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805 books match the query '18th Century' and 24 start with l

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LITTLE SONGS

WOMEN, SILENCE, AND THE NINETEENTH-CENTURY SONNET

AMY CHRISTINE BILLONE

The Ohio State University Press, 2002

In Little Songs: Women, Silence, and the Nineteenth-Century Sonnet, Amy Christine Billone analyzes the bond between lyric poetry and silence in women’s sonnets ranging from the late eighteenth-century works of Charlotte Smith, Helen Maria Williams, and Anna Maria Smallpiece to Victorian texts by Elizabeth Barrett, Christina Rossetti, Isabella Southern, and other, lesser-known female poets. Although scholars acknowledge that women initiated the sonnet revival in England, Little Songs is the only major study of nineteenth-century female sonneteers.

Billone argues not that women’s sonnets overcame silence in favor of lyrical speech during the nineteenth-century sonnet revival, but rather that women simultaneously posited both muteness and volubility through style and theme. In opposition to criticism that stresses a modern shift from compensatory to non-consolatory poems of mourning, Billone demonstrates how women invented contemporary elegiac poetics a century in advance.

Adding to critical interest in the alliance between silence and literature, this book offers a complex study of the overwhelming impact that silence makes, not only on British women’s poetry, but also on the development of modern poetry and intellectual inquiry. Ultimately, Little Songs illustrates how the turn away from the kind of silence that preoccupied nineteenth-century women poets introduced the start of twentieth-century thought.

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La Harpe's Post

Tales of French-Wichita Contact on the Eastern Plains

George H. Odell

University of Alabama Press, 2002

This major contribution to contact period studies points to the Lasley Vore site in modern Oklahoma as the most likely first meeting place of Plains Indians and Europeans more than 300 years ago.

In 1718, Jean-Baptiste Bénard, Sieur de la Harpe, departed St. Malo in Brittany for the New World. La Harpe, a member of the French bourgeoisie, arrived at Dauphin Island on the Gulf coast to take up the entrepreneurial concession provided by the director of the French colony, Jean Baptiste LeMoyne de Bienville. La Harpe's charge was to open a trading post on the Red River just above a Caddoan village not far from present-day Texarkana. Following the establishment of this post, La Harpe ventured farther north to extend his trade market into the region occupied by the Wichita Indians. Here he encountered a Tawakoni village with an estimated 6,000 inhabitants, a number that swelled to 7,000 during the ten-day visit.

Despite years of ethnohistoric and archaeological research, no scholar had successfully established where this important meeting took place. Then in 1988, George Odell and his crew surveyed and excavated an area 13 miles south of Tulsa, along the Arkansas River, that revealed undeniable association of Native American habitation refuse with 18th-century European trade goods.

Odell here presents a full account of the presumed location of the Tawakoni village as revealed through the analysis of excavated materials from nine specialist collaborators. In a strikingly well-written narrative report, employing careful study and innovative analysis supported by appendixes containing the excavation data, Odell combines documentary history and archaeological evidence to pinpoint the probable site of the first European contact with North American Plains Indians.

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Lake Methodism

Jasper Cragwall

The Ohio State University Press, 2013

Lake Methodism: Polite Literature and Popular Religion in England, 1780-1830, reveals the traffic between Romanticism’s rhetorics of privilege and the most socially toxic religious forms of the eighteenth and nineteenth centuries. The “Lake Poets,” of whom William Wordsworth and Samuel Taylor Coleridge are the most famous, are often seen as crafters of a poetics of spontaneous inspiration, transcendent imagination, and visionary prophecy, couched within lexicons of experimental simplicity and lyrical concision. But, as Jasper Cragwall argues, such postures and principles were in fact received as the vulgarities of popular Methodism, an insurgent religious movement whose autobiographies, songs, and sermons reached sales figures of which the Lakers could only dream.

With these religious histories, Lake Methodism unsettles canonical Romanticism, reading, for example, the grand declaration opening Wordsworth’s spiritual autobiography—“to the open fields I told a prophecy”—not as poetic self-sanctification, but as a means of embarrassing Methodism, responsible for the suppression of The Prelude for half a century. The book measures this fearful symmetry between Romantic and religious enthusiasms in figures iconic and unfamiliar: John Wesley, Robert Southey, Wordsworth, Coleridge, as well as the eponymous scientist of Mary Shelley’s Frankenstein, and even Joanna Southcott, an illiterate servant turned latter-day Virgin Mary, who, at the age of sixty-five, mistook a fatal dropsy for the Second Coming of Christ (and so captivated a nation).

