808 books match the query 'Civilization' and 16 start with l

cover of Landscapes of Movement and Predation: Perspectives from Archaeology, History, and Anthropology

Landscapes of Movement and Predation

Perspectives from Archaeology, History, and Anthropology

Brenda J. Bowser and Catherine M. Cameron

University of Arizona Press, 2024

Landscapes of Movement and Predation is a global study of times and places where people were subject to brutality, displacement, and loss of life, liberty, livelihood, and possessions. Extensive landscapes of predation emerged in the colonial era when Europeans expanded across much of the world, appropriating land and demanding labor from Indigenous people, resulting in the enslavement of millions of Africans and Indigenous Americans.

Landscapes of predation also developed in precolonial times in places where people were subjected to repeated ruthless attacks and dislocation. With contributions from archaeologists and a historian, the book provides a startling new perspective on an aspect of the past that is often overlooked: the role of violence in shaping where, how, and with whom people lived. Using ethnohistoric, ethnographic, historic, and archaeological data, the authors explore the actions of both predators and their targets and uncover the myriad responses people took to protect themselves. 

Contributors
Fernando Almeida
Thomas John Biginagwa
Brenda J. Bowser
Catherine M. Cameron
Charles Cobb
Robbie Ethridge
Thiago Kater
Richard M. Leventhal
Lydia Wilson Marshall
Cliverson Pessoa
Neil Price
Ben Raffield
Andrés Reséndez
Samantha Seyler
Fabíola Andréa Silva
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cover of Latin America: The Allure and Power of an Idea

Latin America

The Allure and Power of an Idea

Mauricio Tenorio-Trillo

University of Chicago Press, 2017

“Latin America” is a concept firmly entrenched in its philosophical, moral, and historical meanings. And yet, Mauricio Tenorio-Trillo argues in this landmark book, it is an obsolescent racial-cultural idea that ought to have vanished long ago with the banishment of racial theory. Latin America: The Allure and Power of an Idea makes this case persuasively.

Tenorio-Trillo builds the book on three interlocking steps: first, an intellectual history of the concept of Latin America in its natural historical habitat—mid-nineteenth-century redefinitions of empire and the cultural, political, and economic intellectualism; second, a serious and uncompromising critique of the current “Latin Americanism”—which circulates in United States–based humanities and social sciences; and, third, accepting that we might actually be stuck with “Latin America,” Tenorio-Trillo charts a path forward for the writing and teaching of Latin American history. Accessible and forceful, rich in historical research and specificity, the book offers a distinctive, conceptual history of Latin America and its many connections and intersections of political and intellectual significance. Tenorio-Trillo’s book is a masterpiece of interdisciplinary scholarship.
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cover of Latin American Identity and Constructions of Difference

Latin American Identity and Constructions of Difference

Amaryll Chanady

University of Minnesota Press, 1993

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cover of Latina/o Midwest Reader

Latina/o Midwest Reader

Omar Valerio-Jimenez , Santiago Vaquera-Vasquez

University of Illinois Press, 2017

From 2000 to 2010, the Latino population increased by more than 73 percent across eight midwestern states. These interdisciplinary essays explore issues of history, education, literature, art, and politics defining today’s Latina/o Midwest. Some contributors delve into the Latina/o revitalization of rural areas, where communities have launched bold experiments in dual-language immersion education while seeing integrated neighborhoods, churches, and sports teams become the norm. Others reveal metro areas as laboratories for emerging Latino subjectivities, places where for some, the term Latina/o itself corresponds to a new type of lived identity as different Latina/o groups interact in shared neighborhoods, schools, and workplaces.
 
Eye-opening and provocative, The Latina/o Midwest Reader rewrites the conventional wisdom on today's Latina/o community and how it faces challenges—and thrives—in the heartland.
 
Contributors: Aidé Acosta, Frances R. Aparicio, Jay Arduser, Jane Blocker, Carolyn Colvin, María Eugenia Cotera, Theresa Delgadillo, Lilia Fernández, Claire F. Fox, Felipe Hinojosa, Michael D. Innis-Jiménez, José E. Limón, Marta María Maldonado, Louis G. Mendoza, Amelia María de la Luz Montes, Kim Potowski, Ramón H. Rivera-Servera, Rebecca M. Schreiber, Omar Valerio-Jiménez, Santiago Vaquera-Vásquez, Darrel Wanzer-Serrano, Janet Weaver, and Elizabeth Willmore
 
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cover of Laying Claim: African American Cultural Memory and Southern Identity

Laying Claim

African American Cultural Memory and Southern Identity

Patricia G. Davis

University of Alabama Press, 2016

Reclaiming Southern history through the voices, memories, and experiences of African Americans.

