2817 books match the query 'Nature' and 15 start with j

cover of Jack London and the Sea

Jack London and the Sea

Anita Duneer

University of Alabama Press, 2022

The first book-length study of London as a maritime writer

Jack London’s fiction has been studied previously for its thematic connections to the ocean, but Jack London and the Sea marks the first time that his life as a writer has been considered extensively in relationship to his own sailing history and interests. In this new study, Anita Duneer claims a central place for London in the maritime literary tradition, arguing that for him romance and nostalgia for the Age of Sail work with and against the portrayal of a gritty social realism associated with American naturalism in urban or rural settings. The sea provides a dynamic setting for London’s navigation of romance, naturalism, and realism to interrogate key social and philosophical dilemmas of modernity: race, class, and gender. Furthermore, the maritime tradition spills over into texts that are not set at sea.

Jack London and the Sea does not address all of London’s sea stories, but rather identifies key maritime motifs that influenced his creative process. Duneer’s critical methodology employs techniques of literary and cultural analysis, drawing on extensive archival research from a wealth of previously unpublished biographical materials and other sources. Duneer explores London’s immersion in the lore and literature of the sea, revealing the extent to which his writing is informed by travel narratives, sensational sea yarns, and the history of exploration, as well as firsthand experiences as a sailor in the San Francisco Bay and Pacific Ocean.

Organized thematically, chapters address topics that interested London: labor abuses on “Hell-ships” and copra plantations, predatory and survival cannibalism, strong seafaring women, and environmental issues and property rights from San Francisco oyster beds to pearl diving in the Paumotos. Through its examination of the intersections of race, class, and gender in London’s writing, Jack London and the Sea plumbs the often-troubled waters of his representations of the racial Other and positions of capitalist and colonial privilege. We can see the manifestation of these socioeconomic hierarchies in London’s depiction of imperialist exploitation of labor and the environment, inequities that continue to reverberate in our current age of global capitalism.



 
 

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cover of James Oliver Curwood: God's Country and the Man

James Oliver Curwood

God's Country and the Man

Judith A. Eldridge

University of Wisconsin Press, 1993

    When the wounded bear he faced on a mountain ledge that day turned aside, James Curwood felt that he had been spared. From this encounter he became an avid conservationist. He wrote relentlessly—magazine stories and books and then for the new medium of motion pictures. Like many authors of his time, he was actively involved in movie-making until the plight of the forests and wildlife in his home state of Michigan turned his energies toward conservation.
    A man ahead of his time, and quickly forgotten after his death in 1927, his gift of himself to his readers and to nature has finally come to be appreciated again two generations later.

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cover of James Sowerby: The Enlightenment's Natural Historian

James Sowerby

The Enlightenment's Natural Historian

Paul Henderson

Royal Botanic Gardens, Kew, 2015

The mid-eighteenth to mid-nineteenth century was a time of illustrious achievements in the world of botanical art. Artists who once sought to please the whims of wealthy patrons were turning to scientists for inspiration, and they now had access to countless new botanical specimens thanks to prolific explorers and plant hunters. One of the best botanical artists and most knowledgeable natural historians of this era was James Sowerby (1757–1822). Talented and prolific, his crowning achievement was Sowerby's Botany, a thirty-six volume work on the botany of England that contained 2,592 hand-colored botanical engravings. Despite Sowerby’s place in the pantheon of botanical artists, no full biography of the artist exists. Paul Henderson remedies this with a thoroughly researched and wholly fascinating look at Sowerby’s life and legacy.

Henderson explores Sowerby’s artistic achievements as well as his place at the center of a thriving network of artists and scientists. Sowerby worked closely with key botanists of the time, influencing the likes of Sir Joseph Banks and James Smith, as well as Dawson Turner, James Dickson, Aylmer Lambert, and William Woodville. He also contributed illustrations to the earliest volumes of The Botanical Magazine (later known as Curtis's Botanical Magazine). Specimens from his collection round out the holdings of museums around the world, and he has become the paterfamilias of a talented line of botanical and natural science illustrators.

Henderson’s Sowerby’s Botany is beautifully illustrated with Sowerby’s artwork and includes extracts from letters, manuscripts, and natural history publications. It is a fascinating story of an influential artist working at the intersections of art and nature at a time of unprecedented scientific enlightenment.
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cover of Jellyfish: A Natural History

Jellyfish

A Natural History

Lisa-ann Gershwin

University of Chicago Press, 2016

Jellyfish, with their undulating umbrella-shaped bells and sprawling tentacles, are as fascinating and beautiful as they are frightening and dangerous. They are found in every ocean at every depth, and they are the oldest multi-organed life form on the planet, having inhabited the ocean for more than five hundred million years. In many places they are also vastly increasing in number, and these population blooms may be an ominous indicator of the rising temperatures and toxicity of the world’s oceans.