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Land of Big Rivers

French and Indian Illinois, 1699-1778

M. J. Morgan

Southern Illinois University Press, 2010

Drawing on research from a variety of academic fields, such as archaeology, history, botany, ecology, and physical science, M. J. Morgan explores the intersection of people and the environment in early eighteenth-century Illinois Country—a stretch of fecund, alluvial river plain along the Mississippi river. Arguing against the traditional narrative that describes Illinois as an untouched wilderness until the influx of American settlers, Morgan illustrates how the story began much earlier.

She focuses her study on early French and Indian communities, and later on the British, nestled within the tripartite environment of floodplain, riverine cliffs and bluffs, and open, upland till plain/prairie and examines the impact of these diverse groups of people on the ecological landscape. By placing human lives within the natural setting of the period—the abundant streams and creeks, the prairies, plants and wildlife—she traces the environmental change that unfolded across almost a century. She describes how it was a land in motion; how the occupying peoples used, extracted, and extirpated its resources while simultaneously introducing new species; and how the flux and flow of life mirrored the movement of the rivers. Morgan emphasizes the importance of population sequences, the relationship between the aboriginals and the Europeans, the shared use of resources, and the effects of each on the habitat.

Land of Big Rivers is a unique, many-themed account of the big-picture ecological change that occurred during the early history of the Illinois Country. It is the first book to consider the environmental aspects of the Illinois Indian experience and to reconsider the role of the French and British in environmental change in the mid-Mississippi Valley. It engagingly recreates presettlement Illinois with a remarkable interdisciplinary approach and provides new details that will encourage understanding of the interaction between physical geography and the plants, animals, and people in the Illinois Country. Furthermore, it exhibits the importance of looking at the past in the context of environmental transformation, which is especially relevant in light of today’s global climate change.

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Last Works

Moses Mendelssohn. Translated by Bruce Rosenstock

University of Illinois Press, 2012

Moses Mendelssohn (1729–1786) was the central figure in the emancipation of European Jewry. His intellect, judgment, and tact won the admiration and friendship of contemporaries as illustrious as Johann Gottfried Herder, Gotthold Ephraim Lessing, and Immanuel Kant. His enormously influential Jerusalem (1783) made the case for religious tolerance, a cause he worked for all his life.

Last Works includes, for the first time complete and in a single volume, the English translation of Morning Hours: Lectures on the Existence of God (1785) and To the Friends of Lessing (1786). Bruce Rosenstock has also provided an historical introduction and an extensive philosophical commentary to both texts.

At the center of Mendelssohn's last works is his friendship with Lessing. Mendelssohn hoped to show that he, a Torah-observant Jew, and Lessing, Germany's leading dramatist, had forged a life-long friendship that held out the promise of a tolerant and enlightened culture in which religious strife would be a thing of the past.

Lessing's death in 1781 was a severe blow to Mendelssohn. Mendelssohn wrote his last two works to commemorate Lessing and to carry on the work to which they had dedicated much of their lives. Morning Hours treats a range of major philosophical topics: the nature of truth, the foundations of human knowledge, the basis of our moral and aesthetic powers of judgment, the reality of the external world, and the grounds for a rational faith in a providential deity. It is also a key text for Mendelssohn's readings of Spinoza. In To the Friends of Lessing, Mendelssohn attempts to unmask the individual whom he believes to be the real enemy of the enlightened state: the Schwärmer, the religious fanatic who rejects reason in favor of belief in suprarational revelation.

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Laurence Sterne’s A Sentimental Journey

A Legacy to the World

W. B. Gerard

Bucknell University Press, 2021

Laurence Sterne’s A Sentimental Journey through France and Italy continues to be as widely read and admired as upon its first appearance. Deemed more accessible than Sterne’s Life and Opinions of Tristram Shandy, Gentleman, and often assigned as a college text, A Sentimental Journey has received its share of critical attention, but—unlike Tristram Shandy—to date it has not been the subject of a dedicated anthology of critical essays. This volume fills that gap with fresh perspectives on Sterne’s novel that will appeal to students and critics alike. Together with an introduction that situates each essay within A Sentimental Journey’s reception history, and a tailpiece detailing the culmination of Sterne’s career and his death, this volume presents a cohesive approach to this significant text that is simultaneously grounded and revelatory.

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Lessons of Romanticism

A Critical Companion

Thomas Pfau and Robert F. Gleckner, eds.