In Laying Claim: African American Cultural Memory and Southern Identity, Patricia Davis identifies the Civil War as the central narrative around which official depictions of southern culture have been defined. Because that narrative largely excluded African American points of view, the resulting southern identity was monolithically white. Davis traces how the increasing participation of black public voices in the realms of Civil War memory—battlefields, museums, online communities—has dispelled the mirage of “southernness” as a stolid cairn of white culture and has begun to create a more fluid sense of southernness that welcomes contributions by all of the region’s peoples.

Laying Claim offers insightful and penetrating examinations of African American participation in Civil War reenactments; the role of black history museums in enriching representations of the Civil War era with more varied interpretations; and the internet as a forum within which participants exchange and create historical narratives that offer alternatives to unquestioned and dominant public memories. From this evolving cultural landscape, Davis demonstrates how simplistic caricatures of African American experiences are giving way to more authentic, expansive, and inclusive interpretations of southernness.

As a case-study and example of change, Davis cites the evolution of depictions of life at Thomas Jefferson’s Monticello. Where visitors to the site once encountered narratives that repeated the stylized myth of Monticello as a genteel idyll, modern accounts of Jefferson’s day offer a holistic, inclusive, and increasingly honest view of Monticello as the residents on every rung of the social ladder experienced it.

Contemporary violence and attacks about or inspired by the causes, outcomes, and symbols of the Civil War, even one hundred and fifty years after its end, add urgency to Davis’s argument that the control and creation of public memories of that war is an issue of concern not only to scholars but all Americans. Her hopeful examination of African American participation in public memory illuminates paths by which this enduring ideological impasse may find resolutions.

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cover of Learning To Divide The World: Education at Empire’s End

Learning To Divide The World

Education at Empire’s End

John Willinsky

University of Minnesota Press, 2000

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cover of Lexikon of the Hispanic Baroque: Transatlantic Exchange and Transformation

Lexikon of the Hispanic Baroque

Transatlantic Exchange and Transformation

Edited by Evonne Levy and Kenneth Mills

University of Texas Press, 2014

Over the course of some two centuries following the conquests and consolidations of Spanish rule in the Americas during the late fifteenth and early sixteenth centuries—the period designated as the Baroque—new cultural forms sprang from the cross-fertilization of Spanish, Amerindian, and African traditions. This dynamism of motion, relocation, and mutation changed things not only in Spanish America, but also in Spain, creating a transatlantic Hispanic world with new understandings of personhood, place, foodstuffs, music, animals, ownership, money and objects of value, beauty, human nature, divinity and the sacred, cultural proclivities—a whole lexikon of things in motion, variation, and relation to one another.

Featuring the most creative thinking by the foremost scholars across a number of disciplines, the Lexikon of the Hispanic Baroque is a uniquely wide-ranging and sustained exploration of the profound cultural transfers and transformations that define the transatlantic Spanish world in the Baroque era. Pairs of authors—one treating the peninsular Spanish kingdoms, the other those of the Americas—provocatively investigate over forty key concepts, ranging from material objects to metaphysical notions. Illuminating difference as much as complementarity, departure as much as continuity, the book captures a dynamic universe of meanings in the various midst of its own re-creations. The Lexikon of the Hispanic Baroque joins leading work in a number of intersecting fields and will fire new research—it is the indispensible starting point for all serious scholars of the early modern Spanish world.

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cover of Liberty and Justice for All?: Rethinking Politics in Cold War America

Liberty and Justice for All?

