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Irving Wallace

A Writer's Profile

John Leverence

University of Wisconsin Press, 1974

This profile of the man and the writer is an introduction to the personality behind The Chapman Report and The Fan Club. Through correspondence, diaries, manuscript annotations, interviews and other private sources, the profile reveals the man who began as a sports stringer for a Wisconsin newspaper and is now one of the world's most popular novelists.

cover of Is It Nation Time?: Contemporary Essays on Black Power and Black Nationalism

Is It Nation Time?

Contemporary Essays on Black Power and Black Nationalism

Edited by Eddie S. Glaude Jr.

University of Chicago Press, 2002

During the late 1960s and early 1970s, the Black Power movement provided the dominant ideological framework through which many young, poor, and middle-class blacks made sense of their lives and articulated a political vision for their futures. The legacy of the movement is still very much with us today in the various strands of black nationalism that originated from it; we witnessed its power in the 1995 Million Man March, and we see its more ambiguous effects in the persistent antagonisms among former participants in the civil rights coalition. Yet despite the importance of the Black Power movement, very few in-depth, balanced treatments of it exist.

Is It Nation Time? gathers new and classic essays on the Black Power movement and its legacy by renowned thinkers who deal rigorously and unsentimentally with such issues as the commodification of blackness, the piety of cultural recovery, and class tensions within the movement. For anyone who wants to understand the roots of the complex political and cultural desires of contemporary black America, this will be an essential collection.

Contributors:
Eddie S. Glaude Jr.
Farah Jasmine Griffin
Phillip Brian Harper
Gerald Horne
Robin D. G. Kelley
Wahneema Lubiano
Adolph Reed Jr.
Jeffrey Stout
Will Walker
S. Craig Watkins
Cornel West
E. Francis White

cover of Is There a Measure on Earth?: Foundations for a Nonmetaphysical Ethics

Is There a Measure on Earth?

Foundations for a Nonmetaphysical Ethics

Werner Marx

University of Chicago Press, 1987

The search for an ethics rooted in human experience is the crux of this deeply compassionate work, here translated from the 1983 German edition. Distinguished philosopher Werner Marx provides a close reading, critique, and Weiterdenken, or "further thinking," of Martin Heidegger's later work on death, language, and poetry, which has often been dismissed as both obscure and obscurantist. In it Marx seeks, and perhaps finds, both a measure for distinguishing between good and evil and a motive for preferring the former.

The poet Hölderlin posed the question, "Is there a measure on earth?" His own answer was emphatic, "There is none," for he was convinced that the measure for man was to be found only in the domain of the heavenly beings. Such metaphysical assumptions, as well as the attempt to found ethical conduct in the nature of man as a rational being, have been rejected by many contemporary thinkers, particularly Heidegger. Yet these thinkers have not been able to provide a satisfactory alternative to metaphysical foundations of the standards for responsible human conduct.

Marx, therefore, goes beyond Heidegger in demonstrating how several of his most basic notions could be relevant to a secular morality in our age. It is death, Marx claims, that unsettles man and transforms his conduct toward his fellow man. the common experience of mortality nourishes ethical life—and leads to the measures of compassion, love, and recognition of one's fellow human beings.

"It is only on the basis of these 'traditional virtues,'" Marx writes, "that we can find a motive for averting the impending dangers which have often enough been described so vividly and convincingly."

cover of Isa Genzken: Sculpture as World Receiver

Isa Genzken

Sculpture as World Receiver

Lisa Lee

University of Chicago Press, 2017

The work of German sculptor Isa Genzken is brilliantly receptive to the ever-shifting conditions of modern life. In this first book devoted to the artist, Lisa Lee reflects on Genzken’s tendency to think across media, attending to sculptures, photographs, drawings, and films from the entire span of her four-decade career, from student projects in the mid-1970s to recent works seen in Genzken’s studio.

Through penetrating analyses of individual works as well as archival and interview material from the artist herself, Lee establishes four major themes in Genzken’s oeuvre: embodied perception, architecture and built space, the commodity, and the body. Contextualizing the sculptor’s engagement with fellow artists, such as Joseph Beuys and Bruce Nauman, Lee situates Genzken within a critical and historical framework that begins in politically fraught 1960s West Germany and extends to the globalized present. Here we see how Genzken tests the relevance of the utopian aspirations and formal innovations of the early twentieth century by submitting them to homage and travesty. Sure to set the standard for future studies of Genzken’s work, Isa Genzken is essential for anyone interested in contemporary art.

cover of Isaac Babel and the Self-Invention of Odessan Modernism

Isaac Babel and the Self-Invention of Odessan Modernism

Rebecca Jane Stanton

Northwestern University Press, 2012

In what marks an exciting new critical direction, Rebecca Stanton contends that the city of Odessa—as a canonical literary image and as a kaleidoscopic cultural milieu—shaped the narrative strategies developed by Isaac Babel and his contemporaries of the Revolutionary generation. Modeling themselves on the tricksters and rogues of Odessa lore, Babel and his fellow Odessans Valentin Kataev and Yury Olesha manipulated their literary personae through complex, playful, and often subversive negotiations of the boundary between autobiography and fiction. In so doing, they cannily took up a place prepared for them in the Russian canon and fostered modes of storytelling that both reflected and resisted the aesthetics of Socialist Realism. Stanton concludes with a rereading of Babel’s “autobiographical” stories and examines their legacy in post-Thaw works by Kataev, Olesha, and Konstantin Paustovsky.

cover of Isaac Rosenberg: The Making of a Great War Poet: A New Life

Isaac Rosenberg

The Making of a Great War Poet: A New Life

Jean Moorcroft Wilson

Northwestern University Press, 2009

Isaac Rosenberg was among the greatest poets of the First World War. The British-born son of impoversihed Russian Jews, Rosenberg fought as a private in the trenches of the Great Was and died on the Western Front in 1918 as the age of 27. In Isaac Rosenberg, Wilson examines the influence of Rosenberg's class and heritage on his writings, as well as the development of his poetic technique. She traces his maturation from his childhood in Bristol and the Jewish East End of London to art school, his travels to South Africa, and finally his harrowing service as a private in the British Army.

Rosenberg was also a gifted painter and this beautifully illustrated volume oncludes some hitherto inseen self-portraits, along with photogrpahs of Rosenberg and his family. Wilson's biogrpahy brings together all known Rosenberg material with a mass of important new discoveries. Isaac Rosenberg is a long-overdue consideration of a remarkable war poet.

cover of Isak Dinesen and the Engendering of Narrative

Isak Dinesen and the Engendering of Narrative

Susan Hardy Aiken

University of Chicago Press, 1990

Although Isak Dinesen has been widely acclaimed as a popular writer, her work has received little sustained critical attention. In this revisionist study, Susan Hardy Aiken takes up the complex relations of gender, sexuality, and representation in Dinesen's narratives. Drawing on feminist, psychoanalytic, and post-structuralist theories, Aiken shows how the form and meaning of Dinesen's texts are affected by her doubled situations as a Dane who wrote in English, a European who lived for many years in Africa, and a woman who wrote under a male pseudonym within a male-centered literary tradition.

