862 books match the query 'Social History' and 7 start with k

cover of Kaskaskia: The Lost Capital of Illinois

Kaskaskia

The Lost Capital of Illinois

David MacDonald and Raine Waters

Southern Illinois University Press, 2019

This first comprehensive account of the Illinois village of Kaskaskia covers more than two hundred years in the vast and compelling history of the state. David MacDonald and Raine Waters explore Illinois’s first capital in great detail, from its foundation in 1703 to its destruction by the Mississippi River in the latter part of the nineteenth century, as well as everything in between: successes, setbacks, and the lives of the people who inhabited the space.
 
At the outset the Kaskaskia tribe, along with Jesuit missionaries and French traders, settled near the confluence of the Kaskaskia and Mississippi rivers, about sixty miles south of modern-day St. Louis. The town quickly became the largest French town and most prosperous settlement in the Illinois Country. After French control ended, Kaskaskia suffered under corrupt British and then inept American rule. In the 1790s the town revived and became the territorial capital, and in 1818 it became the first state capital. Along the way Kaskaskia was beset by disasters: crop failures, earthquakes, tornadoes, floods, epidemics, and the loss of the capital-city title to Vandalia. Likewise, human activity and industry eroded the river’s banks, causing the river to change course and eventually wash away the settlement. All that remains of the state’s first capital today is a village several miles from the original site.
 
MacDonald and Waters focus on the town’s growth, struggles, prosperity, decline, and obliteration, providing an overview of its domestic architecture to reveal how its residents lived. Debunking the notion of a folklore tradition about a curse on the town, the authors instead trace those stories to late nineteenth-century journalistic inventions. The result is a vibrant, heavily illustrated, and highly readable history of Kaskaskia that sheds light on the entire early history of Illinois.
 
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cover of Kebalian: The Dialogic Construction of Balinese Identity

Kebalian

The Dialogic Construction of Balinese Identity

Michel Picard

National University of Singapore Press, 2024

An investigation into the complex forces that shape Balinese identity.

Over the past one hundred years, the Balinese have been challenged by colonial occupation, political turbulence, and, most recently, tourism. In response, they have come to rely on the idea of “Kebalian,” or Balinese-ness. Kebalian is likened to a tree whose roots are religion (agama), the trunk is tradition (adat), and the fruits, Balinese culture (budaya). To understand how this sense of Balinese-ness came to be, Michel Picard examines the dialogues that the Balinese have engaged in both among themselves and with outsiders by conducting over a hundred interviews with Balinese opinion leaders, officials, and religious reformers. A key throughline in the construction of Kebalian is what Picard identifies as a twofold process of “religionization” and “Hinduization.” This process began with the first years of the incorporation of Bali into the Dutch East Indies and became more urgent with Indonesia’s independence. Kebalian today encompasses the tension between those Balinese eager to defend their customary ritual practices and advocates of Hinduism who deny that such local traditions qualify as agama. Kebalian presents a fascinating picture of religious change, identities in motion, and culture. Scholars of religion, cultural change, and Southeast Asian area studies will find this to be a fascinating and important book.
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cover of Keepers of the Flame: NFL Films and the Rise of Sports Media

Keepers of the Flame

NFL Films and the Rise of Sports Media

Travis Vogan

University of Illinois Press, 2014

NFL Films changed the way Americans view football. Keepers of the Flame: NFL Films and the Rise of Sports Media traces the subsidiary's development from a small independent film production company to the marketing machine that Sports Illustrated named "perhaps the most effective propaganda organ in the history of corporate America."
 
Drawing on research at the NFL Films Archive and the Pro Football Hall of Fame and interviews with media pioneer Steve Sabol and others, Travis Vogan shows how NFL Films has constructed a consistent, romanticized, and remarkably visible mythology for the National Football League. The company packages football as a visceral and dramatic sequence of violent, beautiful, graceful, and heroic gridiron battles. Historically proven formulas for presentation--such as the dramatic voiceovers once provided by John Facenda's baritone, the soaring scores of Sam Spence's rousing background music, and the epic poetry found in Steve Sabol's scripts--are still used today.
 
From the Vincent Price-narrated Strange but True Football Stories to the currently running series Hard Knocks, NFL Films distinguishes the NFL from other sports organizations and from other media and entertainment. Vogan tells the larger story of the company's relationship with and vast influence on our culture's representations of sport, the expansion of sports television beyond live game broadcasts, and the emergence of cable television and Internet sports media.
 
