Results by title

Many people think of Jews as victims of a particular sort of racism, not as active participants in the development of racial thinking in the nineteenth and twentieth centuries. Yet many Jews did take up racial discourse and used it to analyze Judaism, Jewish history, and the contemporary condition of world Jewry. Race discourse generated by Jews was in part apologetic, a response to racial antisemitism; however, it also served other political and ideological needs. Focusing primarily on works written at the height of the racial hygiene and eugenics movements in Europe and North America, this diverse anthology shows how Jewish scholars and popular writers in Europe, North America, and Palestine developed racial interpretations of Judaism and Jewish history, thereby raising fascinating and thorny issues about the nature and history of racial discourse in Europe and America. Designed for class adoption, the volume contains annotations and an introduction by the editor.

Jews have always been one of Nevada’s most active and influential ethnic minorities. They were among the state’s earliest Euro-American settlers, and from the beginning they have been involved in every area of the state’s life as businessmen, agrarians, scholars, educators, artists, politicians, and civic, professional, and religious leaders. Jews in Nevada is an engaging, multilayered chronicle of their lives and contributions to the state. Here are absorbing accounts of individuals and families who helped to settle and develop the state, as well as thoughtful analyses of larger issues, such as the reasons Jews came to Nevada in the first place, how they created homes and interacted with non-Jews, and how they preserved their religious and cultural traditions as a small minority in a sparsely populated region.

Why do well-educated, highly Americanized, and financially secure Jews join a synagogue and participate in its religious life? This study of Conservative Jews examines the largest movement of synagogue-affiliated Jews in the United States, a group that outnumbers the combined membership of Reform and Orthodox congregations and a population that adheres to a centrist version of Judaism. The scholars who contribute to this study ask a series of provocative questions: How do these Jews negotiate the tensions between the traditional values of their religion and modern sensibilities? What meaning do they find in synagogue participation? How crucial are rabbis in the "success" of congregations?

Written by a team of scholars employing the tools of demography, ethnography, sociology, history, and comparative religious studies, Jews in the Center offers the most comprehensive view of any religious movement within American Judaism----and indeed, one of the most detailed studies of any denomination in American religious life.

Jews in the Center seeks to understand how synagogues function as congregations and to what extent they allow for individual self-expression. By focusing on a mainstream population, this book sheds light on religious people who generally receive the least attention----the broad center who neither retreat from society nor blur all boundaries between their religion and modern American culture.

Why do well-educated, highly Americanized, and financially secure Jews join a synagogue and participate in its religious life? This study of Conservative Jews examines the largest movement of synagogue-affiliated Jews in the United States, a group that outnumbers the combined membership of Reform and Orthodox congregations and a population that adheres to a centrist version of Judaism. The scholars who contribute to this study ask a series of provocative questions: How do these Jews negotiate the tensions between the traditional values of their religion and modern sensibilities? What meaning do they find in synagogue participation? How crucial are rabbis in the "success" of congregations?

Written by a team of scholars employing the tools of demography, ethnography, sociology, history, and comparative religious studies, Jews in the Center offers the most comprehensive view of any religious movement within American Judaism----and indeed, one of the most detailed studies of any denomination in American religious life.

Jews in the Center seeks to understand how synagogues function as congregations and to what extent they allow for individual self-expression. By focusing on a mainstream population, this book sheds light on religious people who generally receive the least attention----the broad center who neither retreat from society nor blur all boundaries between their religion and modern American culture.

In Jezebel Unhinged Tamura Lomax traces the use of the jezebel trope in the black church and in black popular culture, showing how it is pivotal to reinforcing men's cultural and institutional power to discipline and define black girlhood and womanhood. Drawing on writing by medieval thinkers and travelers, Enlightenment theories of race, the commodification of women's bodies under slavery, and the work of Tyler Perry and Bishop T. D. Jakes, Lomax shows how black women are written into religious and cultural history as sites of sexual deviation. She identifies a contemporary black church culture where figures such as Jakes use the jezebel stereotype to suggest a divine approval of the “lady” while condemning girls and women seen as "hos." The stereotype preserves gender hierarchy, black patriarchy, and heteronormativity in black communities, cultures, and institutions. In response, black women and girls resist, appropriate, and play with the stereotype's meanings. Healing the black church, Lomax contends, will require ceaseless refusal of the idea that sin resides in black women's bodies, thus disentangling black women and girls from the jezebel narrative's oppressive yoke.

