914 books match the query 'Medieval' and 22 start with i

cover of Idling the Engine: Linguistic sSkepticism in and around Cortázar, Kafka, and Joyce

Idling the Engine

Linguistic sSkepticism in and around Cortázar, Kafka, and Joyce

E. Joseph Sharkey

Catholic University of America Press, 2006

Author E. Joseph Sharkey uses the philosophies of language of Hans-Georg Gadamer and Ludwig Wittgenstein to counter the skepticism in question by showing that a language grounded in history instead of the transcendent is grounded nevertheless.
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cover of Illegitimacy in Renaissance Florence

Illegitimacy in Renaissance Florence

Thomas Kuehn

University of Michigan Press, 2002

As far back as Jacob Burckhardt, illegitimate children have been considered advantaged, insofar as they lacked family obligations. Celebrated Renaissance figures such as Petrarch, Boccaccio, Alberti, and da Vinci were born illegitimately. Of course, their status put these children at a legal and a social disadvantage that was nearly impossible to overcome in usual circumstances. Illegitimacy in Renaissance Florence is the first systematic study of a population of illegitimate children--in this case in the city often seen at the heart of Renaissance politics and culture, Florence.
The Florentine catasto, a fiscal survey of households taken at several points in the fifteenth century, locates hundreds of illegitimate children and reveals a great deal about their household circumstances and parentage. Supplementing this information are notarial documents and family account books. Illegitimacy in Renaissance Florence places Florentine illegitimate children in a complete legal context, culminating in examination of several Florentine legal cases. Thomas Kuehn shows how lawyers were called on to cope with and make legal sense of the actions and prejudices of Florentines toward their illegitimate kin.
It is clear, in its simplest terms, that illegitimacy in Florence was a permanent, if not fixed, status. Most illegitimate children, especially girls, were abandoned; infanticide was undoubtedly practiced. But even those children raised by benevolent fathers and granted legitimation always remained "legitimatus" and not "legitimus." Florentines whose illegitimate paternity was admitted were overwhelmingly born of elite fathers but poor or servile mothers. In neither social nor legal terms did the illegitimate share fully in the personhood of the legitimate adult male Florentine citizen. Still, ambiguities of status could be useful for those with sufficient wealth and social standing to exploit their potential.
Illegitimacy in Renaissance Florence will appeal to social historians of Europe, medieval and early modern, especially those concerned with family life, women, and children, as well as all those interested in Florentine history. Legal historians will find it useful as well.
Thomas Kuehn is Professor of History, Clemson University.
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cover of Image on the Edge: The Margins of Medieval Art

Image on the Edge

The Margins of Medieval Art

Michael Camille

Reaktion Books, 2019

What do they all mean—the lascivious ape, autophagic dragons, potbellied heads, harp-playing asses, arse-kissing priests, and somersaulting jongleurs to be found protruding from the edges of medieval buildings and in the margins of illuminated manuscripts? A groundbreaking, celebrated study of marginalia in mediaeval art, Michael Camille’s Image on the Edge explores this riotous realm so often explained away as mere decoration or zany doodles, a place where resistance to social constraints flourished. Along with their loftier subjects of knights and clerics, medieval image-makers focused attention on the underside of society, the excluded and the ejected. Peasants, servants, prostitutes, and beggars all found their place in their artworks, engaged in impudent antics in the margins of prayer-books or, as gargoyles, on the outsides of churches. Camille’s essays illuminate how marginality functioned in medieval culture, showing us just how scandalous, subversive, and amazing the art of the time could be.
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cover of Imagination, Meditation, and Cognition in the Middle Ages

Imagination, Meditation, and Cognition in the Middle Ages

Michelle Karnes

University of Chicago Press, 2011

In Imagination, Meditation, and Cognition in the Middle Ages, Michelle Karnes revises the history of medieval imagination with a detailed analysis of its role in the period’s meditations and theories of cognition. Karnes here understands imagination in its technical, philosophical sense, taking her cue from Bonaventure, the thirteenth-century scholastic theologian and philosopher who provided the first sustained account of how the philosophical imagination could be transformed into a devotional one. Karnes examines Bonaventure’s meditational works, the Meditationes vitae Christi, the Stimulis amoris, Piers Plowman, and Nicholas Love’s Myrrour, among others, and argues that the cognitive importance that imagination enjoyed in scholastic philosophy informed its importance in medieval meditations on the life of Christ. Emphasizing the cognitive significance of both imagination and the meditations that relied on it, she revises a long-standing association of imagination with the Middle Ages. In her account, imagination was not simply an object of suspicion but also a crucial intellectual, spiritual, and literary resource that exercised considerable authority.
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cover of Imagining A Medieval English Nation

