3703 books match the query '19th Century' and 20 start with k

cover of Kaleidoscope: Redrawing an American Family Tree

Kaleidoscope

Redrawing an American Family Tree

Margaret Jones Bolsterli

University of Arkansas Press, 2015

In 2005 Margaret Jones Bolsterli learned that her great-great-grandfather was a free mulatto named Jordan Chavis, who owned an antebellum plantation near Vicksburg, Mississippi. The news was a shock; Bolsterli had heard about the plantation in family stories told during her Arkansas Delta childhood, but Chavis’s name and race had never been mentioned. With further exploration Bolsterli found that when Chavis’s children crossed the Mississippi River between 1859 and 1875 for exile in Arkansas, they passed into the white world, leaving the family’s racial history completely behind.

Kaleidoscope is the story of this discovery, and it is the story, too, of the rise and fall of the Chavis fortunes in Mississippi, from the family’s first appearance on a frontier farm in 1829 to ownership of over a thousand acres and the slaves to work them by 1860. Bolsterli learns that in the 1850s, when all free colored people were ordered to leave Mississippi or be enslaved, Jordan Chavis’s white neighbors successfully petitioned the legislature to allow him to remain, unmolested, even as three of his sons and a daughter moved to Arkansas and Illinois. She learns about the agility with which the old man balanced on a tightrope over chaos to survive the war and then take advantage of the opportunities of newly awarded citizenship during Reconstruction. The story ends with the family’s loss of everything in the 1870s, after one of the exiled sons returns to Mississippi to serve in the Reconstruction legislature and a grandson attempts unsuccessfully to retain possession of the land. In Kaleidoscope, long-silenced truths are revealed, inviting questions about how attitudes toward race might have been different in the family and in America if the truth about this situation and thousands of others like it could have been told before.
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cover of Kandik Map

Kandik Map

Linda Johnson

University of Alaska Press, 2009

In 1880, a Native American named Paul Kandik and a French explorer, François Mercier, traveled across northeastern Alaska and western Canada to create the earliest known map of the region. Linda Johnson now delves into the fascinating story behind the Kandik Map, examining the reasons why and how these two men from such different backgrounds combined their extensive knowledge of the country to map the Kandik River region. Drawing on historical letters, geographical analysis, and the original map itself held in the University of California’s Bancroft Library, Johnson produces a groundbreaking study on the history of the Kandik Map and reveals its significant implications for Native American scholarship.
 
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cover of Kaskaskia: The Lost Capital of Illinois

Kaskaskia

The Lost Capital of Illinois

David MacDonald and Raine Waters

Southern Illinois University Press, 2019

This first comprehensive account of the Illinois village of Kaskaskia covers more than two hundred years in the vast and compelling history of the state. David MacDonald and Raine Waters explore Illinois’s first capital in great detail, from its foundation in 1703 to its destruction by the Mississippi River in the latter part of the nineteenth century, as well as everything in between: successes, setbacks, and the lives of the people who inhabited the space.
 
At the outset the Kaskaskia tribe, along with Jesuit missionaries and French traders, settled near the confluence of the Kaskaskia and Mississippi rivers, about sixty miles south of modern-day St. Louis. The town quickly became the largest French town and most prosperous settlement in the Illinois Country. After French control ended, Kaskaskia suffered under corrupt British and then inept American rule. In the 1790s the town revived and became the territorial capital, and in 1818 it became the first state capital. Along the way Kaskaskia was beset by disasters: crop failures, earthquakes, tornadoes, floods, epidemics, and the loss of the capital-city title to Vandalia. Likewise, human activity and industry eroded the river’s banks, causing the river to change course and eventually wash away the settlement. All that remains of the state’s first capital today is a village several miles from the original site.
 
MacDonald and Waters focus on the town’s growth, struggles, prosperity, decline, and obliteration, providing an overview of its domestic architecture to reveal how its residents lived. Debunking the notion of a folklore tradition about a curse on the town, the authors instead trace those stories to late nineteenth-century journalistic inventions. The result is a vibrant, heavily illustrated, and highly readable history of Kaskaskia that sheds light on the entire early history of Illinois.
 
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cover of Keats

Keats

Andrew Motion

University of Chicago Press, 1999

Andrew Motion's dramatic narration of Keats's life is the first in a generation to take a fresh look at this great English Romantic poet. Unlike previous biographers, Motion pays close attention to the social and political worlds Keats inhabited. Making incisive use of the poet's inimitable letters, Motion presents a masterful account.

