Results by title

134 books match the query 'Chinese' and 4 start with l

cover of Lawyering an Uncertain Cause: Immigration Advocacy and Chinese Youth in the US

Lawyering an Uncertain Cause

Immigration Advocacy and Chinese Youth in the US

Michele Statz

Vanderbilt University Press, 2018

Each year, a number of youth who migrate alone and clandestinely from China to the United States are apprehended, placed in removal proceedings, and designated as unaccompanied minors. These young migrants represent only a fraction of all unaccompanied minors in the US, yet they are in many ways depicted as a preeminent professional and moral cause by immigration advocates.

In and beyond the legal realm, the figure of the "vulnerable Chinese child" powerfully legitimates legal claims and attorneys' efforts. At the same time, the transnational ambitions and obligations of Chinese youth implicitly unsettle this figure. The maneuvers of these youth not only belie attorneys' reliance on racialized discourses of childhood and the Chinese family, but they also reveal more broad uncertainties around legal frameworks, institutional practices, health and labor rights—and cause lawyering itself.

Based on three years of fieldwork across the United States, Lawyering an Uncertain Cause is a novel study of the complex and often contradictory rights, responsibilities, and expectations that motivate global youth and the American attorneys who work on their behalf.
[more]
cover of Literary Authority and the Modern Chinese Writer: Ambivalence and Autobiography

Literary Authority and the Modern Chinese Writer

Ambivalence and Autobiography

Wendy Larson

Duke University Press, 1991

Throughout the twentieth century, Chinese writers have confronted the problem of creating a new literary tradition that both maintains the culturally unique aspects of a rich heritage and succeeds in promoting a new modernity. In the first book-length treatment of the topic, Wendy Larson examines the contradictory forms of authority at work in the autobiographical texts of modern Chinese writers and scholars and the way these conflicts helped to shape and determine the manner in which writers viewed themselves, their texts, and their work.
Larson focuses on the most famous writers associated with the May Fourth Movement, a group most active in the 1920s and 1930s, and their fundamental ambivalence about writing. She analyzes how their writing paradoxically characterized textual labor as passive, negative, and inferior to material labor and the more physical political work of social progress, and she describes the ways they used textual means to devalue literary labor.
The impact of China’s increasing contact with the West—particularly the ways in which Western notions of “individualism” and “democracy” influenced Chinese ideologies of self and work—is considered. Larson also studies the changes in China’s social structure, notably those linked to the abolition in 1905 of the educational exam system, which subsequently broke the link between the mastery of certain texts and the attainment of political power, further denigrating the cultural role of the writer.
[more]
cover of Liu Shiming: Sculpting Empathy

Liu Shiming

Sculpting Empathy

Richard Vine

Rutgers University Press, 2026

Liu Shiming (1926–2010) is a revered Chinese artist whose works have had a distinct impact on the course of modern Chinese sculpture. Born in Tianjin in 1926, Shiming attended the prestigious Central Academy of Fine Arts (CAFA) in Beijing, where he was part of the first generation of sculptors trained by the People’s Republic of China to study both traditional Chinese art and French modernist principles. Shiming received early recognition for his work, and his student project Measuring Land (1950) was one of the first works exhibited abroad following the establishment of the People’s Republic of China. 

Though well respected in China, the sculptor, who died in 2010 at the age of eighty-four, is only now beginning to win the wider recognition he deserves. Meanwhile, contemporary competitors are numberless, most of them Instagram-friendly, while art history tends to focus on towering names and indisputably major movements and events: Braque and Picasso inventing Cubism, Duchamp’s readymades redefining art itself, Warhol’s mind-bending Brillo Boxes, and so on. So why examine an artist in the middle ground? Perhaps, first, because that is where the vast majority of us live, trying to make sense of our lives and grateful for the occasional insight, release, or enrichment that visual art can bring us. Second, because the story of Liu Shiming reveals a great deal about the forces that have shaped postwar art worldwide. He was a man who sought to lead a simple life, dedicated entirely to art, in the midst of China’s epochal, dangerously complex twentieth-century social and political changes. 
 

[more]
cover of Lu Xun and World Literature

Lu Xun and World Literature

Edited by Xiaolu Ma and Carlos Rojas

Hong Kong University Press, 2025

Impressive and significant contributions to Lu Xun scholarship and world literature.

In Lu Xun and World Literature, the contributors examine various aspects of Lu Xun, who is known as the father of modern Chinese literature. Essays in this book focus on Lu Xun’s works in relation to the notions of world literature and processes of literary worlding. They offer detailed analyses of Lu Xun’s own literary oeuvre and of foreign works that engage with his writings. This volume also focuses on many facets of the publication and dissemination of Lu Xun’s works, from printing and binding to the discussions and debates that followed their release in China and abroad. This book not only makes an important contribution to the field of Lu Xun studies, but also proposes a reexamination of the category of world literature.
[more]