388 books match the query 'War' and 13 start with i

cover of I Will Mix Your Blood with Coal: Snapshots from the East of Ukraine

I Will Mix Your Blood with Coal

Snapshots from the East of Ukraine

Oleksandr Mykhed, Tanya Savchynska, and David Mossop

Northwestern University Press, 2025

Exploring the post-Soviet landscape of the Ukrainian east in a complex journey of loss, hope, and history
 
In 2014, the Russian army, with support from local militants, occupied parts of Ukraine’s two easternmost regions—once the beating industrial heart of the Soviet Union—where coal extraction has since exhausted both the human population and the natural resources. In late 2016, Oleksandr Mykhed set out on a research trip to explore the deep history and contested present of the area from the perspective of a fellow countryman who’d never been there.
 
Mykhed brings us on a painful yet hopeful journey across the Ukrainian east, sharing conversations with locals, snippets from archival documents, and the complicated perspectives of prominent cultural figures, such as writer Serhiy Zhadan, historian Olena Stiazhkina, and philosopher Ihor Kozlovsky, who was imprisoned and tortured for nearly two years.
 
I Will Mix Your Blood with Coal invites us to meet generations of coal miners. To learn about the Belgian and British investors who founded the east’s industrial cities. To remember the harrowing events of the First and Second World Wars and the incalculable brutality of Soviet history. To see the activists who are even now working to improve the country. To hear sweet memories of a lost utopia that never existed. Mykhed provides a unique portrait of life in the east during the war, before the full-scale invasion that would change everything.
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cover of Identity and the Failure of America: From Thomas Jefferson to the War on Terror

Identity and the Failure of America

From Thomas Jefferson to the War on Terror

John Michael

University of Minnesota Press, 2008

From Thomas Jefferson to John Rawls, justice has been at the center of America’s self-image and national creed. At the same time, for many of its peoples-from African slaves and European immigrants to women and the poor-the American experience has been defined by injustice: oppression, disenfranchisement, violence, and prejudice.

In Identity and the Failure of America, John Michael explores the contradictions between a mythic national identity promising justice to all and the realities of a divided, hierarchical, and frequently iniquitous history and social order. Through a series of insightful readings, Michael analyzes such cultural moments as the epic dramatization of the tension between individual ambition and communal complicity in Moby-Dick, attempts to effect social change through sympathy in the novels of Lydia Marie Child and Harriet Beecher Stowe, Ralph Waldo Emerson’s antislavery activism and Frederick Douglass’s long fight for racial equity, and the divisive figures of John Brown and Nat Turner in American letters and memory.

Focusing on exemplary instances when the nature of the United States as an essentially conflicted nation turned to force, Michael ultimately posits the development of a more cosmopolitan American identity, one that is more fully and justly imagined in response to the nation’s ethical failings at home and abroad.

John Michael is professor of English and of visual and cultural studies at the University of Rochester. He is the author of Anxious Intellects: Academic Professionals, Public Intellectuals, and Enlightenment Values and Emerson and Skepticism: The Cipher of the World.

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cover of Illinois in the War of 1812

Illinois in the War of 1812

Gillum Ferguson

University of Illinois Press, 2012

 Russell P. Strange "Book of the Year" Award from the Illinois State Historical Society, 2012.

On the eve of the War of 1812, the Illinois Territory was a new land of bright promise. Split off from Indiana Territory in 1809, the new territory ran from the junction of the Ohio and Mississippi rivers north to the U.S. border with Canada, embracing the current states of Illinois, Wisconsin, and a part of Michigan. The extreme southern part of the region was rich in timber, but the dominant feature of the landscape was the vast tall grass prairie that stretched without major interruption from Lake Michigan for more than three hundred miles to the south. The territory was largely inhabited by Indians: Sauk, Potawatomi, Kickapoo, and others. By 1812, however, pioneer farmers had gathered in the wooded fringes around prime agricultural land, looking out over the prairies with longing and trepidation.
 