Imagining A Medieval English Nation

Kathy Lavezzo

University of Minnesota Press, 2003

The first comprehensive analysis of English national identity in the late Middle Ages

During the late Middle Ages, the increasing expansion of administrative, legal, and military systems by a central government, together with the greater involvement of the commons in national life, brought England closer than ever to political nationhood. Examining a diverse array of texts—ranging from Latin and vernacular historiography to Lollard tracts, Ricardian poetry, and chivalric treatises—this volume reveals the variety of forms “England” assumed when it was imagined in the medieval West.

These essays disrupt conventional thinking about the relationship between premodernity and modernity, challenge traditional preconceptions regarding the origins of the nation, and complicate theories about the workings of nationalism. Imagining a Medieval English Nation is not only a collection of new readings of major canonical works by leading medievalists, it is among the first book-length analyses on the subject and of critical interest. Contributors: Kathleen Davis, Bucknell U; L. O. Aranye Fradenburg, U of California, Santa Barbara; Andrew Galloway, Cornell U; Jill C. Havens, Baylor U; Peggy A. Knapp, Carnegie Mellon U; Larry Scanlon, Rutgers U; D. Vance Smith, Princeton U; Claire Sponsler, U of Iowa; Lynn Staley, Colgate U; Thorlac Turville-Petre, U of Nottingham.
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cover of Imagining Iberia in English and Castilian Medieval Romance

Imagining Iberia in English and Castilian Medieval Romance

Emily Houlik-Ritchey

University of Michigan Press, 2023

Imagining Iberia in English and Castilian Medieval Romance offers a broad disciplinary, linguistic, and national focus by analyzing the literary depiction of Iberia in two European vernaculars that have rarely been studied together. Emily Houlik-Ritchey employs an innovative comparative methodology that integrates the understudied Castilian literary tradition with English literature. Intentionally departing from the standard “influence and transmission” approach, Imagining Iberia challenges that standard discourse with modes drawn from Neighbor Theory to reveal and navigate the relationships among three selected medieval romance traditions. This welcome volume uncovers an overemphasis in prior scholarship on the relevance of “crusading” agendas in medieval romance, and highlights the shared investments of Christians and Muslims in Iberia’s political, creedal, cultural, and mercantile networks in the Mediterranean world.
 
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cover of Imagining the Parish in Late Medieval England

Imagining the Parish in Late Medieval England

Ellen K. Rentz

The Ohio State University Press, 2015

Collective worship and the ritual life of the local parish mattered deeply to late medieval laypeople, and both loom large in contemporary visual and vernacular culture. The parish offered an important framework for Christians as they negotiated the relationship between individual, community, and God. And as a place where past, present, and future came together, the parish promised an ongoing relationship between the living and the dead, positioning the here and now of the local parish in the long trajectory of eschatological time. 
 
Imagining the Parish in Late Medieval England explores the ways in which Middle English literature engages the idea of lay spiritual community and the ideal of parochial worship. Ellen K. Rentz pairs nuanced readings of works such as Piers Plowman,Handlyng Synne, and the Prick of Conscience with careful analysis of contemporary sermons, spiritual handbooks, and liturgical texts as well as a wide range of visual sources, including wall paintings and stained glass. This new study examines how these texts and images locate the process of achieving salvation in the parish and in the work that parishioners undertook there together.
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cover of In Praise of Disobedience: Clare of Assisi, A Novel

In Praise of Disobedience

Clare of Assisi, A Novel

Dacia Maraini

Rutgers University Press, 2023

An author receives a mysterious e-mail begging her to tell the story of Clare of Assisi, the thirteenth-century Italian saint. At first annoyed by the request, the author begins to research Saint Clare and becomes captivated by her life. We too are transported into the strange and beautiful world of medieval Italy, witnessing the daily rituals of convent life. At the center of that life is Saint Clare, a subversive and compelling figure full of contradictions: a physically disabled woman who travels widely in her imagination, someone unforgivingly harsh to herself yet infinitely generous to the women she supervises, a practitioner of self-abnegation who nevertheless knows her own worth. A visionary who liberated herself from the chains of materialism and patriarchy, Saint Clare here becomes an inspirational figure for a new generation of readers. 

