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Late Stage: Theatrical Perspectives on Age and Aging represents the first comprehensive anthology to critically interrogate the intersection of age studies with theater and performance studies. Undoing the notion of a singular, continuous self as we age—an assumption that negatively positions old age in opposition to youth—this volume challenges biological imperatives imposed by essentialist views of aging. Late Stage reconceptualizes age as an additional dimension of identity constituted through the sociocultural systems that shape the material body over time. The collection portrays aging as a dynamic and evolving process, countering ageist narratives of decline and stereotypes that homogenize later life as a fixed, undesirable state. By exploring themes such as intergenerational dialogue, elder sexualities, late style, casting practices, age-related caregiving, and artistic longevity, contributors reposition later life into complex narratives that resist normative age scripts. Drawing on gender studies, queer and feminist theory, and disability studies, the collection bridges performance analysis with theoretical frameworks and collectively addresses how aging is experienced, represented, and resisted across time and cultures. Late Stage explores key works by canonical and contemporary figures such as Anton Chekhov, Henrik Ibsen, Caryl Churchill, Clare Barron, Naomi Iizuka, Tracy Letts, David Lindsay-Abaire, Judith Malina, Robbie McCauley, Florian Zeller, and Peggy Shaw. With its innovative approach, Late Stage serves not only as a critical text for courses on performance and age, but as a call to action for expanding conversations around age in theater and society.

Winner of the 2020 Joseph L. Andrews Legal Literature Award by the American Association of Law Libraries (AALL)

Futurists predict that in the next ten years the profession of “lawyer” will splinter into job titles like “legal process analyst” or “legal knowledge engineer.” And some in the field are already taking a proactive approach ⁠— in fact, more than two dozen law schools have developed innovation centers to explore artificial intelligence (AI) and the law. In a competitive marketplace, both firms and individuals need to familiarize themselves with the dazzling array of new products and enhanced features capable of improving efficiency. Written by leading practitioners and visionaries like Robert Ambrogi, this groundbreaking survey of current practices and future trends offers an incisive examination of the evolving roles for law librarians. Readers will learn how AI technology is changing law school curricula, lawyer practice, marketing, and other key aspects of the field through coverage of such topics as

• the benefits of AI to law librarianship, including areas like legal research, contract review, compliance, and administration, and their associated risks;
• four professional ethics rules that apply to the use or (non-use) of AI;
• how lawyers and staff work side by side with AI, utilizing intelligence like RAVN ACE or FastCase to attack the drudgery of due diligence and document review;
• surprising machine-learning insights from tokenizing, stemming, and lemmatizing the text of Shakespeare’s plays;
• the potential for chatbots and new natural language processing products to improve access to justice; and
• ways to develop sought-after skills through new technology departments, practice management groups, and legal innovation labs.

Reading this collection will give you a firm grasp of the innovations, tools, benefits, and risks of AI in law librarianship.

Winner of the MLA's Mina P. Shaugnessy Prize for an outstanding work in the fields of language, culture, literacy, or literature with strong application to the teaching of English.

Focusing largely on the controversial website Wikipedia, the author explores the challenges confronting teachers of college writing in the increasingly electronic and networked writing environments their students use every day. Rather than praising or condemning that site for its role as an encyclopedia, Cummings instead sees it as a site for online collaboration between writers and a way to garner audience for student writing.

Applying an understanding of Commons-Based Peer Production theory, as developed by Yochai Benkler, this text is arranged around the following propositions:

-- Commons-Based Peer Production is a novel economic phenomenon which informs our current teaching model and describes a method for making sense of future electronic developments.

-- College writers are motivated to do their best work when they write for an authentic audience, external to the class.

-- Writing for a networked knowledge community invites students to participate in making knowledge, rather than only consuming it.

-- A plan for integrating networked writing for an external audience helps students understand the transition from high school to college writing.

-- Allowing students to review and self-select points of entry into electronic discourse fosters "laziness," or a new work dynamic where writers seek to better understand their own creativity in terms of a project's demands.

Lazy Virtues offers networked writing assignments to foster development of student writers by exposing them to the demands of professional audiences, asking them to identify and assess their own creative impulses in terms of a project's needs, and removing the writing teacher from the role of sole audience.

A modern reframing of Friedrich Hayek’s most famous work for the 21st century.

Friedrich Hayek’s The Road to Serfdom was both an intellectual milestone and a source of political division, spurring fiery debates around capitalism and its discontents. In the ensuing discord, Hayek’s true message was lost: liberalism is a thing to be protected above all else, and its alternatives are perilous.

In Liberalism’s Last Man, Vikash Yadav revives the core of Hayek’s famed work to map today’s primary political anxiety: the tenuous state of liberal meritocratic capitalism—particularly in North America, Europe, and Asia—in the face of strengthening political-capitalist powers like China, Vietnam, and Singapore. As open societies struggle to match the economic productivity of authoritarian-capitalist economies, the promises of a meritocracy fade; Yadav channels Hayek to articulate how liberalism’s moral backbone is its greatest defense against repressive social structures.

A modern reframing of Friedrich Hayek’s most famous work for the 21st century.

Friedrich Hayek’s The Road to Serfdom was both an intellectual milestone and a source of political division, spurring fiery debates around capitalism and its discontents. In the ensuing discord, Hayek’s true message was lost: liberalism is a thing to be protected above all else, and its alternatives are perilous.

In Liberalism’s Last Man, Vikash Yadav revives the core of Hayek’s famed work to map today’s primary political anxiety: the tenuous state of liberal meritocratic capitalism—particularly in North America, Europe, and Asia—in the face of strengthening political-capitalist powers like China, Vietnam, and Singapore. As open societies struggle to match the economic productivity of authoritarian-capitalist economies, the promises of a meritocracy fade; Yadav channels Hayek to articulate how liberalism’s moral backbone is its greatest defense against repressive social structures.