In a series of readings that range across Dinesen's career, Aiken demonstrates that Dinesen persistently asserted the inseparability of gender and the engendering of narrative. She argues that Dinesen's texts anticipate in remarkable ways some of the most radical insights of contemporary literary theories, particularly those of French feminist criticism. Aiken also offers a major rereading of Out of Africa that both addresses its distinctiveness as a colonialist text and places it within Dinesen's larger oeuvre.

In Aiken's account, Dinesen's work emerges as a compelling inquiry into sexual difference and the ways it informs culture, subjectivity, and the language that is their medium. This important book will at last give Isak Dinesen's work the prominence it deserves in literary studies.

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Isherwood in Transit

James J. Berg

University of Minnesota Press, 2020

New perspectives on Christopher Isherwood as a searching and transnational writer

“Perhaps I had traveled too much, left my heart in too many places,” muses the narrator of Christopher Isherwood’s novel Prater Violet (1945), which he wrote in his adopted home of Los Angeles after years of dislocation and desperation. In Isherwood in Transit, James J.Berg and Chris Freeman bring together diverse Isherwood scholars to understand the challenges this writer faced as a consequence of his travel.

Based on a conference at the Huntington Library, where Isherwood’s recently opened papers are held, Isherwood in Transit considers the writer not as an English, continental, or American writer but as a transnational one, whose identity, politics, and beliefs were constantly transformed by global connections and engagements arising from journeys to Germany, Japan, China, and Argentina; his migration to the United States; and his conversion to Vedanta Hinduism in the 1940s.

Approaching Isherwood’s rootlessness and restlessness from various perspectives, these essays show that long after he made a new home in California and became an American citizen, Christopher Isherwood remained unsettled, although his wanderings became spiritual and personal rather than geographic.

Contributors: Barrie Jean Borich, DePaul U; Jamie Carr, Niagara U; Robert L. Caserio, Penn State U, University Park; Lisa Colletta, American U of Rome; Lois Cucullu, U of Minnesota; Jaime Harker, U of Mississippi; Carola M. Kaplan, California State U, Pomona; Calvin W. Keogh, Central European U, Budapest; Victor Marsh; Wendy Moffat, Dickinson College; Xenobe Purvis; Bidhan Roy, California State U, Los Angeles; Katharine Stevenson, U of Texas at Austin; Edmund White.

cover of Islam and Politics in Indonesia: The Masyumi Party between Democracy and Integralism

Islam and Politics in Indonesia

The Masyumi Party between Democracy and Integralism

Rémy Madinier

National University of Singapore Press, 2015

The Masyumi Party, which was active in Indonesia from 1945 to 1960, constitutes the boldest attempt to date at reconciling Islam and democracy. Masyumi proposed a vision of society and government which was not bound by a literalist application of Islamic doctrine but rather inspired by the values of Islam. It set out moderate policies which were both favourable to the West and tolerant towards other religious communities in Indonesia. Although the party made significant strides towards the elaboration of a Muslim democracy, its achievements were nonetheless precarious: it was eventually outlawed in 1960 for having resisted Sukarno’s slide towards authoritarianism, and the refusal of Suharto’s regime to reinstate the party left its leaders disenchanted and marginalised. Many of those leaders subsequently turned to a form of Islam known as integralism, a radical doctrine echoing certain characteristics of 19th-century Catholic integralism, which contributed to the advent of Muslim neo-fundamentalism in Indonesia.

This book examines the Masyumi Party from its roots in early 20th-century Muslim reformism to its contemporary legacy, and offers a perspective on political Islam which provides an alternative to the more widely-studied model of Middle-Eastern Islam. The party’s experience teaches us much about the fine line separating a moderate form of Islam open to democracy and a certain degree of secularisation from the sort of religious intransigence which can threaten the country’s denominational coexistence.

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Islam and Popular Culture

Edited by Karin van Nieuwkerk, Mark LeVine, and Martin Stokes

University of Texas Press, 2016

Popular culture serves as a fresh and revealing window on contemporary developments in the Muslim world because it is a site where many important and controversial issues are explored and debated. Aesthetic expression has become intertwined with politics and religion due to the uprisings of the “Arab Spring,” while, at the same time, Islamist authorities are showing increasingly accommodating and populist attitudes toward popular culture. Not simply a “westernizing” or “secularizing” force, as some have asserted, popular culture now plays a growing role in defining what it means to be Muslim.

With well-structured chapters that explain key concepts clearly, Islam and Popular Culture addresses new trends and developments that merge popular arts and Islam. Its eighteen case studies by eminent scholars cover a wide range of topics, such as lifestyle, dress, revolutionary street theater, graffiti, popular music, poetry, television drama, visual culture, and dance throughout the Muslim world from Indonesia, Africa, and the Middle East to Europe. The first comprehensive overview of this important subject, Islam and Popular Culture offers essential new ways of understanding the diverse religious discourses and pious ethics expressed in popular art productions, the cultural politics of states and movements, and the global flows of popular culture in the Muslim world.

cover of Islam, Nationalism and Democracy: a Political Biography of Mohammad Natsir

Islam, Nationalism and Democracy

a Political Biography of Mohammad Natsir

Audrey R. Kahin

National University of Singapore Press, 2012

As Indonesia's leading Muslim politician in the second half of the 20th century, Mohammad Natsir (1908-1993) went from heading the country's first post-independence government and largest Islamic political party to spending years in rebellion and in prison. After initially welcoming Soekarno's overthrow in 1965, he became one of the most outspoken critics of the successor Suharto government's increasingly autocratic rule. Natsir's copious writings stretch from his student days in the late colonial period, when his debates with Soekarno over the character of Indonesian nationalism first attracted public attention, to the years immediately preceding his death when his trenchant criticisms brought him the enmity of the Suharto regime. They reveal a man struggling to harmonize his deep Islamic faith with his equally firm belief in national independence and democracy. Drawing from a wide range of materials, including these writings and extensive interviews with the subject, this political biography of Natsir positions an important Muslim politician and thinker in the context of a critical period of Indonesia's history, and describes his vision of how a newly independent country could embrace religion without sacrificing its democratic values.

cover of Islam, Postmodernism and Other Futures: A Ziauddin Sardar Reader

Islam, Postmodernism and Other Futures

A Ziauddin Sardar Reader

Edited by Sohail Inayatullah and Gail Boxwell

Pluto Press, 2003

Ziauddin Sardar is a prolific writer and an insightful cultural commentator. His latest book, Why Do People Hate America?, has been a regular feature in bestseller lists in several countries. In the UK, he is known as a leading intellectual and his regular contributions to the Observer, the Independent and the New Statesman have brought his writings to a wide audience. As one of our most high-profile Muslim intellectuals, he has also become an increasingly important voice in the media since the events of September 11th 2001.

