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The first academic study dedicated to Please Sir!, a program that provides valuable insights into British society, television culture, education, and youth culture during the late 1960s and early 1970s.

The situation comedy Please Sir! was televised from 1968 to 1972. This book explores its background, comedic style, cast of characters, its depictions of contemporary issues, and the impact of crises faced by its production company. It argues that Please Sir! reveals much about the social, cultural, and televisual era in which it was produced.

An exploration of how comedy has shaped civil society—and become a form of subtle political resistance—in post-Soviet Russia and Ukraine. 

Leagues of Laughter traces the evolution of a Soviet-created youth game called KVN (Klub veselykh i nakhodchivykh or Club of the Cheerful and Clever) over sixty years as students’ nation-states collapsed, competed, and eventually went to war. Through cross-border narratives, the book shows how humor persists—and transforms—amid authoritarianism, censorship, and conflict. With insight and compassion, author A. Austin Garey reveals how laughter became a mode of resistance, identity, and cultural continuity in the long cultural context of the war in Ukraine. In addition to introducing a novel theory of “tradition as stance” to explain how traditions are reproduced and reinterpreted over time, the book offers a compelling comparative analysis of cultural production under political pressure. 

Love Song for the Life of the Mind develops the view of comedy that, the author argues, would have been set out in Aristotle's missing second book of Poetics. As such it is both a philosophical and a historical argument about Aristotle; and the theory of comedy it elucidates is meant to be trans-historically and trans-culturally accurate.