Simeon Koole
University of Chicago Press, 2024
Simeon Koole
University of Chicago Press, 2024
This is an auto-narrated audiobook version of this book.
The queer recluse, the shambling farmer, the clannish hill folk—white rural populations have long disturbed the American imagination, alternately revered as moral, healthy, and hardworking, and feared as antisocial or socially uncouth. In Peculiar Places, Ryan Lee Cartwright examines the deep archive of these contrary formations, mapping racialized queer and disability histories of white social nonconformity across the rural twentieth-century United States.
Sensationalized accounts of white rural communities’ aberrant sexualities, racial intermingling, gender transgressions, and anomalous bodies and minds, which proliferated from the turn of the century, created a national view of the perversity of white rural poverty for the American public. Cartwright contends that these accounts, extracted and estranged from their own ambivalent forum of community gossip, must be read in kind: through a racialized, materialist queercrip optic of the deeply familiar and mundane. Taking in popular science, documentary photography, news media, documentaries, and horror films, Peculiar Places orients itself at the intersections of disability studies, queer studies, and gender studies to illuminate a racialized landscape both profoundly ordinary and familiar.
Matthew Perkins-McVey
University of Chicago Press, 2026
Edited by Annika Lindskog and Jakob Stougaard-Nielsen
University College London, 2020
Maria H. Frawley
University of Chicago Press, 2004
John C. Powers
University of Chicago Press, 2012
Peter Thorsheim
Ohio University Press, 2006
Britain's supremacy in the nineteenth century depended in large part on its vast deposits of coal. This coal not only powered steam engines in factories, ships, and railway locomotives but also warmed homes and cooked food. As coal consumption skyrocketed, the air in Britain's cities and towns became filled with ever-greater and denser clouds of smoke.
In this far-reaching study, Peter Thorsheim explains that, for much of the nineteenth century, few people in Britain even considered coal smoke to be pollution. To them, pollution meant miasma: invisible gases generated by decomposing plant and animal matter. Far from viewing coal smoke as pollution, most people considered smoke to be a valuable disinfectant, for its carbon and sulfur were thought capable of rendering miasma harmless.
Inventing Pollution examines the radically new understanding of pollution that emerged in the late nineteenth century, one that centered not on organic decay but on coal combustion. This change, as Peter Thorsheim argues, gave birth to the smoke-abatement movement and to new ways of thinking about the relationships among humanity, technology, and the environment.
Peter Thorsheim
Ohio University Press, 2017
Going as far back as the thirteenth century, Britons mined and burned coal. Britain’s supremacy in the nineteenth century depended in large part on its vast deposits of coal, which powered industry, warmed homes, and cooked food. As coal consumption skyrocketed, the air in Britain’s cities and towns filled with ever-greater and denser clouds of smoke. Yet, for much of the nineteenth century, few people in Britain even considered coal smoke to be pollution.
Inventing Pollution examines the radically new understanding of pollution that emerged in the late nineteenth century, one that centered not on organic decay but on coal combustion. This change, as Peter Thorsheim argues, gave birth to the smoke-abatement movement and to new ways of thinking about the relationships among humanity, technology, and the environment.
Even as coal production in Britain has plummeted in recent decades, it has surged in other countries. This reissue of Thorsheim’s far-reaching study includes a new preface that reveals the book’s relevance to the contentious national and international debates—which aren’t going away anytime soon—around coal, air pollution more generally, and the grave threat of human-induced climate change.
Ada Palmer
University of Chicago Press, 2025
WINNER OF THE HUGO AWARD
A New Yorker Best Book of 2025
An irreverent new take on the Renaissance, which reveals it as anything but Europe’s golden age.
From the darkness of a plagued and war-torn Middle Ages, the Renaissance (we’re told) heralds the dawning of a new world—a halcyon age of art, prosperity, and rebirth. Hogwash! or so says award-winning novelist and historian Ada Palmer. In Inventing the Renaissance, Palmer turns her witty and irreverent eye on the fantasies we’ve told ourselves about Europe’s not-so-golden age, myths she sets right with sharp clarity.
Palmer’s Renaissance is altogether desperate. Troubled by centuries of conflict, she argues, Europe looked to a long-lost Roman Empire (even its education practices) to save it from unending war. Later historians met their own political challenges with a similarly nostalgic vision, only now they looked to the Renaissance and told a partial story. To right this wrong, Palmer offers fifteen provocative portraits of Renaissance men and women (some famous, some obscure) whose lives reveal a far more diverse, fragile, and wild Renaissance than its glowing reputation suggests.