This is the first collection of his writings that offers a comprehensive introduction to his thought. Starting with his analysis of his own position as a British Muslim and a writer, it goes on to explore issues of Islam and cultural change, education, identity, post-modernism and the future. Drawn from a broad range of his work in scholarly journals as well as from his many books on aspects of culture and society, it includes his most frequently cited papers and makes an ideal introduction to the immense scope of his work in cultural studies.

Ziaddin Sardar is currently the editor of Third Text and Visiting Professor of Cultural Studies at City University, London. His books for Pluto Press include Postmodernism and the Other and Aliens R Us.

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Islamic Liberalism

A Critique of Development Ideologies

Leonard Binder

University of Chicago Press, 1988

The resurgence of Islamic fundamentalism in the 1980s influenced many in the Islamic world to reject Western norms of liberal rationality and to return, instead, to their own tradition for political and cultural inspiration. This rejection of foreign thought threatens to end the centuries-long dialogue between Islam and the West, a dialogue that has produced a nascent Middle Eastern liberalism, along with many less desirable forms of discourse. With Islamic Liberalism, Leonard Binder hopes to reinvigorate that dialogue, asking whether political liberalism can take root in the Middle East without a vigorous Islamic liberalism. But, Binder asks, is an Islamic liberalism possible?

The Islamic political community presents special problems to the development of an indigenous liberalism. That community is conceived of as divinely ordained, and its notions of the good are to be derived from scriptural revelation, not arrived at through rational discourse. Liberal politics would seem to stand little chance of surviving in such an atmosphere, let alone thriving.

Binder responds to the challenge of Edward Said's critique of Orientalism, of a range of neo-Marxian development theorists, of Sayyid Qutb's fundamentalist vision, of Samir Amin's vision of Egypt's role in the Arab awakening, of Tariq al-Bishri's new populism, of Zaki Najib Mahmud's pragmatism, and the structuralism of Arkoun and Laroui. The deconstruction of these varied texts produces a number of persuasive hermeneutical conclusions that are sequentially woven together in a critical argument that refocuses our attention on the central question of political freedom and democracy. In the course of constructing this argument, Binder reopens the dialogue between Western modernity and Islamic authenticity and reveals the surprising extent to which there is a convergent interest in liberal, democratic, civil society. Finally, in a concluding chapter, he addresses the prospects for liberalism in the three major bourgeois states of Islam—Egypt, Turkey, and Iran.

cover of Islamic Reform and Political Change in Northern Nigeria

Islamic Reform and Political Change in Northern Nigeria

Roman Loimeier

Northwestern University Press, 2011

The 1970s and 1980s were times of political and religious turmoil in Nigeria, characterized by governmental upheaval, and aggressive confrontations between the Sufi brotherhoods and the Izala movement. In Islamic Reform and Political Change in Northern Nigeria, Roman Loimeier explores the intermeshing of religion in the struggle for political influence and preservation of the interests of Nigerian Muslims.

Loimeier's careful scholarship combines astute readings of the work of previous scholars--both published and unpublished--with archival material and the findings of his own fieldwork in Nigeria. His work fills a substantial gap in contemporary Nigerian studies. This book provides invaluable and essential reading for serious students of Nigerian politics and of Islamic movements in Africa.

cover of Islamism and Modernism: The Changing Discourse in Iran

Islamism and Modernism

The Changing Discourse in Iran

By Farhang Rajaee

University of Texas Press, 2007

While many previous books have probed the causes of Iran's Islamic Revolution of 1979, few have focused on the power of religion in shaping a national identity over the decades leading up to it. Islamism and Modernism captures the metamorphosis of the Islamic movement in Iran, from encounters with Great Britain and the United States in the 1920s through twenty-first-century struggles between those seeking to reform Islam's role and those who take a hardline defensive stance.

Capturing the views of four generations of Muslim activists, Farhang Rajahee describes how the extremism of the 1960s brought more confidence to concerned Islam-minded Iranians and radicalized the Muslim world while Islamic alternatives to modernity were presented. Subsequent ideologies gave rise to the revolution, which in turn has fed a restructuring of Islam as a faith rather than as an ideology.

Presenting thought-provoking discussions of religious thinkers such as Ha'eri, Burujerdi, Bazargan, and Shari'ati, along with contemporaries such as Kadivar, Soroush, and Shabestari, the author sheds rare light on the voices fueling contemporary Islamic thinking in Iran. A comprehensive study of these interwoven aspects of politics, religion, society, and identity, Islamism and Modernism offers crucial new insight into the aftermath of the Iranian Constitutional Revolution fought one hundred years ago—and its ramifications for the newest generation to face the crossroads of modernity and Islamic discourse in modern Iran today.

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Islamism in the Shadow of al-Qaeda

By François Burgat

University of Texas Press, 2008

A renowned authority on Islamic movements, François Burgat lived for eighteen years in the Arab world, including his time as director of the French Center for Archaeology and Social Sciences at Yemen. He also dedicated many months to fieldwork in North Africa. Bringing Burgat's decades of expertise to the complex dialogues that have marked the post-9/11 world, Islamism in the Shadow of al-Qaeda delivers much-needed clarity and historical perspective.

In Burgat's eyes, most of the West's political and media rhetoric has only fueled al-Qaeda's case, revealing a woeful lack of comprehension regarding the violent authoritarianism that divides the Middle East and creates a breeding ground for terrorism. Islamism in the Shadow of al-Qaeda provides a primer of the three eras of political Islam, from the 1928 founding of the Muslim Brothers to the rise of post-colonial dictatorships and the current radicalization of "Generation al-Qaeda." Offering a new roadmap for stability, Burgat bridges the ideologies—political, religious, and cultural—that must be traversed if the deadly sectarianism is to be superseded.

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Islanders in the Empire

Filipino and Puerto Rican Laborers in Hawai'i

JoAnna Poblete

University of Illinois Press, 2014

In the early 1900s, workers from new U.S. colonies in the Philippines and Puerto Rico held unusual legal status. Denied citizenship, they nonetheless had the right to move freely in and out of U.S. jurisdiction. As a result, Filipinos and Puerto Ricans could seek jobs in the United States and its territories despite the anti-immigration policies in place at the time.

JoAnna Poblete's Islanders in the Empire: Filipino and Puerto Rican Laborers in Hawai'i takes an in-depth look at how the two groups fared in a third new colony, Hawai'i. Using plantation documents, missionary records, government documents, and oral histories, Poblete analyzes how the workers interacted with Hawaiian government structures and businesses, how U.S. policies for colonial workers differed from those for citizens or foreigners, and how policies aided corporate and imperial interests.

A rare tandem study of two groups at work on foreign soil, Islanders in the Empire offers a new perspective on American imperialism and labor issues of the era.