 
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cover of In the Skin of a Beast: Sovereignty and Animality in Medieval France

In the Skin of a Beast

Sovereignty and Animality in Medieval France

Peggy McCracken

University of Chicago Press, 2017

In medieval literature, when humans and animals meet—whether as friends or foes—issues of mastery and submission are often at stake. In the Skin of a Beast shows how the concept of sovereignty comes to the fore in such narratives, reflecting larger concerns about relations of authority and dominion at play in both human-animal and human-human interactions.

Peggy McCracken discusses a range of literary texts and images from medieval France, including romances in which animal skins appear in symbolic displays of power, fictional explorations of the wolf’s desire for human domestication, and tales of women and snakes converging in a representation of territorial claims and noble status. These works reveal that the qualities traditionally used to define sovereignty—lineage and gender among them—are in fact mobile and contingent. In medieval literary texts, as McCracken demonstrates, human dominion over animals is a disputed model for sovereign relations among people: it justifies exploitation even as it mandates protection and care, and it depends on reiterations of human-animal difference that paradoxically expose the tenuous nature of human exceptionalism.
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cover of In the Vineyard of the Text: A Commentary to Hugh's Didascalicon

In the Vineyard of the Text

A Commentary to Hugh's Didascalicon

Ivan Illich

University of Chicago Press, 1993

In a work with profound implications for the electronic age, Ivan Illich explores how revolutions in technology affect the way we read and understand text.

Examining the Didascalicon of Hugh of St. Victor, Illich celebrates the culture of the book from the twelfth century to the present. Hugh's work, at once an encyclopedia and guide to the art of reading, reveals a twelfth-century revolution as sweeping as that brought about by the invention of the printing press and equal in magnitude only to the changes of the computer age—the transition from reading as a vocal activity done in the monastery to reading as a predominantly silent activity performed by and for individuals.
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cover of Innovation and Tradition in the Writings of the Venerable Bede

Innovation and Tradition in the Writings of the Venerable Bede

SCOTT DEGREGORIO

West Virginia University Press, 2006

Works prior to this book focused on Bede as not only a European, but also as an English scholar, historian, scientist, or a biographer of saints, and have used a traditional approach towards his explanation of the Bible. Bede's interpretation of his work, its continuous progress, and the reasons behind his hurried appointment to an authority almost as high as the Church Fathers are all topics examined within the text. Essays are by Roger Ray, Faith Wallis, Calvin B. Kendall, George Hardin Brown, Scott DeGregorio, Arthur G. Holder, Lawrence T. Martin, Walter Goffart, and Joyce Hill.

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cover of Instrument of Memory: Encounters with the Wandering Jew

Instrument of Memory

Encounters with the Wandering Jew

Lisa Lampert-Weissig

University of Michigan Press, 2024

How can immortality be a curse? According to the Wandering Jew legend, as Jesus made his way to Calvary, a man refused him rest, cruelly taunting him to hurry to meet his fate. In response, Jesus cursed the man to wander until the Second Coming. Since the medieval period, the legend has inspired hundreds of adaptations by artists and writers. Instrument of Memory: Encounters with the Wandering Jew, the first English-language study of the legend in over fifty years, is also the first to examine the influence of the legend’s medieval and early modern sources over the centuries into the present day. Using the lens of memory studies, the work shows how the Christian tradition of the legend centered the memory of the Passion at the heart of the Wandering Jew’s curse. Instrument of Memory also shows how Jewish artists and writers have reimagined the legend through Jewish memory traditions. Through this focus on memory, Jewish adapters of the legend create complex renderings of the Wandering Jew that recognize not only the entanglement of Jewish and Christian memory, but also the impact of that entanglement on Jewish subjects. This book presents a complex, sympathetic, and more fully realized version of the legend while challenging the limits of the presentism of memory studies.
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cover of Instrumentality: On Technical Objects and Orientations in the Later Middle Ages

