72 books match the query 'Indian authors' and 6 start with i

cover of I Have Spoken: American History Through The Voices Of The Indians

I Have Spoken

American History Through The Voices Of The Indians

Virginia I. Armstrong

Ohio University Press, 1971

I Have Spoken is a collection of American Indian oratory from the 17th to the 20th century, concentrating on speeches focusing around Indian-white relationships, especially treaty-making negotiations. A few letters and other writings are also included.

Here, in their own words, is the Indian’s story told with integrity, with drama, with caustic wit, with statesmanship, with poetic impact; a story of proffered friendship, of broken promises, of hope, of disillusionment, of pride, of a whole land and life gone sour.

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cover of Indian Nation: Native American Literature and Nineteenth-Century Nationalisms

Indian Nation

Native American Literature and Nineteenth-Century Nationalisms

Cheryl Walker

Duke University Press, 1997

Indian Nation documents the contributions of Native Americans to the notion of American nationhood and to concepts of American identity at a crucial, defining time in U.S. history. Departing from previous scholarship, Cheryl Walker turns the "usual" questions on their heads, asking not how whites experienced indigenous peoples, but how Native Americans envisioned the United States as a nation. This project unfolds a narrative of participatory resistance in which Indians themselves sought to transform the discourse of nationhood.
Walker examines the rhetoric and writings of nineteenth-century Native Americans, including William Apess, Black Hawk, George Copway, John Rollin Ridge, and Sarah Winnemucca. Demonstrating with unique detail how these authors worked to transform venerable myths and icons of American identity, Indian Nation chronicles Native American participation in the forming of an American nationalism in both published texts and speeches that were delivered throughout the United States. Pottawattomie Chief Simon Pokagon’s "The Red Man’s Rebuke," an important document of Indian oratory, is published here in its entirety for the first time since 1893.
By looking at this writing through the lens of the best theoretical work on nationality, postcoloniality, and the subaltern, Walker creates a new and encompassing picture of the relationship between Native Americans and whites. She shows that, contrary to previous studies, America in the nineteenth century was intercultural in significant ways.
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cover of Indians Don’t Cry: Gaawiin Mawisiiwag Anishinaabeg

Indians Don’t Cry

Gaawiin Mawisiiwag Anishinaabeg

George Kenny

University of Manitoba Press, 2014

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cover of Indians and Mestizos in the "Lettered City": Reshaping Justice, Social Hierarchy, and Political Culture in Colonial Peru

Indians and Mestizos in the "Lettered City"

Reshaping Justice, Social Hierarchy, and Political Culture in Colonial Peru

Alcira Duenas

University Press of Colorado, 2010

Through newly unearthed texts virtually unknown in Andean studies, Indians and Mestizos in the "Lettered City" highlights the Andean intellectual tradition of writing in their long-term struggle for social empowerment and questions the previous understanding of the "lettered city" as a privileged space populated solely by colonial elites. Rarely acknowledged in studies of resistance to colonial rule, these writings challenged colonial hierarchies and ethnic discrimination in attempts to redefine the Andean role in colonial society.

Scholars have long assumed that Spanish rule remained largely undisputed in Peru between the 1570s and 1780s, but educated elite Indians and mestizos challenged the legitimacy of Spanish rule, criticized colonial injustice and exclusion, and articulated the ideas that would later be embraced in the Great Rebellion in 1781. Their movement extended across the Atlantic as the scholars visited the seat of the Spanish empire to negotiate with the king and his advisors for social reform, lobbied diverse networks of supporters in Madrid and Peru, and struggled for admission to religious orders, schools and universities, and positions in ecclesiastic and civil administration.

Indians and Mestizos in the "Lettered City" explores how scholars contributed to social change and transformation of colonial culture through legal, cultural, and political activism, and how, ultimately, their significant colonial critiques and campaigns redefined colonial public life and discourse. It will be of interest to scholars and students of colonial history, colonial literature, Hispanic studies, and Latin American studies.

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cover of Indigenous Journeys, Transatlantic Perspectives: Relational Worlds in Contemporary Native American Literature

Indigenous Journeys, Transatlantic Perspectives

Relational Worlds in Contemporary Native American Literature

Anna M Brígido-Corachán

Michigan State University Press, 2023

Writing from a vantage point that respects tribal specificities and Indigenous sovereignty, the essays in this volume consider the relational place-worlds crafted by the Native American authors Louise Erdrich, Leanne Betasamosake Simpson, Gordon Henry Jr., Louis Owens, James Welch, Heid E. Erdrich, Ofelia Zepeda, and Simon J. Ortiz. Each is set in conversation with kindred writers and larger sociopolitical debates in the Americas, Africa, and Europe.  The shared aim is to decolonize academic methodologies and disciplines across the Atlantic by tracing the creative, spiritual, and intellectual networks that Native writers have established with other communities at home and around the world. Key issues to arise include Native American/Indigenous theories and literary practices that center on relationality, the planetary turn, grounded normativity, trans-Indigeneity, transborder identities, movement, journeying, migration, multilingualism, genomic research, futurity, ecology, and justice.
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cover of Indigenous Poetics

Indigenous Poetics

Inés Hernández-Ávila

Michigan State University Press, 2025

Indigenous Poetics is a collection of essays by contemporary Native American poets in the United States who explore how the genre helps to radically understand, contemplate, and realize something deeper about ourselves, our communities, and our worlds. The collection illuminates the creative process, identity, language, and the making of poetry. The contributors tell us, in their own words and on their own Indigenous terms, how they engage poetic expression as one would a tool, a teacher, a guide, a map, or a friend. Indigenous Poetics reveals poetry’s crucial role in the flourishing of Native American and Indigenous Studies.
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