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3703 books match the query '19th century' and 53 start with j

cover of Julian Hawthorne: The Life of a Prodigal Son

Julian Hawthorne

The Life of a Prodigal Son

Gary Scharnhorst

University of Illinois Press, 2014

Julian Hawthorne (1846-1934), Nathaniel Hawthorne's only son, lived a long and influential life marked by bad circumstances and worse choices. Raised among luminaries such as Thoreau, Emerson, and the Beecher family, Julian became a promising novelist in his twenties, but his writing soon devolved into mediocrity.

What talent the young Hawthorne had was spent chasing across the changing literary and publishing landscapes of the period in search of a paycheck, writing everything from potboilers to ad copy. Julian was consistently short of funds because--as biographer Gary Scharnhorst is the first to reveal--he was supporting two households: his wife in one and a longtime mistress in the other.

The younger Hawthorne's name and work ethic gave him influence in spite of his haphazard writing. Julian helped to found Cosmopolitan and Collier's Weekly. As a Hearst stringer, he covered some of the era's most important events: McKinley's assassination, the Galveston hurricane, and the Spanish-American War, among others.

When Julian died at age 87, he had written millions of words and more than 3,000 pieces, out-publishing his father by a ratio of twenty to one. Gary Scharnhorst, after his own long career including works on Mark Twain, Oscar Wilde, and other famous writers, became fascinated by the leaps and falls of Julian Hawthorne. This biography shows why.

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cover of Junius And Joseph: Presidential Politics and the Assassination of the First Mormon Prophet

Junius And Joseph

Presidential Politics and the Assassination of the First Mormon Prophet

Robert S. Wicks & Fred R. Foister

Utah State University Press, 2005

"Junius and Joseph examines Joseph Smith's nearly forgotten [1844] presidential bid, the events leading up to his assassination on June 27, 1844, and the tangled aftermath of the tragic incident. It... establishes that Joseph Smith's murder, rather than being the deadly outcome of a spontaneous mob uprising, was in fact a carefully planned military-style execution. It is now possible to identify many of the key individuals engaged in planning his assassination as well as those who took part in the assault on Carthage jail. And furthermore, this study presents incontrovertible evidence that the effort to remove the Mormon leader from power and influence extended well beyond Hancock County [Illinois] (and included prominent Whig politicians as well as the Democratic governor of the state), thereby transforming his death from an impulsive act by local vigilantes into a political assassination sanctioned by some of the most powerful men in Illinois. The circumstances surrounding Joseph Smith's death also serve to highlight the often unrecognized truth that a full understanding of early Mormon history can be gained only when considered in the context of events taking place in American society as a whole."
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cover of Just One of the Boys: Female-to-Male Cross-Dressing on the American Variety Stage

Just One of the Boys

Female-to-Male Cross-Dressing on the American Variety Stage

Gillian Rodger

University of Illinois Press, 2018

Female-to-male crossdressing became all the rage in the variety shows of nineteenth-century America and began as the domain of mature actresses who desired to extend their careers. These women engaged in the kinds of raucous comedy acts usually reserved for men. Over time, as younger women entered the specialty, the comedy became less pointed and more centered on the celebration of male leisure and fashion.

Gillian M. Rodger uses the development of male impersonation from the early nineteenth century to the early twentieth century to illuminate the history of the variety show. Exploding notions of high- and lowbrow entertainment, Rodger looks at how both performers and forms consistently expanded upward toward respectable—and richer—audiences. At the same time, she illuminates a lost theatrical world where women made fun of middle-class restrictions even as they bumped up against rules imposed in part by audiences. Onstage, the actresses' changing performance styles reflected gender construction in the working class and shifts in class affiliation by parts of the audiences. Rodger observes how restrictive standards of femininity increasingly bound male impersonators as new gender constructions allowed women greater access to public space while tolerating less independent behavior from them.

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