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Islands of Empire

Pop Culture and U.S. Power

By Camilla Fojas

University of Texas Press, 2014

Camilla Fojas explores a broad range of popular culture media—film, television, journalism, advertisements, travel writing, and literature—with an eye toward how the United States as an empire imagined its own military and economic projects. Impressive in its scope, Islands of Empire looks to Cuba, Guam, Hawai‘i, Puerto Rico, and the Philippines, asking how popular narratives about these island outposts expressed the attitudes of the continent throughout the twentieth century. Through deep textual readings of Bataan, Victory at Sea, They Were Expendable, and Back to Bataan (Philippines); No Man Is an Island and Max Havoc: Curse of the Dragon (Guam); Cuba, Havana, and Dirty Dancing: Havana Nights (Cuba); Blue Hawaii, Gidget Goes Hawaiian, and Paradise, Hawaiian Style (Hawai‘i); and West Side Story, Fame, and El Cantante (Puerto Rico), Fojas demonstrates how popular texts are inseparable from U.S. imperialist ideology.

Drawing on an impressive array of archival evidence to provide historical context, Islands of Empire reveals the role of popular culture in creating and maintaining U.S. imperialism. Fojas’s textual readings deftly move from location to location, exploring each island’s relationship to the United States and its complementary role in popular culture. Tracing each outpost’s varied and even contradictory political status, Fojas demonstrates that these works of popular culture mirror each location’s shifting alignment to the U.S. empire, from coveted object to possession to enemy state.

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Isolarion

A Different Oxford Journey

James Attlee

University of Chicago Press, 2007

Through the centuries, people from all walks of life have heard the siren call of a pilgrimage, the lure to journey away from the familiar in search of understanding. But is a pilgrimage even possible these days for city-dwellers enmeshed in the pressures of work and family life? Or is there a way to be a pilgrim without leaving one’s life behind? James Attlee answers these questions with Isolarion, a thoughtful, streetwise, and personal account of his pilgrimage to a place he thought he already knew—the Cowley Road in Oxford, right outside his door.

Isolarion takes its title from a type of fifteenth-century map that isolates an area in order to present it in detail, and that’s what Attlee, sharp-eyed and armed with tape recorder and notebook, provides for Cowley Road. The former site of a leper hospital, a workhouse, and a medieval well said to have miraculous healing powers, Cowley Road has little to do with the dreaming spires of the tourist’s or student’s Oxford. What Attlee presents instead is a thoroughly modern, impressively cosmopolitan, and utterly organic collection of shops, restaurants, pubs, and religious establishments teeming with life and reflecting the multicultural makeup of the surrounding neighborhood.

From a sojourn in a sensory-deprivation tank to a furtive visit to an unmarked pornography emporium, Attlee investigates every aspect of the Cowley Road’s appealingly eclectic culture, where halal shops jostle with craft jewelers and reggae clubs pulsate alongside quiet churchyards. But the very diversity that is, for Attlee, the essence of Cowley Road’s appeal is under attack from well-meaning city planners and predatory developers. His pilgrimage is thus invested with melancholy: will the messy glories of the Cowley Road be lost to creeping homogenization?

Drawing inspiration from sources ranging from Robert Burton’s The Anatomy of Melancholy to contemporary art, Attlee is a charming and companionable guide who revels in the extraordinary embedded in the everyday. Isolarion is at once a road movie, a quixotic stand against uniformity, and a rousing hymn in praise of the complex, invigorating nature of the twenty-first-century city.

cover of Isolation and Engagement: Presidential Decision Making on China from Kennedy to Nixon

Isolation and Engagement

Presidential Decision Making on China from Kennedy to Nixon

William Waltman Newmann

University of Michigan Press, 2022

Presidents and their advisors consistently seek to improve the management of their foreign policy decision processes. This book analyzes the successes and failures of administrations from Kennedy to Nixon as they sought to strike a balance between the personal style of the president and the need for a strong interagency structure that could systematically evaluate policy options. The narrative focuses on US decision making on China and Taiwan during the crucial era when the US was considering moving from a policy of isolating China to a policy of engagement, culminating in Nixon’s historic 1972 trip to China. William Waltman Newmann has created an Evolution-Balancing model, tested with case studies focusing on China policy by Kennedy, Johnson, Nixon, and Ford, showing how the relationships between a president and his advisors change based on the weaknesses or pathologies of the president’s management style. The author’s research is based on declassified archival material from the Eisenhower, Kennedy, Johnson, Nixon, and Ford presidential libraries.

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Israel

Anita Shapira

Brandeis University Press, 2014

Written by one of Israel’s most notable scholars, this volume provides a breathtaking history of Israel from the origins of the Zionist movement in the late nineteenth century to the present day. Organized chronologically, the volume explores the emergence of Zionism in Europe against the backdrop of relations among Jews, Arabs, and Turks, and the earliest pioneer settlements in Palestine under Ottoman rule. Weaving together political, social, and cultural developments in Palestine under the British mandate, Shapira creates a tapestry through which to understand the challenges of Israeli nation building, including mass immigration, shifting cultural norms, the politics of war and world diplomacy, and the creation of democratic institutions and a civil society. References to contemporary diaries, memoirs, and literature bring a human dimension to this narrative history of Israel from its declaration of independence in 1948 through successive decades of waging war, negotiating peace, and building a modern state with a vibrant society and culture. Based on archival sources and the most up-to-date scholarly research, this authoritative history is a must-read for anyone with a passionate interest in Israel. Israel: A History will be the gold standard in the field for years to come.

cover of Israeli Culture between the Two Intifadas: A Brief Romance

Israeli Culture between the Two Intifadas

A Brief Romance

By Yaron Peleg

University of Texas Press, 2008

Over the past two decades, profound changes in Israel opened its society to powerful outside forces and the dominance of global capitalism. As a result, the centrality of Zionism as an organizing ideology waned, prompting expressions of anxiety in Israel about the coming of a post-Zionist age. The fears about the end of Zionism were quelled, however, by the Palestinian uprising in 2000, which spurred at least a partial return to more traditional perceptions of homeland. Looking at Israeli literature of the late twentieth century, Yaron Peleg shows how a young, urban class of Israelis felt alienated from the Zionist values of their forebears, and how they adopted a form of escapist romanticism as a defiant response that replaced traditional nationalism.

One of the first books in English to identify the end of the post-Zionist era through inspired readings of Hebrew literature and popular media, Israeli Culture between the Two Intifadas examines Israel's ambivalent relationship with Jewish nationalism at the end of the twentieth century.

cover of Israeli Rejectionism: A Hidden Agenda in the Middle East Peace Process

Israeli Rejectionism

A Hidden Agenda in the Middle East Peace Process

Zalman Amit

Pluto Press, 2011

The Palestine-Israel conflict is one of the longest running and seemingly intractable confrontations in the modern world. This book delves deep into the "peace process" to find out why so little progress has been made on the key issues. Zalman Amit and Daphna Levit find overwhelming evidence of Israeli rejectionism as the main cause for the failure of peace. They demonstrate that the Israeli leadership has always been against a fairly negotiated peace and have deliberately stalled negotiations for the last 80 years. The motivations behind this rejectionist position have changed, as have the circumstances of the conflict, but the conclusion has remained consistent_-- peace has not been in the interest of the state of Israel. A fascinating read, and particularly timely as the Obama administration tries once more for a peace settlement, this book draws on a wealth of sources_-- including Hebrew documents and transcripts -- to show that it is the Palestinians who lack a viable "partner for peace."

cover of It All Began in Nuremberg: Between History and Memory

It All Began in Nuremberg

Between History and Memory

Rita Thalmann

University of Michigan Press, 2015

It All Began in Nuremberg is a translation of Rita Thalmann’s moving memoir, Tout Commença à Nuremberg, originally published in France in 2004. Thalmann’s memoir represents one of the last voices to witness personally the rise of Nazism and the Holocaust. The author, a scholar of significance in France, died on August 18, 2013.

