Results by title

2018 books match the query 'Political aspects' and 9 start with k

cover of Kicking

Kicking

Jules Boykoff

Duke University Press, 2026

As a poet, public-facing scholar of sports politics, and former professional soccer player, having represented the United States on the men’s U23 national soccer team, Jules Boykoff draws on his lifetime of athletic experience to reflect on the practice of kicking. With short vignettes blending the personal, the reflective, the historical, and the analytical, Kicking is uniquely positioned to reflect on the most popular sport in the world. From the act of kicking a soccer ball, Boykoff looks outward to his own family history, including his mother’s struggle with polio, which fed her insistence on his athleticism; to broader trends like greenwashing and sportwashing; and to reflections on sport’s toxic masculinity, the poetics of on-field revenge, and the power-politics of both the men’s and women’s World Cups. Kicking is a must-read for all those who love the beautiful game.
[more]
cover of Kill for Peace: American Artists Against the Vietnam War

Kill for Peace

American Artists Against the Vietnam War

By Matthew Israel

University of Texas Press, 2013

The Vietnam War (1964–1975) divided American society like no other war of the twentieth century, and some of the most memorable American art and art-related activism of the last fifty years protested U.S. involvement. At a time when Pop Art, Minimalism, and Conceptual Art dominated the American art world, individual artists and art collectives played a significant role in antiwar protest and inspired subsequent generations of artists. This significant story of engagement, which has never been covered in a book-length survey before, is the subject of Kill for Peace.

Writing for both general and academic audiences, Matthew Israel recounts the major moments in the Vietnam War and the antiwar movement and describes artists’ individual and collective responses to them. He discusses major artists such as Leon Golub, Edward Kienholz, Martha Rosler, Peter Saul, Nancy Spero, and Robert Morris; artists’ groups including the Art Workers’ Coalition (AWC) and the Artists Protest Committee (APC); and iconic works of collective protest art such as AWC’s Q. And Babies? A. And Babies and APC’s The Artists Tower of Protest. Israel also formulates a typology of antiwar engagement, identifying and naming artists’ approaches to protest. These approaches range from extra-aesthetic actions—advertisements, strikes, walk-outs, and petitions without a visual aspect—to advance memorials, which were war memorials purposefully created before the war’s end that criticized both the war and the form and content of traditional war memorials.

[more]
cover of Killing Poetry: Blackness and the Making of Slam and Spoken Word Communities

Killing Poetry

Blackness and the Making of Slam and Spoken Word Communities

Johnson, Javon

Rutgers University Press, 2017

Winner of the 2019 Lilla A. Heston Award
Co-winner of the 2018 Ethnography Division’s Best Book from the NCA

In recent decades, poetry slams and the spoken word artists who compete in them have sparked a resurgent fascination with the world of poetry. However, there is little critical dialogue that fully engages with the cultural complexities present in slam and spoken word poetry communities, as well as their ramifications.
 
In Killing Poetry, renowned slam poet, Javon Johnson unpacks some of the complicated issues that comprise performance poetry spaces. He argues that the truly radical potential in slam and spoken word communities lies not just in proving literary worth, speaking back to power, or even in altering power structures, but instead in imagining and working towards altogether different social relationships. His illuminating ethnography provides a critical history of the slam, contextualizes contemporary black poets in larger black literary traditions, and does away with the notion that poetry slams are inherently radically democratic and utopic.
 
Killing Poetry—at times autobiographical, poetic, and journalistic—analyzes the masculine posturing in the Southern California community in particular, the sexual assault in the national community, and the ways in which related social media inadvertently replicate many of the same white supremacist, patriarchal, and mainstream logics so many spoken word poets seem to be working against. Throughout, Johnson examines the promises and problems within slam and spoken word, while illustrating how community is made and remade in hopes of eventually creating the radical spaces so many of these poets strive to achieve. 
[more]
cover of Killing the Koala and Poisoning the Prairie: Australia, America, and the Environment

Killing the Koala and Poisoning the Prairie

Australia, America, and the Environment

Corey J. A. Bradshaw and Paul R. Ehrlich

University of Chicago Press, 2015

Though separated by thousands of miles, the United States and Australia have much in common. Geographically both countries are expansive—the United States is the fourth largest in land mass and Australia the sixth—and both possess a vast amount of natural biodiversity. At the same time, both nations are on a crash course toward environmental destruction. Highly developed super consumers with enormous energy footprints and high rates of greenhouse-gas emissions, they are two of the biggest drivers of climate change per capita. As renowned ecologists Corey J. A. Bradshaw and Paul R. Ehrlich make clear in Killing the Koala and Poisoning the Prairie, both of these countries must confront the urgent question of how to stem this devastation and turn back from the brink.
 
In this book, Bradshaw and Ehrlich provide a spirited exploration of the ways in which the United States and Australia can learn from their shared problems and combine their most successful solutions in order to find and develop new resources, lower energy consumption and waste, and grapple with the dynamic effects of climate change. Peppering the book with humor, irreverence, and extensive scientific knowledge, the authors examine how residents of both countries have irrevocably altered their natural environments, detailing the most pressing ecological issues of our time, including the continuing resource depletion caused by overpopulation. They then turn their discussion to the politics behind the failures of environmental policies in both nations and offer a blueprint for what must be dramatically changed to prevent worsening the environmental crisis.
 
