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94 books match the query 'New' and 2 start with j

cover of Jersey Blue: Civil War Politics in New Jersey, 1854–1865

Jersey Blue

Civil War Politics in New Jersey, 1854–1865

Gillette, William

Rutgers University Press, 1994

This political history of New Jersey during the Civil War and the years immediately before and after invites us to rethink New Jersey's role and in particular its relationship to the border states. William Gillette argues that there is little evidence supporting the idea that New Jersey's residents were pro-southern before the war, or even antiwar during it, although attitudes toward the abolition of slavery were more ambivalent. The perspectives Gillette offers in Jersey Blue, from the recruiting ground, the battlefield, and the home front, cast new light on New Jersey's wartime activities, state identity, and our understanding of the interrelationships between New Jersey's national, regional, and state developments.

Gillette takes a broader view of the politics of the Civil War as he touches on the economy, geography, demography, immigration, nativism, conscription, and law. The result is a pioneering history of New Jersey that deepens our understanding of the Civil War.
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cover of Jewish Musical Modernism, Old and New

Jewish Musical Modernism, Old and New

Edited by Philip V. Bohlman

University of Chicago Press, 2009

Tackling the myriad issues raised by Sander Gilman’s provocative opening salvo—”Are Jews Musical?”—this volume’s distinguished contributors present a series of essays that trace the intersections of Jewish history and music from the late nineteenth century to the present.

Covering the sacred and the secular, the European and the non-European, and all the arenas where these realms converge, these essays recast the established history of Jewish culture and its influences on modernity. Mitchell Ash explores the relationship of Jewish scientists to modernist artists and musicians, while Edwin Seroussi looks at the creation of Jewish sacred music in nineteenth-century Vienna. Discussing Jewish musicologists in Austria and Germany, Pamela Potter details their contributions to the “science of music” as a modern phenomenon. Kay Kaufman Shelemay investigates European influence in the music of an Ethiopian Jewish community, and Michael P. Steinberg traces the life and works of Charlotte Salomon, whose paintings staged the destruction of the Holocaust. Bolstered by Philip V. Bohlman’s wide-ranging introduction and epilogue, and featuring lush color illustrations and a complementary CD of the period’s music, this volume is a lavish tribute to Jewish contributions to modernity.

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