Instrumentality

On Technical Objects and Orientations in the Later Middle Ages

J. Allan Mitchell

University of Minnesota Press, 2024

From medieval to modern, exploring instrumental attitudes toward physical gadgets, diagrams, concepts, methods, and disciplines

Opening up the instrumental condition of the human for critical reflection and renewal, Instrumentality illuminates key moments in the intellectual history of the European Middle Ages. J. Allan Mitchell reveals how, in the predigital past, we can recognize many of the operative technics, analytics, and metaphorics that continue to shape human sense and cognition today.

Exploring the diverse modalities of medieval instruments, Mitchell’s case studies encompass techniques as seemingly distinct as time-keeping mechanisms, mathematical diagrams, logical syllogisms, and the literary devices of Geoffrey Chaucer and John Gower. A cultural and intellectual history, Mitchell’s work leads readers from three-dimensional objects (physical mechanisms) to two-dimensional inscriptions (maps and diagrams) and onward to overarching disciplinary norms in the early liberal and mechanical arts. Prying loose the subtle, adaptable, and generative concept of technical objects from limiting contemporary frameworks, he shows how these instruments are indispensable to the past—and the future—of the arts and culture at large.

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cover of Interrogation Of Joan Of Arc

Interrogation Of Joan Of Arc

Karen Sullivan

University of Minnesota Press, 1999

A radical reassessment of the trial of Joan of Arc that gives a new sense of Joan in her time.

The transcripts of Joan of Arc’s trial for heresy at Rouen in 1431 and the minutes of her interrogation have long been recognized as our best source of information about the Maid of Orleans. Historians generally view these legal texts as a precise account of Joan’s words and, by extension, her beliefs. Focusing on the minutes recorded by clerics, however, Karen Sullivan challenges the accuracy of the transcript. In The Interrogation of Joan of Arc, she re-reads the record not as a perfect reflection of a historical personality’s words, but as a literary text resulting from the collaboration between Joan and her interrogators.

Sullivan provides an illuminating and innovative account of Joan’s trial and interrogation, placing them in historical, social, and religious context. In the fifteenth century, interrogation was a method of truth-gathering identified not with people like Joan, who was uneducated, but with clerics, like those who tried her. When these clerics questioned Joan, they did so as scholastics educated at the University of Paris, as judges and assistants to judges, and as pastors trained in hearing confessions.The Interrogation of Joan of Arc traces Joan’s conflicts with her interrogators not to differing political allegiances, but to fundamental differences between clerical and lay cultures. Sullivan demonstrates that the figure depicted in the transcripts as Joan of Arc is a complex, multifaceted persona that results largely from these cultural differences. Discerning and innovative, this study suggests a powerful new interpretive model and redefines our sense of Joan and her time.
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cover of Intersections in Turkish Literature: Essays in Honor of James Stewart-Robinson

Intersections in Turkish Literature

Essays in Honor of James Stewart-Robinson

Walter G. Andrews, Editor

University of Michigan Press, 2001

The rich but often neglected field of Turkish and Ottoman literature has long suffered from the fact that a number of traditional research boundaries have separated the studies of folk and elite literature, of Ottoman and modern literature, of the village and the city, the religious and the secular.
Intersections in Turkish Literature is a collection of essays on Turkish literature by former students of James Stewart-Robinson. The topics and methods cover a broad range--from a careful thematic analysis of a traditional Turkish folktale, which reveals its resemblance to well-known Western tales; to an analysis of the "saint tales" recounted by present-day Albanian Bektasi adepts; to a study of narrative rhythm in Nazim Hikhmet's rendition of an account of a fifteenth-century popular uprising.
Walter G. Andrews has assembled the writings of a number of scholars who bridge traditional chasms, inviting us to rethink our approaches to the study of Turkish and Ottoman literature. This collection forms a nucleus that clearly demonstrates the great potential now existing for study in this area, the essays displaying a variety of unusual approaches that bring together seemingly disparate materials: the Turkish story "The Pomegranate Seed" and Disney's "Snow White"; a fifteenth-century chronicle and the poetry of a modern socialist poet; Albanian dervishes in Detroit; a modern Turkish novel; Virginia Woolf; a Yale critic; traditional Japanese poetry; and Ottoman lyrics.
Intersections in Turkish Literature will provide an important stimulus to work that reaches beyond the limits of area studies, intersecting with the interests of scholars and students of literary theory, folklore studies, anthropology, French, Japanese, and Persian.
Walter G. Andrews is Affiliate Professor of Near Eastern Languages and Civilization, University of Washington.
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cover of Intimate Reading: Textual Encounters in Medieval Women’s Visions and Vitae