Duke University Press, 1998

Moving beyond views of European Romanticism as an essentially poetic development, Lessons of Romanticism strives to strengthen a critical awareness of the genres, historical institutions, and material practices that comprised the culture of the period. This anthology—in recasting Romanticism in its broader cultural context—ranges across literary studies, art history, musicology, and political science and combines a variety of critical approaches, including gender studies, Lacanian analysis, and postcolonial studies.
With over twenty essays on such diverse topics as the aesthetic and pedagogical purposes of art exhibits in London, the materiality of late Romantic salon culture, the extracanonical status of Jane Austen and Fanny Burney, and Romantic imagery in Beethoven’s music and letters, Lessons of Romanticism reveals the practices that were at the heart of European Romantic life. Focusing on the six decades from 1780 to 1832, this collection is arranged thematically around gender and genre, literacy, marginalization, canonmaking, and nationalist ideology. As Americanists join with specialists in German culture, as Austen is explored beside Beethoven, and as discussions on newly recovered women’s writings follow fresh discoveries in long-canonized texts, these interdisciplinary essays not only reflect the broad reach of contemporary scholarship but also point to the long-neglected intertextual and intercultural dynamics in the various and changing faces of Romanticism itself.

Contributors. Steven Bruhm, Miranda J. Burgess, Joel Faflak, David S. Ferris, William Galperin, Regina Hewitt, Jill Heydt-Stevenson, H. J. Jackson, Theresa M. Kelley, Greg Kucich, C. S. Matheson, Adela Pinch, Marc Redfield, Nancy L. Rosenblum, Marlon B. Ross, Maynard Solomon, Richard G. Swartz, Nanora Sweet, Joseph Viscomi, Karen A. Weisman, Susan I. Wolfson

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Letters from Spain

A Seventeenth-Century French Noblewoman at the Spanish Royal Court

Marie Gigault de Bellefonds

Iter Press, 2021

Marie Gigault de Bellefonds, Marquise de Villars was a well-regarded figure in Parisian salons and esteemed by King Louis XIV, and she traveled internationally to accompany her ambassador husband, playing significant diplomatic roles at the court of Savoy in Turin and at the court of Spain in Madrid. She became the confidante of the queen of Spain, Marie-Louise d’Orléans, the niece of Louis XIV, and, as instructed by the king of France, endeavored to pursue French political interests in Madrid with female members of royalty.

This volume includes her surviving letters from Madrid to her friend Madame de Coulanges and an appendix of her letters sent from Paris and Turin. The letters from Spain, written between 1679 and 1681, paint a vivid and engaging picture of the royal court and its new queen.

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Lewd and Notorious

Female Transgression in the Eighteenth Century

Katharine Kittredge, Editor

University of Michigan Press, 2003

Accounts of women's transgressive behavior in eighteenth-century literature and social documents have much to teach us about constructions of femininity during the period often identified as having formed our society's gender norms. Lewd and Notorious explores the eighteenth century's shadows, inhabited by marginal women of many kinds and degrees of contrariness. The reader meets Laetitia Pilkington, whose sexual indiscretions caused her to fall from social and literary grace to become an articulate memoirist of personal scandal, and Elizabeth Brownrigg, who tortured and starved her young servants, propelling herself to an infamy comparable to Susan Smith's or Myra Hindley's. More awful women wait between these covers to teach us about society's reception (and construction) of their debauchery and dangerousness.

The authors draw upon a rich range of contemporary texts to illuminate the lives of these women. Astute analysis of literary, legal, evangelical, epistolary, and political documents provides an understanding of 1700s womanhood. From lusty old maids to murderous mistresses, the characters who exemplify this period's vision of women on the edge are essential acquaintances for anyone wishing to understand the development and ramifications of conceptions of femininity.

Katharine Kittredge is Associate Professor of English, Ithaca College.

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Lift Every Voice

African American Oratory, 1787-1901

Philip S. Foner

University of Alabama Press, 1997

The essential collection of African American voices that shaped the struggle for freedom, equality, and citizenship.

Lift Every Voice is a completely revised, updated, and expanded version of Philip Foner's 1972 classic Voice of Black America, which Library Journal hailed as "indispensable.""This well-edited and
richly inclusive work," wrote Benjamin Quarles, "unveils the full sweep of Black expression as found in platform addresses" by "men and women who join eloquence with reason in articulating their
grievances and their aspirations and in arousing their listeners with their ringing and prophetic challenges." This new collection includes over 60 additional texts and revised and expanded introductory essays that provide historical, biographical, and critical information for each speech.

