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From the early 1870s until his death in 1902, John Mackay was among the richest men in the world and was without a doubt the wealthiest man to emerge from Nevada’s fabulous Comstock Lode. Author Michael J. Makley explores how, from his beginnings as a poor Irish immigrant, John Mackay developed a strong work ethic that distinguished him for the rest of his life. He came west to seek his fortune in the California Gold Rush and then moved on to Virginia City, Nevada, where he dealt in mining stocks and operated silver mines. After making a fortune in mining, he transferred his energies to banking and communications.
 
John Mackay offers new insight into the life and achievements of this remarkable man. It also places Mackay in the broader context of his time, an era of robber barons and rampant corruption, rapidly advancing technology, national and international capitalism, and flagrant displays of newfound wealth. Even in this context, he stood out, not only for his contributions to Nevada and mining history, but also for his reputation as an important business leader fighting the consolidation and venality of corporate power in the Gilded Age. His actions freed the Comstock from a financial monopoly, resulting in moderated rates for the milling, timber, shipping, transportation, and water that made mining possible and precipitated the discovery and development of the ore field known as the “Big Bonanza.”

Makley’s book recounts the life and career of one of the most successful men of his age, a capitalist of immense wealth who generously helped those around him and worked diligently in the public interest. This engaging biography will appeal to readers interested in the Comstock Lode and mining in the West during the latter part of the nineteenth century as well as general western history enthusiasts.

John Muir, America’s pioneer conservationist and father of the national park system, was a man of considerable literary talent. As he explored the wilderness of the western part of the United States for decades, he carried notebooks with him, narrating his wanderings, describing what he saw, and recording his scientific researches. This reprint of his journals, edited by Linnie Marsh Wolfe in 1938 and long out of print, offers an intimate picture of Muir and his activities during a long and productive period of his life.
    The sixty extant journals and numerous notes in this volume were written from 1867 to 1911. They start seven years after the time covered in The Story of My Boyhood and Youth, Muir’s uncompleted autobiography. The earlier journals capture the essence of the Sierra Nevada and Alaska landscapes. The changing appearance of the Sierras from Sequoia north and beyond the Yosemites enthralled Muir, and the first four years of the journals reveal his dominating concern with glacial action. The later notebooks reflect his changes over the years, showing a mellowing of spirit and a deep concern for human rights.
    Like all his writings, the journals concentrate on his observations in the wilderness. His devotion to his family, his many warm friendships, and his many-sided public life are hardly mentioned. Very little is said about the quarter-century battle for national parks and forest reserves. The notebooks record, in language fuller and freer than his more formal writings, the depth of his love and transcendental feeling for the wilderness. The rich heritage of his native Scotland and the unconscious music of the poetry of Burns, Milton, and the King James Bible permeate the language of his poetic fancy.
    In his later life, Muir attempted to sort out these journals and, at the request of friends, published a few extracts. A year after his death in 1914, his literary executor and biographer, William Frederick Badè, also published episodes from the journals. Linnie Marsh Wolfe set out to salvage the best of his writings still left unpublished in 1938 and has thus added to our understanding of the life and thought of a complex and fascinating American figure.

This eye-opening personal history tells the story of an American college professor’s twenty-year engagement with a thriving Africa rarely encountered by Western visitors, including an extraordinary connection to poets across the continent. At once adventurous, spiritual, political, dreamlike, and humorous, Joining Africa is a unique documentary of a journey through the continent, including an intense five-year encounter with economically struggling but culturally fertile Eritrea. The Africa presented here is neither a postcolonial study nor an exotic tourist destination. It is rich with the voices of its people, whose languages, Cantalupo argues, have greater potential to effect change than any NGO or high-profile celebrity. In vibrant prose, Cantalupo’s book extends a stirring invitation to reevaluate how we engage—both individually and collectively—with this remarkable part of the world.