In Jihād in West Africa during the Age of Revolutions, a preeminent historian of Africa argues that scholars of the Americas and the Atlantic world have not given Africa its due consideration as part of either the Atlantic world or the age of revolutions. The book examines the jihād movement in the context of the age of revolutions—commonly associated with the American and French revolutions and the erosion of European imperialist powers—and shows how West Africa, too, experienced a period of profound political change in the late eighteenth through the mid-nineteenth centuries. Paul E. Lovejoy argues that West Africa was a vital actor in the Atlantic world and has wrongly been excluded from analyses of the period.

Among its chief contributions, the book reconceptualizes slavery. Lovejoy shows that during the decades in question, slavery expanded extensively not only in the southern United States, Cuba, and Brazil but also in the jihād states of West Africa. In particular, this expansion occurred in the Muslim states of the Sokoto Caliphate, Fuuta Jalon, and Fuuta Toro. At the same time, he offers new information on the role antislavery activity in West Africa played in the Atlantic slave trade and the African diaspora.

Finally, Jihād in West Africa during the Age of Revolutions provides unprecedented context for the political and cultural role of Islam in Africa—and of the concept of jihād in particular—from the eighteenth century into the present. Understanding that there is a long tradition of jihād in West Africa, Lovejoy argues, helps correct the current distortion in understanding the contemporary jihād movement in the Middle East, Afghanistan, Pakistan, and Africa.

 

From the mid-1940s to the late 1950s, Jill Craigie wrote, produced, and directed the innovative films that stood at the center of her diverse career in British cinema, radio, television, and print journalism. Yvonne Tasker and Sadie Wearing analyze Craigie’s oeuvre while delving into the filmmaker’s use of the medium as the space for her distinctive feminist engagement with key cultural, social, and political questions.

Tasker and Wearing reconsider Craigie’s place and reputation in the history of British Cinema. Craigie created work that showed a strong critical voice and at the same time challenged contemporary modes of filmmaking with both documentary and drama. Tasker and Wearing examine her feminist and working-class influences and also emphasize the democratic impulse that drove Craigie to include her subjects’ participation, and her commitment to representing them on screen. Throughout, Tasker and Wearing analyze Craigie’s work against the backdrop of postwar concerns and preoccupations.

Distinctive and nuanced, Jill Craigie reconsiders the career of a groundbreaking woman director.

The term “Jim Crow” has had multiple meanings and a dark and complex past. It was first used in the early nineteenth century. After the Civil War it referred to the legal, customary, and often extralegal system that segregated and isolated African Americans from mainstream American life. In response to the increasing loss of their rights of citizenship and the rising tide of violence, the National Association for the Advancement of Colored People was founded in 1909. The federal government eventually took an active role in dismantling Jim Crow toward the end of the Depression. But it wasn’t until the Lyndon Johnson years and all the work that led up to them that the end of Jim Crow finally came to pass. This unique book provides readers with a wealth of primary source materials from 1828 to 1980 that reveal how the Jim Crow era affects how historians practice their craft. The book is chronologically organized into five sections, each of which focuses on a different historical period in the story of Jim Crow: inventing, building, living, resisting, and dismantling. Many of the fifty-six documents and eighteen images and cartoons, many of which have not been published before, reveal something significant about this subject or offer an unconventional or unexpected perspective on this era. Some of the historical figures whose words are included are Abraham Lincoln, Marcus Garvey, Booker T. Washington, Richard Wright, Paul Robeson, Langston Hughes, Adam Clayton Powell, and Marian Anderson. The book also has an annotated bibliography, a list of key players, a timeline, and key topics for consideration.

Scholars have paid relatively little attention to the highbrow, middlebrow, and popular periodicals that African Americans read and discussed regularly during the Jim Crow era—publications such as the Chicago Defender, the Crisis, Ebony, and the Half-Century Magazine. Jim Crow Networks considers how these magazines and newspapers, and their authors, readers, advertisers, and editors worked as part of larger networks of activists and thinkers to advance racial uplift and resist racism during the first half of the twentieth century.