For Americans of the 19th century, as W. E. B. Du Bois observed, eloquent speeches were 'the shining lights of civilization' that both expressed and sought to improve the lives and communities from which they sprang. Through political speeches, sermons, lectures, oral testimonies, and ceremonial addresses, African Americans offered diverse responses to the issues and events of their times, including not only slavery and racial equality but also women's rights, education, religion, immigration, socialism, war, Indian policy, and labor organization, among others. The speeches in this
collection are among the most powerful expressions of African American opinions on these issues and were delivered on occasions and before audiences where the speakers believed their words might be transformative.

Containing more than 150 speeches, this anthology represents the most extensive and diverse collection of African American oratory of the 18th and 19th centuries ever published. Lift Every Voice makes readily accessible not only the classic orations of such well-known figures as Frederick Douglass, Sojourner Truth, and Booker T. Washington but also dozens of lesser-known but important speeches deserving greater recognition and study. Many of these speeches are previously unpublished, uncollected, or long out of print.

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Light in Germany

Scenes from an Unknown Enlightenment

T. J. Reed

University of Chicago Press, 2015

Germany’s political and cultural past from ancient times through World War II has dimmed the legacy of its Enlightenment, which these days is far outshone by those of France and Scotland. In this book, T. J. Reed clears the dust away from eighteenth-century Germany, bringing the likes of Kant, Goethe, Friedrich Schiller, and Gotthold Lessing into a coherent and focused beam that shines within European intellectual history and reasserts the important role of Germany’s Enlightenment.

Reed looks closely at the arguments, achievements, conflicts, and controversies of these major thinkers and how their development of a lucid and active liberal thinking matured in the late eighteenth century into an imaginative branching that ran through philosophy, theology, literature, historiography, science, and politics. He traces the various pathways of their thought and how one engendered another, from the principle of thinking for oneself to the development of a critical epistemology; from literature’s assessment of the past to the formulation of a poetic ideal of human development. Ultimately, Reed shows how the ideas of the German Enlightenment have proven their value in modern secular democracies and are still of great relevance—despite their frequent dismissal—to us in the twenty-first century.

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Listening to China

Sound and the Sino-Western Encounter, 1770-1839

Thomas Irvine

University of Chicago Press, 2020

From bell ringing to fireworks, gongs to cannon salutes, a dazzling variety of sounds and soundscapes marked the China encountered by the West around 1800. These sounds were gathered by diplomats, trade officials, missionaries, and other travelers and transmitted back to Europe, where they were reconstructed in the imaginations of writers, philosophers, and music historians such as Jean-Philippe Rameau, Johann Nikolaus Forkel, and Charles Burney. Thomas Irvine gathers these stories in Listening to China, exploring how the sonic encounter with China shaped perceptions of Europe’s own musical development.

Through these stories, Irvine not only investigates how the Sino-Western encounter sounded, but also traces the West’s shifting response to China. As the trading relationships between China and the West broke down, travelers and music theorists abandoned the vision of shared musical approaches, focusing instead on China’s noisiness and sonic disorder and finding less to like in its music. At the same time, Irvine reconsiders the idea of a specifically Western music history, revealing that it was comparison with China, the great “other,” that helped this idea emerge. Ultimately, Irvine draws attention to the ways Western ears were implicated in the colonial and imperial project in China, as well as to China’s importance to the construction of musical knowledge during and after the European Enlightenment. Timely and original, Listening to China is a must-read for music scholars and historians of China alike.

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Literary Conclusions

The Poetics of Ending in Lessing, Goethe, and Kleist

Oliver Simons

Northwestern University Press, 2022

Endings are not just singular moments in time but the outcomes of a process. And whatever a book’s conclusion, its form has a history. Literary Conclusions presents a new theory of textual endings in eighteenth-century literature and thought. Analyzing essential works by Gotthold Ephraim Lessing, Johann Wolfgang von Goethe, and Heinrich von Kleist, Oliver Simons shows how the emergence of new kinds of literary endings around 1800 is inextricably linked to the history of philosophical and scientific concepts.