Rethinking Politics in Cold War America

Kathleen G. Donohue

University of Massachusetts Press, 2012

From the congressional debate over the “fall of China” to the drama of the Army–McCarthy hearings to the kitchen faceoff between Richard Nixon and Nikita Khrushchev, the political history of the early Cold War was long dominated by studies of presidential administrations, anticommunism, and foreign policy. In Liberty and Justice for All? a group of distinguished historians representing a variety of disciplinary perspectives—social history, cultural history, intellectual history, labor history, urban history, women's history, African American studies, and media studies—expand on the political history of the early Cold War by rethinking the relationship between politics and culture. How, for example, did folk music help to keep movement culture alive throughout the 1950s? How did the new medium of television change fundamental assumptions about politics and the electorate? How did American experiences with religion in the 1950s strengthen the separation of church and state? How did race, class, and gender influence the relationship between citizens and the state? These are just some of the questions addressed in this wide-ranging set of essays.

In addition to volume editor Kathleen G. Donohue, contributors include Howard Brick, Kari Frederickson, Andrea Friedman, David Greenberg, Grace Elizabeth Hale, Jennifer Klein, Laura McEnaney, Kevin M. Schultz, Jason Scott Smith, Landon R. Y. Storrs, and Jessica Weiss.

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cover of Life Within Limits: Well-being in a World of Want

Life Within Limits

Well-being in a World of Want

Michael Jackson

Duke University Press, 2011

The sense that well-being remains elusive, transitory, and unevenly distributed is felt by the rich as well as the poor, and in all societies. To explore this condition of existential dissatisfaction, the anthropologist Michael Jackson traveled to Sierra Leone, described in a recent UN report as the “least livable” country in the world. There he revisited the village where he did his first ethnographic fieldwork in 1969–70 and lived in 1979. Jackson writes that Africans have always faced forces from without that imperil their lives and livelihoods. Though these forces have assumed different forms at different times—slave raiding, warfare, epidemic illness, colonial domination, state interference, economic exploitation, and corrupt government—they are subject to the same mix of magical and practical reactions that affluent Westerners deploy against terrorist threats, illegal immigration, market collapse, and economic recession. Both the problem of well-being and the question of what makes life worthwhile are grounded in the mystery of existential discontent—the question as to why human beings, regardless of their external circumstances, are haunted by a sense of insufficiency and loss. While philosophers have often asked the most searching questions regarding the human condition, Jackson suggests that ethnographic method offers one of the most edifying ways of actually exploring those questions.
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cover of Life and Thought in the Ancient Near East

Life and Thought in the Ancient Near East

Louis L. Orlin

University of Michigan Press, 2010

Intended for readers seeking insight into the day-to-day life of some of the world's most ancient peoples, Life and Thought in the Ancient Near East presents brief, fascinating explorations of key aspects of the civilizations of Egypt, Mesopotamia, Palestine, Asia Minor, and Iran. With vignettes on agriculture, architecture, crafts and industries, literature, religion, topography, and history, Orlin has created something refreshingly unique: a modern guidebook to an ancient world. The book also reaches out to students of the Ancient Near Eastern World with essays on decipherments, comparative cultural developments between Egypt and Mesopotamia, and language and literature.

In addition to general readers, the book will be useful in the classroom as a text supplementing a more conventional introduction to Near Eastern Studies.

"Well-written and accessible, Life and Thought in the Ancient Near East deftly connects the past with present experience by drawing out the differences between, for instance, modern churches and ancient temples, and frequently employing biblical references. This simplicity together with connecting contemporary to ancient experience makes the text ideal for freshmen and general readers."
---Marc Cooper, Professor of History, Missouri State University

Now Professor Emeritus, Louis L. Orlin taught in the department of Ancient Near Eastern History and Literature at the University of Michigan for more than thirty years. He is the author and editor of several books, including Assyrian Colonies in Cappadocia and Ancient Near Eastern Literature: A Bibliography of One Thousand Items on the Cuneiform Literatures of the Ancient World.

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cover of Life between Two Deaths, 1989-2001: U.S. Culture in the Long Nineties

Life between Two Deaths, 1989-2001

U.S. Culture in the Long Nineties

Phillip E. Wegner

Duke University Press, 2009

Through virtuoso readings of significant works of American film, television, and fiction, Phillip E. Wegner demonstrates that the period between the fall of the Berlin Wall in November 1989 and the terrorist attacks of September 11, 2001 fostered a unique consciousness and represented a moment of immense historical possibilities now at risk of being forgotten in the midst of the “war on terror.” Wegner argues that 9/11 should be understood as a form of what Jacques Lacan called the “second death,” an event that repeats an earlier “fall,” in this instance the collapse of the Berlin Wall. By describing 9/11 as a repetition, Wegner does not deny its significance. Rather, he argues that it was only with the fall of the towers that the symbolic universe of the Cold War was finally destroyed and a true “new world order,” in which the United States assumed disturbing new powers, was put into place.