"Motion has given us a new Keats, one who is skinned alive, a genius who wrote in a single month all the poems we cherish, a victim who was tormented by the best doctors of the age. . . . This portrait, stripped of its layers of varnish and restored to glowing colours, should last us for another generation."—Edmund White, The Observer Review

"Keats's letters fairly leap off the page. . . . [Motion] listens for the 'freely associating inquiry and incomparable verve and dash,' the 'headlong charge,' of Keats's jazzlike improvisations, which give us, like no other writing in English, the actual rush of a man thinking, a mind hurtling forward unpredictably and sweeping us along."—Morris Dickstein, New York Times Book Review

"Scrupulous and eloquent."—Gregory Feeley, Philadelphia Inquirer

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cover of Keats's Odes: A Lover's Discourse

Keats's Odes

A Lover's Discourse

Anahid Nersessian

University of Chicago Press, 2021

“When I say this book is a love story, I mean it is about things that cannot be gotten over—like this world, and some of the people in it.”
 
In 1819, the poet John Keats wrote six poems that would become known as the Great Odes. Some of them—“Ode to a Nightingale,” “To Autumn”—are among the most celebrated poems in the English language. Anahid Nersessian here collects and elucidates each of the odes and offers a meditative, personal essay in response to each, revealing why these poems still have so much to say to us, especially in a time of ongoing political crisis. Her Keats is an unflinching antagonist of modern life—of capitalism, of the British Empire, of the destruction of the planet—as well as a passionate idealist for whom every poem is a love poem.

The book emerges from Nersessian’s lifelong attachment to Keats’s poetry; but more, it “is a love story: between me and Keats, and not just Keats.”  Drawing on experiences from her own life, Nersessian celebrates Keats even as she grieves him and counts her own losses—and Nersessian, like Keats, has a passionate awareness of the reality of human suffering, but also a willingness to explore the possibility that the world, at least, could still be saved. Intimate and speculative, this brilliant mix of the poetic and the personal will find its home among the numerous fans of Keats’s enduring work.
 
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cover of Keats's Reading of the Romantic Poets

Keats's Reading of the Romantic Poets

Beth Lau

University of Michigan Press, 1991

Keats's Reading of the Romantic Poets offers the first comprehensive analysis of Keats’s familiarity with the works of his most famous contemporaries: Wordsworth, Coleridge, Byron, and Shelley. Beth Lau considers a variety of questions: which volumes and individual poems Keats read, what editions he used, when he read them, where he might have acquired copies, and why he read and responded as he did to certain works at particular periods of his life. The book presents a complex, detailed portrait of Keats's intellectual relationships with the major poets of his age.This study situates Keats in the literary climate of his time and provides Keats scholars with a reliable record that may assist future intertextual, influence, biographical, or critical studies. While previous work has concentrated on Keats's debt to Shakespeare, Milton, Spenser, and other great Renaissance and Medieval writers, the most significant influences on a poet's style and outlook are generally contemporary sources. In fact, Keats's very interest in Renaissance and Medieval poetry and drama was a taste he shared with his age. Keats's Reading of the Romantic Poets, in laying the groundwork for a new examination of the poet in relation to the literature of his time, helps us to see the Romantic poets as a genuine literary group that read and responded to one another's works.Each chapter contains an essay and checklists that conveniently organize information on Keats's familiarity with each of the other poets’ publications. The checklists also distinguish reliable evidence — direct references and quotations, items in Keats's library, and statements by people who knew Keats — from more conjectural echoes and allusions. The essays draw conclusions from the information presented in the checklists and consider other types of evidence that do not lend themselves to a checklist format. One source of such evidence is the libraries and literary tastes of Keats's friends: people like Charles Cowden Clarke, Leigh Hunt, Benjamin Robert Haydon, John Hamilton Reynolds, Benjamin Bailey, and William Hazlitt, who were influential in shaping Keats's opinions about literature. In fact, the book may be considered a study of two levels in Keats's relationship to his contemporaries: his literary relationships with the major poets of his day, and his personal interactions with an immediate circle that helped stimulate and focus his reading and thinking about poetry.Keats's Reading of the Romantic Poets is an important reference work for scholars and critics interested in Keats, in the connections among the major poets of the early nineteenth century, and in biography and social history. The book’s clear, jargon-free prose makes it accessible to a variety of students and scholars.
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cover of Key Command: Ulysses S. Grant's District of Cairo

