754 books match the query 'Native American Studies' and 63 start with i

cover of Indigenous Women and Work: From Labor to Activism

Indigenous Women and Work

From Labor to Activism

Edited by Carol Williams

University of Illinois Press, 2012

The essays in Indigenous Women and Work create a transnational and comparative dialogue on the history of the productive and reproductive lives and circumstances of Indigenous women from the late nineteenth century to the present in the United States, Australia, New Zealand/Aotearoa, and Canada. Surveying the spectrum of Indigenous women's lives and circumstances as workers, both waged and unwaged, the contributors offer varied perspectives on the ways women's work has contributed to the survival of communities in the face of ongoing tensions between assimilation and colonization. They also interpret how individual nations have conceived of Indigenous women as workers and, in turn, convert these assumptions and definitions into policy and practice. The essays address the intersection of Indigenous, women's, and labor history, but will also be useful to contemporary policy makers, tribal activists, and Native American women's advocacy associations.
 
Contributors are Tracey Banivanua Mar, Marlene Brant Castellano, Cathleen D. Cahill, Brenda J. Child, Sherry Farrell Racette, Chris Friday, Aroha Harris, Faye HeavyShield, Heather A. Howard, Margaret D. Jacobs, Alice Littlefield, Cybèle Locke, Mary Jane Logan McCallum, Kathy M'Closkey, Colleen O'Neill, Beth H. Piatote, Susan Roy, Lynette Russell, Joan Sangster, Ruth Taylor, and Carol Williams.

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cover of Indigenous and Popular Thinking in América

Indigenous and Popular Thinking in América

Rodolfo Kusch

Duke University Press, 2010

Originally published in Mexico in 1970, Indigenous and Popular Thinking in América is the first book by the Argentine philosopher Rodolfo Kusch (1922–79) to be translated into English. At its core is a binary created by colonization and the devaluation of indigenous practices and cosmologies: an opposition between the technologies and rationalities of European modernity and the popular mode of thinking, which is deeply tied to Indian ways of knowing and being. Arguing that this binary cuts through América, Kusch seeks to identify and recover the indigenous and popular way of thinking, which he contends is dismissed or misunderstood by many urban Argentines, including leftist intellectuals.

Indigenous and Popular Thinking in América is a record of Kusch's attempt to immerse himself in the indigenous ways of knowing and being. At first glance, his methodology resembles ethnography. He speaks with and observes indigenous people and mestizos in Peru, Bolivia, and Argentina. He questions them about their agricultural practices and economic decisions; he observes rituals; he asks women in the market the meaning of indigenous talismans; he interviews shamans; he describes the spatial arrangement and the contents of shrines, altars, and temples; and he reproduces diagrams of archaeological sites, which he then interprets at length. Yet he does not present a "them" to a putative "us." Instead, he offers an inroad to a way of thinking and being that does not follow the logic or fit into the categories of Western social science and philosophy. In his introduction, Walter D. Mignolo discusses Kusch's work and its relation to that of other twentieth-century intellectuals, Argentine history, and contemporary scholarship on the subaltern and decoloniality.

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cover of Individuality Incorporated: Indians and the Multicultural Modern

Individuality Incorporated

Indians and the Multicultural Modern

Joel Pfister

Duke University Press, 2004

Spanning the 1870s to the present, Individuality Incorporated demonstrates how crucial a knowledge of Native American-White history is to rethinking key issues in American studies, cultural studies, and the history of subjectivity. Joel Pfister proposes an ingenious critical and historical reinterpretation of constructions of “Indians” and “individuals.” Native Americans have long contemplated the irony that the government used its schools to coerce children from diverse tribes to view themselves first as “Indians”—encoded as the evolutionary problem—and then as “individuals”—defined as the civilized industrial solution. As Luther Standing Bear, Charles Eastman, and Black Elk attest, tribal cultures had their own complex ways of imagining, enhancing, motivating, and performing the self that did not conform to federal blueprints labeled “individuality.” Enlarging the scope of this history of “individuality,” Pfister elaborates the implications of state, corporate, and aesthetic experiments that moved beyond the tactics of an older melting pot hegemony to impose a modern protomulticultural rule on Natives. The argument focuses on the famous Carlisle Indian School; assimilationist novels; Native literature and cultural critique from Zitkala-Sa to Leslie Marmon Silko; Taos and Santa Fe bohemians (Mabel Dodge Luhan, D. H. Lawrence, Mary Austin); multicultural modernisms (Fred Kabotie, Oliver La Farge, John Sloan, D’Arcy McNickle); the Southwestern tourism industry’s development of corporate multiculturalism; the diversity management schemes that John Collier implemented as head of the Indian New Deal; and early formulations of ethnic studies. Pfister’s unique analysis moves from Gilded Age incorporations of individuality to postmodern incorporations of multicultural reworkings of individuality to unpack what is at stake in producing subjectivity in World America.
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cover of Inheriting the Past: The Making of Arthur C. Parker and Indigenous Archaeology