Ada Palmer
University of Chicago Press, 2025
WINNER OF THE HUGO AWARD
A New Yorker Best Book of 2025
An irreverent new take on the Renaissance, which reveals it as anything but Europe’s golden age.
From the darkness of a plagued and war-torn Middle Ages, the Renaissance (we’re told) heralds the dawning of a new world—a halcyon age of art, prosperity, and rebirth. Hogwash! or so says award-winning novelist and historian Ada Palmer. In Inventing the Renaissance, Palmer turns her witty and irreverent eye on the fantasies we’ve told ourselves about Europe’s not-so-golden age, myths she sets right with sharp clarity.
Palmer’s Renaissance is altogether desperate. Troubled by centuries of conflict, she argues, Europe looked to a long-lost Roman Empire (even its education practices) to save it from unending war. Later historians met their own political challenges with a similarly nostalgic vision, only now they looked to the Renaissance and told a partial story. To right this wrong, Palmer offers fifteen provocative portraits of Renaissance men and women (some famous, some obscure) whose lives reveal a far more diverse, fragile, and wild Renaissance than its glowing reputation suggests.
Jonathan Sheehan and Dror Wahrman
University of Chicago Press, 2015
Don N. Hagist
Westholme Publishing, 2026
She was stabbed by her drunken husband on a storm-tossed ship in the North Atlantic. She forgave him before she died—and history never recorded her first name. Mrs. Whitlow, wife of a British soldier, is just one of the thousands of women who followed their husbands to war during the American Revolution. These women lived in the barracks and camps and endured the hardships of garrisons and campaigns in an unfamiliar and often hostile land. They faced the challenges with fortitude, proving themselves resourceful, industrious, and intrepid, but their involvement in the conflict that founded the United States has been largely lost to history. Incidents and brief mentions abound in the military writings and iconography of the era, but stories of individual lives are nearly nonexistent, which has caused this large population to be almost entirely overlooked.
Combining archival research with deeply human storytelling, Invisible Lives: British Soldiers’ Wives in the American Revolution by Don N. Hagist brings together, for the first time, the myriad glimpses of these wives to tell the larger story of how they lived, worked, suffered, and survived as women in a foreign war. Drawing on court martial proceedings, muster rolls, marriage licenses, newspaper notices, and rare surviving letters, this meticulously researched work reconstructs the lives of women who were present in every theater of the Revolutionary War. What emerges is a portrait of remarkable resilience. These women crossed oceans, survived sieges, nursed the wounded, and raised children in the chaos of an eighteenth-century war. These many moments come together to provide a more complete and invaluable picture of British soldiers’ wives and their place in the army and the surrounding society. For readers of women’s history, military history, and the American Revolution, this is an overdue and deeply moving reckoning with the lives history had left behind.
Ingeborg Hecht
Northwestern University Press, 1999
Malcolm Campbell
University of Wisconsin Press, 2022
Jérôme aan de Wiel
Central European University Press, 2021
Post-war Marshall Plan aid to Europe and indeed Ireland is well documented, but practically nothing is known about simultaneous Irish aid to Europe. This book provides a full record of the aid – mainly food but also clothes, blankets, medicines, etc. – that Ireland donated to continental Europe, including France, the Netherlands, Hungary, the Balkans, Italy, and zones of occupied Germany.
Starting with Ireland’s neutral wartime record, often wrongly presented as pro-German when Ireland in fact unofficially favoured the western Allies, Jerome aan de Wiel explains why Éamon de Valera’s government sent humanitarian aid to the devastated continent. His book analyses the logistics of collection and distribution of supplies sent abroad as far as the Greek islands.
Despite some alleged Cold-War hijacking of Irish relief – and this humanitarianism was not above the politics of that East-West confrontation – it became mostly a story of hope, generosity and European Christian solidarity. Rich archival records from Ireland and the European beneficiary countries, as well as contemporary local and national newspapers across Europe, allow the author to measure and describe not only the official but also the popular response to Irish relief schemes. This work is illustrated with contemporary photographs and some key graphs and tables that show the extent of the aid programme.
Malcolm Campbell
University of Wisconsin Press, 2007

Barry Keane
Intellect Books, 2016
Hazel O'Brien
University of Illinois Press, 2023
Examining the Latter-day Saint experience against one nation’s rapid social and religious changes, Irish Mormons blends participant observation and interviews with analysis to offer a rare view of the Latter-day Saints in contemporary Ireland.