Key Command

Ulysses S. Grant's District of Cairo

T. K. Kionka

University of Missouri Press, 2006

During the Civil War, Cairo, Illinois, held a uniquely strategic position: it was not only the southernmost northern city, but it was also located at the confluence of the Mississippi and Ohio rivers. Union strategists believed that the importance of securing it could not be overestimated, and Cairo was occupied by the first volunteer regiments organized in the western theater of the war. Arriving six months later, an underappreciated general named Ulysses S. Grant decided that the Union could do more with Cairo than simply guard it, and using the town as his headquarters, he set about reclaiming the Mississippi valley from Rebel forces. This book reveals the story of how Grant honed his strategic skills in those campaigns while also telling of the changes that came to Cairo.
Key Command examines Grant’s tenure at his first district command from both military and administrative perspectives. T. K. Kionka has written the first book-length study of the district, exploring the town’s Civil War legacy while shedding new light on Grant, the war in the West, and other important Union generals such as Logan and McClernand. From this command post, Grant led troops to the first great Union victories at Belmont, Fort Henry, and Fort Donelson, and Kionka explores their role in Grant’s military evolution while highlighting the contributions of civilian volunteers through first-person accounts.
Nineteenth-century Cairo was home to an unruly, ethnically diverse population, and Kionka interweaves the story of Grant’s military campaign with a social history of the town, describing the men and women associated with the Cairo camps who played significant roles in Grant’s command. Grant’s victories not only sealed his own reputation, but they also brought unprecedented wealth to a town that before the war had failed to develop under two different land companies. Kionka’s work tells how local entrepreneurs made money supplying Grant’s troops and how unscrupulous speculators poured into Cairo as Grant coped with dissension, supply shortages, and refugees. It also examines the prewar movement to create a new state out of southern Illinois and its implications both for Cairo and for Union strategy.
More than a military history, Key Command gives readers a glimpse of the social and cultural atmosphere of an important military base that proved to be the decisive training ground for the most successful general in the war. With its insight into a polarized society and wartime corruption, Kionka’s readable account sheds new light on our own times as it tells the story of a town struggling to survive and a man fighting to succeed.
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cover of Kierkegaard: Construction of the Aesthetic

Kierkegaard

Construction of the Aesthetic

Theodor Adorno

University of Minnesota Press, 1989

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cover of Killer Books: Writing, Violence, and Ethics in Modern Spanish American Narrative

Killer Books

Writing, Violence, and Ethics in Modern Spanish American Narrative

By Aníbal González

University of Texas Press, 2002

Writing and violence have been inextricably linked in Spanish America from the Conquest onward. Spanish authorities used written edicts, laws, permits, regulations, logbooks, and account books to control indigenous peoples whose cultures were predominantly oral, giving rise to a mingled awe and mistrust of the power of the written word that persists in Spanish American culture to the present day.

In this masterful study, Aníbal González traces and describes how Spanish American writers have reflected ethically in their works about writing's relation to violence and about their own relation to writing. Using an approach that owes much to the recent "turn to ethics" in deconstruction and to the works of Jacques Derrida and Emmanuel Levinas, he examines selected short stories and novels by major Spanish American authors from the late nineteenth through the twentieth centuries: Manuel Gutiérrez Nájera, Manuel Zeno Gandía, Teresa de la Parra, Jorge Luis Borges, Alejo Carpentier, Gabriel García Márquez, and Julio Cortázar. He shows how these authors frequently display an attitude he calls "graphophobia," an intense awareness of the potential dangers of the written word.

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cover of Kinaesthetic Knowing: Aesthetics, Epistemology, Modern Design

Kinaesthetic Knowing

Aesthetics, Epistemology, Modern Design

Zeynep Çelik Alexander

University of Chicago Press, 2017

Is all knowledge the product of thought? Or can the physical interactions of the body with the world produce reliable knowledge? In late-nineteenth-century Europe, scientists, artists, and other intellectuals theorized the latter as a new way of knowing, which Zeynep Çelik Alexander here dubs “kinaesthetic knowing.”     
In this book, Alexander offers the first major intellectual history of kinaesthetic knowing and its influence on the formation of modern art and architecture and especially modern design education. Focusing in particular on Germany and tracing the story up to the start of World War II, Alexander reveals the tension between intellectual meditation and immediate experience to be at the heart of the modern discourse of aesthetics, playing a major part in the artistic and teaching practices of numerous key figures of the period, including Heinrich Wölfflin, Hermann Obrist, August Endell, László Moholy-Nagy, and many others. Ultimately, she shows, kinaesthetic knowing did not become the foundation of the human sciences, as some of its advocates had hoped, but it did lay the groundwork—at such institutions as the Bauhaus—for modern art and architecture in the twentieth century. 
 