Rita Thalmann was born in Nuremberg in 1926 and lived there until 1933, when anti-Semitic events made life intolerable. Her father abandoned his successful business and moved the family to Switzerland, where they were unwelcome, and then to France. After settling in Dijon, Rita attended public school until Jews were no longer allowed to pursue an education. At age fourteen, she took private lessons in English at the home of her teacher, Henriette Connes, who saved Rita from deportation and death by providing her with false identification papers and passing her to the Free Zone with a group of students going on a field trip. Although Rita and her brother managed to escape to Switzerland during the war, most of her family died in the Holocaust.

After the war, Rita Thalmann was determined to continue her education and participate in the struggle against anti-Semitism and discrimination of all types. She achieved the highest level of university teaching in France while publishing seven books. This memoir relates her personal experience of the historical events she spent most of her adult life researching.

cover of It Does Not Die: A Romance

It Does Not Die

Maitreyi Devi

University of Chicago Press, 1994

Precocious, a poet, a philosopher's daughter, Maitreyi Devi was sixteen years old in 1930 when Mircea Eliade came to Calcutta to study with her father. More than forty years passed before Devi read Bengal Nights, the novel Eliade had fashioned out of their encounter, only to find small details and phrases, even her given name, bringing back episodes and feelings she had spent decades trying to forget. It Does Not Die is Devi's response. In part a counter to Eliade's fantasies, the book is also a moving account of a first love fraught with cultural tensions, of false starts and lasting regrets.

Proud of her intelligence, Maitreyi Devi's father had provided her with a fine and, for that time, remarkably liberal education — and encouraged his brilliant foreign student, Eliade, to study with her. "We were two good exhibits in his museum," Devi writes. They were also, as it turned out, deeply taken with each other. When their secret romance was discovered, Devi's father banished the young Eliade from their home.

Against a rich backdrop of life in an upper-caste Hindu household, Devi powerfully recreates the confusion of an over-educated child simultaneously confronting sex and the differences, not only between European and Indian cultures, but also between her mother's and father's view of what was right. Amid a tangle of misunderstandings, between a European man and an Indian girl, between student and teacher, husband and wife, father and daughter, she describes a romance unfolding in the face of cultural differences but finally succumbing to cultural constraints. On its own, It Does Not Die is a fascinating story of cultural conflict and thwarted love. Read together with Eliade's Bengal Nights, Devi's "romance" is a powerful study of what happens when the oppositions between innocence and experience, enchantment and disillusion, and cultural difference and colonial arrogance collide.

"In two novels written forty years apart, a man and a woman tell stories of their love. . . . Taken together they provide an unusually touching story of young love unable to prevail against an opposition whose strength was tragically buttressed by the uncertainties of a cultural divide."—Isabel Colegate, New York Times Book Review

"Recreates, with extraordinary vividness, the 16-year-old in love that she had been. . . . Maitreyi is entirely, disarmingly open about her emotions. . . . An impassioned plea for truth."—Anita Desai, New Republic

"Something between a reunion and a duel. Together they detonate the classic bipolarities: East-West, life-art, woman-man."—Richard Eder, New York Newsday

"One good confession deserves another. . . . Both books gracefully trace the authors' doomed love affair and its emotional aftermath."—Nina Mehta, Chicago Tribune

cover of It Seemed Like Nothing Happened: America in the 1970s

It Seemed Like Nothing Happened

America in the 1970s

Peter N. Carroll

Rutgers University Press, 1990

"A compelling and persuasive challenge to the journalistic characterization of the '70s as the 'Me Decade.'" -- Ruth Rosen, University of California, Davis

"This is the single best book on the 1970s." -- Leo Ribuffo, George Washington University

In this unique, comprehensive history of the 1970s, we learn about international developments: the war in Cambodia, Nixon's trip to China, the oil embargo and resulting gas shortage, the Mayaquez incident, the Camp David accords, the Iranian capture of the U.S. embassy and the taking of hostages, the ill-fated rescue mission. All this signaled a decline in American power and influence. We also learn about domestic politics: Kent State, the Pentagon Papers, Haynsworth and Carswell, the Eagleton affair, the rise of ticket splitting, inflation, recession, unemployment, Watergate, Agnew's resignation, the Saturday night massacre, Nixon's resignation, the pardon for draft evaders, Proposition 13, the politicization of organized religion, the conservative shift in the Democratic Party, and the Reagan electoral landslide. Carroll reminds us of tragedies and occasional moments of levity, bringing up the names Patricia Hearst, George Jackson and Angela Davis, Wilbur Mills and the Argentina Firecracker, Wayne Hays and Elizabeth Ray, Harvey Milk and Mayor George Moscone.

cover of It Was Like a Fever: Storytelling in Protest and Politics

It Was Like a Fever

Storytelling in Protest and Politics

Francesca Polletta

University of Chicago Press, 2006

Activists and politicians have long recognized the power of a good story to move people to action. In early 1960 four black college students sat down at a whites-only lunch counter in Greensboro, North Carolina, and refused to leave. Within a month sit-ins spread to thirty cities in seven states. Student participants told stories of impulsive, spontaneous action—this despite all the planning that had gone into the sit-ins. “It was like a fever,” they said.

Francesca Polletta’s It Was Like a Fever sets out to account for the power of storytelling in mobilizing political and social movements. Drawing on cases ranging from sixteenth-century tax revolts to contemporary debates about the future of the World Trade Center site, Polletta argues that stories are politically effective not when they have clear moral messages, but when they have complex, often ambiguous ones. The openness of stories to interpretation has allowed disadvantaged groups, in particular, to gain a hearing for new needs and to forge surprising political alliances. But popular beliefs in America about storytelling as a genre have also hurt those challenging the status quo.
A rich analysis of storytelling in courtrooms, newsrooms, public forums, and the United States Congress, It Was Like a Fever offers provocative new insights into the dynamics of culture and contention.

cover of It Will Yet Be Heard: A Polish Rabbi's Witness of the Shoah and Survival

It Will Yet Be Heard

A Polish Rabbi's Witness of the Shoah and Survival

Isaac Bashevis Singer

Rutgers University Press, 2019

Nobel laureate Isaac Bashevis Singer once described Dr. Leon Thorne’s memoir as a work of “bitter truth” that he compared favorably to the works of Tolstoy, Dostoevsky, and Proust. Out of print for over forty years, this lost classic of Holocaust literature now reappears in a revised, annotated edition, including both Thorne’s original 1961 memoir Out of the Ashes: The Story of a Survivor and his previously unpublished accounts of his arduous postwar experiences in Germany and Poland.