As Eurie Dahn demonstrates, authors like James Weldon Johnson, Nella Larsen, William Faulkner, and Jean Toomer wrote in the context of interracial and black periodical networks, which shaped the literature they produced and their concerns about racial violence. This original study also explores the overlooked intersections between the black press and modernist and Harlem Renaissance texts, and highlights key sites where readers and writers worked toward bottom-up sociopolitical changes during a period of legalized segregation.

A little-studied aspect of the struggle to abolish slavery in Brazil in the 1880s is the relationship between Joaquim Nabuco, the leading Brazilian abolitionist, and the British and Foreign Anti-Slavery Society in London. The correspondence between Nabuco and Charles Harris Allen, secretary of the Anti-Slavery Society, and other British abolitionists throughout the decade and beyond reveals a partnership consciously sought by Nabuco in order to internationalize the struggle. These letters provide a unique insight into the evolution of Nabuco's thinking on both slavery and abolition. At the same time, they offer a running commentary on the slow and (at least until 1887-88) uncertain progress of the abolitionist cause in Brazil.

Our jobs are often a big part of our identities, and when we are fired, we can feel confused, hurt, and powerless—at sea in terms of who we are. Drawing on extensive, real-life interviews, Job Loss, Identity, and Mental Health shines a light on the experiences of unemployed, middle-class professional men and women, showing how job loss can affect both identity and mental health.

 

Sociologist Dawn R. Norris uses in-depth interviews to offer insight into the experience of losing a job—what it means for daily life, how the unemployed feel about it, and the process they go through as they try to deal with job loss and their new identities as unemployed people. Norris highlights several specific challenges to identity that can occur. For instance, the way other people interact with the unemployed either helps them feel sure about who they are, or leads them to question their identities. Another identity threat happens when the unemployed no longer feel they are the same person they used to be. Norris also examines the importance of the subjective meaning people give to statuses, along with the strong influence of society’s expectations. For example, men in Norris’s study often used the stereotype of the “male breadwinner” to define who they were. Job Loss, Identity, and Mental Health describes various strategies to cope with identity loss, including “shifting” away from a work-related identity and instead emphasizing a nonwork identity (such as “a parent”), or conversely “sustaining” a work-related identity even though he or she is actually unemployed. Finally, Norris explores the social factors—often out of the control of unemployed people—that make these strategies possible or impossible.

 

A compelling portrait of a little-studied aspect of the Great Recession, Job Loss, Identity, and Mental Health is filled with insight into the identity crises that unemployment can trigger, as well as strategies to help the unemployed maintain their mental strength.

 

Since 1970, women have made widely publicized gains in several customarily male occupations. Many commentators have understood this apparent integration as an important step to sexual equality in the workplace. Barbara F. Reskin and Patricia A. Roos read a different lesson in the changing gender composition of occupations that were traditionally reserved for men. With persuasive evidence, Job Queues, Gender Queues offers a controversial interpretation of women's dramatic inroads into several male occupations based on case studies of "feminizing" male occupation.

The authors propose and develop a queuing theory of occupations' sex composition. This theory contends that the labor market comprises a "gender queue" with employers preferring male to female workers for most jobs. Workers also rank jobs into a "job queue." As a result, the highest-ranked workers monopolize the most desirable jobs. Reskin and Roos use this queuing perspective to explain why several male occupations opened their doors to women after 1970. The second part of the book provides evidence for this queuing analysis by presenting case studies of the feminization of specific occupations. These include book editor, pharmacist, public relations specialist, bank manager, systems analyst, insurance adjuster, insurance salesperson, real estate salesperson, bartender, baker, and typesetter/compositor.

This unflinching examination of the obstacles to economic mobility for low-income families exposes the ugly reality that lies beneath the shining surface of the American Dream. The fact is that nearly 25% of employed adults have difficulty supporting their families today. In eye-opening interviews, twenty-five workers and nearly a thousand people who are linked to them—children, teachers, job trainers, and employers—tell wrenching stories about "trying to get ahead." Spanning five cities over five years, this study convincingly demonstrates that prevailing ideas about opportunity, merit, and "bootstraps" are outdated. As the authors show, some workers who believe the myths end up destroying their health and families in the process of trying to "move up." Jobs Aren't Enough demonstrates that the social institutions of family, education, labor market, and policy all intersect to influence—and inhibit—employment mobility. It proposes a new mobility paradigm grounded in cooperation and collaboration across social institutions, along with revitalization of the "public will."