Six years later, a populous Illinois was confident enough to seek and receive admission as a state in the Union. What had intervened was the War of 1812, in which white settlers faced both Indians resistant to their encroachments and British forces poised to seize control of the upper Mississippi and Great Lakes. The war ultimately broke the power and morale of the Indian tribes and deprived them of the support of their ally, Great Britain. Sometimes led by skillful tacticians, at other times by blundering looters who got lost in the tall grass, the combatants showed each other little mercy. Until and even after the war was concluded by the Treaty of Ghent in 1814, there were massacres by both sides, laying the groundwork for later betrayal of friendly and hostile tribes alike and for ultimate expulsion of the Indians from the new state of Illinois.
 
In this engrossing new history, published upon the war's bicentennial, Gillum Ferguson underlines the crucial importance of the War of 1812 in the development of Illinois as a state. The history of Illinois in the War of 1812 has never before been told with so much attention to the personalities who fought it, the events that defined it, and its lasting consequences.
 
Endorsed by the Illinois Society of the War of 1812 and the Illinois War of 1812 Bicentennial Commission.
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cover of Images of Women in Peace and War: Cross-cultural and Historical Perspectives

Images of Women in Peace and War

Cross-cultural and Historical Perspectives

Sharon Macdonald

University of Wisconsin Press, 1988

As warriors, freedom fighters and victims, as mothers, wives and prostitutes, and as creators and members of peace movements, women are inevitably caught up in the net of war. Yet women’s participation in warfare and peace campaigns has often been underestimated or ignored.
    Images of Women in Peace and War explores women’s relationships to war, peace, and revolution, from the Amazons, Inka and Boadicea, to women soldiers in South Africa, Mau Mau freedom fighters and the protestors at Greenham Common. The contributors consider not only the reality of women’s participation but also look at how their actions have been perceived and represented across cultures and through history. They examine how sexual imagery is constructed, how it is used to delineate women’s relation to warfare and how these images have sometimes been subverted in order to challenge the status quo. The book raises important questions about whether women have a special prerogative to promote peace and considers whether the experience of motherhood leads to a distinctive women’s position on war. The authors find that their analyses lead them to deal with arguments on the basic nature of the sexes and to reevaluate our concepts of “peace,” “war,” and “gender.”
 

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cover of Imagining Wild Bill: James Butler Hickok in War, Media, and Memory

Imagining Wild Bill

James Butler Hickok in War, Media, and Memory

Paul Ashdown and Edward Caudill

Southern Illinois University Press, 2020

Wild Bill’s ever-evolving legend

When it came to the Wild West, the nineteenth-century press rarely let truth get in the way of a good story. James Butler “Wild Bill” Hickok’s story was no exception. Mythologized and sensationalized, Hickok was turned into the deadliest gunfighter of all, a so-called moral killer, a national phenomenon even while he was alive.

Rather than attempt to tease truth from fiction, coauthors Paul Ashdown and Edward Caudill investigate the ways in which Hickok embodied the culture of glamorized violence Americans embraced after the Civil War and examine the process of how his story emerged, evolved, and turned into a viral multimedia sensation full of the excitement, danger, and romance of the West.

Journalists, the coauthors demonstrate, invented “Wild Bill” Hickok, glorifying him as a civilizer. They inflated his body count and constructed his legend in the midst of an emerging celebrity culture that grew up around penny newspapers. His death by treachery, at a relatively young age, made the story tragic, and dime-store novelists took over where the press left off. Reimagined as entertainment, Hickok’s legend continued to enthrall Americans in literature, on radio, on television, and in the movies, and it still draws tourists to notorious Deadwood, South Dakota.

American culture often embraces myths that later become accepted as popular history. By investigating the allure and power of Hickok’s myth, Ashdown and Caudill explain how American journalism and popular culture have shaped the way Civil War–era figures are remembered and reveal how Americans have embraced violence as entertainment.
 
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cover of In Time of War: Understanding American Public Opinion from World War II to Iraq

In Time of War

Understanding American Public Opinion from World War II to Iraq

Adam J. Berinsky

University of Chicago Press, 2009

From World War II to the war in Iraq, periods of international conflict seem like unique moments in U.S. political history—but when it comes to public opinion, they are not. To make this groundbreaking revelation, In Time of War explodes conventional wisdom about American reactions to World War II, as well as the more recent conflicts in Korea, Vietnam, the Gulf, Afghanistan, and Iraq. Adam Berinsky argues that public response to these crises has been shaped less by their defining characteristics—such as what they cost in lives and resources—than by the same political interests and group affiliations that influence our ideas about domestic issues.