Rabbi Thorne composed his memoir under extraordinary conditions, confined to a small underground bunker below a Polish peasant’s pigsty. But, It Will Yet Be Heard is remarkable not only for the story of its composition, but also for its moral clarity and complexity. A deeply religious man, Rabbi Thorne bore witness to forced labor camps, human degradation, and the murders of entire communities. And once he emerged from hiding, he grappled not only with survivor’s guilt, but also with the lingering antisemitism and anti-Jewish violence in Poland even after the war ended. Harrowing, moving, and deeply insightful, Rabbi Thorne’s firsthand account offers a rediscovered perspective on the twentieth century’s greatest tragedy.

cover of It's All Done Gone: Arkansas Photographs from the Farm Security Administration Collection, 1935-1943

It's All Done Gone

Arkansas Photographs from the Farm Security Administration Collection, 1935-1943

Patsy Watkins

University of Arkansas Press, 2018

In 1935 a fledging government agency embarked on a project to photograph Americans hit hardest by the Great Depression. Over the next eight years, the photographers of the Farm Security Administration captured nearly a quarter-million images of tenant farmers and sharecroppers in the South, migrant workers in California, and laborers in northern industries and urban slums.

Of the roughly one thousand FSA photographs taken in Arkansas, approximately two hundred have been selected for inclusion in this volume. Portraying workers picking cotton for five cents an hour, families evicted from homes for their connection with the Southern Tenant Farmers Union, and the effects of flood and drought that cruelly exacerbated the impact of economic disaster, these remarkable black-and-white images from Ben Shahn, Arthur Rothstein, Dorothea Lange, Walker Evans, Russell Lee, and other acclaimed photographers illustrate the extreme hardships that so many Arkansans endured throughout this era.

These powerful photographs continue to resonate, providing a glimpse of life in Arkansas that will captivate readers as they connect to a shared past.

cover of It's Hard to Talk about Yourself

It's Hard to Talk about Yourself

Natalia Ginzburg

University of Chicago Press, 2003

Natalia Ginzburg, arguably the most important woman writer of postwar Italy, always spoke of herself with irrepressible modesty. Yet the woman who claimed she "never managed to climb up mountains" in fact wrote the history of twentieth-century Italy with her sparse and captivating prose, chronicling Fascism, war, and the Nazi occupation as well as the intimacies of family life.

Ginzburg's marriage to Leone Ginzburg, who met his death at the hands of the Nazis for his anti-Fascists activities, and her work for the Einaudi publishing house placed her squarely in the center of Italian political and cultural life. But whether writing about the Turin of her childhood, the Abruzzi countryside, where her family was interned during World War II, or contemporary Rome, Ginzburg never shied away from the traumas of history-even if she approached them only indirectly, through the mundane details and catastrophes of personal life.

Intensely reserved, Ginzburg said that she "crept toward autobiography stealthily like a wolf." But she did openly discuss her life and her work in an extraordinary series of interviews for Italian radio in 1990. Never before published in English, It's Hard to Talk about Yourself presents a vivid portrait of Ginzburg in her own words on the forces that shaped her remarkable life-politics, publishing, literature, and family. This fluid translation will join Ginzburg's autobiography, Family Sayings, as one of the most important records of her life and, as the editors write in their preface, "the last, unexpected, original book by Natalia Ginzburg."

cover of Italian Immigration in the American West: 1870-1940

Italian Immigration in the American West

Kenneth Scambray

University of Nevada Press, 2021

In this carefully researched and engaging book, Kenneth Scambray surveys the lives and contributions of Italian immigrants in thirteen western states. He covers a variety of topics, including the role of the Roman Catholic Church in attracting and facilitating Italian settlement; the economic, political, and cultural contributions made by Italians; and the efforts to preserve Italian culture and to restore connections to their ancestral identity.

The lives of immigrants in the West differed greatly from those of their counterparts on the East Coast in many ways. The development of the West—with its cheap land and mining, forestry, and agriculture industries\--created a demand for labor that enabled newcomers to achieve stability and success. Moreover, female immigrants had many more opportunities to contribute materially to their family’s well-being, either by overseeing new revenue streams for their farms and small businesses, or as paid workers outside the home.

Despite this success, Italian immigrants in the West could not escape the era’s xenophobia. Scambray also discusses the ways that Italians, perceived by many as non-White, interacted with other Euro-Americans, other immigrant groups, and Native Americans and African Americans.

By placing the Italian immigrant experience within the context of other immigrant narratives, Italian Immigration in the American West provides rich insights into the lives and contributions of individuals and families who sought to build new lives in the West. This unique study reveals the impact of Italian immigration and the immense diversity of the immigrant experience outside the East’s urban centers.

cover of Italian Political Cinema: Figures of the Long ’68

Italian Political Cinema

Figures of the Long ’68

Mauro Resmini

University of Minnesota Press, 2022

An exploration of how film has made legible the Italian long ’68 as a moment of crisis and transition

Traditionally, the definition of political cinema assumes a relationship between cinema and politics. In contrast to this view, author Mauro Resmini sees this relationship as an impasse. To illustrate this theory, Resmini turns to Italian cinema to explore how films have reinvented the link between popular art and radical politics in Italy from 1968 to the early 1980s, a period of intense political and cultural struggles also known as the long ’68.

Italian Political Cinema conjures a multifaceted, complex portrayal of Italian society. Centered on emblematic figures in Italian cinema, it maps the currents of antagonism and repression that defined this period in the country’s history. Resmini explores how film imagined the possibilities, obstacles, and pitfalls that characterized the Italian long ’68 as a moment of crisis and transition. From workerism to autonomist Marxism to feminism, this book further expands the debate on political cinema with a critical interpretation of influential texts, some of which are currently only available in Italian.