The new volume in the Urban Agenda series addresses the challenges shaping the development of human capital in metropolitan regions. The articles, products of the 2016 Urban Forum at the University of Illinois at Chicago, engage with the overarching idea that a dynamic metropolitan economy needs a diverse, trained, and available workforce that can adapt to the needs of commerce, industry, government, and the service sector. Authors explore provocative issues like the jobless recovery, migration and immigration, K-12 education preparedness, the urban-oriented gig economy, postsecondary workforce training, and the recruitment and professional development of millennials.

Contributors: Xochitl Bada, John Bragelman, Laura Dresser, Rudy Faust, Beth Gutelius, Brad Harrington, Gregory V. Larnell, Twyla T. Blackmond Larnell, and Nik Theodore.

Even as the United States enjoys a booming economy and historically low levels of unemployment, millions of Americans remain out of work or underemployed, and joblessness continues to plague many urban communities, racial minorities, and people with little education. In Jobs for the Poor, Timothy Bartik calls for a dramatic shift in the way the United States confronts this problem. Today, most efforts to address this problem focus on ways to make workers more employable, such as job training and welfare reform. But Bartik argues that the United States should put more emphasis on ways to increase the interest of employers in creating jobs for the poor—or the labor demand side of the labor market. Bartik's bases his case for labor demand policies on a comprehensive review of the low-wage labor market. He examines the effectiveness of government interventions in the labor market, such as Welfare Reform, the Earned Income Tax Credit, and Welfare-to-Work programs, and asks if having a job makes a person more employable. Bartik finds that public service employment and targeted employer wage subsidies can increase employment among the poor. In turn, job experience significantly increases the poor's long-run earnings by enhancing their skills and reputation with employers. And labor demand policies can avoid causing inflation or displacing other workers by targeting high-unemployment labor markets and persons who would otherwise be unemployed. Bartik concludes by proposing a large-scale labor demand program. One component of the program would give a tax credit to employers in areas of high unemployment. To provide disadvantaged workers with more targeted help, Bartik also recommends offering short-term subsidies to employers—particularly small businesses and nonprofit organizations—that hire people who otherwise would be unlikely to find jobs. With experience from subsidized jobs, the new workers should find it easier to obtain future year-round employment. Although these efforts would not catapult poor families into the middle class overnight, Bartik offers a powerful argument that having a full-time worker in every household would help improve the lives of millions. Jobs for the Poor makes a compelling case that full employment can be achieved if the country has the political will and adopts policies that address both sides of the labor market. Copublished with the W. E. Upjohn Institute for Economic Research

Johannesburg: The Elusive Metropolis is a pioneering effort to insert South Africa’s largest city into urban theory, on its own terms. Johannesburg is Africa’s premier metropolis. Yet theories of urbanization have cast it as an emblem of irresolvable crisis, the spatial embodiment of unequal economic relations and segregationist policies, and a city that responds to but does not contribute to modernity on the global scale. Complicating and contesting such characterizations, the contributors to this collection reassess classic theories of metropolitan modernity as they explore the experience of “city-ness” and urban life in post-apartheid South Africa. They portray Johannesburg as a polycentric and international city with a hybrid history that continually permeates the present. Turning its back on rigid rationalities of planning and racial separation, Johannesburg has become a place of intermingling and improvisation, a city that is fast developing its own brand of cosmopolitan culture.

The volume’s essays include an investigation of representation and self-stylization in the city, an ethnographic examination of friction zones and practices of social reproduction in inner-city Johannesburg, and a discussion of the economic and literary relationship between Johannesburg and Maputo, Mozambique’s capital. One contributor considers how Johannesburg’s cosmopolitan sociability enabled the anticolonial projects of Mohandas Ghandi and Nelson Mandela. Journalists, artists, architects, writers, and scholars bring contemporary Johannesburg to life in ten short pieces, including reflections on music and megamalls, nightlife, built spaces, and life for foreigners in the city.

