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    Despite the tragic reality of the continuing Israeli-Arab conflict and deep-rooted beliefs that the chasm between Israeli Jews and Israeli Arabs is unbridgeable, this book affirms the bonds between the two communities. Rachel Feldhay Brenner demonstrates that the literatures of both ethnic groups defy the ideologies that have obstructed dialogue between the two peoples.
    Brenner argues that literary critics have ignored the variety and the dissent in the novels of both Arab and Jewish writers in Israel, giving them interpretations that embrace the politics of exclusion and conform with Zionist ideology. Brenner offers insightful new readings that compare fiction by Jewish writers Amos Oz, A.B. Yehoshua, David Grossman, and others with fiction written in Hebrew by such Arab-Israeli writers as Atallah Mansour, Emile Habiby, and Anton Shammas. This parallel analysis highlights the moral and psychological dilemmas faced by both the Jewish victors and the Arab vanquished, and Brenner suggests that the hope for release from the historical trauma lies—on both sides—in reaching an understanding with and of the adversary.
    Drawing upon the theories of Walter Benjamin, Jacques Lacan, Sigmund Freud, Emanuel Levinas, and others, Inextricably Bonded is an innovative and illuminating examination of literary dissent from dominant ideology.

Following on from their acclaimed book Bad News from Israel, Greg Philo and Mike Berry present a concise guide to the Israel-Palestine conflict. This uniquely accessible book will appeal to anyone looking for an approachable introduction. Uniquely, the authors show how there are many different, competing histories. They offer an overview of the wide range of contending viewpoints, and indicate those which are based on the most considered historical research.

The book covers key events in chronological order, in each case examining the varied historical accounts and presenting the beliefs of key thinkers across the ideological spectrum, from Edward Said to Binyamin Netanyahu. Starting the with emergence of the Zionist movement in the nineteenth century, and the figures who shaped it, the authors go on to cover the founding of Israel and its subsequent history, up to and including the 'roadmap for peace', the construction of the wall, the death of Arafat and the withdrawal from Gaza.

Uri Avnery is one of the best-known peace activists in Israel and founder of the Gush Shalom peace movement. He has been involved in, and written about, all major events in Israel's history since its creation in 1948, and was the first Israeli to meet Yasser Arafat. This is a carefully selected collection of his articles from the last 10 years. Additionally, he has written a rigorous introduction that shows how peace can be achieved.

Avnery offers a unique perspective on the Middle-East conflict, drawing on his enormous experience of advocating Palestinian rights from within the system as a member of parliament and from outside as a peace activist. Written with passion and wit, his articles reveal and analyse the 'facts on the ground', always pointing out opportunities for reconciliation between the two sides and exposing those who exacerbate the conflict.

This book is a must-read for everyone who wants peace in the Middle East.

Searing images of suicide bombings and retaliatory strikes now define the Israeli-Palestinian conflict for many Westerners, but television and print media are not the only visual realms in which the conflict is playing out. Even tourist postcards and greeting cards have been pressed into service as vehicles through which Israelis and Palestinians present competing visions of national selfhood and conflicting claims to their common homeland.

In this book, Tim Jon Semmerling explores how Israelis and Palestinians have recently used postcards and greeting cards to present images of the national self, to build national awareness and reinforce nationalist ideologies, and to gain international acceptance. He discusses and displays the works of numerous postcard/greeting card manufacturers, artists, and photographers and identifies the symbolic choices in their postcards, how the choices are arranged into messages, what the messages convey and to whom, and who benefits and loses in these presentations of national self. Semmerling convincingly demonstrates that, far from being ephemeral, Israeli and Palestinian postcards constitute an important arena of struggle over visual signs and the power to produce reality.