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A grippingly personal analysis of J. K. Rowling’s rise as an anti-trans activist, its media and pop cultural context, and trans resistance to the moral panic she has stoked.

In J. K. Rowling and the Anti-Trans Panic, Gina Gwenffrewi weaves her own experience as a trans woman living in Edinburgh, Scotland, with analysis of political and pop cultural discourses and artifacts to deliver a trenchant study of how fellow Edinburgh resident J. K. Rowling’s emergence as a major anti-trans campaigner and the years-long entrenchment of existing anti-trans forces have converged. Analyzing Rowling’s output since 2020, a series of anti-trans events at the University of Edinburgh, the transphobic comedy of Ricky Gervais within the British media landscape, YouTube commentaries, and more, Gwenffrewi creates a potent taxonomy of the rhetorical devices and foundational assumptions of anti-trans discourse. While the 2020s UK has proved fertile ground for “gender-critical” feminism, she argues, it has also provided the foundation for sites of resistance and for bolstering transgender voices worldwide. In celebrating trans activism and trans joy amid adversity, Gwenffrewi beautifully captures the light and dark of being out as trans in the city that—if it can fairly be called ground zero for anti-trans fervor—also embodies liberatory possibilities for trans people worldwide.

Habermas is a hugely influential thinker, yet his writing can be dense and inaccessible. This critical introduction offers undergraduates a clear way into Habermas’s concept of the ‘public sphere’ and its relevance to contemporary society. Luke Goode’s lively account also sheds new light on the ‘public sphere’ debate that will interest readers already familiar with Habermas’s work.

For Habermas, the 'public sphere' was a social forum that allowed people to debate -- whether it was the town hall or the coffee house, maintaining a space for public debate was an essential part of democracy. Habermas’s controversial work examines the erosion of these spaces within consumer society and calls for new thinking about democracy today.

Drawing on Habermas’s early and more recent writings, this book examines the ‘public sphere’ in its full complexity, outlining its relevance to today’s media and culture. It will be of interest to students and scholars in a range of disciplines across the social sciences and humanities.