In this remarkable book, recounting his long, influential career as a congressman from New York, Stephen Solarz gives an insider’s view of the life of a hard-working legislator in the forefront of democracy movements and human rights during a tumultuous time in our nation’s history. A member of the class of 1974, the so-called “Watergate” class, when 75 freshman Democrats were elected to the Congress, Solarz was part of the group that brought about a power shift in the House from an inner circle of senior committee chairs to a much larger group of subcommittee leaders. Early on he sought and won a seat on the House Foreign Affairs Committee, where he earned a reputation as an expert in international relations, traveling to more than 100 countries and meeting the likes of Anwar Sadat, Menachem Begin, Nelson Mandela, Indira Gandhi, Saddam Hussein, Kim Il Sung, and Robert Mugabe. Solarz gives fascinating, detailed descriptions of his role in bringing democracy to South Korea and Taiwan, the triumph of people power in the Philippines, the peace agreement in Cambodia, the abolition of apartheid in South Africa, and the adoption of the resolution authorizing the use of force in the first Gulf War. Written in an engaging style, Journeys to War and Peace will appeal to all who value the struggle for human rights and seek a better understanding between differing cultures and peoples.

An eye-opening account of time served in the great battles of our century— for workers’ rights, against Fascism, Communism, and racism—Jumping the Line is the life story of an American original. William Herrick chronicles his adventures and misadventures on the front lines of the Spanish Civil War, in (and very much out of) the Communist Party, driving a tractor on a communal farm in Michigan, jumping the line as a hobo, organizing African American sharecroppers in Georgia, at work with Orson Welles, and immersed in his own writing.
     Herrick chronicles a life of great conviction and great disillusion. He went to Spain in 1936 to fight against the Fascists and there witnessed the horrifying acts that Fascists and Communists alike committed, before he was felled by a near-fatal wound. Here he tells about the life that led him, a working-class Jewish kid from New York, into the idealism and then the murky politics of this internecine conflict. From the bloody fight in Spain he takes us to the battlefields of the Communist movement in the U.S., where he found himself parading up and down the garment district of Manhattan, denouncing his former comrades.
     When Paul Berman interviewed Herrick in the Village Voice in 1986, for the fiftieth anniversary of the Spanish Civil War, Herrick’s remarks so incensed other veterans of the Abraham Lincoln battalion that they picketed the paper. What William Herrick has to say doesn’t always go down easily. But for those who like the truth, with a dash of wit and a healthy dose of history, it can be exhilarating.

Winner, 2021 Housatonic Book Award
Finalist for the Publishing Triangle's Judy Grahn Award for Lesbian Nonfiction

You have a history, and a body. You are a history, and a body. Your body has (is) a history, too. As a girl, Julie Marie Wade was uninterested in makeup, boy-watching, and other trappings of conventional girlhood, much to her mother’s disappointment. Grace Kelly and Marilyn Monroe—movie stars immortalized as feminine ideals, even as they both died tragically and young—were lodestars that threw Wade’s own definition of beauty into relief as she stumbled into adulthood.

Now, in Just an Ordinary Woman Breathing, Wade traces the intimate story of coming of age in one particular body (as a lesbian, an only child, a Protestant attending Catholic school). She uses the language and tenets of music, math, religion, fairy tales, poetry, and art to reckon with the many facets of embodiment, sexuality, and love in our contemporary world. The diet industry, popular culture, and her own family all provide rich material for what is ultimately a lyrical and unflinching investigation into the questions that prickle deep within the human heart.
 

How do memoirists make their work interesting, daring, exciting, and unorthodox enough so that they attract an audience, yet not so heinous and scandalous that their readers are unable to empathize or identify with them? In Justifiable Conduct, renowned sociologist Erich Goode explores the different strategies memoirists use to "neutralize" their alleged wrongdoing and fashion a more positive image of themselves for audiences. He examines how writers, including James Frey, Susan Cheever, Roman Polanski, Charles Van Doren and Elia Kazan, explain, justify, contextualize, excuse, or warrant their participation in activities such as criminal behavior, substance abuse, sexual transgressions, and political radicalism.

Using a theory of deviance neutralization, Goode assesses the types of behavior exhibited by these memoirists to draw out generic narratives that are most effective in attempting to absolve the actor-author. Despite the highly individualistic and variable lives of these writers, Goode demonstrates that memoirists use a conventional vocabulary for their unconventional behavior.