Inheriting the Past

The Making of Arthur C. Parker and Indigenous Archaeology

Chip Colwell-Chanthaphonh

University of Arizona Press, 2009

In recent years, archaeologists and Native American communities have struggled to find common ground even though more than a century ago a man of Seneca descent raised on New York’s Cattaraugus Reservation, Arthur C. Parker, joined the ranks of professional archaeology. Until now, Parker’s life and legacy as the first Native American archaeologist have been neither closely studied nor widely recognized. At a time when heated debates about the control of Native American heritage have come to dominate archaeology, Parker’s experiences form a singular lens to view the field’s tangled history and current predicaments with Indigenous peoples.

In Inheriting the Past, Chip Colwell-Chanthaphonh examines Parker’s winding career path and asks why it has taken generations for Native peoples to follow in his footsteps. Closely tracing Parker’s life through extensive archival research, Colwell-Chanthaphonh explores how Parker crafted a professional identity and negotiated dilemmas arising from questions of privilege, ownership, authorship, and public participation. How Parker, as well as the discipline more broadly, chose to address the conflict between Native American rights and the pursuit of scientific discovery ultimately helped form archaeology’s moral community.

Parker’s rise in archaeology just as the field was taking shape demonstrates that Native Americans could have found a place in the scholarly pursuit of the past years ago and altered its trajectory. Instead, it has taken more than a century to articulate the promise of an Indigenous archaeology—an archaeological practice carried out by, for, and with Native peoples. As the current generation of researchers explores new possibilities of inclusiveness, Parker’s struggles and successes serve as a singular reference point to reflect on archaeology’s history and its future.
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cover of Injun Joe's Ghost: The Indian Mixed-Blood in American Writing

Injun Joe's Ghost

The Indian Mixed-Blood in American Writing

Harry J. Brown

University of Missouri Press, 2004

What does it mean to be a “mixed-blood,” and how has our understanding of this term changed over the last two centuries? What processes have shaped American thinking on racial blending? Why has the figure of the mixed-blood, thought too offensive for polite conversation in the nineteenth century, become a major representative of twentieth-century native consciousness?

In Injun Joe’s Ghost, Harry J. Brown addresses these questions within the interrelated contexts of anthropology, U.S. Indian policy, and popular fiction by white and mixed-blood writers, mapping the evolution of “hybridity” from a biological to a cultural category. Brown traces the processes that once mandated the mixed-blood’s exile as a grotesque or criminal outcast and that have recently brought about his ascendance as a cultural hero in contemporary Native American writing.

Because the myth of the demise of the Indian and the ascendance of the Anglo-Saxon is traditionally tied to America’s national idea, nationalist literature depicts Indian-white hybrids in images of degeneracy, atavism, madness, and even criminality. A competing tradition of popular writing, however, often created by mixed-blood writers themselves, contests these images of the outcast half-breed by envisioning “hybrid vigor,” both biologically and linguistically, as a model for a culturally heterogeneous nation.

Injun Joe’s Ghost focuses on a significant figure in American history and culture that has, until now, remained on the periphery of academic discourse. Brown offers an in-depth discussion of many texts, including dime novels and Depression-era magazine fiction, that have been almost entirely neglected by scholars. This volume also covers texts such as the historical romances of the 1820s and the novels of the twentieth-century “Native American Renaissance” from a fresh perspective. Investigating a broad range of genres and subject over two hundred year of American writing, Injun Joe’s Ghost will be useful to students and professionals in the fields of American literature, popular culture, and native studies.
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cover of Inland Empire: Settler Colonialism and Modern Architecture in Southern California