Jellyfish presents these aquarium favorites in all their extraordinary and captivating beauty. Fifty unique species, from stalked jellyfish to black sea nettles, are presented in stunning color photographs along with the most current scientific information on their anatomy, history, distribution, position in the water, and environmental status. Foremost jellyfish expert Lisa-ann Gershwin provides an insightful look at the natural history and biology of each of these spellbinding creatures, while offering a timely take on their place in the rapidly changing and deteriorating condition of the oceans. Readers will learn about immortal jellyfish who live and die and live again as well as those who camouflage themselves amid sea grasses and shells, hiding in plain sight.
 
Approachably written and based in the latest science and ecology, this colorful book provides an authoritative guide to these ethereal marine wonders.
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cover of Jens Jensen: Nature’s Artist

Jens Jensen

Nature’s Artist

William H. Tishler

University of Illinois Press, 2026

A biography of the influential landscape architect
 
Celebrated as one of the great landscape architects of his era, Jens Jensen drew on his love of nature to transform Illinois and the Midwest. Chicago’s Columbus Park and the Lincoln Memorial Garden in Springfield, Illinois, remain part of his vast living legacy while Jensen’s conservation work influenced the establishment of national parks and natural spaces. A member of the Prairie School, Jensen’s affinity for nature found expression not only in public spaces but in his estate designs for Henry Ford and other industrialists. William H. Tishler tracks Jensen’s career and provides a wealth of new information on his personal life: his fierce dislike of and independence from the eastern establishment, and his bold proposals for the Indiana Dunes and other spaces. Tishler also examines Jensen’s semi-retirement in Door County and his creation of The Clearing, a folk school devoted to connecting human beings with nature.

Revealing and expert, Jens Jensen illuminates the processes, challenges, and passion that shaped a visionary’s work and world.
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cover of Jens Jensen: Writings Inspired by Nature

Jens Jensen

Writings Inspired by Nature

William H. Tishler

Wisconsin Historical Society Press, 2012

Jens Jensen (1860-1951) was one of America's most distinguished landscape architects and a pioneering conservationist. During his long and productive career, this Danish-born visionary worked for and with some of the country's most prominent citizens and architects, including Henry Ford, Louis Sullivan, and Frank Lloyd Wright. He became internationally renowned for his design of landscapes throughout the Midwest and beyond, his contributions to the American conservation movement, and his design philosophy that emphasized the significance of nature in people's lives. He found inspiration in the landscape, particularly the plants native to a region, and was an environmentalist long before the term became popular.
Today, Jensen is perhaps best remembered for establishing The Clearing on Wisconsin's Door County Peninsula. But the outspoken views in his writings - many of which were included in ephemeral planning reports, early newspapers, and now out-of-print journals - are virtually forgotten, with the exception of his two small books. "Jens Jensen: Writings Inspired by Nature" is an anthology of Jensen's most significant yet lesser-known articles, including a "Saturday Evening Post" piece that enabled him to reach the largest audience of his publishing career. The scope of Jensen's thoughts represented in this collection will further solidify his legacy and rightful place alongside conservation leaders such as John Muir and Aldo Leopold.
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cover of Jim Burns' Arizona Birds: From the Backyard to the Backwoods

Jim Burns' Arizona Birds

From the Backyard to the Backwoods

Jim Burns

University of Arizona Press, 2008

Arizona is renowned as a premier birding state, a place where many species rarely seen anywhere else in the country reach the northern end of their migratory range. Jim Burns’ Arizona Birds is a lively portrayal of the habits and habitats of seventy-five of these unique southwestern species. Burns has written much more than a field guide, site guide, or scientific survey. He has compiled and expanded upon his feature column Arizona Special Species to create an original kind of birding book that is more at home on your bedside table than in your backpack. Bird-watchers new to the game will find a wealth of knowledge on and insight into some familiar favorites, as well as an idea of what it takes to accomplish more uncommon sightings.

