60 books match the query 'Ukraine' and 4 start with i

cover of I Will Mix Your Blood with Coal: Snapshots from the East of Ukraine

I Will Mix Your Blood with Coal

Snapshots from the East of Ukraine

Oleksandr Mykhed, Tanya Savchynska, and David Mossop

Northwestern University Press, 2025

Exploring the post-Soviet landscape of the Ukrainian east in a complex journey of loss, hope, and history
 
In 2014, the Russian army, with support from local militants, occupied parts of Ukraine’s two easternmost regions—once the beating industrial heart of the Soviet Union—where coal extraction has since exhausted both the human population and the natural resources. In late 2016, Oleksandr Mykhed set out on a research trip to explore the deep history and contested present of the area from the perspective of a fellow countryman who’d never been there.
 
Mykhed brings us on a painful yet hopeful journey across the Ukrainian east, sharing conversations with locals, snippets from archival documents, and the complicated perspectives of prominent cultural figures, such as writer Serhiy Zhadan, historian Olena Stiazhkina, and philosopher Ihor Kozlovsky, who was imprisoned and tortured for nearly two years.
 
I Will Mix Your Blood with Coal invites us to meet generations of coal miners. To learn about the Belgian and British investors who founded the east’s industrial cities. To remember the harrowing events of the First and Second World Wars and the incalculable brutality of Soviet history. To see the activists who are even now working to improve the country. To hear sweet memories of a lost utopia that never existed. Mykhed provides a unique portrait of life in the east during the war, before the full-scale invasion that would change everything.
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cover of Ice-Age Hunters of the Ukraine

Ice-Age Hunters of the Ukraine

Richard G. Klein

University of Chicago Press, 1973

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cover of Icons Axed, Freedoms Lost: Russian Desecularization and a Ukrainian Alternative

Icons Axed, Freedoms Lost

Russian Desecularization and a Ukrainian Alternative

Vyacheslav Karpov

Rutgers University Press, 2025

In Icons Axed, Freedoms Lost, Vyacheslav Karpov and Rachel L. Schroeder demonstrate how Russia went from persecuting believers to jailing critics of religion and why, in contrast, religious pluralism and tolerance have solidified in Ukraine. Offering a richly documented history of cultural and political struggles that surrounded desecularization—the resurgence of religion’s societal role—from the end of the USSR to the Russo-Ukrainian war, they show Russian critics of desecularization adhered to artistic provocations, from axing icons to “punk-prayers” in cathedrals, and how Orthodox activists, in turn, responded by vandalizing controversial exhibits and calling on the state to crush “the enemies of the Church.” Putin’s solidifying tyranny heard their calls and criminalized insults to religious feelings. Meanwhile, Ukraine adhered to its pluralistic legacies. Its churches refused to engage in Russian-style culture wars, sticking instead to forgiveness and forbearance. Icons Axed, Freedoms Lost offers original theoretical and methodological perspectives on desecularization applicable far beyond the cases of Russia and Ukraine.
 
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cover of Isaac Babel and the Self-Invention of Odessan Modernism

Isaac Babel and the Self-Invention of Odessan Modernism

Rebecca Jane Stanton

Northwestern University Press, 2012

In what marks an exciting new critical direction, Rebecca Stanton contends that the city of Odessa—as a canonical literary image and as a kaleidoscopic cultural milieu—shaped the narrative strategies developed by Isaac Babel and his contemporaries of the Revolutionary generation. Modeling themselves on the tricksters and rogues of Odessa lore, Babel and his fellow Odessans Val­entin Kataev and Yury Olesha manipulated their literary personae through complex, playful, and often subversive negotiations of the boundary between autobiography and fiction. In so doing, they cannily took up a place prepared for them in the Russian canon and fostered modes of storytelling that both reflected and resisted the aesthetics of Socialist Realism. Stanton concludes with a rereading of Babel’s “autobiographical” stories and examines their leg­acy in post-Thaw works by Kataev, Olesha, and Konstantin Paustovsky.

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