan to art from China, Europe, the Soviet Union, and the United States, and demonstrates the rich potential of this transnational site of artmaking for rethinking the history of Japanese and global postwar art.
 
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cover of In the Shadow of Empire: Israel and Judah in the Long Sixth Century BCE

In the Shadow of Empire

Israel and Judah in the Long Sixth Century BCE

Pamela Barmash

SBL Press, 2021

Empires Come and Go, Homelands Never

Readers of the Hebrew Bible know the basic story line: during the early sixth century BCE the Babylonian ruler Nebuchadnezzar sacked Jerusalem, deported a portion of the population to Mesopotamia, and triggered a crisis of faith in the minds of prophets, priests, and liturgists that still echoes through the centuries. Though many Judahites chose to make their way home under Persian imperial control, the straightforward biblical story of exile and return masks many complex issues of evidence and fact. Unlike previous studies that focused narrowly on the Babylonian exile of the Judahite elites, this volume widens the geographical and temporal scope to include the Assyrian, Babylonian, and Persian Empires. Improved access to and understanding of relevant texts, iconography, and material culture provide an opportunity for scholars to reappraise methods of imperial control and the responses of those in exile and under occupation. Contributors Pamela Barmash, Ryan P. Bonfiglio, Caralie Cooke, Lisbeth S. Fried, Martien A. Halvorson-Taylor, Mark W. Hamilton, Matt Waters, and Ian D. Wilson lay a firm foundation for future work on the long sixth century.

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cover of Indian Migration and Empire: A Colonial Genealogy of the Modern State

Indian Migration and Empire

A Colonial Genealogy of the Modern State

Radhika Mongia

Duke University Press, 2018

How did states come to monopolize control over migration? What do the processes that produced this monopoly tell us about the modern state? In Indian Migration and Empire Radhika Mongia provocatively argues that the formation of colonial migration regulations was dependent upon, accompanied by, and generative of profound changes in normative conceptions of the modern state. Focused on state regulation of colonial Indian migration between 1834 and 1917, Mongia illuminates the genesis of central techniques of migration control. She shows how important elements of current migration regimes, including the notion of state sovereignty as embodying the authority to control migration, the distinction between free and forced migration, the emergence of passports, the formation of migration bureaucracies, and the incorporation of kinship relations into migration logics, are the product of complex debates that attended colonial migrations. By charting how state control of migration was critical to the transformation of a world dominated by empire-states into a world dominated by nation-states, Mongia challenges positions that posit a stark distinction between the colonial state and the modern state to trace aspects of their entanglements.
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cover of Islanders in the Empire: Filipino and Puerto Rican Laborers in Hawai'i

Islanders in the Empire

Filipino and Puerto Rican Laborers in Hawai'i

JoAnna Poblete

University of Illinois Press, 2014

In the early 1900s, workers from new U.S. colonies in the Philippines and Puerto Rico held unusual legal status. Denied citizenship, they nonetheless had the right to move freely in and out of U.S. jurisdiction. As a result, Filipinos and Puerto Ricans could seek jobs in the United States and its territories despite the anti-immigration policies in place at the time.
 
JoAnna Poblete's Islanders in the Empire: Filipino and Puerto Rican Laborers in Hawai'i takes an in-depth look at how the two groups fared in a third new colony, Hawai'i. Using plantation documents, missionary records, government documents, and oral histories, Poblete analyzes how the workers interacted with Hawaiian government structures and businesses, how U.S. policies for colonial workers differed from those for citizens or foreigners, and how policies aided corporate and imperial interests.
 
A rare tandem study of two groups at work on foreign soil, Islanders in the Empire offers a new perspective on American imperialism and labor issues of the era.
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cover of Islands of Empire: Pop Culture and U.S. Power

Islands of Empire

Pop Culture and U.S. Power

By Camilla Fojas

University of Texas Press, 2014

Camilla Fojas explores a broad range of popular culture media—film, television, journalism, advertisements, travel writing, and literature—with an eye toward how the United States as an empire imagined its own military and economic projects. Impressive in its scope, Islands of Empire looks to Cuba, Guam, Hawai‘i, Puerto Rico, and the Philippines, asking how popular narratives about these island outposts expressed the attitudes of the continent throughout the twentieth century. Through deep textual readings of Bataan, Victory at Sea, They Were Expendable, and Back to Bataan (Philippines); No Man Is an Island and Max Havoc: Curse of the Dragon (Guam); Cuba, Havana, and Dirty Dancing: Havana Nights (Cuba); Blue Hawaii, Gidget Goes Hawaiian, and Paradise, Hawaiian Style (Hawai‘i); and West Side Story, Fame, and El Cantante (Puerto Rico), Fojas demonstrates how popular texts are inseparable from U.S. imperialist ideology.

Drawing on an impressive array of archival evidence to provide historical context, Islands of Empire reveals the role of popular culture in creating and maintaining U.S. imperialism. Fojas’s textual readings deftly move from location to location, exploring each island’s relationship to the United States and its complementary role in popular culture. Tracing each outpost’s varied and even contradictory political status, Fojas demonstrates that these works of popular culture mirror each location’s shifting alignment to the U.S. empire, from coveted object to possession to enemy state.

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