Contributors: Arjun Appadurai, Carol A. Breckenridge, Lindsay Bremner, David Bunn, Fred de Vries, Nsizwa Dlamini, Mark Gevisser, Stefan Helgesson, Julia Hornberger, Jonathan Hyslop, Grace Khunou, Frédéric Le Marcis, Xavier Livermon, John Matshikiza, Achille Mbembe, Robert Muponde, Sarah Nuttall, Tom Odhiambo, Achal Prabhala, AbdouMaliq Simone

This issue of Public Culture attempts to overturn perceptions that frame Africa as an object apart from the rest of the world. By placing the city of Johannesburg—the preeminent metropolis of the African continent and a city facing a complicated legacy of racial strife and wealth accumulation—at the heart of new critical urban theory, Johannesburg: The Elusive Metropolis broadens discussions of modernity, cosmopolitanism, and urban renewal to include Africa. The issue brings Johannesburg into direct dialogue with other world cities, creating a space for the interrogation and investigation of the metropolis in a properly global sense.

Contributors to this issue—a mix of scholars, urban planners, and artists, many of whom hail from South Africa—reveal Johannesburg to be a polycentric and international city that has developed its own cosmopolitan culture. In a detailed study of three streets in the modern precinct of Melrose Arch, one essay shows how the thoroughly commodified and marketed Johannesburg cityscape has shaped the cultural sensitivities, aesthetics, and urban subjectivities of its inhabitants, at times even overriding the historical memory of apartheid. Another essay, focusing on the emergence of a new urban culture, examines how the city itself becomes a crucial site for the remixing and reassembling of racial identities. By tracking the movement of people with AIDS to various locations in the city to seek relief and treatment, another essay reveals an urban geography very different from what is seen from the highways. Finally, through interviews and commentaries, journalists, artists, and architects of Johannesburg offer reflections on the geography and shifting culture of the city and its townships, on the complicated relationship between Johannesburg and other African cities, and on the search for an architectural style that adequately expresses the complexity of this cosmopolitan city.

Contributors. Lindsay Bremner, Nsizwa Dlamini, Mark Gevisser, Grace Khunou, Frédéric Le Marcis, John Matshikiza, Achille Mbembe, Sarah Nuttall, Rodney Place, AbdouMaliq Simone, Michael Watts

For critics and listeners, the reception of the 1950s jazz-classical hybrid Third Stream music has long been fraught. In John Lewis and the Challenge of “Real” Black Music, Christopher Coady explores the work of one of the form’s most vital practitioners, following Lewis from his role as an arranger for Miles Davis’s Birth of the Cool sessions to his leadership of the Modern Jazz Quartet, his tours of Europe, and his stewardship of the Lenox School of Jazz.

Along the way Coady shows how Lewis’s fusion works helped shore up a failing jazz industry in the wake of the 1940s big band decline, forging a new sound grounded in middle-class African American musical traditions. By taking into account the sociocultural milieu of the 1950s, Coady provides a wider context for understanding the music Lewis wrote for the Modern Jazz Quartet and sets up new ways of thinking about Cool Jazz and Third Stream music more broadly.
 

In John Locke: Economist and Social Scientist Karen Iversen Vaughn presents a comprehensive treatment of Locke's important position in the development of eighteenth century economic thought.

In the summer of 1807 more than a thousand subscribers from New England to Tennessee paid for the initial printing of The Life and Travels of John Robert Shaw: A Narrative of the Life and Travels of the Well-Digger, now resident of Lexington, Kentucky, Written by Himself. Shaw had come to Rhode Island as a British redcoat to put down the colonial rebellion. Through various quirks of fate, including being taken a prisoner of war, he ended up fighting with the Americans. Shaw was an exuberant spirit whose rowdy drinking bouts and related predicaments alternated with periods of wholehearted efforts at reform. His autobiography, written while he recuperated from injuries from one of several explosions (an occupational hazard for the frontier well-digger), is an articulate and entertaining record of the Revolutionary War era.

A 1930 printing of Shaw’s autobiography was rescued from the trash by an alert librarian in Kentucky in 1950. She passed the tattered copy on to journalist Oressa M. Teagarden, who became intrigued with Shaw’s story and spent much of her free time over the next two decades finding out more about the ebullient American. On Teagarden’s death, co-editor Jeanne Crabtree assumed the task of making Shaw’s authentic and colorful view of early America available to a new generation of readers.

