264 books match the query 'Asian Studies' and 6 start with l
Sophie Chao
Duke University Press, 2025

Carman K. M. Fung
University of Michigan Press, 2027
For decades queer women in the Sinophone world have followed a strict dating custom: a lesbian relationship usually consists of a masculine partner, known as a tomboy, and a feminine counterpart. In the 2010s, however, many queer women have come to reject this custom and abandon their own former identities as tomboys. Leaving The Tomboy Behind follows their journey moving beyond lesbian masculinity and turning towards global LGBTQ+ media from Japan, Thailand, and the United States to explore new forms of gender expressions. Carman K. M. Fung offers a rich ethnography of the impacts media has had on queer Sinophone women’s lives, focusing on transnational interpretations and misinterpretations, and how media globalization shapes viewers’ perceptions of unfamiliar places. Through a combination of personal interviews and analysis of the global media these communities consume, Fung traces the genealogy of the tomboy identity in China, Hong Kong, and Taiwan in relation to global queer and trans cultures.
Kathie Carpenter
Rutgers University Press, 2021
Pavitra Sundar
University of Michigan Press, 2023
Honorable Mention of the 2023 MLA Aldo and Jeanne Scaglione Prize for South Asian Studies
Listening with a Feminist Ear is a study of the cultural politics and possibilities of sound in cinema. Eschewing ocularcentric and siloed disciplinary formations, the book takes seriously the radical theoretical and methodological potential of listening. It models a feminist interpretive practice that is not just attuned to how power and privilege are materialized in sound, but that engenders new, counter-hegemonic imaginaries.
Focusing on mainstream Bombay cinema, Sundar identifies singing, listening, and speaking as key sites in which gendered notions of identity and difference take form. Charting new paths through seven decades of film, media, and cultural history, Sundar identifies key shifts in women’s playback voices and the Islamicate genre of the qawwali. She also conceptualizes spoken language as sound, and turns up the volume on a capacious, multilingual politics of belonging that scholarly and popular accounts of nation typically render silent. All in all, Listening with a Feminist Ear offers a critical sonic sensibility that reinvigorates debates about the gendering of voice and body in cinema, and the role of sound and media in conjuring community.
Dickey, Sara
Rutgers University Press, 2016
Patcharin Lapanun
National University of Singapore Press, 2019