Veteran birders will appreciate Burns’ unique incorporation of natural history and other details beyond the usual taxonomic data, and will enjoy reminders of their own triumphs and heartbreaks in his colorful personal accounts of vehicular breakdowns, photographic faux pas, and egregious identification errors in the field. Illustrated in full color by seventy-five of the author’s own outstanding photographs, this book also features a five-level rating system, beginning with birds you can see in your own backyard and ending with those requiring either pure dumb luck or years of study and perseverance to spot. But whether you have spent years in search of the Flammulated Owl or are just curious about the wildlife in your desert backyard, this book will have you laughing, learning, and reaching for the binoculars in hopes of creating your own encounters with Arizona’s incredible bird species.
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cover of John Abbot and William Swainson: Art, Science, and Commerce in Nineteenth-Century Natural History Illustration

John Abbot and William Swainson

Art, Science, and Commerce in Nineteenth-Century Natural History Illustration

Janice Neri, Tara Nummedal, and John V. Calhoun

University of Alabama Press, 2019

An archive of never-before-published illustrations of insects and plants painted by a pioneering naturalist

During his lifetime (1751–ca. 1840), English-born naturalist and artist John Abbot rendered more than 4,000 natural history illustrations and profoundly influenced North American entomology, as he documented many species in the New World long before they were scientifically described. For sixty-five years, Abbot worked in Georgia to advance knowledge of the flora and fauna of the American South by sending superbly mounted specimens and exquisitely detailed illustrations of insects, birds, butterflies, and moths, on commission, to collectors and scientists all over the world.

Between 1816 and 1818, Abbot completed 104 drawings of insects on their native plants for English naturalist and patron William Swainson (1789–1855). Both Abbot and Swainson were artists, naturalists, and collectors during a time when natural history and the sciences flourished. Separated by nearly forty years in age, Abbot and Swainson were members of the same international communities and correspondence networks upon which the study of nature was based during this period.
 
The relationship between these two men—who never met in person—is explored in John Abbot and William Swainson: Art, Science, and Commerce in Nineteenth-Century Natural History Illustration. This volume also showcases, for the first time, the complete set of original, full-color illustrations discovered in 1977 in the Alexander Turnbull Library in Wellington, New Zealand. Originally intended as a companion to an earlier survey of insects from Georgia, the newly rediscovered Turnbull manuscript presents beetles, grasshoppers, butterflies, moths, and a wasp. Most of the insects are pictured with the flowering plants upon which Abbot thought them to feed. Abbot’s journal annotations about the habits and biology of each species are also included, as are nomenclature updates for the insect taxa.

Today, the Turnbull drawings illuminate the complex array of personal and professional concerns that informed the field of natural history in the eighteenth and nineteenth centuries. These illustrations are also treasured artifacts from times past, their far-flung travels revealing a world being reshaped by the forces of global commerce and information exchange even then. The shared project of John Abbot and William Swainson is now brought to completion, signaling the beginning of a new phase of its significance for modern readers and scholars.
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cover of John Muir Sierra

John Muir Sierra

Robert E. Engberg

University of Wisconsin Press, 1984

"This is a collection of articles written by the pioneering naturalist for the San Francisco Evening Bulletin in 1874 and 1875.  .  .  .  In the course of his wanderings we hear Muir grow from a student of the wilderness to its professor and protector."—Sierra Magazine
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cover of John Muir To Yosemite And Beyond

John Muir To Yosemite And Beyond

Robert Engberg

University of Utah Press, 1999

When John Muir died in 1914, the pre-eminent American naturalist, explorer, and conservationist had not yet written the second volume of his autobiography, in which he planned to cover his Yosemite years. Editors Robert Engberg and Donald Wesling have here provided a remedy.

Their account begins in 1863, the year Muir left the University of Wisconsin for what he termed the "University of the Wilderness." Following an accident in 1867 that nearly left him blind, he vowed to turn from machines and continue to study nature. That led, in 1868, to his first visit to Yosemite Valley, where he began his glacier studies. Muir spent much time exploring the Yosemite region, Tuolumne, and both the southern and northern Sierras, publishing articles, and keeping extensive journals through 1875, when he began to write for the San Francisco Bulletin and expanded his travels to areas throughout the west.

Mining a rich vein of sources—Muir’s letters, journals, articles, and unpublished manuscripts, as well as selections drawn from biographical pieces written about Muir by people who met him in Yosemite in the early 1870s—Engberg and Wesling have assembled what they term a "composite autobiography," providing brief interpretive and transitional passages throughout the book. This work is especially valuable because it documents Muir’s formative years, when he is maturing away from "conventional cultural paradigms of work and materialism toward new ways of thinking about nature and its impact on human development."
 