Intimate Reading

Textual Encounters in Medieval Women’s Visions and Vitae

Jessica Barr

University of Michigan Press, 2020

Intimate Reading: Textual Encounters in Medieval Women’s Visions and Vitae explores the ways that women mystics sought to make their books into vehicles for the reader’s spiritual transformation. Jessica Barr argues that the cognitive work of reading these texts was meant to stimulate intensely personal responses, and that the very materiality of the book can produce an intimate encounter with God. She thus explores the differences between mystics’ biographies and their self-presentation, analyzing as well the complex rhetorical moves that medieval women writers employ to render their accounts more effective.
This new volume is structured around five case studies. Chapters consider the biographies of 13th-century holy women from Liège, the writings of Margery Kempe, Gertrude of Helfta, Mechthild of Magdeburg, Marguerite Porete, and Julian of Norwich. At the heart of Intimate Reading is the question of how reading works—what it means to enter imaginatively and intellectually into the words of another. The volume showcases the complexity of medieval understandings of the work of reading, deepening our perception of the written word’s capacity to signify something that lies even beyond rational comprehension.
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cover of Inventing Womanhood: Gender and Language in Later Middle English Writing

Inventing Womanhood

Gender and Language in Later Middle English Writing

Tara Williams

The Ohio State University Press, 2011

In Inventing Womanhood, Tara Williamsinvestigates new ideas about womanhood that arose in fourteenth-century Britain and evolved throughout the fifteenth century. In the aftermath of the plague and the substantial cultural shifts of the late 1300s, female roles expanded temporarily. As a result, the dominant models of maiden, wife, and widow could no longer adequately describe women’s roles and lives.
 
Middle English writers responded by experimenting with new ways of representing women across a variety of genres, from courtly poetry to devotional texts and from royal correspondence to cycle plays. In particular, writers coined new terms, including “womanhood” and “femininity,” and refashioned others, such as “motherhood.” These experiments allowed writers to develop and define a larger idea of womanhood underlying more specific identities like wife or mother and to re-imagine women’s relationships to different kinds of authority—generally masculine and frequently religious.
           
By exploring the medieval origins of some of our most important gender vocabulary, Inventing Womanhood defamiliarizes our modern usage, which often treats those terms as etymologically transparent and almost limitlessly capacious. It also restores a necessary historical and linguistic dimension to gender studies, providing the groundwork for reconsidering how that language and the categories it creates have determined the ways in which gender has been imagined since the Middle Ages.
 
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cover of Invention and Authorship in Medieval England

Invention and Authorship in Medieval England

Robert R. Edwards

The Ohio State University Press, 2017

From the twelfth century onwards, medieval English writers adapted the conventions of high literary culture to establish themselves as recognized authors and claim a significant place for works of imagination beside those of doctrine and instruction. Their efforts extended over three languages—Latin, French, and English—and across a discontinuous literary history. Their strategy was to approach authorship as a field of rhetorical invention rather than a fixed institution. Consequently, their work is at once revisionary and ambivalent. Writers conspicuously position themselves within tradition, exploit the resources of poetic belatedness, and negotiate complex relations to their audiences and social authority.
 