A comprehensive and novel redefinition of political film, Italian Political Cinema introduces its audience to lesser-known directors alongside greats such as Pasolini, Bertolucci, Antonioni, and Bellocchio. Resmini offers access to untranslated work in Italian philosophy, political theory, and film theory, and forcefully advocates for the continued artistic and political relevance of these films in our time.

cover of Italian Signs, American Streets: The Evolution of Italian American Narrative

Italian Signs, American Streets

The Evolution of Italian American Narrative

Fred L. Gardaphé

Duke University Press, 1996

In the first major critical reading of Italian American narrative literature in two decades, Fred L. Gardaphé presents an interpretive overview of Italian American literary history. Examining works from the turn of the twentieth century to the present, he develops a new perspective—variously historical, philosophical, and cultural—by which American writers of Italian descent can be read, increasing the discursive power of an ethnic literature that has received too little serious critical attention.
Gardaphé draws on Vico’s concept of history, as well as the work of Gramsci, to establish a culture-specific approach to reading Italian American literature. He begins his historical reading with narratives informed by oral traditions, primarily autobiography and autobiographical fiction written by immigrants. From these earliest social–realist narratives, Gardaphé traces the evolution of this literature through tales of “the godfather” and the mafia; the “reinvention of ethnicity” in works by Helen Barolini, Tina DeRosa, and Carole Maso; the move beyond ethnicity in fiction by Don DeLillo and Gilbert Sorrentino; to the short fiction of Mary Caponegro, which points to a new direction in Italian American writing.
The result is both an ethnography of Italian American narrative and a model for reading the signs that mark the “self-fashioning” inherent in literary and cultural production. Italian Signs, American Streets promises to become a landmark in the understanding of literature and culture produced by Italian Americans. It will be of interest not only to students, critics, and scholars of this ethnic experience, but also to those concerned with American literature in general and the place of immigrant and ethnic literatures within that wide framework.

cover of Italian Workers of the World: Labor Migration and the Formation of Multiethnic States

Italian Workers of the World

Labor Migration and the Formation of Multiethnic States

Edited by Donna R. Gabaccia and Fraser M. Ottanelli

University of Illinois Press, 2001

In Italian Workers of the World, a distinguished roster of contributors examines how the reception of immigrants in their new countries shaped their sense of national identity and shaped the multiethnic states where they settled. Argentina and Brazil welcomed Italian migrants as a civilizing influence, and these immigrant workers played an instrumental part in establishing and leading movements committed to labor internationalism. In the United States, by contrast, the American Federation of Labor's hostility to socialism, internationalism, and unskilled laborers fueled distrust and xenophobia that steered Italian immigrants into ethnically mixed unions like radical Industrial Workers of the World. Essays also focus on specific topics ranging from the work of republican Garibaldians in South America to antifascist currents among Italian migrants in France and the United States, and from a 1912 textile strike in Lawrence, Massachusetts, to Mussolini's invasion of Ethiopia.

Contributors: Antonio Bechelloni, Fernando J. Devoto, Pietro Rinaldo Fanesi, Donna R. Gabaccia, Mirta Zaida Lobato, Fraser M. Ottanelli, Carina Frid de Silberstein, Michael Miller Topp, Angelo Trento, Nadia Venturini, and Elisabetta Vezzosi

cover of Italians Then, Mexicans Now: Immigrant Origins and the Second-Generation Progress, 1890-2000

Italians Then, Mexicans Now

Immigrant Origins and the Second-Generation Progress, 1890-2000

Joel Perlmann

Russell Sage Foundation, 2005

According to the American dream, hard work and a good education can lift people from poverty to success in the "land of opportunity." The unskilled immigrants who came to the United States from southern, central, and eastern Europe in the late 19th and early 20th centuries largely realized that vision. Within a few generations, their descendants rose to the middle class and beyond. But can today's unskilled immigrant arrivals—especially Mexicans, the nation's most numerous immigrant group—expect to achieve the same for their descendants? Social scientists disagree on this question, basing their arguments primarily on how well contemporary arrivals are faring. In Italians Then, Mexicans Now, Joel Perlmann uses the latest immigration data as well as 100 years of historical census data to compare the progress of unskilled immigrants and their American-born children both then and now. The crucial difference between the immigrant experience a hundred years ago and today is that relatively well-paid jobs were plentiful for workers with little education a hundred years ago, while today's immigrants arrive in an increasingly unequal America. Perlmann finds that while this change over time is real, its impact has not been as strong as many scholars have argued. In particular, these changes have not been great enough to force today's Mexican second generation into an inner-city "underclass." Perlmann emphasizes that high school dropout rates among second-generation Mexicans are alarmingly high, and are likely to have a strong impact on the group's well-being. Yet despite their high dropout rates, Mexican Americans earn at least as much as African Americans, and they fare better on social measures such as unwed childbearing and incarceration, which often lead to economic hardship. Perlmann concludes that inter-generational progress, though likely to be slower than it was for the European immigrants a century ago, is a reality, and could be enhanced if policy interventions are taken to boost high school graduation rates for Mexican children. Rich with historical data, Italians Then, Mexicans Now persuasively argues that today's Mexican immigrants are making slow but steady socio-economic progress and may one day reach parity with earlier immigrant groups who moved up into the heart of the American middle class. Copublished with the Levy Economics Institute of Bard College

cover of Italy to Argentina: Travel Writing and Emigrant Colonialism

Italy to Argentina

Travel Writing and Emigrant Colonialism

Tullio Pagano

Amherst College Press, 2023

In Italy to Argentina: Travel Writing and Emigrant Colonialism, Tullio Pagano examines Italian emigration to Argentina and the Rio de la Plata region through the writings of Italian economists, poets, anthropologists, and political activists from the 1860s to the beginning of World War I. He shows that Italians played an important role in the so-called conquest of the desert, which led to Argentina's economic expansion and the suppression and killing of the remaining indigenous population. Many of the texts he discusses have hardly been studied before: from Paolo Mantegazza’s real and imaginary travel narratives at the time of Italian unification to Gina Lombroso’s descriptions of Brazil, Uruguay, and Argentina in early 1900s. Pagano questions the apparent opposition between diaspora and empire and argues that there was a continuity between the “peaceful conquest” though spontaneous emigration envisioned by Italian liberal intellectuals at the turn of the century and the military colonialism of Italian Nationalists and Fascists. He shows that racist assumptions about Native American and “creole” cultures were present in the work of progressive authors like Edmondo de Amicis, whose writings became enormously popular in Argentina, and anarchist militants and legal scholars like Pietro Gori, who founded the first revolutionary unions in Buenos Aires while remaining dangerously attached to Cesare Lombroso’s theories of atavism and primitivism. The “growl” of Italian emigrants about to land in Argentina, found in Dino Campana’s poem Buenos Aires (1907), echoes throughout Pagano’s book, and encourages the reader to explore the apparent oxymoron of “emigration colonialism” and the role of literature and public media in the formation of our social imaginary.

“Italy to Argentina shows meticulous bibliographic work and is attentive to both fundamental and marginal texts in a double task, on the one hand, of textual analysis, and on the other, of rescuing and recovering a corpus forgotten by critics even when it is highly significant. It is, then, a research work that addresses the Italian emigration to Argentina from an original point of view, linking texts that have not been studied or that have not been sufficiently analyzed.” —Fernanda Elisa Bravo Herrera, author of Huellas y recorridos de una utopía: La emigración italiana en la Argentina

"From Boccadasse to La Boca. Tullio Pagano complexifies the relationship between ‘diaspora’ and ‘colonialism’ in the context of Italian migration to South America. In six thematic chapters, Pagano explores the thought of authors on and off the canon. Such diverse voices lead the reader to a new approach to the study of emigrant colonialism and creole studies, towards a deeper, more realistic understanding of the ‘conquest of the desert’ that Italian emigrants wanted to perform in Argentina."—Giuseppe Gazzola, Stony Brook University

cover of It’s All a Kind of Magic: The Young Ken Kesey

It’s All a Kind of Magic

The Young Ken Kesey

Rick Dodgson

University of Wisconsin Press, 2013

Counterculture icon and best-selling author of the anti-authoritarian novels One Flew Over the Cuckoo’s Nest and Sometimes a Great Notion, Ken Kesey said he was “too young to be a beatnik and too old to be a hippie.” It’s All a Kind of Magic is the first biography of Kesey. It reveals a youthful life of brilliance and eccentricity that encompassed wrestling, writing, farming, magic and ventriloquism, CIA-funded experiments with hallucinatory drugs, and a notable cast of characters that would come to include Wallace Stegner, Larry McMurtry, Tom Wolfe, Neal Cassady, Timothy Leary, the Grateful Dead, and Hunter S. Thompson.

