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Here is an entertaining and educational activity book for children from six to twelve on the always-popular topic of American Indians—except that the subject has been narrowed to only those Native Americans known to have lived in the Lone Star State.

Eye-catching line drawings invite children to color a wide assortment of scenes from the diverse lives of the many different groups of Indians native to Texas. The settings in the first part of the book range from the mammoth- and bison-hunting Paleo-Indians of over 11,000 years ago to the various nomadic and agricultural groups encountered by sixteenth-century Spanish explorers. Further drawings reflect changes over the centuries as Indian lifeways were forever altered and often destroyed due to contact with white newcomers who all claimed their land. In addition to the many drawings, a number of fun-filled and challenging games help build youngsters' Indian knowledge.

Born in 1767 at Saukenuk on the Rock River in western Illinois, Black Hawk of the Sauk and Fox Nation rose from young warrior to fierce defender of his people as the United States pushed relentlessly westward. His autobiography, originally dictated in 1833, is one of the earliest Native American life narratives recorded: a warrior’s unfiltered account of betrayal, resistance, and the patriotic fight to protect his homeland. In 1832, Black Hawk led his people to reclaim Saukenuk. Settlers had destroyed their homes and crops and illegally occupied their land that had been recognized as Sauk and Fox by treaty. After winning the first two battles against the U.S. military and volunteer militia in Wisconsin, Black Hawk’s band lost the final one at Bad Axe. Black Hawk’s people were forced to accept permanent removal to the west, and he became a prisoner of war at the Fort Jefferson barracks near St. Louis. It was there that he dictated his autobiography to an interpreter.

Introduced and edited by historian Donald L. Fixico, this new edition of Life of Black Hawk brings fresh context and cultural depth to Black Hawk’s words, illuminating the Sauk and Fox worldview, the sacred traditions of the Thunder Clan, and the spiritual life that shaped this remarkable leader. Black Hawk's account conveys what it was like to be a Sauk warrior in the early 1800s. He explains the Medicine Way of his people and how the traditional worldview of Black Hawk was quickly changing from a harmonious relationship with nature to unavoidable frontier hostilities with an expanding United States. You feel the frustrating dilemma of Black Hawk, who knows that defending his people and fighting to save his homeland is morally right. Timely, intimate, and essential, this volume is both a vivid window into the Indigenous experience on the frontier and a testament to a man who stands alongside the great Native patriots. For readers of Native American history, military history, and American biography, this is an extraordinary story that has never been more important to hear. 

Light As Light is acclaimed poet Simon J. Ortiz’s first collection in twenty years. The poems in this volume celebrate the wonders and joy of love in the present while also looking back with both humorous and serious reflections on youth and the stories, scenes, people, and places that shape a person’s life. Light As Light brims with giddy, wistful long-distance love poems that offer a dialogue between the speaker and his beloved. Written in Ortiz’s signature conversational style, this volume claims poetry for everyday life as the poems find the speaker on a morning run, burnt out from academic responsibilities, missing his beloved, reflecting on sobriety, walking the dog, and pondering the act of poem making. The collection also includes prayer poems written for the speaker’s son; poems that retell traditional Acoma stories and history; and poems that engage environmental, political, and social justice issues—making for a well-rounded collection that blends the playful and the profound.

The poems in Light As Light travel far across both space and memory, landing everywhere from the New Mexico of the speaker’s childhood, to California, Tucson, and present-day Beijing, and many airports, highways, and way stations in between. The central concern uniting this collection is language itself: the weight and significance of English and Keres, as well as the nature and power of poetry as a way of life. No collection of Indigenous literature is complete without the work of Simon Ortiz, and this book is a powerful journey through the poet’s life—both a love letter to the future, and a sentimental, authentic celebration of the past.