John Williams is one of the most renowned film composers in history. He has penned unforgettable scores for Star Wars, the Indiana Jones series, E.T. the Extra-Terrestrial, Jaws, Superman, and countless other films. Fans flock to his many concerts, and with forty-nine Academy Award nominations as of 2014, he is the second-most Oscar-nominated person after Walt Disney. Yet despite such critical acclaim and prestige, this is the first book in English on Williams’s work and career.
            Combining accessible writing with thorough scholarship, and rigorous historical accounts with insightful readings, John Williams’s Film Music explores why Williams is so important to the history of film music. Beginning with an overview of music from Hollywood’s Golden Age (1933–58), Emilio Audissino traces the turning points of Williams’s career and articulates how he revived the classical Hollywood musical style. This book charts each landmark of this musical restoration, with special attention to the scores for Jaws and Star Wars, Williams’s work as conductor of the Boston Pops Orchestra, and a full film/music analysis of Raiders of the Lost Ark. The result is a precise, enlightening definition of Williams’s “neoclassicism” and a grounded demonstration of his lasting importance, for both his compositions and his historical role in restoring part of the Hollywood tradition.

Best Special Interest Books, selected by the American Association of School Librarians

Best Books for General Audiences, selected by the Public Library Reviewers

This eye-opening personal history tells the story of an American college professor’s twenty-year engagement with a thriving Africa rarely encountered by Western visitors, including an extraordinary connection to poets across the continent. At once adventurous, spiritual, political, dreamlike, and humorous, Joining Africa is a unique documentary of a journey through the continent, including an intense five-year encounter with economically struggling but culturally fertile Eritrea. The Africa presented here is neither a postcolonial study nor an exotic tourist destination. It is rich with the voices of its people, whose languages, Cantalupo argues, have greater potential to effect change than any NGO or high-profile celebrity. In vibrant prose, Cantalupo’s book extends a stirring invitation to reevaluate how we engage—both individually and collectively—with this remarkable part of the world.

Joinings and Disjoinings illustrates the importance of marriage or singleness in short stories and novels and suggests the diverse perspectives the topic can provide on specific works and on analysis of the cultural importance of marriage and marital status. Essays discuss  canonical and lesser-known works, providing social, historical, and literary context.

Nothing in the understanding of humor is as simple as it might seem. In Joking Asides, Elliott Oring confronts the problems of humor, analyzing the key contemporary approaches to its study and addressing controversial topics with new empirical data and insights.
 
A folklorist drawn to the study of humor, Oring developed his formulation of “appropriate incongruity” as a frame to understand what jokes must do to produce humor. He tests appropriate incongruity against other major positions in the field, including the general theory of verbal humor, conceptual integration theory, benign violation theory, and false-belief theory. Oring draws on the work of scholars from several disciplines—anthropology, folklore, philosophy, psychology, linguistics, and literature—to ask basic questions about the construction and evolution of jokes, untangle the matter of who the actual targets of a joke might be, and characterize the artistic qualities of jokes and joke performances.
 
Although Oring guides the reader through a forest of jokes and joke genres, this is not a joke book. A major work from a major scholar, Joking Asides is a rigorous exploration of theoretical approaches to jokes and their functions and is filled with disquieting questions, penetrating criticisms, and original observations. Written in a clear and accessible style, this book will prove valuable to any scholar or student who takes matters of jokes and joking seriously.

This book examines the life of Jonathan Fisher (1768–1847), a native of Braintree, Massachusetts, and graduate of Harvard College who moved in his late twenties to Blue Hill, Maine, where he embarked on a multifaceted career as a pioneer minister, farmer, entrepreneur, and artist. Drawing on a vast record of letters, diaries, sermons, drawings, paintings, and buildings, Kevin D. Murphy reconstructs Fisher's story and uses it to explore larger issues of material culture, visual culture, and social history during the early decades of the American republic.

Murphy shows how Fisher, as pastor of the Congregational church in Blue Hill from 1796 to 1837, helped spearhead the transformation of a frontier settlement on the eastern shores of the Penobscot Bay into a thriving port community; how he used his skills as an architect, decorative painter, surveyor, and furniture maker not only to support himself and his family, but to promote the economic growth of his village; and how the fluid professional identity that enabled Fisher to prosper on the eastern frontier could only have existed in early America where economic relations were far less rigidly defined than in Europe.