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cover of Kindred Hands: Letters on Writing by British and American Women Authors, 1865-1935

Kindred Hands

Letters on Writing by British and American Women Authors, 1865-1935

Jennifer Cognard-Black

University of Iowa Press, 2006

Kindred Hands, a collection of previously unpublished letters by women writers, explores the act and art of writing from diverse perspectives and experiences. The letters illuminate such issues as authorship, aesthetics, collaboration, inspiration, and authorial intent. By focusing on letters that deal with authorship, the editors reveal a multiplicity of perspectives on female authorship that would otherwise require visits to archives and special collections.

Representing some of the most important female writers of the nineteenth and early twentieth centuries, including transatlantic correspondents, women of color, canonical writers, regional writers, and women living in the British empire, Kindred Hands will enliven scholarship on a host of topics, including reception theory, feminist studies, social history, composition theory, modernism, and nineteenth-century studies. Moreover, because it represents previously unpublished primary sources, the collection will initiate new discussions on race, class, sexuality, ethnicity, and gender with an eye to writing at the turn of the twentieth century.
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cover of King Khama, Emperor Joe, and the Great White Queen: Victorian Britain through African Eyes

King Khama, Emperor Joe, and the Great White Queen

Victorian Britain through African Eyes

Neil Parsons

University of Chicago Press, 1997

In 1895 three African chiefs, dressed in the finest British clothing available, began a tour of the British Isles. That tour foiled Cecil Rhodes' grand plan for Africa and culminated in the Chamberlain Settlement, the document that indirectly led to the independence of present-day Botswana. King Khama, Emperor Joe, and the Great White Queen is the story of this bizarre journey, one of the most neglected events in British Victorian history, here revealed for the first time in its full detail and cultural complexity.

The chiefs initially went to England to persuade Queen Victoria not to give their lands to ruthless Rhodes and his British South Africa Company. Abandoned by the Secretary of State for the Colonies, Joseph Chamberlain, and denied an audience with the queen, the three rulers decided to tour the British Isles to plead their case to the populace. Appealing to the middle-class morality of Victorian society, the chiefs were remarkably successful in gaining support, eventually swaying Chamberlain into drafting the agreement that secured their territories against the encroachment of Rhodesia.

Historian Neil Parsons has reconstructed this journey with the help of African archival materials and news clippings from British papers, garnered from the clippings service the chiefs had the foresight to employ. In equal parts narrative of pilgrimage, voyage of discovery, and colonial resistance, King Khama, Emperor Joe, and the Great White Queen provides a view from the other side of colonialism and imperialism. It demonstrates the nuances of cultural and religious interaction between Africans and Europeans, and it does so with the richness and depth of a fully realized novel.
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cover of Kinship, Business, and Politics: The Martinez Del Rio Family in Mexico, 1823-1867

Kinship, Business, and Politics

The Martinez Del Rio Family in Mexico, 1823-1867

By David W. Walker

University of Texas Press, 1987

The Martínez del Río family was a vigorous contestant in the highly politicized economy of early national Mexico. David Walker’s case study of its successes and failures provides a unique insider’s view of the trials and tribulations of doing business in a hostile environment. The family’s ordeal in Mexico—a series of personal dislocations and traumas—mirrored the painful contractions of an old society reluctantly giving birth to a new nation.

Using previously undiscovered primary source materials (including the private correspondence and business records of the family, public notary documents, transcripts of judicial proceedings, and the archives of Mexico’s Ministry of Foreign Relations and the British Foreign Office), Walker employs family history to analyze problems relating more generally to the development of state and society in newly independent Mexico.

The processes of socioeconomic formation in Mexico differed from those of Western Europe and the United States; accordingly, entrepreneurial activity had markedly contrasting implications for economic development and class formation. In the downwardly spiraling economy of nineteenth-century Mexico, economic activity was a zero-sum game. No new wealth was being created; most sectors remained stagnant and unproductive. To make their fortunes, empresarios, the Mexican capitalists, could not rely on income generated from authentic economic growth. Instead, they exploited the arbitrary acts of the interventionist Mexican state, which proscribed the free movement of factors within the marketplace. Speculation in the public debt took the place of more substantive undertakings. Coercive state power was diverted to create artificial environments in which otherwise inefficient and unproductive enterprises could flourish. But however well the empresarios might imitate the outward forms of industrial capitalism, they could not unlock the productive capacity of the Mexican economy. Instead, they and their allies and rivals engaged in destructive struggles to manipulate the state for personal gain, to the detriment of class interests, economic growth, and political stability.

