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Emma Gad (1852–1921) was a prolific Danish playwright at the turn of the twentieth century. With sparkling prose and witty dialogue, Gad’s ambitious and sophisticated theatrical productions raised important and still pressing questions about sexuality and morality—including the status of women in marriage, divorce, same‐sex desire, and marital infidelity. Through her plays she engaged with contemporaries like Henrik Ibsen, Oscar Wilde, and George Bernard Shaw, yet she is primarily remembered for her etiquette book, Takt og Tone.

Laughter and Civility, the first biographical and scholarly volume to examine and contextualize her dramas, deeply explores how and why influential women are so often excluded from the canon. Lynn R. Wilkinson provides insightful readings into all twenty-five of Gad’s plays and demonstrates how writers and intellectuals of the time, including Georg and Edvard Brandes, took her critically acclaimed work seriously. This volume rightfully reinstates Emma Gad’s work into the repertory of European drama and is crucial for scholars interested in turn‐of‐the‐century Scandinavian drama, literature, culture, and politics.

The laws of Medieval Iceland provide detailed and fascinating insight into the society that produced the Icelandic sagas. Known collectively as Gragas (Greygoose), this great legal code offers a wealth of information about early European legal systems and the society of the Middles Ages. This first translation of Gragas is in two volumes.

The laws of Mediaeval Iceland provide detailed and fascinating insight into the society that produced the Icelandic sagas. Known collectively as Gragas (Greygoose), this great legal code offers a wealth of information about early European legal systems and the society of the Middles Ages. This first translation of Gragas is in two volumes.

A direct descendant of a tenth-century Viking marauder traces his lineage from medieval Iceland to the Dakota plains

Gary Goodman first heard that his 24x great-grandfather was a tenth-century Viking pirate and mercenary at a family reunion, when a cousin told him that they were the direct descendants of an Icelandic poet and cold-blooded killer named Egil Skallagrímsson. Also known as “Egil the Bastard,” Goodman’s forefather was the subject of Egil’s Saga, one of the great Icelandic epics of the early Middle Ages. Spurred by this revelation of his family’s lineage, Goodman set out to discover the route his ancestors had traveled from medieval Iceland to the North Dakota plains in the later 1800s.

Drawing on Egil’s Saga, family records, and travels through Iceland, England, and Ireland, Goodman traces his ancestral line from Iceland—the family’s homeland for over a thousand years until a volcanic eruption forced them to migrate—to the hardscrabble plains of the Dakota Territory. His panoramic view ranges from the Viking invasion of England in the early Middle Ages to the disappearance of a short-lived Icelandic settlement on the Mouse River in North Dakota in the late 1800s. Along the way, Goodman sketches the highlights of Egil’s Saga, making the centuries-old epic accessible to today’s readers.

With candor, dry wit, and some bemusement, Goodman shares his trip through history from the perspective of a descendant of an original Viking marauder. An innovative, time-bending family history, Longships and Sod Houses is a noteworthy saga in its own right.

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