Although focused on two nations, Killing the Koala and Poisoning the Prairie clearly has global implications—the problems facing the United States and Australia are not theirs alone, and the solutions to come will benefit by being crafted in coalition. This book provides a vital opportunity to learn from both countries’ leading environmental thinkers and to heed their call for a way forward together.
[more]
cover of King Cotton Diplomacy: Foreign Relations of the Confederate States of America

King Cotton Diplomacy

Foreign Relations of the Confederate States of America

Frank L. Owsley Sr., revised by Harriet Chappell Owsley, and with a new Preface by Howard Jones

University of Alabama Press, 2008

The exhaustive, definitive study of Southern attempts to gain international support for the Confederacy by leveraging the cotton supply for European intervention during the Civil War. Using previously untapped sources from Britain and France, along with documents from the Confederacy’s state department, Frank Owsley’s King Cotton Diplomacy is the first archival-based study of Confederate diplomacy.

[more]
cover of Knossos and the Prophets of Modernism

Knossos and the Prophets of Modernism

Cathy Gere

University of Chicago Press, 2009

In the spring of 1900, British archaeologist Arthur Evans began to excavate the palace of Knossos on Crete, bringing ancient Greek legends to life just as a new century dawned amid far-reaching questions about human history, art, and culture. With Knossos and the Prophets of Modernism, Cathy Gere relates the fascinating story of Evans’s excavation and its long-term effects on Western culture. After the World War I left the Enlightenment dream in tatters, the lost paradise that Evans offered in the concrete labyrinth—pacifist and matriarchal, pagan and cosmic—seemed to offer a new way forward for writers, artists, and thinkers such as Sigmund Freud, James Joyce, Giorgio de Chirico, Robert Graves, and Hilda Doolittle. 

Assembling a brilliant, talented, and eccentric cast at a moment of tremendous intellectual vitality and wrenching change, Cathy Gere paints an unforgettable portrait of the age of concrete and the birth of modernism.

[more]
cover of Knowing Nukes: The Politics and Culture of the Atom

Knowing Nukes

The Politics and Culture of the Atom

William Chaloupka

University of Minnesota Press, 1992

Countering critics who charge that postmodern positions on language, authority, and power cannot inform effective political responses, this compelling analysis employs these same methods to examine antinuclear politics. Star Wars (the movie and the antimissile system), the Freeze movement, Reaganism, and “lifestyle” politics all receive new treatments.

[more]
cover of Kwaito Bodies: Remastering Space and Subjectivity in Post-Apartheid South Africa

Kwaito Bodies

Remastering Space and Subjectivity in Post-Apartheid South Africa

Xavier Livermon

Duke University Press, 2020

In Kwaito Bodies Xavier Livermon examines the cultural politics of the youthful black body in South Africa through the performance, representation, and consumption of kwaito, a style of electronic dance music that emerged following the end of apartheid. Drawing on fieldwork in Johannesburg's nightclubs and analyses of musical performances and recordings, Livermon applies a black queer and black feminist studies framework to kwaito. He shows how kwaito culture operates as an alternative politics that challenges the dominant constructions of gender and sexuality. Artists such as Lebo Mathosa and Mandoza rescripted notions of acceptable femininity and masculinity, while groups like Boom Shaka enunciated an Afrodiasporic politics. In these ways, kwaito culture recontextualizes practices and notions of freedom within the social constraints that the legacies of colonialism, apartheid, and economic inequality place on young South Africans. At the same time, kwaito speaks to the ways in which these legacies reverberate between cosmopolitan Johannesburg and the diaspora. In foregrounding this dynamic, Livermon demonstrates that kwaito culture operates as a site for understanding the triumphs, challenges, and politics of post-apartheid South Africa.
[more]
cover of Kwaito's Promise: Music and the Aesthetics of Freedom in South Africa

Kwaito's Promise

Music and the Aesthetics of Freedom in South Africa

Gavin Steingo

University of Chicago Press, 2016

In mid-1990s South Africa, apartheid ended, Nelson Mandela was elected president, and the country’s urban black youth developed kwaito—a form of electronic music (redolent of North American house) that came to represent the post-struggle generation. In this book, Gavin Steingo examines kwaito as it has developed alongside the democratization of South Africa over the past two decades. Tracking the fall of South African hope into the disenchantment that often characterizes the outlook of its youth today—who face high unemployment, extreme inequality, and widespread crime—Steingo looks to kwaito as a powerful tool that paradoxically engages South Africa’s crucial social and political problems by, in fact, seeming to ignore them.
           
Politicians and cultural critics have long criticized kwaito for failing to provide any meaningful contribution to a society that desperately needs direction. As Steingo shows, however, these criticisms are built on problematic assumptions about the political function of music. Interacting with kwaito artists and fans, he shows that youth aren’t escaping their social condition through kwaito but rather using it to expand their sensory realities and generate new possibilities. Resisting the truism that “music is always political,” Steingo elucidates a music that thrives on its radically ambiguous relationship with politics, power, and the state.
[more]