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cover of Kipling

Kipling

Jad Adams

Haus Publishing, 2005

Joseph Rudyard Kipling was the greatest writer in a Britain that ruled the largest empire the world has known, yet he was always a controversial figure, as deeply hated as he was loved. This accessible biography aims at an understanding of the man behind the image and gives an explanation of his enduring popularity
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cover of Kirby Smith's Confederacy: The TransMississippi South, 1863-1865

Kirby Smith's Confederacy

The TransMississippi South, 1863-1865

Robert L. Kerby

University of Alabama Press, 1991

Cut off, but not surrendered—one region’s desperate stand in the twilight of the Confederacy.
 
With the surrender of Vicksburg in July 1863, the Confederacy’s TransMississippi Department, which included Texas, Arkansas, Missouri, western Louisiana, and Indian Territory, was cut off from the remainder of the South. Robert Kerby’s insightful volume, originally published in 1972, “has gone far toward filling one of the most conspicuous gaps in the literature on the Confederacy,” according to The Journal of Southern History.
 
Kerby investigates the many factors that led to the Department’s disintegrating and offers a case study of a segment of American society that consumed itself by surrendering everything, including its principles and ideals, in pursuit of an unattainable military victory.
 

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cover of Kitchen Economics: Women’s Regionalist Fiction and Political Economy

Kitchen Economics

Women’s Regionalist Fiction and Political Economy

Thomas Strychacz

University of Alabama Press, 2020

An analysis of how nineteenth-century women regional writers represent political economic thought

WINNER OF THE ELIZABETH AGEE PRIZE IN AMERICAN LITERATURE

 
Readers of late nineteenth-century female American authors are familiar with plots, characters, and households that make a virtue of economizing. Scholars often interpret these scenarios in terms of a mythos of parsimony, frequently accompanied by a sort of elegiac republicanism whereby self-sufficiency and autonomy are put to the service of the greater good—a counterworld to the actual economic conditions of the period.
 
In Kitchen Economics: Women’s Regionalist Fiction and Political Economy, Thomas Strychacz takes a new approach to the question of how female regionalist fictions represent “the economic” by situating them within traditions of classical political economic thought. Offering case studies of key works by Sarah Orne Jewett, Mary Wilkins Freeman, Harriet Beecher Stowe, Rose Terry Cooke, and Alice Dunbar-Nelson, this study focuses on three complex cultural fables—the island commonwealth, stadialism (or stage theory), and feeding the body politic—which found formal expression in political economic thought, made their way into endless public debates about the economic turmoil of the late nineteenth century, and informed female authors. These works represent counterparts, not counterworlds, to modernity; and their characteristic stance is captured in the complex trope of feminaeconomica.
 
This approach ultimately leads us to reconsider what we mean by the term “economic,” for the emphasis of contemporary neoclassical economics on economic agents given over to infinite wants and complete self-interest has caused the “sufficiency” and “common good” models of female regionalist authors to be misinterpreted and misvalued. These fictions are nowhere more pertinent to modernity than in their alliance with today’s important alternative economic discourses.
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cover of Knickerbocker: The Myth behind New York

Knickerbocker

The Myth behind New York

Bradley, Elizabeth L

Rutgers University Press, 2009

Deep within New York's compelling, sprawling history lives an odd, ornery Manhattan native named Diedrich Knickerbocker. The name may be familiar today: his story gave rise to generations of popular tributes—from a beer brand to a basketball team and more—but Knickerbocker himself has been forgotten. In fact, he was New York's first truly homegrown chronicler, and as a descendant of the Dutch settlers, he singlehandedly tried to reclaim the city for the Dutch. Almost singlehandedly, that is. Diedrich Knickerbocker was created in 1809 by a young Washington Irving, who used the character to narrate his classic satire, A History of New York. According to Irving's partisan narrator, everything good and distinctive, proud and powerful, about New York City—from the doughnuts to the twisting streets of lower Manhattan—could be traced back to New Amsterdam. Terrific general interest, cultural history of a city with a rich and lively literary past. First-ever book on the eponymous myth that has informed New York City culture since the early 1800s. Coincides with the two-hundredth anniversary of Washington Irving's publication of A History of New York. Perfect gift book or addition to library collection of New York Cityùthemed books.