Keepers of the Flame: NFL Films and the Rise of Sports Media presents sports media as an integral facet of American popular culture and NFL Films as key to the transformation of professional football into the national obsession commonly known as America's Game.
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cover of Kids on the Street: Queer Kinship and Religion in San Francisco's Tenderloin

Kids on the Street

Queer Kinship and Religion in San Francisco's Tenderloin

Joseph Plaster

Duke University Press, 2023

In Kids on the Street Joseph Plaster explores the informal support networks that enabled abandoned and runaway queer youth to survive in tenderloin districts across the United States. Tracing the history of the downtown lodging house districts where marginally housed youth regularly lived beginning in the late 1800s, Plaster focuses on San Francisco’s Tenderloin from the 1950s to the present. He draws on archival, ethnographic, oral history, and public humanities research to outline the queer kinship networks, religious practices, performative storytelling, and migratory patterns that allowed these kids to foster social support and mutual aid. He shows how they collectively and creatively managed the social trauma they experienced, in part by building relationships with johns, bartenders, hotel managers, bouncers, and other vice district denizens. By highlighting a politics where the marginal position of street kids is the basis for a moral economy of reciprocity, Plaster excavates a history of queer life that has been overshadowed by major narratives of gay progress and pride.
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cover of Kiss the Blood Off My Hands: On Classic Film Noir

Kiss the Blood Off My Hands

On Classic Film Noir

Edited by Robert Miklitsch

University of Illinois Press, 2014

Consider the usual view of film noir: endless rainy nights populated by down-at-the-heel boxers, writers, and private eyes stumbling toward inescapable doom while stalked by crooked cops and cheating wives in a neon-lit urban jungle.

But a new generation of writers is pushing aside the fog of cigarette smoke surrounding classic noir scholarship. In Kiss the Blood Off My Hands: On Classic Film Noir, Robert Miklitsch curates a bold collection of essays that reassesses the genre's iconic style, history, and themes. Contributors analyze the oft-overlooked female detective and little-examined aspects of filmmaking like love songs and radio aesthetics, discuss the significance of the producer and women's pulp fiction, and investigate topics as disparate as Disney noir and the Fifties heist film, B-movie back projection and blacklisted British directors. At the same time the writers' collective reconsideration shows the impact of race and gender, history and sexuality, technology and transnationality on the genre.

As bracing as a stiff drink, Kiss the Blood Off My Hands writes the future of noir scholarship in lipstick and chalk lines for film fans and scholars alike.

Contributors: Krin Gabbard, Philippa Gates, Julie Grossman, Robert Miklitsch, Robert Murphy, Mark Osteen, Vivian Sobchack, Andrew Spicer, J. P. Telotte, and Neil Verma.
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cover of Knish: In Search of the Jewish Soul Food

Knish

In Search of the Jewish Soul Food

Laura Silver

Brandeis University Press, 2014

When Laura Silver’s favorite knish shop went out of business, the native New Yorker sank into mourning, but then she sprang into action. She embarked on a round-the-world quest for the origins and modern-day manifestations of the knish. The iconic potato pie leads the author from Mrs. Stahl’s bakery in Brighton Beach, Brooklyn, to an Italian pasta maker in New Jersey—and on to a hunt across three continents for the pastry that shaped her identity. Starting in New York, she tracks down heirs to several knish dynasties and discovers that her own family has roots in a Polish town named Knyszyn. With good humor and a hunger for history, Silver mines knish lore for stories of entrepreneurship, survival, and major deliciousness. Along the way, she meets Minnesota seniors who make knishes for weekly fundraisers, foodies determined to revive the legacy of Mrs. Stahl, and even the legendary knish maker’s granddaughters, who share their joie de vivre—and their family recipe. Knish connections to Eleanor Roosevelt and rap music? Die-hard investigator Silver unearths those and other intriguing anecdotes involving the starchy snack once so common along Manhattan’s long-lost Knish Alley. In a series of funny, moving, and touching episodes, Silver takes us on a knish-eye tour of worlds past and present, thus laying the foundation for a global knish renaissance.
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cover of Krúdy's Chronicles: Turn-of-the-Century Hungary in Gyula Krudy's Journalism

Krúdy's Chronicles

Turn-of-the-Century Hungary in Gyula Krudy's Journalism

John Batki

Central European University Press, 2000

Written during the 1910s '20s and '30s, these articles offer a wistful and nostalgic image of the waning years of the Austro-Hungarian empire, with portraits of the Habsburgs, culminating in first-hand reports in 1916, from Vienna on the funeral of Emperor Francis Joseph I, and from Budapest on the coronation of Charles IV, the last king of Hungary. Krúdy's reports follow the bloodless democratic revolution of 1918, the Károlyi government and the short-lived Soviet Republic, and present cameos of the leading political figures of the day such as Ferenc Kossuth, Mihály Károlyi and Béla Kun.


In his lively, casual pieces Krúdy displays his intimate knowledge of Hungarian society with a special emphasis on literature and publishing.

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