Based on meticulous research and many interviews with friends and family, Rick Dodgson’s biography documents Kesey’s early life, from his time growing up in Oregon through his college years, his first drug experiences, and the writing of his most famous books. While a graduate student in creative writing at Stanford University in the late 1950s and early 1960s, Kesey worked the night shift at the Menlo Park Veterans Administration hospital, where he earned extra money taking LSD and other psychedelic drugs for medical studies. Soon he and his bohemian crowd of friends were using the same substances to conduct their own experiments, exploring the frontiers of their minds and testing the boundaries of their society.

With the success of One Flew Over the Cuckoo’s Nest, Kesey moved to La Honda, California, in the foothills of San Mateo County, creating a scene that Hunter S. Thompson remembered as the “world capital of madness.” There, Kesey and his growing band of Merry Prankster friends began hosting psychedelic parties and living a “hippie” lifestyle before anyone knew what that meant. Tom Wolfe’s book The Electric Kool-Aid Acid Test mythologized Kesey’s adventures in the 1960s.

Illustrated with rarely seen photographs, It’s All a Kind of Magic depicts a precocious young man brimming with self-confidence and ambition who—through talent, instinct, and fearless spectacle—made his life into a performance, a wild magic act that electrified American and world culture.

“Rick Dodgson has pored over Kesey’s published and unpublished writings, interviews, and historical records to write a colorful biography of this charismatic American character. The resulting portrayal challenges assumptions about Kesey’s place in the counterculture.”—Journal of American History

“Dodgson’s painstaking research unearths hidden gems of Kesey’s life that marked him as a fascinating figure.”—H-Net

cover of Ivory Towers and Nationalist Minds: Universities, Leadership, and the Development of the American State

Ivory Towers and Nationalist Minds

Universities, Leadership, and the Development of the American State

Mark R. Nemec

University of Michigan Press, 2006

Ivory Towers and Nationalist Minds traces the rise of the great American universities through their formative years, 1862-1920, examining the role of these schools and their leadership in shaping American politics and public policy. Nemec's provocative study demonstrates that universities provided the intellectual and institutional apparatus needed to legitimize federal authority. His work challenges existing scholarship by documenting how the influx of academic expertise into the developing American state was fostered by campus entrepreneurs seeking to establish the social relevance of their institutions, rather than by the state itself.

"A wonderful, learned, and original work, full of present-day relevance. Essential reading for anyone interested in the history of higher education and its relation to professionalism and the growth of the modern state."
--Geoffrey Kabaservice, author of The Guardians: Kingman Brewster, His Circle, and the Rise of the Liberal Establishment

"Ivory Towers and Nationalist Minds contributes greatly to our understanding of the influence of the American university on public life, including the development of the modern American state. Nemec focuses on the universities working in concert to enhance their own influence and that of the state. This is not only a historical issue of interest-it has contemporary resonance. Institutions today compete intensely while cooperating regularly. And public universities like Michigan and California are expected, perhaps more than ever before, to contribute directly to the welfare of their states, especially in economic development."
--J. Douglas Toma, Associate Professor, Institute of Higher Education, University of Georgia

"Ivory Towers and Nationalist Minds fills an important void in the study of American political development and its relationship to the evolution of American higher education. Numerous historical case studies provide vivid evidence of how universities emerged as sources of national expertise and state-building at a critical juncture in our nation's history. Nemec demonstrates that such contributions were not historical inevitabilities, but the product of strategic actors seeking to simultaneously strengthen universities and serve a greater national purpose."
--Scott W. Allard, Brown University

Mark R. Nemec is a Vice President with Forrester Research in Cambridge, Massachusetts. He holds a BA from Yale, and both an MA in Education and a PhD in Political Science from the University of Michigan. He has served on the faculty of Davidson College and as a Senior Director of the Advisory Board Company in Washington, DC.

cover of Ivy and Industry: Business and the Making of the American University, 1880-1980

Ivy and Industry

Business and the Making of the American University, 1880-1980

Christopher Newfield

Duke University Press, 2003

Emphasizing how profoundly the American research university has been shaped by business and the humanities alike, Ivy and Industry is a vital contribution to debates about the corporatization of higher education in the United States. Christopher Newfield traces major trends in the intellectual and institutional history of the research university from 1880 to 1980. He pays particular attention to the connections between the changing forms and demands of American business and the cultivation of a university-trained middle class. He contends that by imbuing its staff and students with seemingly opposed ideas—of self-development on the one hand and of an economic system existing prior to and inviolate of their own activity on the other—the university has created a deeply conflicted middle class.

Newfield views management as neither inherently good nor bad, but rather as a challenge to and tool for negotiating modern life. In Ivy and Industry he integrates business and managerial philosophies from Taylorism through Tom Peters’s “culture of excellence” with the speeches and writings of leading university administrators and federal and state education and science policies. He discusses the financial dependence on industry and government that was established in the university’s early years and the equal influence of liberal arts traditions on faculty and administrators. He describes the arrival of a managerial ethos on campus well before World War II, showing how managerial strategies shaped even fields seemingly isolated from commerce, like literary studies. Demonstrating that business and the humanities have each had a far stronger impact on higher education in the United States than is commonly thought, Ivy and Industry is the dramatic story of how universities have approached their dual mission of expanding the mind of the individual while stimulating economic growth.

cover of Izzy: A Biography of I. F. Stone

Izzy

A Biography of I. F. Stone

Robert C. Cottrell

Rutgers University Press, 2020

This is the classic story of the life and times of I. F. “Izzy” Stone. Robert Cottrell weaves together material from interviews, letters, archival materials, and government documents, and Stone’s own writings to tell the tale of one of the most significant journalists, intellectuals, and political mavericks of the twentieth century. The story of I. F. Stone is the tale of the American left over the course of his lifetime, of liberal and radical ideals which carried such weight throughout the twentieth century, and of journalism of the politically committed variety. Now available in a handsome new Rutgers University Press Classic edition, it is an examination of the life and career of a gregarious yet frequently grumpy loner who became his nation’s foremost radical commentator provides a window through which to examine American radicalism, left-wing journalism, and the evolution of key strands of Western intellectual thought in the twentieth century.

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