95 books match the query 'Art & Politics' and 3 start with l
Thierry De Duve
Diaphanes, 2026
A new interpretation of the reception and legacy of Marcel Duchamp's controversial Fountain.
In 1917, Marcel Duchamp sent a “telegram” in the form of a urinal signed “R. Mutt.” When it arrived at its destination forty years later, it was both celebrated and vilified for proclaiming that anything could be art. From, that moment on, the entire Western art world was reconfigured as “Post-Duchamp.”
This new work from celebrated art historian and philosopher Thierry de Duve marks the completion of his decades-long effort to understand how Duchamp's Fountain marked a turning point in art history and to resolve the unprecedented problems this piece poses for philosophical aesthetics. Beyond shedding new light on the piece's initial reception and correcting certain historical errors, Le télégramme de Duchamp offers a bold interpretation of Fountain. Duve argues that Duchamp's urinal heralded the demise of the fine arts system and the advent of what he terms the system of “art in general." He further asserts, however, that this system did not originate in the 1960s but can be traced back to the 1880s. Duve's new book, therefore, shows that Duchamp was neither the creator nor agent of this new system, but rather its brilliant messenger.
Cohen-Cruz, Jan
Rutgers University Press, 2005
An eclectic mix of art, theatre, dance, politics, experimentation, and ritual,community-based performance has become an increasingly popular art movement in the United States. Forged by the collaborative efforts of professional artists and local residents, this unique field brings performance together with a range of political, cultural, and social projects, such as community-organizing, cultural self-representation, and education. Local Acts presents a long-overdue survey of community-based performance from its early roots, through its flourishing during the politically-turbulent 1960s, to present-day popular culture. Drawing on nine case studies, including groups such as the African American Junebug Productions, the Appalachian Roadside Theater, and the Puerto Rican Teatro Pregones, Jan Cohen-Cruz provides detailed descriptions of performances and processes, first-person stories, and analysis. She shows how the ritual side of these endeavors reinforces a sense of community identification while the aesthetic side enables local residents to transgress cultural norms, to question group habits, and to incorporate a level of craft that makes the work accessible to individuals beyond any one community. The book concludes by exploring how community-based performance transcends even national boundaries, connecting the local United States with international theater and cultural movements.
Priya Basil
Diaphanes, 2025