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151 books match the query 'Radicalism' and 4 start with i
In Search of the Black Panther Party
New Perspectives on a Revolutionary MovementJama Lazerow and Yohuru Williams, eds.
Duke University Press, 2006
One contributor evaluates the legal basis of the Panthers’ revolutionary struggle, explaining how they utilized and critiqued the language of the Constitution. Others explore the roles of individuals, looking at a one-time Panther imprisoned for a murder he did not commit and an FBI agent who monitored the activities of the Panthers’ Oakland branch. Contributors assess the Panthers’ relations with Students for a Democratic Society, the Young Lords, the Brown Berets, and the Peace and Freedom Party. They discuss the Party’s use of revolutionary aesthetics, and they show how the Panthers manipulated and were manipulated by the media. Illuminating some of the complexities involved in placing the Panthers in historical context, this collection demonstrates that the scholarly search for the Black Panthers has only just begun.
Contributors. Bridgette Baldwin, Davarian L. Baldwin, David Barber, Rod Bush, James T. Campbell, Tim Lake, Jama Lazerow, Edward P. Morgan, Jeffrey O. G. Ogbar, Roz Payne, Robert O. Self, Yohuru Williams, Joel Wilson
In The Break
The Aesthetics Of The Black Radical TraditionFred Moten
University of Minnesota Press, 2003
Investigates the connections between jazz, sexual identity, and radical black politics
In his controversial essay on white jazz musician Burton Greene, Amiri Baraka asserted that jazz was exclusively an African American art form and explicitly fused the idea of a black aesthetic with radical political traditions of the African diaspora. In the Break is an extended riff on “The Burton Greene Affair,” exploring the tangled relationship between black avant-garde in music and literature in the 1950s and 1960s, the emergence of a distinct form of black cultural nationalism, and the complex engagement with and disavowal of homoeroticism that bridges the two. Fred Moten focuses in particular on the brilliant improvisatory jazz of John Coltrane, Ornette Coleman, Albert Ayler, Eric Dolphy, Charles Mingus, and others, arguing that all black performance—culture, politics, sexuality, identity, and blackness itself—is improvisation.
For Moten, improvisation provides a unique epistemological standpoint from which to investigate the provocative connections between black aesthetics and Western philosophy. He engages in a strenuous critical analysis of Western philosophy (Heidegger, Kant, Husserl, Wittgenstein, and Derrida) through the prism of radical black thought and culture. As the critical, lyrical, and disruptive performance of the human, Moten’s concept of blackness also brings such figures as Frederick Douglass and Karl Marx, Cecil Taylor and Samuel R. Delany, Billie Holiday and William Shakespeare into conversation with each other.
Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition
In the Wake of Violence
Image & Social ReformCheryl R. Jorgensen-Earp
Michigan State University Press, 2008
How acts of violence are rhetorically "managed" by social movements: In the Wake of Violence explores the immediate and longer term aftermath of violence committed by independent radicals involved in single-issue movements. Cheryl R. Jorgensen-Earp explores several specific incidents in recent history—the arson of a Vail ski resort by environmentalists, the murder of Dr. John Britton by an antiabortion activist, and the torching of a University of California research laboratory by animal rights activists among them—to discover how the perpetrators of the violence and the majority of reformers involved in their movements rhetorically framed the violent act for a potentially outraged public.
In the Wake of Violence, claims Jorgensen-Earp, the perpetrators are often forthcoming with both explanations for and a defense of their actions, casting themselves as righteous actors or martyrs for a cause. However, ardent reformers within the same cause might look with genuine revulsion at the actions of their own radical wing. This study claims that the nonviolent majority in single-issue reform movements employs a predictable constellation of rhetorical strategies to manage the impact of radical fringe violence. The primary goal of this rhetoric is to avoid a backlash against the larger movement by a public alienated by violent acts.
In examining specific rhetorical responses by the nonviolent majority in antiabortion, animal welfare, environmental reform, abolition, and women’s suffrage movements, Jorgensen-Earp considers a wide range of discourse types—from newspaper articles, interviews, and editorials to private letters; from editorial cartoons to the homemade signs of movement activists; and from speeches to modern Internet sites. She discovers that the image restoration techniques brought to bear for a reform cause are similar to those employed by a corporation accused of wrongdoing. Ultimately, she finds that the majority of proponents of the causes she examines believe that the violence can or will be condoned and that it must be rhetorically mitigated.
Intimate Radicals
East European Jewish Women and Progressive American DesiresAshley Walters
Rutgers University Press, 2027
In the early 1900s, a handful of unconventional couples emerged within the American radical Left. In Intimate Radicals, Ashley Walters tells the story of a group of young, East European Jewish women and white, Anglo-Saxon Protestant men— such as Jack London, Sinclair Lewis, and William English Walling, among other notable figures in American literature, domestic and international affairs, and early Hollywood—and how they imbued their romances with revolutionary principles. The relationships captivated the public and became a source of intrigue, largely driven by the growth of human-interest journalism. Through individual biographies, historical narrative, and literary analysis, Walters reveals the cultural and political contingencies of desire.
As Progressive Era radicals rebelled against the constraints of an earlier era, East European Jews—and Jewish women in particular— came to embody a new cosmopolitan ideal and European revolutionary spirit. Drawing on letters, newspapers, literature, and film, Walters shows how the public reception of these patrician-immigrant relationships lent credence to a new cultural mythology of Jewish womanhood. The men’s desire for East European Jewish women, she also points out, can be viewed as a form of “radical tourism,” in which men who enjoy a degree of privilege pursue an alluring Other in the hope of obtaining a more worldly identity.
This book is published with the support of the Jordan Schnitzer First Book Publication Award, administered by the Association for Jewish Studies.