Samuel Clark
University of Wisconsin Press, 1983
"The strength of this volume cannot be conveyed by an itemisation of its contents; for what it provides is an incisive commentary on the newly-recognised landmarks of Irish agrarian history in the modern period. . . . The importance, even indispensability, of this achievement is compounded by exemplary editing."—Roy Foster, London Times Literary Supplement
"As a whole, the volume demonstrates the wealth, complexity, and sophistication of Irish rural studies. The book is essential reading for anyone involved in modern Irish history. It will also serve as an excellent introduction to this rich field for scholars of other peasant communities and all interested in problems of economic and political developments."—American Historical Review
"A milestone in the evolution of Irish social history. There is a remarkable consistency of style and standard in the essays. . . . This is truly history from the grassroots."—Timothy P. O'Neill, Studia Hibernica
Nilüfer Göle
Duke University Press, 2015
Houari Touati
University of Chicago Press, 2010
In the Middle Ages, Muslim travelers embarked on a rihla, or world tour, as surveyors, emissaries, and educators. On these journeys, voyagers not only interacted with foreign cultures—touring Greek civilization, exploring the Middle East and North Africa, and seeing parts of Europe—they also established both philosophical and geographic boundaries between the faithful and the heathen. These voyages thus gave the Islamic world, which at the time extended from the Maghreb to the Indus Valley, a coherent identity.
Islam and Travel in the Middle Ages assesses both the religious and philosophical aspects of travel, as well as the economic and cultural conditions that made the rihla possible. Houari Touati tracks the compilers of the hadith who culled oral traditions linked to the prophet, the linguists and lexicologists who journeyed to the desert to learn Bedouin Arabic, the geographers who mapped the Muslim world, and the students who ventured to study with holy men and scholars. Travel, with its costs, discomforts, and dangers, emerges in this study as both a means of spiritual growth and a metaphor for progress. Touati’s book will interest a broad range of scholars in history, literature, and anthropology.
L. P. Harvey
University of Chicago Press, 1990
Stig Dagerman
University of Minnesota Press, 2012
In the summer of 1946, while secluded in August Strindberg’s small cabin in the Stockholm archipelago, Stig Dagerman wrote Island of the Doomed. This novel was unlike any other yet seen in Sweden and would establish him as the country’s brightest literary star. To this day it is a singular work of fiction—a haunting tale that oscillates around seven castaways as they await their inevitable death on a desert island populated by blind gulls and hordes of iguanas. At the center of the island is a poisonous lagoon, where a strange fish swims in circles and devours anything in its path. As we are taken into the lives of each castaway, it becomes clear that Dagerman’s true subject is the nature of horror itself.
Island of the Doomed is a chilling profile of terror and guilt and a stunning exploration—written under the shadow of the Nuremberg Trials—of the anxieties of a generation in the postwar nuclear age.
Sujit Sivasundaram
University of Chicago Press, 2013
James Attlee
University of Chicago Press, 2007
Through the centuries, people from all walks of life have heard the siren call of a pilgrimage, the lure to journey away from the familiar in search of understanding. But is a pilgrimage even possible these days for city-dwellers enmeshed in the pressures of work and family life? Or is there a way to be a pilgrim without leaving one’s life behind? James Attlee answers these questions with Isolarion, a thoughtful, streetwise, and personal account of his pilgrimage to a place he thought he already knew—the Cowley Road in Oxford, right outside his door.
Isolarion takes its title from a type of fifteenth-century map that isolates an area in order to present it in detail, and that’s what Attlee, sharp-eyed and armed with tape recorder and notebook, provides for Cowley Road. The former site of a leper hospital, a workhouse, and a medieval well said to have miraculous healing powers, Cowley Road has little to do with the dreaming spires of the tourist’s or student’s Oxford. What Attlee presents instead is a thoroughly modern, impressively cosmopolitan, and utterly organic collection of shops, restaurants, pubs, and religious establishments teeming with life and reflecting the multicultural makeup of the surrounding neighborhood.
From a sojourn in a sensory-deprivation tank to a furtive visit to an unmarked pornography emporium, Attlee investigates every aspect of the Cowley Road’s appealingly eclectic culture, where halal shops jostle with craft jewelers and reggae clubs pulsate alongside quiet churchyards. But the very diversity that is, for Attlee, the essence of Cowley Road’s appeal is under attack from well-meaning city planners and predatory developers. His pilgrimage is thus invested with melancholy: will the messy glories of the Cowley Road be lost to creeping homogenization?