With the help of World War II–era survey data that had gone virtually untouched for the past sixty years, Berinsky begins by disproving the myth of “the good war” that Americans all fell in line to support after the Japanese bombed Pearl Harbor. The attack, he reveals, did not significantly alter public opinion but merely punctuated interventionist sentiment that had already risen in response to the ways that political leaders at home had framed the fighting abroad. Weaving his findings into the first general theory of the factors that shape American wartime opinion, Berinsky also sheds new light on our reactions to other crises. He shows, for example, that our attitudes toward restricted civil liberties during Vietnam and after 9/11 stemmed from the same kinds of judgments we make during times of peace.

With Iraq and Afghanistan now competing for attention with urgent issues within the United States, In Time of War offers a timely reminder of the full extent to which foreign and domestic politics profoundly influence—and ultimately illuminate—each other.

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cover of In Whose Eyes: The Memoir of a Vietnamese Filmmaker in War and Peace

In Whose Eyes

The Memoir of a Vietnamese Filmmaker in War and Peace

Tran Van Thuy

University of Massachusetts Press, 2016

Tran Van Thuy is a celebrated Vietnamese filmmaker of more than twenty award-winning documentaries. A cameraman for the People's Army of Vietnam during the Vietnam War, he went on to achieve international fame as the director of films that address the human costs of the war and its aftermath.

Thuy's memoir, when published in Vietnam in 2013, immediately sold out. In this translation, English-language readers are now able to learn in rich detail about the life and work of this preeminent artist. Written in a gentle and charming style, the memoir is filled with reflections on war, peace, history, freedom of expression, and filmmaking. Thuy also offers a firsthand account of the war in Vietnam and its aftermath from a Vietnamese perspective, adding a dimension rarely encountered in English-language literature.

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cover of In from the Cold: Latin America's New Encounter with the Cold War

In from the Cold

Latin America's New Encounter with the Cold War

Gilbert M. Joseph and Daniela Spenser, eds.

Duke University Press, 2008

Over the last decade, studies of the Cold War have mushroomed globally. Unfortunately, work on Latin America has not been well represented in either theoretical or empirical discussions of the broader conflict. With some notable exceptions, studies have proceeded in rather conventional channels, focusing on U.S. policy objectives and high-profile leaders (Fidel Castro) and events (the Cuban Missile Crisis) and drawing largely on U.S. government sources. Moreover, only rarely have U.S. foreign relations scholars engaged productively with Latin American historians who analyze how the international conflict transformed the region's political, social, and cultural life. Representing a collaboration among eleven North American, Latin American, and European historians, anthropologists, and political scientists, this volume attempts to facilitate such a cross-fertilization. In the process, In From the Cold shifts the focus of attention away from the bipolar conflict, the preoccupation of much of the so-called "new Cold War history," in order to showcase research, discussion, and an array of new archival and oral sources centering on the grassroots, where conflicts actually brewed.

The collection's contributors examine international and everyday contests over political power and cultural representation, focusing on communities and groups above and underground, on state houses and diplomatic board rooms manned by Latin American and international governing elites, on the relations among states regionally, and, less frequently, on the dynamics between the two great superpowers themselves. In addition to charting new directions for research on the Latin American Cold War, In From the Cold seeks to contribute more generally to an understanding of the conflict in the global south.

Contributors. Ariel C. Armony, Steven J. Bachelor, Thomas S. Blanton, Seth Fein, Piero Gleijeses, Gilbert M. Joseph, Victoria Langland, Carlota McAllister, Stephen Pitti, Daniela Spenser, Eric Zolov

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cover of Inside Colombia: Drugs, Democracy, and War

Inside Colombia

Drugs, Democracy, and War

Livingstone, Grace

Rutgers University Press, 2004

The South American nation of Colombia has seen more than forty years of unrest, conflict, and civil war. It is a country in which social violence and warfare are intricately intertwined. Colombia is also notorious for its drug trade, being one of the leading producers of cocaine in the world, and for its central role as a staging ground for the U.S. “war on drugs.” Since 9/11 the Bush administration has sought to draw political links between the Colombian drug trade, guerrilla organizations, and terrorism.