Simons examines the interrelations of Lessing’s literary endings with modes of logical conclusion; he highlights how Goethe’s narrative closures are forestalled by an uncontrollable vital force that was discussed in the sciences of the time; and he reveals that Kleist conceived of literary genres themselves as forms of reasoning. Kleist’s endings, Simons demonstrates, mark the beginning of modernism. Through close readings of these authors and supplemental analyses of works by Walter Benjamin, Friedrich Hölderlin, and Georg Wilhelm Friedrich Hegel, he crafts an elegant theory of conclusions that revises established histories of literary genres and forms.

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Literary Publishing in America, 1790-1850

William Charvat

University of Massachusetts Press, 1993

Available for the first time in paperback, this book is a succinct distillation of the work and thought of William Charvat, a pioneer in the study of the history of the American book. This burgeoning field of inquiry investigates the social and cultural context of the act of literary creation by relating it to the modes of its production and distribution. This new edition of Literary Publishing in America contains an afterword by Michael Winship that discusses scholarship in the field since publication of Charvat's groundbreaking work.

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Literature Incorporated

The Cultural Unconscious of the Business Corporation, 1650-1850

John O'Brien

University of Chicago Press, 2015

Long before Citizens United and modern debates over corporations as people, such organizations already stood between the public and private as both vehicles for commerce and imaginative constructs based on groups of individuals. In this book, John O’Brien explores how this relationship played out in economics and literature, two fields that gained prominence in the same era.

Examining British and American essays, poems, novels, and stories from the seventeenth through the nineteenth centuries, O’Brien pursues the idea of incorporation as a trope discernible in a wide range of texts. Key authors include John Locke, Eliza Haywood, Harriet Martineau, and Edgar Allan Poe, and each chapter is oriented around a type of corporation reflected in their works, such as insurance companies or banks. In exploring issues such as whether sentimental interest is the same as economic interest, these works bear witness to capitalism’s effect on history and human labor, desire, and memory. This period’s imaginative writing, O’Brien argues, is where the unconscious of that process left its mark. By revealing the intricate ties between literary models and economic concepts, Literature Incorporated shows us how the business corporation has shaped our understanding of our social world and ourselves.

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Literature and the Arts

Interdisciplinary Essays in Memory of James Anderson Winn

Anna Battigelli

University of Delaware Press, 2024

The ten essays in Literature and the Arts explore the intermedial plenitude of eighteenth-century English culture, honoring the memory of James Anderson Winn, whose work demonstrated how seeing that interplay of the arts and literature was essential to a full understanding of Restoration and eighteenth-century English culture. Scenery, machinery, music, dance, and texts transformed one another, both enriching and complicating generic distinctions. Artists were alive to the power of the arts to reflect and shape reality, and their audience was quick to turn to the arts as performative pleasures and critical lenses through which to understand a changing world. This collection's eminent authors discuss estate design, musicalized theater, the visual spectacle of musical performance, stage machinery and set designs, the social uses of painting and singing, drama’s reflection of a transformed military infrastructure, and the arts of memory and of laughter.

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Little Tools of Knowledge

Historical Essays on Academic and Bureaucratic Practices

Peter Becker and William Clark, Editors

University of Michigan Press, 2001

This volume brings historians of science and social historians together to consider the role of "little tools"--such as tables, reports, questionnaires, dossiers, index cards--in establishing academic and bureaucratic claims to authority and objectivity. From at least the eighteenth century onward, our science and society have been planned, surveyed, examined, and judged according to particular techniques of collecting and storing knowledge. Recently, the seemingly self-evident nature of these mundane epistemic and administrative tools, as well as the prose in which they are cast, has demanded historical examination. The essays gathered here, arranged in chronological order by subject from the late seventeenth to the late twentieth century, involve close readings of primary texts and analyses of academic and bureaucratic practices as parts of material culture. The first few essays, on the early modern period, largely point to the existence of a "juridico-theological" framework for establishing authority. Later essays demonstrate the eclipse of the role of authority per se in the modern period and the emergence of the notion of "objectivity." Most of the essays here concern the German cultural space as among the best exemplars of the academic and bureaucratic practices described above. The introduction to the volume, however, is framed at a general level; the closing essays also extend the analyses beyond Germany to broader considerations on authority and objectivity in historical practice. The volume will interest scholars of European history and German studies as well as historians of science. Peter Becker is Professor of Central European History, European University Institute. William Clark is Lecturer in History and Philosophy of Science, Cambridge University.