Inland Empire

Settler Colonialism and Modern Architecture in Southern California

Manuel Shvartzberg Carrió

Duke University Press, 2026

In Inland Empire, Manuel Shvartzberg Carrió examines how modernist architecture and urban design structured US settler colonialism and capitalist hegemony in the twentieth century. Focusing on Palm Springs’s settlement upon the Agua Caliente Reservation and other reservations in inland Southern California, he shows how architecture became a key technology for governing empire at the height of the state’s drive to terminate Native American sovereignty. Through extensive archival research and dialogue with Cahuilla, Kumeyaay, and other Tribal community members, Shvartzberg Carrió offers a new architectural history of modernism. Carefully placing the work of seminal California architects within the genealogy of manifest destiny, he demonstrates how their designs over settler and Native housing, prefabrication technologies, the logistics of migrant construction labor, community development plans, and environmental infrastructures offered new ways of managing Indigenous resistance—a spatial turn in Native American administration that constituted a veritable workshop for neoliberalization policies later sponsored globally by the United States. Charting Indigenous nations’ responses to these momentous challenges, Inland Empire details how they deployed novel modes of resistance grounded in Native architectural histories, spatial practices, and epistemologies of land.
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cover of Inside the Eagle's Head: An American Indian College

Inside the Eagle's Head

An American Indian College

Angelle A. Khachadoorian

University of Alabama Press, 2010

Where tradition meets bureaucracy—Native students redefine education on their own terms.

Inside the Eagle’s Head offers a compelling and deeply human portrait of the Southwestern Indian Polytechnic Institute (SIPI), a federally operated college serving Native American students from across the United States. In it, anthropologist Angelle Khachadoorian draws on years of teaching experience and extensive student interviews to illuminate the challenges and successes of life at SIPI. Far more than an institutional history, this book captures the voices of students navigating a complex educational landscape shaped by federal oversight, tribal identity, and personal ambition.

Through vivid metaphors—SIPI as a family, a prison, a reservation—students articulate their struggles and resilience within a system that is at once empowering and restrictive. Khachadoorian’s analysis reveals how SIPI’s hybrid nature—part community college, part BIA legacy—creates both opportunities and obstacles for its students. With empathy and insight, she explores how young Native Americans forge identity, community, and purpose in a setting few outsiders understand. Inside the Eagle’s Head is essential reading for educators, policymakers, and anyone interested in the intersection of Indigenous education, federal institutions, and student agency. It is a powerful testament to the transformative potential of listening to students’ stories.

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cover of Inter/Nationalism: Decolonizing Native America and Palestine

Inter/Nationalism

Decolonizing Native America and Palestine

Steven Salaita

University of Minnesota Press, 2016

“The age of transnational humanities has arrived.” According to Steven Salaita, the seemingly disparate fields of Palestinian Studses and American Indian studies have more in common than one may think. In Inter/Nationalism, Salaita argues that American Indian and Indigenous studies must be more central to the scholarship and activism focusing on Palestine. 

Salaita offers a fascinating inside account of the Boycott, Divestment, and Sanctions (BDS) movement—which, among other things, aims to end Israel’s occupation of Palestinian land. In doing so, he emphasizes BDS’s significant potential as an organizing entity as well as its importance in the creation of intellectual and political communities that put Natives and other colonized peoples such as Palestinians into conversation. His discussion includes readings of a wide range of Native poetry that invokes Palestine as a theme or symbol; the speeches of U.S. President Andrew Jackson and early Zionist thinker Ze’ev Jabotinsky; and the discourses of “shared values” between the United States and Israel. 

Inter/Nationalism seeks to lay conceptual ground between American Indian and Indigenous studies and Palestinian studies through concepts of settler colonialism, indigeneity, and state violence. By establishing Palestine as an indigenous nation under colonial occupation, this book draws crucial connections between the scholarship and activism of Indigenous America and Palestine.

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cover of Intimate Indigeneities: Race, Sex, and History in the Small Spaces of Andean Life

Intimate Indigeneities

Race, Sex, and History in the Small Spaces of Andean Life

Andrew Canessa

Duke University Press, 2012

Drawing on extended ethnographic research conducted over the course of more than two decades, Andrew Canessa explores the multiple identities of a community of people in the Bolivian highlands through their own lived experiences and voices. He examines how gender, race, and ethnic identities manifest themselves in everyday interactions in the Aymara village. Canessa shows that indigeneity is highly contingent; thoroughly imbricated with gendered, racial, and linguistic identities; and informed by a historical consciousness. Addressing how whiteness and indianness are reproduced as hegemonic structures in the village, how masculinities develop as men go to the mines and army, and how memories of a violent past are used to construct a present sense of community, Canessa raises important questions about indigenous politics and the very nature of indigenous identity.
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cover of Invasion of Indian Country in the Twentieth Century: American Capitalism and Tribal Natural Resources

Invasion of Indian Country in the Twentieth Century

American Capitalism and Tribal Natural Resources

Donald Fixico

University Press of Colorado, 1998

The struggle between Indians and whites for land did not end on the battlefields in the 1800s. When this hostile era closed with Native Americans forced onto reservations, no one expected that rich natural resources lay beneath these lands that white America would desperately desire. Yet oil, timber, fish, coal, water, and other resources were discovered to be in great demand in the mainstream market, and a new war began with Indian tribes and their leaders trying to protect their tribal natural resources throughout the twentieth century.