Inside Colombia offers a valuable introduction and quick reference guide to this complex nation. With chapters devoted to history, human rights issues, the economy, drugs, the controversial antidrug intervention known as Plan Colombia, and relations with the United States, the book offers an easily accessible and comprehensive overview. Readers will learn about the major players in the conflicts, significant political figures, how Colombia’s economy has fared in the twentieth century, how the country’s geography influences its politics and economy, and how U.S. intervention shapes Colombia’s political scene.

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cover of Instrument of War: Music and the Making of America's Soldiers

Instrument of War

Music and the Making of America's Soldiers

David Suisman

University of Chicago Press, 2024

An original history of music in the lives of American soldiers.
 
Since the Civil War, music has coursed through the United States military. Soldiers have sung while marching, listened to records and armed forces radio, and packed the seats at large-scale USO shows. The bugle call “reveille” has roused soldiers in the morning, and “taps” has marked the end of a long day. Whether the sounds come from brass instruments, weary and homesick singers, or a pair of heavily used earbuds, where there has been war, there has been music, too.
 
Instrument of War is a first-of-its-kind study of music in the lives of American soldiers. Although musical activity has been part of war since time immemorial, the significance of the U.S. military as a musical institution has generally gone unnoticed. Historian David Suisman traces how the U.S. military has used—and continues to use—music to train soldiers and regulate military life, and how soldiers themselves have turned to music to cope with war’s emotional and psychological realities. Opening our ears to these practices, Suisman reveals how music has enabled more than a century and a half of American war-making. Instrument of War unsettles assumptions about music as a force of uplift and beauty, demonstrating how it has also been entangled in large-scale state violence.
 
From chanting “Sound off!” in basic training to switching on a phonograph or radio or cueing up an iPod playlist during a patrol, the sound of music has long resonated in soldiers’ wartime experiences. Now we all can finally hear it.
 

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cover of Interpretations of Conflict: Ethics, Pacifism, and the Just-War Tradition

Interpretations of Conflict

Ethics, Pacifism, and the Just-War Tradition

Richard B. Miller

University of Chicago Press, 1991

With today's world torn by violence and conflict, Richard B.
Miller's study of the ethics of war could not be more timely.
Miller brings together the opposed traditions of pacifism and
just-war theory and puts them into a much-needed dialogue
on the ethics of war.

Beginning with the duty of nonviolence as a point of
convergence between the two rival traditions, Miller provides
an opportunity for pacifists and just-war theorists to refine
their views in a dialectical exchange over a set of ethical
and social questions. From the interface of these two long-
standing and seemingly incompatible traditions emerges a
surprisingly fruitful discussion over a common set of values,
problems, and interests: the presumption against harm, the
relation of justice and order, the ethics of civil
disobedience, the problem of self-righteousness in moral
discourse about war, the ethics of nuclear deterrence, and
the need for practical reasoning about the morality of war.
Miller pays critical attention to thinkers such as Augustine
and Thomas Aquinas, as well as to modern thinkers like H.
Richard Niebuhr, Paul Ramsey, Martin Luther King, Jr., James
Douglass, the Berrigans, William O'Brien, Michael Walzer, and
James Childress. He demonstrates how pacifism and just-war
tenets can be joined around both theoretical and practical
issues.

Interpretations of Conflict is a work of massive
scholarship and careful reasoning that should interest
philosophers, theologians, and religious ethicists alike. It
enhances our moral literacy about injury, suffering, and
killing, and offers a compelling dialectical approach to
ethics in a pluralistic society.