Drawing inspiration from sources ranging from Robert Burton’s The Anatomy of Melancholy to contemporary art, Attlee is a charming and companionable guide who revels in the extraordinary embedded in the everyday. Isolarion is at once a road movie, a quixotic stand against uniformity, and a rousing hymn in praise of the complex, invigorating nature of the twenty-first-century city.
Gerhard Jaritz
Central European University Press, 2011
The volume contains selected papers from an international workshop in 2005, at the Hungarian Academy in Rome. They aim at investigating the registers of fifteenth-century supplications to the Apostolic Penitentiary of the Holy See and to analyze the multiplicity of issues in which a context of the local needs of Western Christians and the central power of the Pope had been occurring.
The contributions make clear that local and individual factors and practice of Christian faith and religion must not be seen as separated from the global power of the Roman curia. The latter’s influence could become directly important for any individual in any local space, also … et usque ad ultimum terrae (Acts 1:8), in the utmost peripheries of the Christian world. The assistance by the Apostolic Penitentiary was indispensable in a large variety of cases. The occupation with such cases happened in the local and regional space as well as in the globalized centre of the Holy See.
Joseph Roach
University of Michigan Press, 2011
A consumer’s guide to iconic celebrity and ageless glamour
“Strikingly original, wickedly witty, and thoroughly learned, Roach’s anatomy of abnormally interesting people and the vicarious pleasure we take in our modern equivalents to gods and royals will captivate its readers from the first page. I dare you to read just one chapter!”
—Felicity Nussbaum, University of California, Los Angeles
“It considers the effect that arises when spectacularly compelling performers and cultural fantasy converge, as in the outpouring of public grief over the death of Princess Diana. . . . An important work of cultural history, full of metaphysical wit . . . It gives us a fresh vocabulary for interpreting how after-images endure in cultural memory.”
—Andrew Sofer, Boston College
“Joseph Roach’s enormous erudition, sharp wit, engaging style, and gift for finding the most telling historical detail or literary quote are here delightfully applied to the intriguing subject of why certain historical and theatrical figures have possessed a special power to fascinate their public.”
—Marvin Carlson, Graduate Center, City University of New York
That mysterious characteristic “It”—“the easily perceived but hard-to-define quality possessed by abnormally interesting people”—is the subject of Joseph Roach’s engrossing new book, which crisscrosses centuries and continents with a deep playfulness that entertains while it enlightens.
Roach traces the origins of “It” back to the period following the Restoration, persuasively linking the sex appeal of today’s celebrity figures with the attraction of those who lived centuries before. The book includes guest appearances by King Charles II, Samuel Pepys, Flo Ziegfeld, Johnny Depp, Elinor Glyn, Clara Bow, the Second Duke of Buckingham, John Dryden, Michael Jackson, and Lady Diana, among others.

Noa Steimatsky
University of Minnesota Press, 2008
Fascism and the Second World War left Italy indelibly changed, and cinema was arguably the art that most rigorously confronted the devastated nation. In this examination of four Italian filmmakers, Noa Steimatsky brilliantly maps their forceful negotiation of Italy’s identity and posits that the cinematic forms they employ constitute an imaginary reinhabiting of Italy-one that is inextricably linked with the political, physical, and symbolic predicament of reconstruction.
A dynamic intersection of pictorial and photographic, architectural and literary discourses inform Steimatsky’s revisionist interrogation of exemplary works from the 1940s to the mid–1960s. From the earliest documentary work of Michelangelo Antonioni on the River Po to Pier Paolo Pasolini’s re-siting of the Gospel in the arid, peripheral landscape of the Italian south, and from Roberto Rossellini’s tracing of a neorealist project in ruinous Berlin to Luchino Visconti’s wrought grandeur visited upon a humble Sicilian fishing village, Italian Locations probes the historical experience of displacement, anachronism, and a thoroughly contemporary anxiety in the cinematic arena.
For Steimatsky, Antonioni’s modernist achievement, informed by his native landscape, Rossellini’s neorealist image of Italy as a nation of ruins, Visconti’s reaching back to the nineteenth century and even more archaic pasts, and Pasolini’s ambivalence about modernity-all partake in a search for a politically and culturally redeemed Italy.
Noa Steimatsky is associate professor of the history of art and film studies at Yale University.
Debra Bernardi
The Ohio State University Press, 2025

Agnieszka Whelan
Central European University Press, 2026