 
Authorial invention in the Middle Ages is the base of a national tradition that English writers in the Renaissance saw as stable and capable of emulating the canons of classical languages and the Italian and French vernaculars. In Invention and Authorship in Medieval England, Robert R. Edwards brings new interpretive perspectives to Walter Map, Marie de France, John Gower, Geoffrey Chaucer, Thomas Hoccleve, and John Lydgate. He offers a critical reading of key moments that define the emergence of medieval English authorship by showing how writers adapt the commonplaces of authorship to define themselves and their works externally and to construct literary meaning internally. 
 
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cover of Isidorean Perceptions of Order: The Exeter Book  Riddles and  Medieval Latin Enigmata

Isidorean Perceptions of Order

The Exeter Book Riddles and Medieval Latin Enigmata

Mercedes Salvador-Bello

West Virginia University Press, 2015

This book discusses the considerable influence exerted by Isidore’s Etymologiae on the compilation of early medieval enigmata. Either in the form of thematic clusters or pairs, Isidorean encyclopedic patterns are observed not only in major Latin riddle collections in verse but can also be detected in the two vernacular assemblages contained in the Exeter Book. 

As with encyclopedias, the topic-centered arrangement of riddles was pursued by compilers as a strategy intended to optimize the didactic and instructional possibilities inherent in these texts and favor the readers’ assimilation of their contents. This book thus provides a thoroughgoing investigation of medieval riddling, with special attention to the Exeter Book Riddles, demonstrating that this genre constituted an important part of the school curriculum of the early Middle Ages.

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cover of Islam and Travel in the Middle Ages

Islam and Travel in the Middle Ages

Houari Touati

University of Chicago Press, 2010

In the Middle Ages, Muslim travelers embarked on a rihla, or world tour, as surveyors, emissaries, and educators. On these journeys, voyagers not only interacted with foreign cultures—touring Greek civilization, exploring the Middle East and North Africa, and seeing parts of Europe—they also established both philosophical and geographic boundaries between the faithful and the heathen. These voyages thus gave the Islamic world, which at the time extended from the Maghreb to the Indus Valley, a coherent identity.

Islam and Travel in the Middle Ages assesses both the religious and philosophical aspects of travel, as well as the economic and cultural conditions that made the rihla possible. Houari Touati tracks the compilers of the hadith who culled oral traditions linked to the prophet, the linguists and lexicologists who journeyed to the desert to learn Bedouin Arabic, the geographers who mapped the Muslim world, and the students who ventured to study with holy men and scholars. Travel, with its costs, discomforts, and dangers, emerges in this study as both a means of spiritual growth and a metaphor for progress. Touati’s book will interest a broad range of scholars in history, literature, and anthropology.

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cover of Islamic Spain, 1250 to 1500

Islamic Spain, 1250 to 1500

L. P. Harvey

University of Chicago Press, 1990

This is a richly detailed account of Muslim life throughout the kingdoms of Spain, from the fall of Seville, which signaled the beginning of the retreat of Islam, to the Christian reconquest.

"Harvey not only examines the politics of the Nasrids, but also the Islamic communities in the Christian kingdoms of the peninsula. This innovative approach breaks new ground, enables the reader to appreciate the situation of all Spanish Muslims and is fully vindicated. . . . An absorbing and thoroughly informed narrative."—Richard Hitchcock, Times Higher Education Supplement

"L. P. Harvey has produced a beautifully written account of an enthralling subject."—Peter Linehan, The Observer
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cover of Isolated Islands in Medieval Nature, Culture and Mind

Isolated Islands in Medieval Nature, Culture and Mind

Gerhard Jaritz

Central European University Press, 2011

The volume contains selected papers from an international workshop in 2005, at the Hungarian Academy in Rome. They aim at investigating the registers of fifteenth-century supplications to the Apostolic Penitentiary of the Holy See and to analyze the multiplicity of issues in which a context of the local needs of Western Christians and the central power of the Pope had been occurring.

The contributions make clear that local and individual factors and practice of Christian faith and religion must not be seen as separated from the global power of the Roman curia. The latter’s influence could become directly important for any individual in any local space, also … et usque ad ultimum terrae (Acts 1:8), in the utmost peripheries of the Christian world. The assistance by the Apostolic Penitentiary was indispensable in a large variety of cases. The occupation with such cases happened in the local and regional space as well as in the globalized centre of the Holy See.

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