Richard B. Miller is assistant professor of religious
studies at Indiana University.
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cover of Inventing Vietnam: The War in Film and Television

Inventing Vietnam

The War in Film and Television

edited by Michael Anderegg

Temple University Press, 1991

The Vietnam War has been depicted by every available medium, each presenting a message, an agenda, of what the filmmakers and producers choose to project about America's involvement in Southeast Asia. This collection of essays, most of which are previously unpublished, analyzes the themes, modes, and stylistic strategies seen in a broad range of films and television programs. From diverse perspectives, the contributors comprehensively examine early documentary and fiction films, postwar films of the 1970s such as The Deer Hunter and Apocalypse Now, and the reformulated postwar films of the 1980s--Platoon, Full Metal Jacket, and Born on the Fourth of July. They also address made-for-television movies and serial dramas like China Beach and Tour of Duty. The authors show how the earliest film responses to America's involvement in Vietnam employ myth and metaphor and are at times unable to escape glamorized Hollywood. Later films strive to portray a more realistic Vietnam experience, often creating images that are an attempt to memorialize or to manufacture different kinds of myths. As they consider direct and indirect representations of the war, the contributors also examine the power or powerlessness of individual soldiers, the racial views presented, and inscriptions of gender roles. Also included in this volume is a chapter that discusses teaching Vietnam films and helping students discern and understand film rhetoric, what the movies say, and who they chose to communicate those messages. Excerpt Read an excerpt from Chapter 1 (pdf). Contents Acknowledgments Introduction - Michael Anderegg 1. Hollywood and Vietnam: John Wayne and Jane Fonda as Discourse - Michael Anderegg 2. "All the Animals Come Out at Night": Vietnam Meets Noir in Taxi Driver - Cynthia J. Fuchs 3. Vietnam and the Hollywood Genre Film: Inversions of American Mythology in The Deer Hunter and Apocalypse Now - John Hellmann 4. "Charlie Don't Surf": Race and Culture in the Vietnam War Films - David Desser 5. Finding a Language for Vietnam in the Action-Adventure Genre - Ellen Draper 6. Narrative Patterns and Mythic Trajectories in Mid-1980s Vietnam Movies - Tony Williams 7. Rambo's Vietnam and Kennedy's New Frontier - John Hellmann 8. Gardens of Stone, Platoon, and Hamburger Hill: Ritual and Remembrance - Judy Lee Kinney 9. Primetime Television's Tour of Duty - Daniel Miller 10. Women Next Door to War: China Beach - Carolyn Reed Vartanian 11. Male Bonding, Hollywood Orientalism, and the Repression of the Feminine in Kubrick's Full Metal Jacket - Susan White 12. Vietnam, Chaos, and the Dark Art of Improvisation - Owen W. Gilman, Jr. 13. Witness to War: Oliver Stone, Ron Kovic, and Born on the Fourth of July - Thomas Doherty 14. Teaching Vietnam: The Politics of Documentary - Thomas J. Slater Selected Bibliography Selected Filmography and Videography The Contributors Index About the Author(s) Michael Anderegg is Professor of English at the University of North Dakota, and author of two other books: William Wyler and David Lean. Contributors: Cynthia J. Fuchs, John Hellman, David Desser, Ellen Draper, Tony Williams, Judy Lee Kinney, Daniel Miller, Carolyn Reed Vartanian, Susan White, Owen W. Gilman, Jr., Thomas Doherty, Thomas J. Slater, and the editor.
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cover of Iran on the Brink: Rising Workers and Threats of War

Iran on the Brink

Rising Workers and Threats of War

Andreas Malm and Shora Esmailian

Pluto Press, 2007

While the world keeps its eyes riveted on Iran's nuclear programme, the Islamic Republic has gone through a crisis of its own. This book shows how soaring unemployment and poverty has given way to social protest. A new labour movement has come to the fore. Although strikes are banned, workers are beginning to organise and underground networks are challenging the rule of the mullahs from within.

The authors offer a unique portrait of the social upheaval, why it is happening and where it may take the country. Following the fall of reformism, the rise of Ahmadinejad and the recent outbursts of ethnic violence, this book provides rare insights into the inner contradictions of the Islamic Republic. 

The second part of the book deals with the international issues facing Iran - in particular the nuclear question, Iran's oil reserves and the serious threat of invasion. It is a sobering account of the realities of life in Iran, and the threat that war poses to the democratic aspirations of the Iranian people.
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