Among the most important artifacts of Jonathan Fisher's life is the house he designed and built in Blue Hill. The Jonathan Fisher Memorial, as it is now known, serves as a point of departure for an examination of social, religious, and cultural life in a newly established village at the turn of the nineteenth century. Fisher's house provided a variety of spaces for agricultural and domestic work, teaching, socializing, artmaking, and more.

Through the eyes of Jonathan Fisher, we see his family grow and face the challenges of the new century, responding to religious, social, and economic change—sometimes succeeding and sometimes failing. We appreciate how an extraordinarily energetic man was able to capitalize on the wide array of opportunities offered by the frontier to give shape to his personal vision of community.

Katrina Hazzard-Gordon offers the first analysis of the development of the jook—an underground cultural institution created by the black working class—together with other dance arenas in African-American culture. Beginning with the effects of African slaves’ middle passage experience on their traditional dances, she traces the unique and virtually autonomous dance culture that developed in the rural South. Like the blues, these secular dance forms and institutions were brought north and urbanized by migrating blacks. In northern cities, some aspects of black dance became integrated into white culture and commercialized. Focusing on ten African-American dance arenas from the period of enslavement to the mid-twentieth century, this book explores the jooks, honky-tonks, rent parties, and after-hours joints as well as the licensed membership clubs, dance halls, cabarets, and the dances of the black elite.

Jook houses emerged during the Reconstruction era and can be viewed as a cultural response to freedom. In the jook, Hazzard-Gordon explains, an immeasurable amount of core black culture including food, language, community fellowship, mate selection, music, and dance found a sanctuary of expression when no other secular institution flourished among the folk. The jook and its various derivative forms have provided both entertainment and an economic alternative (such as illegal lotteries and numbers) to people excluded from the dominant economy. Dances like the Charleston, shimmy, snake hips, funky butt, twist, and slow drag originated in the jooks; some can be traced back to Africa.

Social dancing links black Americans to their African past more strongly than any other aspect of their culture. Citing the significance of dance in the African-American psyche, this study explores the establishments that nurtured ancestral as well as communal links for African-Americans, vividly describing black dances, formal rituals, such as debutante balls, and the influence of black dance on white culture.

Josephine Baker and Katherine Dunham were the two most acclaimed and commercially successful African American dancers of their era and among the first black women to enjoy international screen careers. Both also produced fascinating memoirs that provided vital insights into their artistic philosophies and choices. However, difficulties in accessing and categorizing their works on the screen and on the page have obscured their contributions to film and literature. Hannah Durkin investigates Baker and Dunham’s films and writings to shed new light on their legacies as transatlantic artists and civil rights figures. Their trailblazing dancing and choreography reflected a belief that they could use film to confront racist assumptions while also imagining—within significant confines—new aesthetic possibilities for black women. Their writings, meanwhile, revealed their creative process, engagement with criticism, and the ways each mediated cultural constructions of black women's identities. Durkin pays particular attention to the ways dancing bodies function as ever-changing signifiers and de-stabilizing transmitters of cultural identity. In addition, she offers an overdue appraisal of Baker and Dunham's places in cinematic and literary history.

Josephine Baker (1906-1975) was a dancer, singer, actress, author, politician, militant, and philanthropist, whose images and cultural legacy have survived beyond the hundredth anniversary of her birth. Neither an exercise in postmodern deconstruction nor simple biography, Josephine Baker in Art and Life presents a critical cultural study of the life and art of the Franco-American performer whose appearances as the savage dancer Fatou shocked the world.

Although the study remains firmly anchored in Josephine Baker’s life and times, presenting and challenging carefully researched biographical facts, it also offers in-depth analyses of the images that she constructed and advanced. Bennetta Jules-Rosette explores Baker’s far-ranging and dynamic career from a sociological and cultural perspective, using the tools of sociosemiotics to excavate the narratives, images, and representations that trace the story of her life and fit together as a cultural production.