Wegner shows how phenomena including the debate on globalization, neoliberal notions of the end of history, the explosive growth of the Internet, the efflorescence of new architectural and urban planning projects, developments in literary and cultural production, new turns in theory and philosophy, and the rapid growth of the antiglobalization movement came to characterize the long nineties. He offers readings of some of the most interesting cultural texts of the era: Don DeLillo’s White Noise; Joe Haldeman’s Forever trilogy; Octavia Butler’s Parable novels; the Terminator films; the movies Fight Club, Independence Day, Cape Fear, and Ghost Dog; and the television series Buffy the Vampire Slayer. In so doing, he illuminates fundamental issues concerning narrative, such as how beginnings and endings are recognized and how relationships between events are constructed.

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cover of Life, Death, and Entertainment in the Roman Empire

Life, Death, and Entertainment in the Roman Empire

D. S. Potter and D. J. Mattingly, Editors

University of Michigan Press, 1999

Life, Death, and Entertainment gives those who have a general interest in Roman antiquity a starting point informed by the latest developments in scholarship for understanding the extraordinary range of Roman society. Family structure, gender identity, food supply, religion, and entertainment are all crucial to an understanding of the Roman world. As views of Roman history have broadened in recent decades to encompass a wider range of topics, the need has grown for a single volume that can offer a starting point for these diverse subjects, for readers of all backgrounds.
 
This collection fills such a need by uniting a series of general introductions on each of these topics for the non-specialist. Each essay brings readers into contact with broadly ranging evidence, as well as with a wide variety of approaches that are needed to study basic questions about the Roman world.
Essays explore the Roman family, gender definition, demography, Roman food supply, Roman religion, and the wide variety of public entertainments throughout the empire. The volume brings together an unparalleled range of methodologies and topics. It will enable the modern reader to understand the Roman world in all its complexity. The general reader will welcome this approachable and timely text.
Contributors to the volume include Greg Aldrete, Hazel Dodge, Bruce W. Frier, Maud Gleason, Ann Hanson, David Mattingly, and David Potter.
D. S. Potter is Arthur F. Thurnau Professor of Greek and Latin, University of Michigan.

D. J. Mattingly is Professor of Roman Archaeology, University of Leicester.

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cover of London in a Box: Englishness and Theatre in Revolutionary America

London in a Box

Englishness and Theatre in Revolutionary America

Odai Johnson

University of Iowa Press, 2017

2017 Theatre Library Association Freedley Award Finalist

If one went looking for the tipping point in the prelude to the American Revolution, it would not be the destruction of the tea in Boston Harbor, or the blockade of Boston by British warships, or even the gathering of the first Continental Congress; rather, it was the Congress’s decision in late October of 1774 to close the theatres. In this remarkable feat of historical research, Odai Johnson pieces together the surviving fragments of the story of the first professional theatre troupe based in the British North American colonies. In doing so, he tells the story of how colonial elites came to decide they would no longer style themselves British gentlemen, but instead American citizens.

London in a Box chronicles the enterprise of David Douglass, founder and manager of the American Theatre, from the 1750s to the climactic 1770s. The ambitious Scotsman’s business was teaching provincial colonials to dress and behave as genteel British subjects. Through the plays he staged, the scenery and costumes, and the bearing of his actors, he displayed London fashion and London manners. He counted among his patrons the most influential men in America, from British generals and governors to local leaders, including the avid theatre-goers George Washington and Thomas Jefferson. By 1774, Douglass operated a monopoly of theatres in six colonies and the Anglophone Caribbean, from Jamaica to Charleston and northward to New York City. (Boston remained an impregnable redoubt against theatre.)

How he built this network of patrons and theatres and how it all went up in flames as the revolution began is the subject of this witty history. A treat for anyone interested in the world of the American Revolution and an important study for historians of the period.
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cover of Looking North: Writings from Spanish America on the US, 1800 to the Present

Looking North

Writings from Spanish America on the US, 1800 to the Present

Edited by John J. Hassett and Braulio Muñoz

University of Arizona Press, 2012

Given recent changes in politics and demographics, Latin America and the United States are becoming increasingly important to one another. Recognition of the two regions' differences and similarities may facilitate a more fruitful relationship, with increased respect and understanding. 