In The Invasion of Indian Country in the 20th Century, Donald Fixico details the course of this struggle, providing a wealth of information on the resources possessed by individual tribes and the way in which they were systematically defrauded and stripped of these resources. Fixico contends that federal policies originally devised to protect Indian interests ironically worked against the Indian nations as the tribes employed new tactics with the Council of Energy Resources Tribes, using the law in courts and applying aggressive business leadership to combat the capitalist invasion by mainstream America.

Fixico's analysis of this war being waged throughout the century and today serves as an indispensable reference tool for anyone interested in Native American history and current government policy with regard to Indian lands.

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cover of Invasion of Indian Country in the Twentieth Century: American Capitalism and Tribal Natural Resources, Second Edition

Invasion of Indian Country in the Twentieth Century

American Capitalism and Tribal Natural Resources, Second Edition

Donald Fixico

University Press of Colorado, 2012

The Invasion of Indian Country in the Twentieth Century, Second Edition is updated through the first decade of the twenty-first century and contains a new chapter challenging Americans--Indian and non-Indian--to begin healing the earth. This analysis of the struggle to protect not only natural resources but also a way of life serves as an indispensable tool for students or anyone interested in Native American history and current government policy with regard to Indian lands or the environment.
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cover of Inventing Writing: Prophets, Shamans, and the Transmission of Ritual Discourse in North American Indigenous Cultures, 1600–1900

Inventing Writing

Prophets, Shamans, and the Transmission of Ritual Discourse in North American Indigenous Cultures, 1600–1900

Pierre Déléage

HAU, 2026

A groundbreaking study that rethinks the origins of writing, revealing how Native American ritual scripts expand our understanding beyond state-centered, universal models.

Why have humans repeatedly devoted immense intellectual energy to inventing writing? In world history, writing was independently created four times—by the Sumerians, Egyptians, Chinese, and Mayans. These traditions developed universal scripts, systems of symbols theoretically capable of recording any utterance in the spoken language. On this basis, a long-standing scholarly view has held that the origins of writing are inseparable from the rise of states and bureaucracies.

However, this book turns our attention to another trajectory. Between 1700 and 1900, prophets and shamans in Native American societies devised “bounded” forms of writing. Unlike universal scripts, these were not intended to capture the entirety of speech. Instead, they served a precise function: to ensure the faithful transmission of ritual discourses within ceremonial frameworks. Their principles of notation differed profoundly from those of the great phonographic traditions.

Pierre Déléage’s analysis not only illuminates these overlooked episodes in the history of writing but also advances a methodological shift: rather than treating selective scripts as “failed” or “incomplete,” he interprets them on their own terms. In doing so, he opens up a broader framework for understanding writing as a diverse cultural practice, one that can emerge outside of state power, bureaucracy, or universal phonographic systems.

Now published in English translation, Inventing Writing makes the work of a leading French scholar available to new readers. It offers a groundbreaking perspective: writing does not emerge only as a universal technology of language, but also as a bounded tool shaped by ritual, institution, and culture.
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cover of Inventing the Savage: The Social Construction of Native American Criminality

Inventing the Savage

The Social Construction of Native American Criminality

By Luana Ross

University of Texas Press, 1998

Luana Ross writes, "Native Americans disappear into Euro-American institutions of confinement at alarming rates. People from my reservation appeared to simply vanish and magically return. [As a child] I did not realize what a 'real' prison was and did not give it any thought. I imagined this as normal; that all families had relatives who went away and then returned."

In this pathfinding study, Ross draws upon the life histories of imprisoned Native American women to demonstrate how race/ethnicity, gender, and class contribute to the criminalizing of various behaviors and subsequent incarceration rates. Drawing on the Native women's own words, she reveals the violence in their lives prior to incarceration, their respective responses to it, and how those responses affect their eventual criminalization and imprisonment. Comparisons with the experiences of white women in the same prison underline the significant role of race in determining women's experiences within the criminal justice system.

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