The apparent parallels between Mormon ritual and doctrine and those of Freemasonry have long been recognized. That Joseph Smith, Brigham Young, and other early church leaders were, at least for a time, Masons, is common knowledge. Yet while early historians of the LDS Church openly acknowledged this connection, the question of influence was later dismissed and almost became taboo among faithful church members. Just as Mormons have tried to downplay any ties to Freemasonry, Masons have sought to distance themselves from Mormonism. In Joseph’s Temples, Michael Homer reveals how deeply the currents of Freemasonry and Mormonism entwined in the early nineteenth century. He goes on to lay out the later declining course of relations between the two movements, until a détente in recent years.
 
There are indications that Freemasonry was a pervasive foundational element in Mormonism and that its rituals and origin legends influenced not just the secret ceremonies of the LDS temples but also such important matters as the organization of the Mormon priesthood, the foundation of the women’s Relief Society, the introduction and concealment of polygamy, and the church’s position on African Americans’ full membership. Freemasonry was also an important facet of Mormons’ relations with broader American society.
 
The two movements intertwined within a historical context of early American intellectual, social, and religious ferment, which influenced each of them and in varying times and situations placed them either in the current or against the flow of mainstream American culture and politics. Joseph’s Temples provides a comprehensive examination of a dynamic relationship and makes a significant contribution to the history of Mormonism, Freemasonry, and their places in American history. 

Recipient of the Meritorious Book Award from the Utah Division of State History

While African National Congress narratives dominate much of the scholarship on South Africa’s freedom struggle, Josie Mpama/Palmer’s political life offers a different perspective. Highly critical of the patriarchal attitudes that hindered black women from actively participating in politics, Mpama/Palmer was an outspoken advocate for women’s social equality and encouraged black women to become more involved in national conversations. The first black woman to join the Communist Party of South Africa and an antiapartheid activist, Josie Mpama/Palmer remained involved in critical issues all her life, especially protests against Bantu Education and other forms of racial and sexist discrimination. She was an integral figure in establishing the Federation of South African Women, an organization open to women of all races. Mpama/Palmer’s activism and political legacy would become an inspiring example for women in South Africa and around the world to get up and get moving.

José María Arguedas (1911–1969) is one of the most important authors to speak to issues of the survival of native cultures. José María Arguedas: Reconsiderations for Latin American Cultural Studies presents his views from multiple perspectives for English-speaking audiences for the first time.

The life and works of José María Arguedas reflect in a seminal way the drama of acculturation and transculturation suffered not only by what we think of as the indigenous and mestizo cultures of Peru, but by other Latin American societies as well. Intricately reflecting his pluricultural and bilingual life experience, Arguedas’s illuminating poetic visions of Andean culture cross multidisciplinary borders to transfigure pedagogical and social practices.

Few texts convey the complexity and contradictions of an Andean cosmopolitanism with the intense accuracy of Arguedas’s anthropological, ethnographic essays and literary writings. The ramifications of Arguedas’s cultural critiques have yet to be assessed, particularly as a response to the disruptive forces of modernity, acculturation, and essential identity.

José María Arguedas was a Peruvian ethnographer, anthropologist, folklorist, poet, and novelist. He based his novels and stories on the life and outlook of the Quechua-speaking Indians and was a pioneer of modern Quechua poetry.

The present anthology brings his work to the attention of broader audiences by pulling together diverse scholarly views on Arguedas’s aesthetic and multicultural contributions to the contemporary and political archipelago. It is a synthesis of his views on cultural change as it impinges upon considerations and theories of Latin American cultural studies.

Mexican educator and thinker Jose Vasconcelos is to Latinos what W.E.B. Du Bois is to African Americans a controversial scholar who fostered an alternative view of the future. In Josè Vasconcelos: The Prophet of Race, his influential 1925 essay, "Mestizaje" key to understanding the role he played in the shaping of multiethnic America—is for the first time showcased and properly analyzed. Freshly translated here by John H. R. Polt, "Mestizaje" suggested that the Brown Race from Latin America was called to dominate the world, a thesis embraced by activists and scholars north and south of the Rio Grande. Ilan Stavans insightfully and comprehensively examines the essay in biographical and historical context, and considers how many in the United States, especially Chicanos during the civil rights era, used it as a platform for their political agenda. The volume also includes Vasconcelos's long-forgotten 1926 Harris Foundation Lecture at the University of Chicago, "The Race Problem in Latin America," where he cautioned the United States that rejecting mestizaje in our own midst will ultimately bankrupt the nation.