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cover of Joshua Tree: Desolation Tango

Joshua Tree

Desolation Tango

Text by Deanne Stillman; Photographs by Galen Hunt

University of Arizona Press, 2006

In a subtle dance of arid solitude, two southern California deserts come together at Joshua Tree National Park. One is the Colorado Desert—an extension of the Sonoran Desert—and features natural gardens of ocotillo and cholla cactus. The other end of the park engages the Mojave Desert, the special habitat of the Joshua tree as well as some of the most interesting geologic displays found anywhere. After the area became a national monument in 1936, local and regional residents were the primary visitors. As Southern California grew so did park visitation; Joshua Tree now lies within a three-hour drive of more than 18 million people. Elevated from national monument to national park status in 1994, Joshua tree now sees greater numbers of visitors than ever from around the nation and the world. For Deanne Stillman, Joshua Tree is a place of pilgrimage. Her own desert mecca, the park speaks to her in ways that no other place does. With crisp and impassioned narrative she takes the reader through the park’s wonders, including a talking cactus, mysterious petroglyphs, and rocks in the shape of the late New York Yankees manager Billy Martin. Stunning photographs by Galen Hunt further accentuate the gorgeous landscape, highlighting the growing need to preserve its beauty. While it explores the park’s history, geology, flora, and fauna, Joshua Tree also is a plea to walk lightly on the land, to conserve our natural heritage, and to appreciate places that call out to the soul.

Additional Information and Publicity
Electric Politics Review
World Hum Excerpt
Arroyo Monthly
San Bernardino Sun Christmas Pick
Los Angeles Times Profile
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cover of Journeys with Emperors: Tracking the World's Most Extreme Penguin

Journeys with Emperors

Tracking the World's Most Extreme Penguin

Gerald L. Kooyman and Jim Mastro

University of Chicago Press, 2023

With stunning photographs from the ice edge, a firsthand account of a researcher’s time in Antarctica and of the perilous journeys of the world’s largest penguin species: the iconic emperor.
 
Nearly all emperor penguin colonies are extremely remote; of the sixty-six known, fewer than thirty have been visited by humans, and even fewer have been the subject of successful research programs. One of the largest known emperor penguin colonies is found on a narrow band of sea ice attached to the Antarctic continent. In Journeys with Emperors, Gerald L. Kooyman and Jim Mastro take us to this far-flung colony in the Ross Sea, showing us how scientists gained access to it, and what they learned while living among the penguins as they raised their chicks.
 
The primary mission was to record the birds’ activities at sea, and the data revealed important aspects of emperor penguin behavior and physiology: for instance, that in the course of hunting for food, some of the penguins dive to depths of greater than five hundred meters (a third of a mile, which is deeper than for any other diving bird). The researchers also discovered that, crucially, most of the emperor’s life is actually spent at sea, with fledged chicks and adults making separate, perilous journeys through icy water. When chick nurturing is complete, the fledglings abandon the colony in large groups, heading north to the Southern Ocean. The adults leave at the same time, traveling one thousand kilometers eastward across the Ross Sea to a sea-ice sanctuary for molting. During this journey, they must gain enough weight to survive the month-long molt, when every feather is replaced and the birds cannot enter the water to feed. After the molt, many if not most return to the colony to breed once again. For the males, this means another fast—this time for 120 days as they incubate their eggs. The nearness of the colony to the ice edge spared the penguins the long, energy-draining march for which other colonies are well-known. It also allowed researchers to observe the penguins’ departures to and arrivals from their foraging journeys, as well as their dangerous interactions with leopard seals and killer whales.
 
Featuring original color photographs and complemented with online videos, Journeys with Emperors is both an eye-opening overview of the emperor penguin’s life and a thrilling tale of scientific discovery in one of the most remote, harsh, and beautiful places on Earth.
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cover of Joy (Or Something Darker, but Like It): poetry & parenting

Joy (Or Something Darker, but Like It)

poetry & parenting

Nathaniel Perry

University of Michigan Press, 2024

Joy (Or Something Darker, but Like It), the first book of nonfiction by poet Nathaniel Perry, is a group of essays that considers poetry in the context of parenting—what poems and poets might teach us about parenting, what parenting might teach us about poetry, and also, what either of those things might have to teach us about simply being a relatively successful human being. While other poets have written about parenthood, few books consider how parenthood and poetry themselves intersect. The essays are affable and never technical, but take seriously the idea that thinking about poems might help us all think about our other roles in life, as parents, lovers, citizens, and friends. The book, in the end, imagines that this kind of insight is maybe one of the things most useful about poetry. It isn't, or at least doesn't have to be, always about itself; it can instead, surprisingly and wonderfully, be about us.