It is with this in mind that editors John J. Hassett and Braulio Muñoz present a collection of writings that provides a look into the ways in which Spanish America has viewed its northern neighbor over the past two centuries. Gathered here are pieces by well-known figures from the worlds of Spanish American politics, history, philosophy, creative writing, and culture—names like Mario Vargas Llosa, Gabriel Garcia Marquez and Pablo Neruda.

Divided into three sections, Looking North begins by underscoring the cultural and political differences between the two Americas. It opens with a speech by Simón Bolívar to the Venezuelan Congress in 1819 and closes with an essay by Mario Vargas Llosa from 2006 on the controversial wall being constructed between the United States and Mexico. The second section explores the experiences of Spanish American travelers in the US, beginning with an account of former Argentine president Domingo Sarmiento's fascination with the United States during his travels in 1847 and ending with a 2008 essay by Vargas Llosa on the city of New York. The final section encompasses creative writing and commentaries by some of Spanish America's most gifted poets and novelists. It opens with Rubén Darío's "To Roosevelt" from 1905 and ends with Christine Granados's humorous and profound short story "Inner View," first published in 2006.

Touching on history, sociology, politics, and religion, the writings assembled here will be of interest to humanists, social scientists, and anyone intrigued by the ever-growing connection between the United Sates and Spanish America at all levels.
 


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cover of Louis I. Kahn: The Nordic Latitudes

Louis I. Kahn

The Nordic Latitudes

Per Olaf Fjeld

University of Arkansas Press, 2019

Louis I. Kahn: The Nordic Latitudes is a new and personal reading of the architecture, teachings, and legacy of Louis I. Kahn from Per Olaf Fjeld’s perspective as a former student. The book explores Kahn’s life and work, offering a unique take on one of the twentieth century’s most important architects.

Kahn’s Nordic and European ties are emphasized in this study that also covers his early childhood in Estonia, his travels, and his relationships with other architects, including the Norwegian architect Arne Korsmo.

The authors have gathered personal reflections, archival material, and other student work to offer insight into the wisdom that Kahn imparted to his students in his famous masterclass. Louis I. Kahn: The Nordic Latitudes addresses Kahn’s legacy both personally and in terms of the profession, documents a research trip the University of Pennsylvania’s Louis I. Kahn Collection, and confronts the affiliation of Kahn’s work with postmodernism.

 
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cover of Lucian’s Laughing Gods: Religion, Philosophy, and Popular Culture in the Roman East

Lucian’s Laughing Gods

Religion, Philosophy, and Popular Culture in the Roman East

Inger N.I. Kuin

University of Michigan Press, 2023

No comic author from the ancient world features the gods as often as Lucian of Samosata, yet the meaning of his works remain contested. He is either seen as undermining the gods and criticizing religion through his humor, or as not engaging with religion at all, featuring the gods as literary characters. His humor was traditionally viewed as a symptom of decreased religiosity, but that model of religious decline in the second century CE has been invalidated by ancient historians. Understanding these works now requires understanding what it means to imagine as laughing and laughable gods who are worshipped in everyday cult.
 
In Lucian's Laughing Gods, author Inger N. I. Kuin argues that in ancient Greek thought, comedic depictions of divinities were not necessarily desacralizing. In religion, laughter was accommodated to such an extent as to actually be constituent of some ritual practices, and the gods were imagined either to reciprocate or push back against human laughter—they were never deflated by it. Lucian uses the gods as comic characters, but in doing so, he does not automatically negate their power. Instead, with his depiction of the gods and of how they relate to humans—frivolous, insecure, callous—Lucian challenges the dominant theologies of his day as he refuses to interpret the gods as ethical models. This book contextualizes Lucian’s comedic performances in the intellectual life of the second century CE Roman East broadly, including philosophy, early Christian thought, and popular culture (dance, fables, standard jokes, etc.). His texts are analyzed as providing a window onto non-elite attitudes and experiences, and methodologies from religious studies and the sociology of religion are used to conceptualize Lucian’s engagement with the religiosity of his contemporaries.
 
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