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Lives of Fort de Chartres

Commandants, Soldiers, and Civilians in French Illinois, 1720–1770

David MacDonald

Southern Illinois University Press, 2016

Winner, ISHS Annual Award for a Scholarly Publication, 2017

Fort de Chartres, built in 1719-1720 in the heart of what would become the American Midwest, embodied French colonial power for half a century. Lives of Fort de Chartres, by David MacDonald, details the French colonial experience in Illinois from 1720 to 1770 through vivid depictions of the places, people, and events around the fort and its neighboring villages.

In the first section, MacDonald explores the fascinating history of French Illinois and the role of Fort de Chartres in this history, focusing on native peoples, settlers, slaves, soldiers, villages, trade routes, military administration, and the decline of French rule in Illinois. The second section profiles the fort’s twelve distinctive and often colorful commandants, who also served as administrative heads of French Illinois. These men’s strong personalities served them well when dealing simultaneously with troops, civilians, and Indians and their multifaceted cultures. In the third section, MacDonald presents ten thought-provoking biographies of people whose lives intersected with Fort de Chartres in various ways, from a Kaskaskia Indian woman known as “the Mother of French Illinois” to an ill-fated chicken thief and a European aristocrat. Subjects treated in the book include French–Native American relations, the fur trade, early Illinois agriculture, and tensions among different religious orders. Together, the biographies and historical narrative in the volume illuminate the challenges that shaped the French colonies in America.

The site of Fort de Chartres, recognized as a National Historic Landmark in 1966, still exists today as a testament to the ways in which French, British, Spanish, and American histories have intertwined. Both informative and entertaining, Lives of Fort de Chartres contributes to a more complete understanding of the French colonial experience in the Midwest and portrays a vital and vigorous community well worth our appreciation.

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London in a Box

Englishness and Theatre in Revolutionary America

Odai Johnson

University of Iowa Press, 2017

2017 Theatre Library Association Freedley Award Finalist

If one went looking for the tipping point in the prelude to the American Revolution, it would not be the destruction of the tea in Boston Harbor, or the blockade of Boston by British warships, or even the gathering of the first Continental Congress; rather, it was the Congress’s decision in late October of 1774 to close the theatres. In this remarkable feat of historical research, Odai Johnson pieces together the surviving fragments of the story of the first professional theatre troupe based in the British North American colonies. In doing so, he tells the story of how colonial elites came to decide they would no longer style themselves British gentlemen, but instead American citizens.

London in a Box chronicles the enterprise of David Douglass, founder and manager of the American Theatre, from the 1750s to the climactic 1770s. The ambitious Scotsman’s business was teaching provincial colonials to dress and behave as genteel British subjects. Through the plays he staged, the scenery and costumes, and the bearing of his actors, he displayed London fashion and London manners. He counted among his patrons the most influential men in America, from British generals and governors to local leaders, including the avid theatre-goers George Washington and Thomas Jefferson. By 1774, Douglass operated a monopoly of theatres in six colonies and the Anglophone Caribbean, from Jamaica to Charleston and northward to New York City. (Boston remained an impregnable redoubt against theatre.)

How he built this network of patrons and theatres and how it all went up in flames as the revolution began is the subject of this witty history. A treat for anyone interested in the world of the American Revolution and an important study for historians of the period.

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London, Metropolis of the Slave Trade

James A. Rawley & Foreword by David Eltis

University of Missouri Press, 2003

"The recognition that ordinary people could and did trade in slaves, as well as the fact that ordinary people became slaves, is, indeed, the beginning of comprehending the enormity of the forced migration of eleven million people and the attendant deaths of many more."

In London, Metropolis of the Slave Trade, James A. Rawley collects some of his best works from the past three decades. Also included in this volume are three new pieces: an essay on a South Carolina slave trader, Henry Laurens; an analysis of the slave trade at the beginning of the eighteenth century; and a portrait of John Newton, a slave trader who became a priest in the Church of England and composer of the hymn “Amazing Grace,” as well as an outspoken opponent of the trade.

In these essays Rawley brings together new information on individuals involved in and opposed to the slave trade and shows how scholars have long underestimated the extent of London’s participation in the trade.

Rawley draws on material from the year 1700 to the American Civil War as he explores the role of London in the trade. He covers its activity as a port of departure for ships bound for Africa; its continuing large volume after the trade extended to Bristol and Liverpool; and the controversy between London’s parliamentary representatives, who defended the trade, and the abolitionist movement that was quartered there.

Sweeping in scope and thorough in its analysis, this collection of essays from a seasoned scholar will be welcomed by historians concerned with slavery and the slave trade, as well as by students just beginning their exploration of this subject.

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