Includes a gallery of images that brings Diedrich Knickerbocker, his myth, time, and place to life Knickerbocker engagingly traces the creation, evolution, and prevalence of Irving's imaginary historian in New York literature and history, art and advertising, from the early nineteenth century to the present day. Who would imagine this satiric character, at once a snob and a champion of the people, would endure for two hundred years? In Elizabeth L. Bradley's words, "Whether you call it 'blood,' style, attitude, or moxie, the little Dutchman could deliver." And, from this engaging work, it is clear that he does.

Bradley's stunning volume offers a surprising and delightful glimpse behind the scenes of New York history, and invites readers into the world of Knickerbocker, the antihero who surprised everyone by becoming the standard-bearer for the city's exceptional sense of self, or what we now call a New York "attitude."

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cover of Knowing Him by Heart: African Americans on Abraham Lincoln

Knowing Him by Heart

African Americans on Abraham Lincoln

Edited by Frederick Hord and Matthew D. Norman

University of Illinois Press, 2023

Winner of an Abraham Lincoln Institute Book Award

Though not blind to Abraham Lincoln's imperfections, Black Americans long ago laid a heartfelt claim to his legacy. At the same time, they have consciously reshaped the sixteenth president's image for their own social and political ends. Frederick Hord and Matthew D. Norman's anthology explores the complex nature of views on Lincoln through the writings and thought of Frederick Douglass, Ida B. Wells-Barnett, Mary McLeod Bethune, Thurgood Marshall, Malcolm X, Gwendolyn Brooks, Barbara Jeanne Fields, Barack Obama, and dozens of others. The selections move from speeches to letters to book excerpts, mapping the changing contours of the bond--emotional and intellectual--between Lincoln and Black Americans over the span of one hundred and fifty years.

A comprehensive and valuable reader, Knowing Him by Heart examines Lincoln’s still-evolving place in Black American thought.

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cover of Knowledge Power And Discipline: German Studies And National Identity

Knowledge Power And Discipline

German Studies And National Identity

Pier Carlo Bontempelli

University of Minnesota Press, 2003

An essential critical history of German studies as an academic discipline

German Studies has confronted many crises, as well as severe criticism and self-criticism, and yet it has managed to maintain its disciplinary system through every upheaval—the revolution of 1848, the establishment of the Second Reich in 1871, the Weimar Republic, the Nazi Third Reich, the Second World War and the reconstruction era, the creation and reunification of the two German states. Pier Carlo Bontempelli focuses on this continuity, dating back to the early nineteenth century, when the “founding fathers” of Germanistik secured its status by grounding it in a set of fixed principles, revived by each successive generation of scholars in order to legitimize their position of power—and to ensure their capacity for cultural reproduction.

Using the works of Michel Foucault and Pierre Bourdieu, Bontempelli investigates the institution and principles of German Studies and critically reconstructs its history. Mindful of the mechanisms of choice and domination operating at every turn, his book exposes the repressed social and political history of German Studies.
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cover of Knowledge in the Time of Cholera: The Struggle over American Medicine in the Nineteenth Century

Knowledge in the Time of Cholera

The Struggle over American Medicine in the Nineteenth Century

Owen Whooley

University of Chicago Press, 2013

Vomiting. Diarrhea. Dehydration. Death. Confusion. In 1832, the arrival of cholera in the United States created widespread panic throughout the country. For the rest of the century, epidemics swept through American cities and towns like wildfire, killing thousands. Physicians of all stripes offered conflicting answers to the cholera puzzle, ineffectively responding with opiates, bleeding, quarantines, and all manner of remedies, before the identity of the dreaded infection was consolidated under the germ theory of disease some sixty years later.

These cholera outbreaks raised fundamental questions about medical knowledge and its legitimacy, giving fuel to alternative medical sects that used the confusion of the epidemic to challenge both medical orthodoxy and the authority of the still-new American Medical Association. In Knowledge in the Time of Cholera, Owen Whooley tells us the story of those dark days, centering his narrative on rivalries between medical and homeopathic practitioners and bringing to life the battle to control public understanding of disease, professional power, and democratic governance in nineteenth-century America.
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