Each of the twelve essays considers a different poet—Edward Thomas, Henry W. Longfellow, George Scarbrough, Elizabeth Bishop, Geoffrey Hill, Primus St. John, Robert Hayden, Elizabeth Coatsworth, Gwendolyn Brooks, Robert Frost, E.A. Robinson, and Belle Randall—and, alongside them, different concerns of parenting and living. Organized in chronological order, they track the growth of Nathaniel Perry’s own children who pop up from time to time in a believable way. Essays consider the idea of devotion and belief, the idea of imperfection, the small details we can focus on as parents, and the conceptions of the world we pass along to our children. Together these essays not only represent the author's personal canon of poets who have been important to him in his life and work, but also present a diverse slice of American poetry, in voice, form, identity, origin, and time period.
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cover of Jungle of the Maya

Jungle of the Maya

Photographs by Douglas Goodell and Jerry Barrack, Text by Jim Wright

University of Texas Press, 2006

The Selva Maya (Jungle of the Maya) is one of the world's most magical yet least appreciated places—an enormous tropical forest that encompasses much of Belize, Guatemala, and Mexico's Yucatan Peninsula. At 9,000,000 acres, it is the largest contiguous tropical forest north of the Amazon in the Western Hemisphere. Within its borders, the Selva Maya provides habitat for an astonishing diversity of plants and animals—more than 500 species of birds alone. The forest also contains the fascinating ruins of ancient Maya cities, which attract visitors and researchers from all over the globe.

Jungle of the Maya presents a stunning photographic portrait of this irreplaceable natural treasure. Nature photographers Douglas Goodell and Jerry Barrack capture the living wonders of the jungle—jaguars and other cats; spider and howler monkeys; hummingbirds and butterflies; and snakes, amphibians, and insects—as well as the region's hallmark Maya sites, including Tikal, Chichen Itza, Uxmal, and Tulum. Environmental writer Jim Wright invitingly describes the Selva Maya's natural and human history, helping visitors and residents appreciate the riches to be found in the forest and the need to protect and preserve them for generations to come.

Because human activities are encroaching more and more on the Mayan forest, Jungle of the Maya is a beautiful book with a timely message. As renowned naturalist Archie Carr III sums it up in his foreword, "Today, the Selva Maya is at risk again. As modern beings, can we manage the forest better than we believe the ancient Maya did? We should. We have the archaeological record to draw from. We have modern science. And we still have inspiration whispered to us by spirits in the great plazas of Tikal and beyond. Turn the pages, and witness."

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cover of Juvenile Primates: Life History, Development and Behavior, with a new Foreword

Juvenile Primates

Life History, Development and Behavior, with a new Foreword

Edited by Michael E. Pereira and Lynn A. Fairbanks

University of Chicago Press, 2003

The first and still the only book focused exclusively on juvenile primates, this collection presents original research covering all the major divisions of primates, from prosimians to humans. Contributors explore the evolutionary history of the juvenile stage in primates, differences in behavior between juvenile males and females, how juvenile behaviors act both to prepare juveniles for adulthood and to help them survive the juvenile stage, how juveniles learn about and participate in social conflict and dominance relationships, and the similarities and differences between development of juvenile human and nonhuman primates. This edition includes a new foreword and bibliography prepared by the editors.

Contributors:
Filippo Aureli, Bernard Chapais, Marina Cords, Carolyn M. Crockett, Frans B. M. de Waal, Carolyn Pope Edwards, Robert Fagen, Carole Gauthier, Paul H. Harvey, Charlotte K. Hemelrijk, Loek A. M. Herremans, Julia A. Horrocks, Wayne Hunte, Charles H. Janson, Nicholas Blurton Jones, Katharine Milton, Leanne T. Nash, Timothy G. O'Brien, Mark D. Pagel, Theresa R. Pope, Anne E. Pusey, Lal Singh Rajpurohit, John G. Robinson, Thelma Rowell, Daniel I. Rubenstein, Volker Sommer, Elisabeth H. M. Sterck, Karen B. Strier, Carel P. van Schaik, Maria A. van Noordwijk, David P. Watts, and Carol M. Worthman.
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